Tag Archives: Tom Paterson

OiNK! #15: NEW PiGLETS

It appears I jumped on to the OiNK train at the right moment back in 1986. Last time I shared the memories of my first issue and just one week later came a kind of soft relaunch as the theme. OiNK had established itself, publishers IPC Magazines were happy, the readers were happy and it was proving to be a success, so the team decided to celebrate by bringing in a whole bunch of brand new regular characters.

Let’s not forget the fantastic free gift, the first of three Ian Jackson posters which combined into one giant calendar for 1987 featuring The 8th Wonder of the World: Mount Rushboar. I can remember pouring over all the little details in the swarm of people running across Harry the Head and Burp the Smelly Alien carved into the rock face and even the little bits of rubbish left behind on this apparently reverential site. How typical of us humans and a funny swipe at British tourists in particular.

On page two we find out how this glossy comic could afford such extravagances, with staff reduced to working naked, cartoonists and accountants alike shivering in the cold as Uncle Pigg looks on, wearing his Hawaiian shirt to boot. Christmas was coming early for him with all the money OiNK was raking in, and it was coming early for us too because the calendar poster freebies would continue up to the first festive issue.

Mary Lighthouse is back with her strip on page three. Normally this would be a way of introducing the subject matter of the issue but here it’s quite clear it has a bigger job to do. It’s introducing new readers to the character and the overall cheekiness and irreverence of the comic. Don’t get me wrong, Mark Rodgers and Ian Jackson still deliver the goods for the regulars too, it’s genuinely funny but it also reinforces the way the comic is reintroducing itself now that its readership is growing.

Coming on board just before this issue is probably the reason why I always assumed certain characters were in OiNK right from the beginning, when in reality this was their first appearance. Two such examples are Davy FrancisGreedy Gorb (He’d Eat Anything) and Jeremy Banx‘s wonderfully surreal and often very rude Hector Vector and his Talking T-shirt. The latter actually gets a proper origin story when a magical genie appears from Keith Disease‘s (I never remembered him having an actual name!) packet of crisps, but Keith is rude to him because his snack is gone. Poor Hector happens to be passing and Keith is forever confined to be a “tasteless print” on his t-shirt.

I remember his strip being one of my favourites so expect to see them soon. The only reason I’m not including them here is because there’s just too much I could include that I had to leave some real classics out. But I was always going to show you the beginning of OiNK’s second spoof epic. Hot on the trotters of The Street-Hogs comes Ham Dare: Pig of the Future, also stunningly illustrated by J.T. Dogg and this time the multi-part serial is written by Lew Stringer. IPC’s very own Eagle and 2000AD hero Dan Dare was the subject of OiNK’s style of parody, complete with sidekick Pigby and arch nemesis The Weakun‘!

This was my first exposure to J.T.’s artwork and it looked like nothing I’d ever seen before. Possibly because of this, as much as I love The Street-Hogs now, Ham Dare remains my favourite of all the OiNK serials. Lew’s script is fast-paced and packed full of gags, both for fans of the original space adventurer or those like me who learned of him through this. I especially love how Sir Hogbert has to show our heroes such a basic drawing to describe Earth being pulled out of orbit. Ham Dare may not be the sharpest pork scratching in the packet but he looked dashing as the hero and that’s what was important to him (and we loved him for it).

Elsewhere this issue Horace (Ugly Face) Watkins‘ own serial continues and a lot of the humour comes from the narrative by Tony Husband. Fan favourite Pete and his Pimple makes his debut after being the footer gag to a Tom Thug strip in #6. Hyperactive Harriet is the fastest girl in the world and a not-so-subtle take on The Beano‘s Billy Whizz. Then Billy Buzz gets the same ‘New Character’ treatment as the rest, but his saccharine personality annoys Uncle Pigg so much he swats him by the end of the strip and that’s the last we’d ever see of him!

Billy might not have made the grade but the next new addition certainly did. She quickly became a childhood favourite, so much so that I was certain she appeared in almost every issue I had as a kid. But surprisingly Psycho Gran was only in 20 editions of OiNK altogether including specials and annuals. Despite this, she became a true OiNK legend.

Created by David Leach (Brain Damage, Toxic Crusaders, Spongebob Squarepants) she was originally submitted as a one-off strip, so when OiNK’s editors introduced her as a new regular character in this issue it was a bit of a surprise for David. This explains why she doesn’t reappear until #21 because he hadn’t made any more! David tells me the guys would send him a list of upcoming issue subjects and he’d submit Psycho Gran strips for whichever ones he had an idea for. He never had a Psycho strip turned down and as a fan I can see why.

This strip might look familiar to anyone who has purchased the new comic series from David in recent years because he reproduced this as a gorgeous, heavily detailed, full colour strip. In fact, between contributions to Aces Weekly and Psycho’s own digital and print comics, David has now produced more work for the little old dear in the years since OiNK than during her time in her debut comic.

There are certain Psycho Gran strips, as well as individual jokes and images that stayed with me long after childhood was a distant memory. Whether she’s randomly throwing people into the ocean, making military preparations to pick her pension up at the Post Office or adorning a Wild West Wanted poster, she could terrify many in her little world but she was adored by pig pals.


“‘Sammy is getting old and worn out! I’ll have to replace him with a new engine!’, said the Controller.

Sammy the Steam Engine

Two new characters are up on the next page together, namely Sally Scowl (Her Temper’s Foul!) and Fatty Farmer (He’s A Whole Lot Calmer). Their titles may have rhymed like so many traditional humour strips of the time but that’s where the similarities end. Both were written by Mark Rodgers (of course) and drawn by Dave Follows and Weedy Willy‘s Mike Green respectively.

Both are enjoyable, even if we do already have a bad tempered youth in the shape of Billy Bang. But unlike Billy, Sally’s temper builds until she uses it to her advantage at just the right moment. She’s a lovable character and after that hilarious first panel I can’t blame her for being in a bad mood all day! She was also that rare occurrence indeed, a black character in one of our childhood comics. So why does Sally disappear after #16, totalling only two appearances? So much for a new regular character! What a shame and a waste of a great idea.

The message was clear, don’t let the bullies get to you.

Fatty Farmer was a larger than life country farmer who’d often come up against bullies and small-minded individuals making fun of his weight. However, he’d remain chilled out and deal with them calmly, often proudly using the very thing they were laughing at to his advantage. The message was clear, don’t let the bullies get to you. He’d go on to be a bit more successful than Sally with 11 strips in total, appearing in every issue for the first few months and then on and off during the rest of the fortnightlies. To have him and Sally on the same page for their first appearances was a great contrast and a great idea.

Back in #3 artist Ralph Shepherd drew OiNK’s brilliant take on The Transformers. As I said at the time, the comic would often take the hand out of things we readers loved and for me there was nothing I loved more than the subject of this next strip. It was so funny to see this as a kid. This was really the first many fans of the show would’ve seen a spoof of it (and it was even several months before the official comic finally launched). Over the course of the two weeks I had to wait for my next OiNK I reread this several times, laughing and loving the fact OiNK had its own version of Thomas the Tank Engine & Friends.

Looking at this issue as a whole I can see I was clearly spoiled as a kid with this as only the second comic I ever bought. Whether I realised that at the time is another matter. I got to experience the gorgeous work of J.T. Dogg for the first time, got to meet lots of new characters including many who would become lifelong favourites, the subject of my top book series and TV show was given that unique OiNK makeover and then on top of all that was one of only five Tom Paterson OiNK strips!

What a lovely surprise it was to come across this page when reading the issue for this review. Written by Mark Rodgers it’s already a funny script, but when it’s in the hands of Tom you just know there are going to be many more laughs added before he’s done with it. Mister Cheese would unfortunately be Tom’s final full page story for OiNK. After this his work would only pop up once more in a tiny quarter-page strip in The OiNK Book 1988, which I won’t be reviewing for another 13 months! Just as well this is so jam-packed with Tom’s trademark sight gags then isn’t it? Tom was just too busy to be a regular contributor and that’s such a shame because I believe he and OiNK were the perfect fit, perhaps more so than any other comic.

Before we wrap up with the back page, here’s a little bit of news about the next issue. While this edition may have introduced a wealth of new characters, #16 brings with it a true superstar, a megastar, a “fantastic” new addition to OiNK who I remember waking up to every Saturday morning on No.73. His creator sadly died back in 2010 and it was the news of his passing that brought me back into the sty after decades away. Next issue sees the start of his contributions which really have to be seen to be believed.

I’m definitely looking forward to the next issue! For now, I’m going to finish off with this full colour back cover from Lew Stringer. We got a glimpse on the Grunts page (at the top of this review) of what it was like to work in the OiNK offices. Uncle Pigg may have had all the right words to say to the readers but the reality behind them was somewhat different. Here’s Lew’s inside scoop on the real behind-the-scenes of creating the funniest comic ever produced!

For a much younger me these two issues were a strong start. Such a strong start! How could it possibly get any better? Be here on Monday 29th November 2021 to find out.

OiNK! #1: 35 YEARS LATER!

Off we go! Happy 35th anniversary to my very favourite comic of all time and what I truly believe is still the funniest to ever grace shop shelves. The preview issue released the week before had prepared some for what was to follow, but the actual premiere issue made quite the impact all by itself with a free record on the cover and a matching cover image to promote it. This could not have failed to catch the eye.

We’ll take a closer look at the free gift in a bit but first let’s start with editor Uncle Pigg taking no nonsense from critic Mary Lighthouse on page two. Written by Mark Rodgers and drawn by Ian Jackson, these strips were a regular fixture for many of the early issues and starting in #3 would introduce the fortnightly subject of each issue. These would include your traditional Christmas and Hallowe’en editions, but could also be anything from music, computer games or pets, to space, health or war.

There’s no subject this time obviously but there is certainly an edge to the first few pages. Our editor introduces strips such as Ed Banger, the boy with the invincible headbutt and Mike and Spike, the naughty boy with a mohican and his equally naughty pet hedgehog. Both were drawn by Patrick Gallagher, who also put the cover together. Very modern, very 80s characters, both feel like they were intended to be regular fixtures, but Ed would only return once and after appearing in the preview issue this was Mike and Spike’s last.

But that was one of the things we loved about OiNK, the forever changing line up of regular, occasional and one-off characters kept things fresh and exciting rather than formulaic and predictable. In fact, it’s only upon looking back on the series I realise some of my favourite regular characters weren’t regular at all. But one thing we could always count on were spoof advertisements.

The half-page Uncle Pigg’s For Sale Column mimicked the kind of thing we’d see in local newspapers, except here they’re all being sold by one person, or rather pig. A precursor to the infamous GBH catalogue company in later issues, here everything is poor quality for extortionate prices. I particularly like the couple of running jokes, the ‘Barrel of Monkeys’ and ‘Live Shark’ gags rolling over into each subsequent, even funnier advert.

It might seem strange to have the above as one of our first highlights of the premiere issue rather than a strip, but these were ubiquitous with OiNK. However, only a few page turns later would be a strip set to astound the eyes of the young readers used to black and white or one-colour pages in their comics. The Street-Hogs were all set to make their grand entrance.

Written by one of the comic’s three creator-editors Mark Rodgers, who wrote so much of OiNK, it’s a spoof of classic Saturday morning television serials and their constant, increasingly ridiculous cliffhangers and even more ludicrous heroic escapes. However, inspiration could be traced back to everything from the 60s Batman to Starsky & Hutch.

It was all brought to life by the incredible talent of illustrator J.T. Dogg who, while comic artists usually draw their pages at a larger scale which is then shrunk down during publication, drew his pages at the same size as the finished product. Knowing this fact makes his beautiful colour work even more incredible in my eyes.

Is it any wonder they [The Street-Hogs] are so fondly remembered to this day by so many pig pals.

Dirty Harry, Emma Pig, Hi-Fat and their informant Hoggy Bear would fight against the butcher mafioso and find themselves in one escape-proof scenario after another for the first 11 issues, returning later for further serials. As well as being hilarious, Mark’s scripts also brought a real adventure vibe to things, albeit in suitable OiNK fashion. Is it any wonder they’re so fondly remembered to this day by so many pig pals.

The premiere issue saw some returning characters from the preview such as Burp, Weedy Willy and chat show host Terry Wogham, as well as the second OiNK Superstar Poster. This time it was Bacon Stevens (I’m sure Shaky would’ve approved) and friend of the comic BBC Radio DJ John Peel also got the OiNK treatment. New addition Hadrian Vile would prove to be an instant hit and appear in almost every issue too.

One thing I particularly loved were the takes on children’s story pages. We’d also get lots of cheeky digs at specific cartoons and toys but when OiNK took classic children’s book staples and created their own original tales they were simply magical, and no pun is intended here.

Daz‘s The Wonderful Adventure of Billy Batt and his Magic Hat takes the idea of rhyming children’s stories, told in picture panels and captions and illustrates it in what could be mistaken as a somewhat traditional fashion. That is, until you actually read it.

Daz would contribute quite a few of these to the early issues of OiNK, each one starting off innocently enough, building anticipation in the reader. As I read them, I’m just waiting for that moment in each story when it starts to take a turn for the surreal, the comedic or the horrific. Then of course, they’re all capped off with a killer last line.

So, it’s time we talked about that free gift.


“Poo-poo, tinkle-tinkle, parp-parp, OiNK!”

Actual lyrics to The OiNK Song

Over a year later the team would bring us a record called The OiNK 45 which readers could buy through mail order. This is what I did back in 1987. It contained three songs, two of which had originally been on this special floppy flexidisc. Specially tuned to be enjoyed by young ears but excruciating for adults ones, The Oink Song and The Oink Rap were irritatingly catchy and I loved annoying my family with them at a volume they simply shouldn’t have been played at.

Along with silly dance moves (and alternative uses for the disc for those without record players) on a special double page spread were the lyrics. Whenever OiNK is brought up on some random social media chat it’s never too long before someone quotes the chorus of the song on the right!

Both were recorded by former member of The Fall, creator of Harry the Head and BBC Radio 6 Music DJ Marc Riley, The Oink Song’s effect of multiple squeaky pigs being achieved by overdubs. Creator-editor Tony Husband produced some of the electric percussion for the rap song and, according to Tony recently, “that influenced Public Enemy and Run DMC and all those people Dr. Dre talks about as a major influence.”

To hear some of The Oink Rap just check out the OiNK Blog YouTube Channel where it’s used for the opening and ending of each episode. Just remember, I did warn you in advance.

I’m very happy to see Tom Paterson return for this premiere issue after his Revenge Squad in the preview. Drawing another Pigg Tale written by Mark Rodgers, this strip makes the previous one look like a warm up. This is Tom without any of the constraints he had to work under elsewhere. It epitomises silliness and is chock full of his trademark sight gags and background jokes. Take your time in reading this one.

I love all of the little incidental details such as the explanation of where Jonesy’s underwear came from, the sound effects and descriptive words used throughout, even the obligatory bangers and mash. I even like his depiction of Uncle Pigg, even though by this time it was agreed he wouldn’t be a typical smelly pig. If Tom had been able to become a regular contributor his collection of strips by the end would’ve been second-to-none, but at least we can enjoy such brilliance as Testing Time.

One more highlight for this issue and it’s a rare colour outing for OiNK’s very own superhero.

David Haldane contributed quite a few strips to the comic, including Hugo the Hungry Hippo and the dark humour of the Torture Twins. Rubbish Man was his main character, where young hot dog salesman Jimmy Bung would save the world against a crazy array of villains by leaping into the nearest dustbin and becoming the smelly superhero, with everything from cold custard to mouldy mashed potato at his fingertips. Quite literally.

Haldane’s style has changed somewhat from the preview; his outlines are chunkier, the panels are fuller and overall it’s a much bolder look. It’s all very random, like organised chaos, which suits the overall comic perfectly. I love it. From the gorgeous colour work to the handily bleeped out curse words, it’s the final strip of the comic and the perfect way to end things for now.

As first impressions go this has been a great success and a joy to read from beginning to end. The sheer variety in the art styles alone was enough to make it stand out, but put those styles into genuinely hilarious strips, make them all different lengths, squeezing in as much as you possibly can to make use of every available space and print it all on extra large, glossy paper and what do you have? A comic like nothing else on the market. In other words, you have OiNK!

Issue two’s review will be here in a fortnight on Monday 17th May and you can check out its promo too.

OiNK PREViEW iSSUE: A COUPLE OF COVERS

The preview issue of OiNK was reviewed last week here on the blog and the first issue will be popping up tomorrow. But before then I thought I’d share a couple of little extra tidbits about that free promotional edition.

The first thing I want to show you is a little photo I discovered on the OiNK Comic Facebook group when trawling through years of images from fans and cartoonists alike. One of OiNK’s three creators, Patrick Gallagher shared this a good few years ago now so the quality isn’t great (in fact this is the full size of the image so it won’t enlarge if clicked on) but what it shows is the original cover of the dummy issue.

You can see how the logo is a separate piece of paper stuck on there. This was the mock up given to IPC Magazines to see if they’d give it the green light for development and most of its contents would eventually make its way into the preview issue itself. The cover would be redrawn by the superlative Ian Jackson. In an amazing exclusive, Patrick was also able to get the following quote from none other than OiNK editor, Uncle Pigg:

“Undoubtedly the Holy Grail of OiNK artifacts, worth its weight in swill and lovingly cobbled together in the last century AD by a hodge-podge army of scribes and scribblers for the joy of piglets and children alike… the OiNK dummy issue! The one-off mock-up that secured the commission for the subsequent 68 published issues and spin-offs. But what’s inside?… Ah! Maybe one day all will be revealed! Anyone interested to know?” – Uncle Pigg x

Yes, Uncle Pigg, we’d be very interested!

Next up is this cover to the issue of Whizzer and Chips which the preview issue came bagged with. The same week’s Buster comic also gave it away but made no mention of OiNK inside, but here it makes the front page strip. Shiner, Sid’s Snake and Sammy Shrink welcome Buster to the Comics Characters Club and an unfinished drawing of Uncle Pigg joins them!

A few times in the OiNK preview Uncle Pigg is shown drawn by various artists and some chose to have him surrounded by flies and a seemingly strong odour, things that were dropped for the comic proper. I’m assuming when Tom Paterson drew this cover strip the final look of our esteemed editor hadn’t been locked down yet. This might also explain his braces and going topless!

Okay, so that’s us all ready for the start of the OiNK real time read through. Starting tomorrow and continuing all the way through to the end of 2023, whether you’re eager to relive some cherished memories or discover the world’s funniest comic for the first time, I hope you’ll enjoy the ride.