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SATURDAY 27th MAY 1989

Marvel UK’s The Real Ghostbusters comic appeared to be celebrating a week late on Brian Williamson’s and Nick Abadzis’ colourful cover on this day back in 1989. Rather simpler in design but probably more eye-catching was Jeff Anderson’s rather shocking cover to Transformers and Action Force (yup, G.I. Joe were back).

The story that stood out the most to me in the former was Culture Shock. Its main set up was Ray inventing something instead of Egon, even though Ray had done so before. But the strip stood out for a couple of other bizarre reasons. The first was the fact the invention was a blatant Doctor Octopus (Spider-Man) rip-off and Ray fights a random terror dog, the beasts from the original movie, with no explanation as to why one just pops up out of nowhere. Odd to say the least.

The UK strip in Transformers is again drawn by Dan Reed and I just love how his art looks in black and white, and this was before he knew they wouldn’t be coloured; when he does the level of detail he produces is second-to-none. The Classic Cover calendar is for May even though the month was about to end, the June one having been printed in error last month. Never fear, Lew Stringer’s Combat Colin was on the case and you can read it at the link at the bottom of this post.

On to the checklist details and Action Force (G.I. Joe) was back in Transformers after we said goodbye to the Visionaries for the final time last week. The Joes would remain with the comic beyond #300. The opening line to The Real Ghostbusters’ description will have that song stuck in your head all day, but other than that it’s an unremarkable checklist, the other three comics being repeats of last week’s entries.

It’s here that I actually take issue with things. Has interest in doing the checklist waned? Was it being phoned in? I said last week how I was surprised the special 50th issue of The Real Ghostbusters wasn’t the ‘Don’t Miss’ title when Action Force Monthly (which had been given the top spot) would be here for four weeks and could’ve been awarded it another time. To add insult to injury, it’s been given the spot again so there was no excuse last time.

Anyway, on with the latest contemporary comics ad.

I never realised there was a Marvel UK Popeye comic, but then again I was never the biggest fan of the cartoons. As a kid I felt the humour was outdated so it just didn’t appeal to me. (OiNK has a lot to answer for.) This advert isn’t exactly the most elaborate they’ve produced, is it? It looks like it’s been thrown together in rather a hurry, in fact. The comic itself wasn’t that popular either, lasting for only eight issues and one winter special before disappearing.

Next week there’s another odd choice made on the checklist as a big event issue of one of their biggest titles doesn’t get the attention it deserves and one of Marvel UK’s top-sellers gets the horrible “another chance to read” treatment. There’s another ad though, and it’s one that I may not remember from my comics but it does take me back to my childhood nonetheless. See you in seven.

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SATURDAY 13th MAY 1989

Lee Sullivan’s cover for this week’s Transformers and Visionaries combines the issue’s two robotic strips in one striking image rather than using a split screen, while Brian Williamson and Nick Abadzis provide us with my favourite of the four Real Ghostbusters in a solo role.

Sky Lynx was probably my favourite character from the cartoon, simply because he loved himself so much yet was so utterly charming and polite as he fawned. He doesn’t feature in any action this week, instead stealthily stalking Dreadwind, but it still made for an exciting cover even if Dogfight was in a different story. The female warriors are still portrayed poorly in unnecessarily scant clothing but at least they have a biting sense of humour when confronted by typical male arrogance.

At the time of writing this blog post one of The Real Ghostbusters strips feels rather relevant. All those fossil fuels we still continue to dig up are full of the haunted spirits of the creatures they come from. However, in a comic that has already had strong environmental stories, the solution is very strange. A deal is struck with the oil diggers that they’ll not harm the ghosts if the spirits ensure the well never runs dry. Not exactly sending the right message there, something the comic was usually very good at.

That wonderful Starscream tale ends in a surprisingly sad way as the maniacal not-quite-dead Decepticon pleads for release but two Nebulans slaughter him regardless. Death’s Head #7 continues to entertain with the funniest strip of his run and last week’s Doctor Who Magazine remains too. I’ve been informed it’s an Ice Warriors article, not strip, so in a comics checklist there’s no info on the actual comic story. Thundercats continues to limp on, again playing out like the weekly Ghostbusters comic but released only a fraction as often and already containing reprints. At least there was a new freebie to start collecting this month.

As promised, I’ve finally got a new contemporary comics advert to share with you. Now, as a huge fan of the cartoon and his humour strip in The Real Ghostbusters, you’d think I’d have been all over a Beano-esque humour comic with Slimer as the star, wouldn’t you? If you’re unaware of the comic in question, here’s a proper introduction to It’s Wicked after the teaser back in week 34.

At the time OiNK was still fresh in my mind, a comic that spoofed what it deemed to be the tired and safe comics of old. OiNK was a breath of fresh air, so It’s Wicked felt like a step backwards to me. To this 11-year-old it was using a new and exciting character to churn out the same old jokes that had originally put me off humour comics.

Plus, there’s the very obvious way It’s Wicked was a Marvel UK rip-off of Beano and The Dandy etc. Have a look at the cover of any issue and it just screams “DC Thomson could sue us for this”, from every part of its layout right down to the colours used on the logo! We wanted originality and using Slimer in this way felt cheap and nothing more than a ploy to sell us something pretty tacky. It’s Wicked would last for only 17 weekly issues and I never picked up a single one, and never felt like I was missing out. Did you try it? Was it as horrific as I assumed?

Oh dear, that was rather downbeat for the OiNK Blog, wasn’t it? Well, Marvel UK’s range did have its ups and downs, thankfully they weighed heavily towards the former. In fact, next week my own two comics have a big celebratory issue and the return of a favourite Cybertronian of mine. See you back here in seven, then.

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SATURDAY 29th APRiL 1989

Today way back in 1991, Brian Williamson’s and Nick Abadzis’ cover to The Real Ghostbusters #47 and Art Wetherell’s for Transformers and Visionaries #216 were shining bright from newsagent shelves across the UK. As far as I’m concerned, together they make quite the impact.

I’ve mentioned recently how I’m currently watching Doctor Who from the very beginning and have been for nearly two years. Before I began, I took somewhat less time to enjoy every episode of Grand Designs on Channel 4 (resulting in me beginning to pay for it so I didn’t have any ads while doing so – bliss) and one of Kevin McCloud’s rules is never cut down grand old trees. Advice Egon should’ve followed and he might not have ended up being turned into his favourite fungi.

I really enjoyed these split screen Transformers covers, highlighting the new story format inside. It’s a shame they didn’t do more of them because over the next 100 issues there were some great double-bills I’d loved to have seen presented on the cover this way. Inside, there’s news of the first UK stories to be created specifically for the new five-page black and white strips. I think it would’ve eased the blow for some long-time readers if they’d waited until they were ready to change the comic’s make up.

Race With the Devil was memorable for two reasons. The first being Andrew Wildman’s depiction of a team of archeologists who were very similar to the stars of the sister comic in the photo above. The second was it ending on the reanimated corpse of Starscream. That image stayed with me for decades! Check it out at the link below. The trouble with having three stories now of course means there’s less room for details of each in the checklist, which is a shame because it’s a blinder of an issue.

Last week’s Action Force Monthly and Thundercats instalments remain for obvious reasons, while the only new entry is another monthly title which’ll most likely also be stuck here for a few more checklists. This issue’s slapstick humour perfectly complimented the action and wry wit of Death’s Head, making it one of the funniest issues of the run, which was no small feat.

We’re in the middle of a bit of a dry spell as far as comics adverts go and this continues next week, but don’t despair they’ll be back soon to tug at the ol’ grey cells.

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SATURDAY 1st APRiL 1989

This week’s Marvel UK cover for The Real Ghostbusters by Brian Williamson and Dave Harwood was overshadowed by the strap line for me. Also, at the time I didn’t realise this week’s Transformers and Action Force cover was something of a big deal.

That’s because it was drawn by John Stokes (Doctor Who, Star Wars, The Invisibles), making his first return to the weekly in three years. The story was great, focusing on the mental toll of being the human part of a Head Master, while the big changes coming next week were hyped with a full-page Next Issue promo. However, it contained no text or details, just three comics panels. The editorial made a big deal about Visionaries returning without mentioning it’d be a reprint. How very on brand after last week’s checklist post (link below).

So yes, that Atari ST competition in The Real Ghostbusters really takes me back. I always loved the look of that machine and was in awe of how a friend used his to produce incredible music, albeit a few years after this, so I never entered at the time. Strip-wise, after contradicting the cartoon last week the comic now contradicts itself by featuring Father Time, forgetting he’d already appeared in a completely different guise in an earlier issue. It was still fun though, as always. On to the checklist.

Death’s Head remains because let’s face it we all should’ve bought every single issue, it was that good and deserved more success. There are also a few details for you there about the sheer amount of stories The Real Ghostbusters comic could include in its 24 pages every week, while Transformers’ checklist entry does little to sell its fantastic, human story beyond a basic action piece. But hey, they had to get the kids interested so we won’t hold that against them.

Action Force Monthly was Marvel UK’s attempt to repackage their content back to the States (as ‘G.I. Joe The European Missions‘), so they had a forgivable excuse for including some reprints. Some of the regular features from the ol’ weekly a couple of years previous were also making their way back into the comic, giving it a feeling of being in rude health. Such a shame in five short months it would just… stop! But those UK stories were superb, the few that I’ve read anyway.

A short one this week but the adverts return in seven days, featuring a dog, a cat and a penguin! You’ll see what that’s all about in week 37 of The Mighty Marvel Checklist.

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SATURDAY 25th MARCH 1989

Kicking things off for Marvel UK’s two best-selling comics are covers from Brian Williamson and Bambos Georgiou for The Real Ghostbusters and Andrew Wildman for Transformers and Action Force, the latter of which reminds me of a school trip to London in P7.

While there we had to visit Hamley’s toy store, naturally. I bought Ecto-2 while my friend Roger bought Decepticon Pretender Beast, Carnivac. For the remainder of the trip Roger kept it sealed in its box, fearful of losing anything if he opened it before we got home. I didn’t have the patience for that so I took my Ecto-2 helicopter out of its box for a closer inspection… and promptly lost the missile launcher!

Anyway, Carnivac would become a favourite character of mine later in the comic’s run when he’d team up with the Autobot survivors of the recent Time Wars and Underbase Saga storylines. Back to this week and the Ghostbusters comic has a strip inside it that fans would find somewhat confusing. On the checklist it simply states they’re at a haunted film set but that’s only half the story.

They’re actually filming the live-action movie, with them in the starring roles. That’s weird enough, but in the cartoon they’d already visited the set of the film in which the original actors were playing the roles. It was a fan favourite episode (it even contained movie footage) so, combine this with Week 32’s Spengler’s Spirit Guide and it’s clear the comic’s team weren’t researching the show their work was based on.

Despite being an excellent issue and a sequel of sorts to a strip in Doctor Who Magazine, the first appearance of Death’s Head’s fifth issue wasn’t important enough to knock the first monthly Thundercats issue off the top spot. Thundercats seems to be getting the ‘Don’t Miss’ spot more than any other comic. They were really trying to push it, weren’t they? What else were they pushing at us this week, adverts-wise? Two Spring Specials, that’s what.

First up is Droids. This wasn’t an extra edition of a regular comic, rather a one-off special importing an American strip to the UK for the first time. Droids was a cartoon Star Wars spin-off released in the States as a companion series to Ewoks, the latter of which I remember my friends watching. Toys, comics and various other merchandise were all created for what would surely be a sure-fire hit, but in the end Droids only lasted one season of 13 episodes and a special, the comic also cancelled after eight bi-monthly issues so it never got beyond this edition and some Marvel Bumper Comic appearances this side of the Atlantic.

At least Droids brought us a strip we hadn’t seen yet, our next Spring Special was another matter entirely. I remember stumbling upon this edition of the Visionaries comic by accident, buying it immediately and loving it. I’d missed out on the monthly but had devoured the annual the previous Christmas. Little did I know this Spring Special was pretty much just the fifth and final issue of the comic repackaged with minimal changes.

Even the advert was recycled from the one used to promote the first issue the previous year. Released at the same time Visionaries returned to Transformers as the back up strip (a third printing of the origin story within 12 months), this was probably why the special was released. A quick copy and paste of a whole issue and any new readers would hopefully start picking up Transformers as a result. You can check out just how similar it was to the last issue in its review, link below.

After what seemed like a bumper year for Marvel UK in 1988, a year in which we got constant news of new comics and which saw me spending a lot of my parents’ money on them, not many survived and 1989 was turning out to be a year of reprints and big changes to some of their biggest titles. More on that soon!

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