Tag Archives: Patrick Gallagher

OiNK! #11: ON YER BiKE!

This issue of OiNK contains the conclusion to the first Street-Hogs story, the spoof adventure strip which began right back in #1 (with a prelude in the preview issue) and they’ve taken over. Not only is their strip three pages long inside but we also get this gorgeous wraparound cover poster by their incredible illustrator, J.T. Dogg and the general theme of the issue is biking. There’s even a free motorbike model. Sort of.

Things kick off brilliantly with a parody of a very famous children’s character in Nobby Gets a New Set of Wheels, credited to Ena Blighty, a riff on Enid Blyton who would continue to pop up in comedy takes of other books. Written and drawn by co-editor Patrick Gallagher it looks like a traditional children’s picture-panel comic story and his art style suits it perfectly. The real Noddy may be pushing on a bit now but I doubt he’s grown up quite like this version.

Motorbikes are all over the first few pages. Uncle Pigg runs over Mary Lighthouse who was out in the middle of the street with placards campaigning for road safetly, after which our esteemed editor reminds the viewers to never “stand in the middle of the road waving your arms about!”.  Zootown, the Golden Trough Awards, even the Plops and a new superhero Hedgehog Boy (his first and last appearance because hedgehogs, roads and motorbikes do not mix) all hit the mark with both the theme and the funny bone.

One of the regulars getting in on the action is someone I haven’t introduced yet. Created by David Haldane he was a big hit with readers. In fact he was a big hit with everything, from skyscrapers to airships to whole armies. Basically, take the concept of Godzilla but change him into a friendly but ginormous hippopotamus and you have Hugo the Hungry Hippo.

No relation to the creatures in Milton Bradley/Hasbro’s tabletop game, Hugo was a pacifist and would only accidentally terrorise humans along the way. While the strip was basically the same set up every issue he was a fan favourite, going on to appear in 33 editions of OiNK altogether. It’s funny how our memories work sometimes, isn’t it? I was sure I remembered reading Hugo right to the end of the run but he actually disappeared not long into the comic’s second year, only reappearing randomly a few more times after that.

The main event is up next, the three-page finale to The Street-Hogs which takes over the middle of the comic. It might be initially disappointing to see this two-colour page below. It is beautifully grey-scaled though, something OiNK could do on its glossy paper that other IPC comics couldn’t on their newsprint. But anyway, this is only page one and the others are presented in their the usual full-colour gorgeousness and bring the tale to a suitably crazy end.

This episode really does pack it all in. There’s even a cliffhanger for turning over the page. Between the over-the-top sound effects right out of the silly 60s Batman, to the clichéd evil lair being an underground apple sauce factory, to the final battle coming down to a faulty wig. There’s a piece of comedic genius in every panel thanks to the incredible writing talents of Mark Rodgers and the way J.T. Dogg brings it all to the page.

That next adventure alluded to in the final panel, Day of the Triffics isn’t coming as soon as readers may have hoped, we won’t see it until around this time next year. It’ll be worth the wait though and in the meantime from #15 there’ll be a brand new adventure from another much-loved porky personality, Ham Dare: Pig of the Future for all those Dogg fans!


Attach handlebar/light attachment (N) to discombobulator attachment (O) at attachment attachment point (M) attach the attachment with anything you like, as long as it doesn’t smell.

Uncle Pigg’s Road-Hogg instructions

From Dogg’s Hogs to the Road-Hogg, it can’t have escaped fans’ attentions that two of the superb bikes with all of their exaggerated abilities were destroyed in the strip above. Unceremoniously dragged off at the end, later in the issue came the chance for readers to build one of their own. Advertised on the cover as “a free cut-out motorbike”, in typical OiNK fashion even this had a punchline as you’ll see if you take a look at the page below. All you need to do is follow the instructions.

The person responsible for this fiendish extra was Daz, aka Dave Skillin who had already contributed some great spoof children’s stories in these early issues, such as The Wonderful Adventure of Billy Batt and his Magic Hat which I featured in #1‘s review. Brilliantly, just last year a pig pal (probably in the grip of lockdown craziness) decided to try and actually build it! Here’s what Sue M. Hall said about attempting this seemingly impossible task:

“I have spent recent weeks making the cardboard cut out motorbike, ‘Uncle Pigg’s Road Hogg’. Like Mount Everest, because it’s there. However, it was drawn with parts that did not actually fit together. You had to use your imagination, and make additional parts. I challenged myself to use as many of the parts in the drawing as I could. I also added a V- twin engine where the panels labelled Oink! were. I had to shrink the Oink lettering so as not to obscure the engine, or the pattern on the fuel tank.”

Sue shared this on the Oink! Comic Facebook group and has kindly given me permission to show it to you all here. I think you’ll agree this is a fantastic piece of model building, especially given the fact it was never actually meant to be built! As for Daz himself, here is a recent self-portrait he created of himself, supplied by Patrick.

Also in this issue you’ll find Scruff of the Track which was drawn by the late and very, very great Andy Roper. You can check it out in all its glory on the obituary post for Andy posted earlier this year. Both The Sekret Diary ov Hadrian Vile and Horace (Ugly Face) Watkins have strong anti-bullying messages delivered with plenty of laughs, Burp’s attempts to befriend us humans once again go awry after his window cleaning (via his gigantic tongue) doesn’t account for one small detail, then Billy’s Brain partakes in the Highland Games and some gentle mocking.

None of these four highlights may involve the subject but it was never a hard and fast rule, more of a suggestion. I’m sure behind the scenes there would’ve been back and forth between the editors and the contributors to make sure enough of the contents matched the overall theme, although this could vary from issue-to-issue so we never knew what to expect.

Two weeks ago we were treated to not only one of the best Mr. Big Nose instalments from Jeremy Banx, but also Mrs Warsaw-Pact who was sick and tired of her son making a fuss when it was time for school, so she had him put down and stuffed. Really. Well, I’m very happy to say another unique one-off can be found here, this time called Ian Nasalcavity (where does he get these names?) Visits his Grandparents. The title alone leads us to believe we’re in for another surreal treat and I was certainly not to be disappointed.

From stuffing a child so he’d behave in school to decapitating someone by tying their tie and leaving his body to wander aimlessly in the streets, I think it’s safe to say none of our other humour comics were producing anything remotely similar to these. What I love the most is his family’s complete lack of worry at what they’ve done; they just either stick his head back on or push him out the door, shirking all responsibility, forever leaving poor Ian to live his life without a head rather than own up.

The Hallowe’en issue of OiNK (which will be reviewed in four weeks from the time of writing) will contain more of these Banx gems so watch our for them. While I can only show a few selected highlights I think it’s a safe bet at least one of them will be included.

I often wondered what on Earth passersby would’ve thought if they saw the OiNK guys out taking photos

We’ve made our way to the end of another issue and on page 31 is the first full-page GBH Catalogue to feature in the comic. The dodgy mail order company had a hand in every pie and future issues would see them promote everything from book clubs to holidays. All of these contained products which were atrociously poor quality and sold for vastly over inflated prices. This BMX catalogue is certainly no exception.

I often wondered what on earth passersby would’ve thought if they saw the OiNK guys out taking the pictures for their photo stories, but what about this one? The poor fella on the bike is Patrick’s younger brother, Mike Gallagher. Patrick kindly sent me another photo of Mike to try to make up for the one above. He said it was of him at home, but actually Mike is on stage in a production of The Playboy of the Western World at The Wilmslow Green Room in Cheshire. I wonder if the GBH Catalogue is on his resume?

So that’s us, another issue of OiNK comes to a close and gets placed back onto the shelf. The next issue is the Movies Special and you’ll find the review right here on the OiNK Blog on Monday 4th October 2021. But to finish off here’s one final little strip from this issue with a name that’s a play on words on my favourite novel of all time and some of my own very favourite movies and television shows. Until next time, enjoy Ian Jackson‘s War of the Worms.

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COMiNG UP: OiNK! #10

Pig pals may have already been back in class by the time #10 of their favourite comic appeared, but at least it could be counted on to take the sting out of the beginning of September. Given OiNK’s anarchic sense of humour, having a rebellious Back To School Issue seems like the perfect subject for the comic.

I didn’t get to read this particular issue as a child but I still have some funny memories associated with it and the cover takes me right back to many happy years spent in front of my Commodore 64 computer in the 90s. All will be revealed on Monday 6th September.

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COMiNG UP: OiNK! #9

If you haven’t read it yet you really should go and read the review for #8 of OiNK. Then this next strip will make more sense! Not that the issue made a lot of sense of course, what with the skeleton staff being in charge while Uncle Pigg was on holiday.

Seeing how many mistakes were being made (all hilariously brought to the pages of the comic), loyal assistant Percy Plop called his boss, whose response down the phone line was so furious the volume flung Percy across the room, sticking him to the wall! This madcap edition culminated in this strip near the back of the issue which acted as a full-page Next Issue promo.

So Uncle Pigg is back at the helm with a subject which, on the surface, might sound like it’s a bit dark for the kiddies. But they lapped it up and as you’ll see on Monday it’s one of the best yet. So come back on Monday 23rd August 2021 for the full real time review of #9 of OiNK!

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OiNK! #8: SKELE-TON OF FUN

I had a particularly pleasant time reading this issue of OiNK. It’s always a positive experience but blue skies, a beer and a furry feline friend for company heightened it even further. It was a different reading experience for what is a very different issue, kicking off with co-editor Patrick Gallagher‘s anarchic front cover.

As mentioned last time, after what must’ve been an exhaustive summer special Uncle Pigg and his staff were off on holidays, leaving issue eight in the capable hands of his skeleton staff. While their hands would be anything but capable, the second part of his description was more accurate. That’s right, actual skeletons make up the skeleton staff (of course they do) and the front cover pretty much sums up what’s to come with its slapdash approach and apparent mistakes.

Inside we meet Boss Bones and some of the hilarious substitutes for the humans that normally put the comic together. Brilliantly, the artists’ signatures have even been changed throughout the issue to match these pseudonyms; some have clearly been edited after the fact but some have been changed by the artists themselves. The skeletons print whole pages upside down, spill jam and burst their fountain pens as they make a general hash of putting an issue of OiNK together. Here are two such examples from the Grunts letters page compiled by Patrick Gallagher and Marc Riley‘s Harry the Head.

Two of the artists who really embraced the chaos were Jeremy Banx and Davy Francis, or rather their substitutes ‘Bonex’ and ‘Bony Hart’, the latter named after Tony Hart, the famous 80s children’s TV artist. Mr Big Nose‘s strip is made up of completely random panels with no correlation to each other, the star telling us it would’ve all made sense if the skeletons had remembered to include speech balloons. Jeremy later brings us three comic-invading butchers, a one-off surprise that evolves into the ongoing Butcherwatch series, which in turn would introduce us to the comic’s arch nemesis, Jimmy ‘The Cleaver’ Smith.

I’m reminded of a stand up comedian (I want to say Lee Evans) who noticed how everyone loves their local butcher; they comment on how friendly and trustworthy they are, they chat away while ordering their food, and this all happens despite the fact the butcher’s apron will invariably be covered in blood from the carcasses of dead animals they sawed into little bits just moments before. I remember laughing at this and I’ve never forgotten it to this day when I visit my local shop and see that play out in front of me.

This just reminded me of that.

Davy’s alter ego wasn’t in the same league as his namesake, as evidenced with his How to Draw page written by Mark Rodgers, or rather ‘Jolly Rodgers’. Bony’s advice was to cheat at every possible opportunity. This could include only showing the backs of heads because there are less features to draw, only having buildings very far away so they are nothing more than dots on the horizon, and never showing still figures. He claims this final tip is because they’re boring for the reader, but the real reason is so he can draw them running out of frame, their body replaced with nothing but zoom lines.

Naturally before any of us would’ve pinned her up on our bedroom wall she had to be the butt of a joke

The OiNK Superstar Posters make a welcome return this issue, or rather a generic ‘OiNK Poster’ is included. The reason a word is missing from the title is the subject matter. In the previous issue Ian Jackson (who had taken over poster duties from J.T. Dogg) drew Uncle Pigg as the subject of the only OiNK MEGAstar Poster, so with it being the turn of Mary Lighthouse (critic) the bland title this time is a joke in itself.

Mary’s a surprising pick, so naturally before any of us would’ve pinned her up on our bedroom wall she had to be the butt of a joke. This is brilliantly explained in a full page strip by Mark and Ian in which the skeleton crew try their best, which of course means the worst possible outcome will inevitably happen.

Moving on, the gorgeous lady below played the role of Terry Wogham in an early photo story series, one of which I’ve already shown in issue five‘s review. This would be her final appearance, shot all out of focus after the skeletons handed the role of photographer to Weedy Willy. Tony Husband told me he went on all of the photoshoots for this particular series including the last one, during which the farmer told them they’d completed their story just in time because she was due to go to the slaughterhouse the next day!

Having gotten to know her over a few years the team’s hearts were broken and they even considered buying her and renting a field in which she could live out the rest of her life, but unfortunately they weren’t able to in the end. Terry lives on though in the hearts and minds of pig pals everywhere.

Towards the back of the comic Uncle Pigg’s loyal assistant Percy Plop (named for the first time) telephones his boss to inform him of how the issue is panning out and the response is so loud it flings Percy across the room where he sticks to the wall! We get a brilliant strip showing our editor’s return to the office which acts as a full page Next Issue promo. With the comic back in his capable trotters it was time for a more traditional ending to the issue.


“We really got the drop on him, didn’t we?”

Eustace the Underpants

Do you remember Jimbo & the Jet Set?  Were you a fan?  Are you singing the theme tune now?  Oh dear, sorry. Premiering on BBC One in the early weeks of 1986 the show was at its height when OiNK came along, making it perfect fodder for the team’s own spin on the idea of anthropomorphic objects. If you watched the cartoon you’ll know Jimbo was joined by various talking trucks, helicopters and even a set of airplane steps, all chattering away on the tarmac. Patrick Gallagher decided to run with that idea.

This wouldn’t be the last time a popular talking form of transport would get the OiNK treatment. I’m sure if you try to guess who I’m talking about you’ll be on the right track. It’s a favourite of mine so I’ll definitely be including that one too.

IPC Magazines printed OiNK on high grade paper and everything was hand-coloured for more depth

Let’s finish this issue with the back cover, where we find Tom Thug and his dad have made it to Blackpool after setting off last issue. It’s not only the first time we get to see a colour strip from Lew Stringer in OiNK, it was the first one he’d produced to ever see print. Readers of The Transformers would’ve seen Robo-Capers by Lew before now but those were coloured in-house at Marvel UK using overlays for flat colours.

IPC Magazines printed OiNK on high grade paper and everything was hand-coloured for more depth. To be fair, the early editions of Transformers contained hand-coloured artwork on the main strip and cover too. In the case of this Tom Thug strip Lew used water colour inks and the result is lovely. Even that final panel.

Speaking of which, according to Lew the final panel had some dialogue edited by one of the comic’s editors; the word “sink” was originally meant to be “bog”. It was rare for something like that to be changed in OiNK.

Having a full-colour back page surely shows how well regarded Tom was with the editors. He was certainly appreciated by the fans, including this one. To this day Tom is my favourite comics character of all time and I’ll be looking forward to each of his instalments in this read through.

So that’s us for another issue. OiNK may be safely back in the trotters of Uncle Pigg but I don’t think Mary Lighthouse will be as safe, not with the next issue’s theme being that of revenge. You can check back in two weeks to see exactly how that’s enacted, the next review is published on Monday 23rd August 2021. Ta-ra for now.

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COMiNG UP: OiNK! #7

I think in the middle of this current heatwave (at the time of writing) it’s quite apt the next issue of OiNK, up for review this coming Monday 26th July 2021, is the summer edition. In these days of social media influencers and celebrity endorsements, here’ a very 80s superstar to give you her opinion on what’s to come.

So “special” was the next issue it had two promotions inside #6, from which both of these clippings have been taken, both created by Patrick Gallagher.

The next issue was also one which would end up reaching more readers through a special giveaway, and the one where some exaggerated controversy came from. The next OiNK contains a strip which is the source of another oft-told myth about the comic and I’ll be setting the record straight on Monday. So come back then for one cool comic.

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COMiNG UP: OiNK! #6

This coming Monday 12th July brings an issue of OiNK I can’t wait to get my trotters on again. When I read these comics over seven years ago for the previous blog this felt like the point where it all clicked into place, where it really settled into its own and became the OiNK we all remember. With a new confidence about it, it just felt like the perfect issue.

From the promotional advert in #5 above (by co-editor Patrick Gallagher) I can tell you Watery Down will definitely feature. A spoof of Watership Down with just sublime artwork from Ann Martin all in the name of a good (or should that be terrible) pun. So make sure you bookmark the blog or follow along on social media so you don’t miss the review and the highlights of OiNK’s Animal Crackers issue.

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OiNK! #5: PERFECT PiG PALS

While the main event of this fifth issue of OiNK is the Unfair Funfair adventure game and there’s no theme as such, there’s an overall feeling of celebration inside, a celebration that the comic was proving to be a hit among its target audience. While #4 had a few letters, #5 is the first issue to contain a variety of contributions from readers, with a few small jokes and drawings scattered throughout, a photo story showing us the kind of kids who were reading OiNK and references to their letters in some of the strips.

Things begin with Mary Lighthouse (critic) on page two as per usual and something stood out in its last panel. The image of Mary and the words Uncle Pigg is shouting were definitely not by strip artist Ian Jackson, so I asked Patrick Gallagher about it. In Mark Rodgers‘ original script the mass of letters was meant to be hate mail for Mary but IPC Magazines didn’t like this reference and asked for it to be toned down. It was changed to reference fan mail for the comic which I think is actually funnier. You can compare the two ideas below. On the left is how the strip appears in the comic, on the right is a mock up created by Patrick to show how the original idea looked.

I love the set up with Mary receiving three complaints and calling it an outcry. It all feels very contemporary. After all, that’s how The Daily Mail still operates today, isn’t it? This strip would coincidentally end up quite prophetic. While it’s obviously a joke, it’s strikingly similar to something the comic’s editors would face after a certain story is published in #7, but we’ll get to that later.

Directly below this on the same page is a character whose name is somewhat direct. In fact you could say it’s a bit on the nose. Mr. Big Nose would introduce surreal humour to the young audience in a way that really shouldn’t work in a children’s comic, but it did. One issue he could be showing us gravity is actually invisible creatures holding everything down, or he’d be ignoring an alien assassin by reading the newspaper, or playing Rambo in a school play of Little Bo-Peep, or having his vacuum cleaner turned into a dolphin.

Mr Big Nose’s strips followed no rules and the more absurd the situation, the more bizarre the juxtapositions, the more they didn’t make sense, the funnier they were. With no barriers in his way, Jeremy Banx‘s imagination was on full display and this kind of humour would also start to spill over into his Burp the Smelly Alien strip in later issues too.

Appearing in almost every one of the fortnightly issues of OiNK Mr Big Nose would sadly disappear with #45, the first weekly edition. However, including specials Jeremy would end up crafting 42 completely different tales for us to enjoy, and enjoy them we did. That dolphin’s name often gets quoted by pig pals online to this day!

Rather than simply printing the written letters sent in OiNK would illustrate them

So as I said at the top of the review this issue brought with it the first contributions by OiNK’s readers. The regular space for these was the Grunts page but it only contains one drawing this time and some made up letters to Uncle Pigg from imaginary readers for a laugh. Soon enough it would be full to bursting with readers’ celebrity spoofs, photos, newspaper clippings of pigs in the news, poems and of course jokes for Nasty Laffs and Specs.

These two little panels aren’t on the letters page, instead popping up right at the beginning of the issue on page three. Rather than simply printing the written letters sent in OiNK would illustrate them, which would just spur on the young readership more. Who wouldn’t have wanted to see their joke turned into a cartoon strip?


“You smell awful! You must be a City supporter!”

Random human to Burp the Smelly Menace from Outer Space

Interestingly, OiNK also printed input from readers in their holiday specials and annuals, something no other annual I collected as a kid ever did. While my Marvel UK comics had standard letters pages answered in very entertaining ways, IPC (and later Fleetway) would often encourage their readers to send something different. Barrie Tomlinson, editor of many action adventure comics was always asking readers to contribute to a wonderful variety of features on his letters pages. But OiNK went even further and just let them send in whatever they wanted!

So who were these young readers, these so-called “pig pals”? Time for Terry Wogham to investigate.

Terry Wogham was a series of photo stories in the earliest issues where a real pig interviewed a series of top celebrities. Of course, we’d often only see these special guests from his eye level, so the comic could get away with showing only legs and torsos. For this issue though, we got to see the faces of those interviewees, a selection of Typical OiNK Readers.

Like looking in a mirror. The strip contains all three of OiNK’s creators. Mark Rodgers can be seen wearing the bald cap and bandana with a toothless mouth drawn over him, then that’s him at the bottom left of the final panel, with Tony Husband and his son Paul behind him. Patrick Gallagher is in the middle of the back row, with his former wife Ann to the right (his left), then Ann’s brother James who was also an OiNK photographer. In front of James is his wife Alanna and in the middle of the front row is Tony’s wife, Carole.

So who remembers those Make-Your-Own Adventure books? For the uninitiated I’m referring to children’s novels designed to be read in a non-linear fashion, very much like the text adventure games on home computers at the time. At the end of each page you’d be given a choice of where to take the story next and the corresponding page numbers for each choice, the idea being to make it to the end of the adventure alive. For example the character could be faced with a spooky house or a haunted forest and they could decide to turn to page ‘x’ to enter the house, or page ‘y’ to walk towards the forest. 

Whether it was intended or not, I remember Horace teaching me not to judge anyone by how they look

The format was ripe for an OiNK parody. Bringing the idea of The Unfair Funfair to life was artist Ralph Shephard, fresh off his excellent riff on The Transformers in #3. He would also go on to draw one of my all-time favourite spoofs from the comic, but that’s a tale for another review. His previous colourful style is replaced with black and white for the most part which suits the setting perfectly with its lovely feeling of spooky mischievousness.

Just like the books this was based on, the cover proclaims “You are Barry the butcher”, but surely that’s the last thing an OiNK reader would want? How can a butcher be the hero of the adventure? Read on, try the game and find out for yourself.

After you’ve tried a few of the options I’m sure you can probably guess what the note on the Grunts page said. To quote Uncle Pigg, “You are Barry the butcher … and I am the fairground owner! Whatever choices you make, you’ll still end up in the swill!!! Told you it was an Unfair Funfair! Hurr hurr hurr!!” Well, the clue was in the name after all, but it’s still fun to try out all the options. Even though you know what’s going to happen next, making those different choices just to end up reading the same panel again and again is the whole point and what makes it so funny.

Besides the blockbuster main event, other highlights include Nigel and Skrat the Two-Headed Rat, Noel Ford‘s weird creations who only appeared in half a dozen issues believe it or not. I say that because I’ve very vivid memories of them! New thief on the block Swindler Sid pops up in Snatcher Sam, Uncle Pigg brings readers up to date on Hoggy Bear‘s predicament in The Street-Hogs before heading home, and while trying to make new human friends Burp‘s breath gets him into hot water.

The final highlight I’m pulling out of this issue’s hat is Tony Husband‘s lovable character, Horace (Ugly Face) Watkins. To anyone new to OiNK the title of this strip might give them the impression of a clichéd comics character with one certain feature or ability that would be played for easy laughs. But as always with OiNK, created as a reaction to such tired comics ideas, there’s a lot more to it than that.

Horace’s strip would alternate between funny, contained stories and ongoing serials showing his struggles at simply trying to live his life. The early stories featured funny scenarios centred around his appearance, but never in a cruel way. He could scare off a monster by complete accident and end up the hero for example and he never seemed to lose his upbeat outlook at life. This issue’s strip sees his parents try to hide his looks from his visiting wealthy uncle, only for it backfire on them and their assumptions.

As OiNK continued the strip matured into an ongoing serial involving Horace’s football career. At times he’d get down about his looks, his treatment by others and how cruel the world could be, but he was a strong individual and we’d cheer him on every fortnight. His story even had a proper ending when the comic finished and a very happy one at that.

Whether it was intended or not, I remember Horace teaching me not to judge anyone by how they look, a strong message for anyone but in particular for a child reading it and getting swept up in the laughs and the adventure. I never felt lectured, never thought Tony was even trying to do any of this, but it’s what I took away from it and as such I believe he was an important part of my development as a child.

On that note it’s time to place this fifth issue of OiNK back on to the bookshelves and look forward to the next edition in a fortnight’s time. Issue six is the Animal Crackers issue and it certainly is a cracker! There comes a time in any comic’s early life when it all just seems to click, to gel together and prove its potential and I’ll tell you all about that moment in OiNK’s run on Friday 12th July.

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COMiNG UP: OiNK! #5

This Monday 28th June brings with it OiNK‘s take on the Make-Your-Own-Adventure books we used to enjoy so much as kids. Will you be able to escape the terrifying traps? Well, given the fact your character is a butcher in something called The Unfair Funfair, I wouldn’t count on it!

The issue celebrates the publication’s new fans with a bunch of material sent in by pig pals and the fact it seemed to be quite the hit with the youngsters of the day. Also look out for the first strips from Mr Big Nose and Horace (Ugly Face) Watkins to appear on the blog. Don’t miss out, be here on Monday!

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COMiNG UP: OiNK! #4

This coming Monday on the blog the beautiful comic hosts the beautiful game. (People actually call football that, right?) Three issues down and OiNK was the comic everyone was talking about. Don’t believe me? Don’t just take my word for it, here’s an advertisement from that week’s Whizzer and Chips as proof! (Thanks to pig pal Simon Bromley for sharing this)

Co-editor Patrick Gallagher‘s renditions of Tom Thug, Street-Hog Hi-Fat and Harry the Head joined his own creation, Head Banger to tell readers all about the World Cup Special in this ‘Next Issue’ panel from #3. If you’re wondering what the chicken man is doing here then you clearly didn’t read the review for the third issue.

The coming issue also contains my personal favourite page of OiNK out of the comic’s entire lifespan! So make sure you don’t miss out by subscribing to the blog or checking for updates on the various social media, then be here on Monday 14th June 2021.

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OiNK! #3: ACE SPACE iSSUE

I have a little personal story about this issue I’d like to share. I started collecting OiNK with #14 and some time after that I was at my cousin’s house when he gave me a couple of his back issues. One of these was #3. I remember coming back downstairs from his bedroom and sitting next to my late nanny, who looked at the cover. I didn’t know how she would react and was delightfully surprised when she giggled and gave me a little wink.

It’s just one very happy memory I associate with this comic and I’ll share more as we go along. My nanny’s giggle was completely justified with Tony Husband‘s cover and its bare piggy bottoms, which actually wraps around to the back page and its explanation for the image. I always loved a good wraparound cover on a comic. Marvel UK were very good at them and while this one isn’t advertised as such (the poster mentioned on the cover refers to a Star Wars spoof inside) it would make for a funny addition to the wall.

This is the first of the themed editions, which over the course of the majority of the fortnightly issues would include everything from traditional Hallowe’en and Christmas themes to music, health, families, war, revenge, love… the list goes on. It added another original element to OiNK and made each individual issue a unique experience. In the early issues editor Uncle Pigg and critic Mary Lighthouse would often introduce the theme, mostly written by Mark Rodgers and drawn by Ian Jackson.

I wonder if Colin Baker ever saw himself drawn in Ian’s style?  This wouldn’t be the last time The Sixth Doctor would influence Uncle Pigg but that’s a story for a future issue so you’ll just have to be patient. Mary’s TARDIS pops up on the Grunts page as she desperately tries to phone the operator before reappearing in her own strip near the end of the comic. But she wasn’t the only character to materialise throughout the issue.

Next up is undoubtedly the star strip of the issue. Boldly going where no photo story had gone before, the OiNK team were really pushing the boundaries of what they could achieve with the format, the characters literally bursting out of the panels and running amok throughout the comic. My original exposure to Star Truck was with the sequel story in the first OiNK Book, which was even more chaotic! Here, in only the third issue, the imagination of the OiNK team is on full display.

Our cast is made up of Mark Rodgers as Captain Slog, Patrick Gallagher as Sock, Marc Riley as Jock and Tony Husband under the chicken mask as the alien, Jerm. Can you imagine the fun these guys had creating this? Imagine this being part of your job! Jerm would make his escape and pop up in various other strips, a few examples of which I’ve included below.

First though, prolific IPC Magazines comics writer Graham Exton was also part of the creative team behind OiNK and contributed many stories and countless amounts of puns. The first full strip of his I’m showing is the first appearance of regular nutball Roger Rental, He’s Completely Mental, as drawn by local Northern Ireland artist Ian Knox.

Roger was always a favourite of mine. Most of the time he’d appear in quarter-page strips like this one, each with an innocuous beginning, only for Roger to take the meaning of something completely the wrong way. Roger would appear in most of the fortnightly issues before disappearing when the comic turned weekly. But that’s still a lot of short, sharp gags and he would never disappoint.

Turning the page and discovering an OiNK version of your favourite cartoon or toy was always a thrill

There are so many highlights within the pages of this issue it’s been difficult to select just a few for review purposes. They include Billy’s Brain, a story about a young boy who inherits his genius uncle Vincent’s sentient brain and together they outwit the thieves wishing to use his knowledge for their own nefarious needs. Burp the Smelly Alien‘s page makes a bold impact with its use of one colour (and check out that final panel gag), the Star Truck crew pop up in Horace (Ugly Face) Watkins, Ian Jackson‘s depiction of penguins is a highlight of The Golden Trough Awards and Maggie Pie, Collector of Weird Things goes on a wig collecting spree.

The comic never shied away from spoofing all the things its readers loved. Ghostbusters, He-Man, James Bond and more would all end up getting the OiNK treatment. Turning the page to an OiNK version of your favourite cartoon or toy was always a thrill, a bit like seeing your favourite celebrities on Spitting Image. One franchise they were quick to latch on to was Hasbro‘s Transformers.

Central to this particular take was the simple idea these robots could disguise themselves as anything, and I do mean anything. Everyone remembers the toys transforming into cars and airplanes but there were also guns, stereo systems, cassettes and all manner of original ideas. OiNK took this concept and ran with it.

The Transformoids is gloriously illustrated by Ralph Shephard whose style I distinctly remember, mainly because he’d give the same treatment to Thomas the Tank Engine & Friends which I was a fan of at the time. So it’s surprising to discover he only contributed to nine issues in total. But such was the impact of his work he was still a highlight of the entire run.

The Transformers would also be the subject of a Madvertisement much later in the run but this is my favourite take on the Robots in Disguise. The ludicrously giant robots appearing out of the flimsiest of objects reminds me of being puzzled, even as a kid, as to how Decepticon leader Megatron could transform from giant robot into a gun held by his comrades in the cartoon. It never made sense to me, but it ended up giving us this delightful, genuinely hilarious spoof so I’ll forgive it.

The inhabitants keep their animal instincts, insights and best of all their appetites

Time to take a trip to a town that sounds just lovely but in reality is one you may wish to avoid. First though, just above it is a quick pun from Tony Husband in the ongoing Star Truck chase sequence.

Zootown sounds innocent enough and on the surface this looks like a strip you could find in any other comic; a town where the residents go about their daily lives and who just so happen to be animals. But this is OiNK, so of course there’s going to be a twist in the tale. Here, the inhabitants keep their animal instincts, insights and best of all their appetites.

The creatures were never given names as far as I remember so every issue we were seeing different random inhabitants, but each species would act in specific ways with each other. The carnivores would often get the upper paw, terrifying the little docile animals, but thankfully I don’t think they were ever on the buffet menu. Of course, I could be wrong but there always seemed to be some kind of strange friendship there.


“We knew you’d come this way, so we took a shortcut through the staples!”

Captain Slog, Star Truck

This episode may not have that particular aspect of the ongoing series but it’s still the perfect example of the daft humour we’d enjoy every time. Zootown felt like such a richly populated place even though we saw so little of it each issue, such was the talent of its creator David Haldane.

Before we finish off with the final part of our space saga we’re joined by Albert Einswine and his fascinating Science Facts for Simpletons.

Any excuse for some more Ian Jackson artwork, right? I’ve included it for more than just the art, obviously. It’s a genuinely funny read and sums up how unpredictable the humour in OiNK could be, in particular in these little one-off additions to every issue. Ludicrous stuff.

Speaking of which, we’ve made it to the last page so it’s time to rein in Jerm once and for all as we conclude the first outing for the crew of the Enterpies with Star Truck: The Final Chapter. What I love the most here is the fact they’re self-aware of being inside the pages of a comic. From the reference to it being on page 31, to the shortcut through the staples taken by the Captain and his men, the daftness doesn’t let up for one panel. Check out the cardboard tube/tennis racquet gun, elaborated upon with some quick hand drawn lines.

A brilliant, genuinely very funny strip the likes of which you just wouldn’t have seen anywhere else. As the comic continues the photo stories become more elaborate but never losing their cheap and cheerful feel, never forgetting they’re taking the hand out of those in other comics and magazines which were trying (often failing) to look serious and professional.

Star Truck would return in The Oink! Book 1988 and that’s when I first met the crew. Somehow the sequel is even funnier, again taking place across several other pages but in the much bigger book format there was more scope for what they could do with the idea.

That’s us all done for another fortnight, at least as far as OiNK reviews go anyway. There’s always more going on here on the OiNK Blog so make sure you keep up to date on the latest additions by subscribing or by keeping an eye on the social media feeds. OiNK #4, the World Cup ’86 issue will be here Monday 14th June 2021.

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