Tag Archives: Simon Thorp

OiNK! #40: HAM-MER HORROR

In 1986 OiNK’s timing was impeccable when it came to the spooky season and the relevant issue ended up being #13. A year later another happy coincidence saw the release date of the 40th issue as Saturday 31st October, perfect for their second Hallowe’en special. Kicking things off is the triumphant return of Ralph Shephard (not seen since #23 and who wouldn’t be again until the second annual), an artist who drew so many great spoofs of childhood favourites in the early days of the comic. What an incredible cover this is!

Ralph’s bewitching front page is a fondly remembered classic, a gorgeous piece which takes advantage of the little bit of extra space the new smaller logo gives, and that background colouring effect is just beautiful, adding plenty of atmosphere and really making it stand out on the shelves. (It’s also the second cover in a row for Harry the Head.) From now on we’d get one banner along the top instead of several, the cover images no longer needing gaps. I think it makes for a bolder, clearer cover for the rest of the fortnightlies.

For me the stars of this issue are the smaller mini-strips; there are just so many of them this time out and every one is a cracker. This does make my job of select only a few choice highlights incredibly difficult of course but it’s a nice problem to have. On the inside front cover is Roger Rental, He’s Completely Mental as ever drawn by Ian Knox, now written by new OiNK scribe Vaughan Brunt.

May has passed away in recent years and it’s been nice to relive memories of reading OiNKs at her house

It’s strange to think how tiny little strips like this, with just two panels and two lines of dialogue, can stick in the brain for decades to come. This one certainly went on to do just that. Then again, Roger was such a memorable character. Ever since his first appearance in #3 all his strips have been genuinely laugh-out-loud funny, the premise letting the writers’ imaginations run completely wild. The job of writing Roger’s ability to turn any everyday situation into the complete opposite was in good hands with Vaughan.

This issue is very memorable for me as a whole, I can remember reading it over and over again that Hallowe’en and in particular at my Aunt May’s house, a lovely lady who wasn’t actually related but was my mum’s best friend and so got the honorary title of ‘Aunt’. May has passed away in recent years and it’s been nice to relive memories of reading OiNKs at her house (see also #37). This strip of The Adventures of Death I can remember giggling about while tucking into the plate of biscuits and juice May had brought out while I read.

Charlie Brooker’s Death was a great little character and a firm favourite from the moment he first appeared. Having been the star of the half-page Next Issue promo in the previous issue I was surprised to see he wasn’t given more than a quarter page here, but that’s all the space Charlie needed. Both young me and older me loved this particular entry. I am aware of how it might seem, describing how this particular character brings back a specific memory of a late friend, but I also think there’s some kind of lovely poetry about that.

Not something Charlie would’ve considered about the character when he created these strips I’m sure. The Adventures of Death is the perfect OiNK twist on a traditional comic character. We’d had fun monsters before in other comics but to turn the Grim Reaper himself into a funny little character like this is very much in keeping with the comic’s ethos. We loved him! Unfortunately, unbeknownst to his fans this was his last regular appearance after first appearing in #35. He’d pop back for just six more sporadically over the next year.

Another character perfectly suited for the theme is Dead Fred, the friendly undead zombie created by Eric Wilkinson (Wilkie). He contradicts my previous comments about memory though, because I thought he was a regular in nearly every issue, but instead he only rose up from the grave every now and again. Maybe he was comfy down there. But he couldn’t miss the Hallowe’en issue. I’ve only shown a couple of panels of his before so he’s well overdue for a full strip, one which reminds me of the attendant at the Ghost Train in Barry’s Amusements in Portrush as a child!

Just like Death, Fred would appear in twelve issues altogether although his were spaced apart in the expanse between #19 and #64, which boggles my mind. I know I did reread many of my OiNKs throughout the time it was being published and that must’ve messed up my memories somewhat. I always loved Wilkie’s art in Fred’s strips, his detailed textures conveying rotting flesh, clothes and bones perfectly. Under any other artist I don’t think the jokes would work quite as well, the contradiction between his friendly nature and his rotting corpse are what makes it funny.

What a delight to turn the page and see a J.T.Dogg (Malcolm Douglas) poster. It’s been far too long since we enjoyed those OiNK Superstar Posters of his in the very first issues so it was a lovely surprise to see this ‘Superswine’ poster of an OiNK take on the classic Dracula, complete with his own Hell Hog? The colouring here is as ever stunning. I love the skin tones and cloak which give a lovely gloomy yet somehow colourful finish. But just look at those gravestones and the finish Malcolm has given them. Simply stunning work.

The only negative I can think of for this poster is that it wasn’t the return of the poster series. In fact, it would be the last poster by J.T. Dogg, although the original ones would be reprinted in the first few monthlies which is when I enjoyed them all for the first time as a kid. This Hallowe’en issue isn’t short of other highlights too, Hadrian Vile has me thinking about my friends’ latest addition to their family (and her older brother), and after Burp‘s tractor beam (#37) he has more inventive weaponry to show off. The biggest laugh of the whole issue comes from a background gag in Rubbish Man, and Jimmy Flynn’s strip plays up to an old horror moving staple.

Back in July the free Crash magazine edition of OiNK ran a special competition. The Mutant Space Barbarian Magic Warriors of Doom strip ended with the readers being asked to send in drawings of what they thought had turned hero Macho Mike into a big pile of blancmange. Suitably enough the editorial team have decided to use the Hallowe’en issue to show off the winners, taking over one half of a Grunts spread. There were ten altogether, each of which received an OiNK t-shirt and a copy of the OiNK computer game for their chosen format.

The strip they were drawing the conclusion to was illustrated by J.T. Dogg, so no pressure, right? You can’t deny the pig pals had skills. My favourites are ‘Squirty Bogweazel’ by Glenn Taylor of Gwynedd and ‘Molly Slocombe Intergalactic Mother-in-law’ by Michael Firth of Wolverhampton. Just a shame they’re so small on the page really. Special mention to ‘Uglay’ by Plymouth’s Danial Garside who dare I say is obviously a fan of Tom Paterson. Also, have a look at Noel Watson’s fantastic multi-headed beast on the other page! Quality reader contributions all round.

Lew Stringer’s Pete and his Pimple gets a half-page this issue but just across from him on the opposite page (right beside said strip when the comic is opened out) is Night of the Vampire! written by Lew and drawn by the ever entertaining Steve Gibson. With OiNK’s artists having such a wide range of styles I always like it when they take on each other’s characters, and Steve’s interpretation of one of Lew’s ‘popping’ up here in a particularly Steve-like fashion is great!

Little did I know the very next issue would bring a lot more of this sort of thing as different artists would take on Pete Throb in a special pull-out comic dedicated to the fan favourite, as advertised in the Next Issue promo here. That’s something you won’t want to miss so make sure to follow the blog.

On the same spread is this little treasure from Jeremy Banx. Regular readers of the comic (or of this blog) will know all about the surrealist humour of Jeremy’s strips, in particular Mr Big Nose. From toothpaste squeezing competitions and starring as Rambo in Little Bo-Peep to the famous Keith the dolphin, there’s been a lot of memorable strangeness and he appears to be upping that with each new appearance. (Ploppy puns throughout the comic drawn by Patrick Gallagher.)

Where would you even begin if you attempted to describe this to someone who hadn’t seen it? The poltergeist idea itself is a brilliant one and looks hilarious in that final panel, complete with the one who let go of the globe I bet you didn’t notice was floating. In those first images using Mr Big Nose’s face on the planet and the globe to tell us the story is weird but it works. Brilliantly. It’s heartbreaking to think this character will disappear from the regular comic after the next four issues!

But let’s not think about that yet, let’s enjoy the rest of the year and these simply perfect issues of OiNK we were getting every fortnight. This one ends with a truly classic OiNK back page, the latest spoof movie poster. Written by Charlie Brooker and again drawn so perfectly by Simon Thorp, it’s one which I particularly enjoyed at the time. In fact, while I hadn’t seen the original movie when I first saw this, it would become my favourite of Simon’s mini-posters as a child because the next year I became obsessed with the cartoon and Marvel UK comic. Take a butchers at this.

I can remember re-discovering this many months later after I’d eventually seen the movie and thought this was hilarious. Somehow, Simon has perfectly captured Bill Murray in pig form. It’s just a genius piece of work. Believe it or not, despite how great this is, as an adult it isn’t even my favourite of Simon’s pieces any more. That honour goes to a certain Half Pig, Half Machine hero who I’ll definitely be showing off when we get to that issue.

As we tear ourselves away from page 32 that’s a wrap on the latest OiNK and it’s been a genuine pleasure to relive every single thing this has had to offer. Seriously, if you haven’t read a full issue since the 80s (or perhaps never have) then I’d heartily recommend #40 as the ideal starting point to your inevitable collection. The next issue, complete with pull-out Pete comic, is the Health & Fitness special and its review will be here on Monday 14th November 2022.

Just to finish off this superb Hallowe’en feast here’s a suitably terrifying mini-strip from Mark Rodgers and Ian Jackson. See you next time.

OiNK! #37: NEW ADDiTiONS

Our second new look OiNK sees the logo enlarged a little, sitting proud in its new position and, as promised by co-creator/co-editor Patrick Gallagher in the previous review, it lets us see more of the superb cover image by Mike Higgs. There’s a confidence about this issue and it’s new format that takes me right back to those days of running to the newsagent for my latest issue every fortnight, knowing I was going to get another 32 pages of perfect pork!

Another set of free stickers are wrapped around the cover, that Tom Thug ‘Book of Grammar’ one being my particular favourite. I think I used the Hadrian Vile sticker on a school book of some description back in 1987 (I would’ve been in primary six at the time of this issue) and the missing one on the back was the same as the one I showed you was on my fridge. This issue’s has been added to the comics shelves in my new home office.

The ‘Hilarious Happy Families Issue’ lives up to its name from the very first page with that brilliant cover complete with a couple of strategically placed OiNKs, portraying an elderly relative dying from the shock of reading an issue. The Christmas Club, the note on the bottom of the casket and a couple of plops for good measure, I can remember visiting my mum’s friend’s house with this issue and sitting absorbed by it while they gossiped.

In fact, I remember they were talking about Santa Claus and wondering if I knew the truth (that he most definitely existed, obviously) and I caught part of the conversation between strips. I can recall May asking the question and my mum saying at my age my friends would’ve been talking about it, so she assumed I knew. I kept quiet, I still wanted all my toys (and my OiNK Book!). That’s something which always comes back to me whenever I see this cover. May (or Aunty May as we called her, even though she wasn’t related) is no longer with us so it’s a happy memory that I’ll never forget thanks to OiNK.

This is quite simply the perfect comic script

Inside, one of the first strips is an old favourite, Davy FrancisCowpat County. Davy has two trademarks when it comes to his funniest strips, background gags and brilliant puns. This next page is easily my favourite featuring Farmer Giles. It is quite simply the perfect comic script. It all leads up to the final joke, expertly laying in the little bits of information along the way that’ll make it work, the reader unaware this is happening until the end.

Davy is a real comedic genius and it ran in the family. His father Stanley Francis was a comedian, performing in the old club circuits in Northern Ireland with Frank “it’s a cracker” Carson. Stanley also played piano and once accompanied Little Richard at Belfast’s Boom Boom Rooms! He’d often tell jokes at home to try them out (which Davy now uses on his bus tours) and the joke at the centre of this Cowpat County was one of Stanley’s.


“She’s luvly!!”

Hadrian Vile

Just one final note about this strip. I have the original artwork, one of a few pieces of Davy’s I own. I’m going to hold that back for a future post and show them all off at once. It also couldn’t have escaped your notice that something is going on with Snatcher Sam and Frank Sidebottom. Anyone who grew up on OiNK should instantly know what this refers to. Yes, it was finally available. Exciting! I’ll get back to that later in the review.

Next up is what I’d easily describe as the main event of this family themed issue. In fact it’s probably the main event in the whole life of Hadrian Vile thus far, something I’ve alluded to ever since the character first appeared on the blog back in #4’s review. To mark the occasion he gets three pages written by Mark Rodgers in glorious Ian Jackson full colour. This story more than any other plays to Ian’s strength of perfectly capturing a character’s thoughts in their face and body language. For example, his exasperated dad when they’re pulled over and in the next panel when he’s trying to explain things to the police officer.

We saw Hadrian’s age increase in the birthday issue and his reaction when his parents explained he was going to be a big brother. Now, after months of him torturing his poor pregnant mum the big moment has arrived and while the laughs are still plentiful, what we have here is a surprisingly sweet strip. After all those previous issues full of Hadrian getting into trouble thanks to his ridiculous schemes, he actually comes up with a helpful idea when the situation calls for it. It’s still daft and funny of course, especially his dad trying to run along holding that pillow. 

After wearing down the carpet in the waiting room the family are called in to see their latest addition, even Bowser gets a mask so he can join them. We turn over to see the following full-page image with a simple, sweet (yet still incorrectly spelt) diary entry. This was certainly a memorable moment in humour comics. When did a character live their life in an almost real time manner like this? When was something like this properly built up to instead of just being a sudden change? OiNK was always unique and this is all the proof you need.

Don’t be thinking Hadrian is going to go all slushy on us though. Instead, he sees his new baby sister as a potential protégé, someone to teach the ways of the world to, someone to train and we get to see him ingratiate himself over the following months from what I can remember. She also makes an appearance in the card game in this very issue.

This takes up the middle pages and the back cover, with another half page for the instructions, which are the same for the regular Happy Families game.

So as per the typical rules each family is made up of four individuals, with Hadrian’s not including Bowser as would’ve been expected up to this point, instead the newest addition gets a little cameo of sorts. Altogether there are 36 cards for the reader to stick on to cardboard and cut out, split into nine families. Parents and siblings could also easily take part because each group has a simple numbering system so non-OiNK fans (yes, they exist!) wouldn’t get lost amongst the silly names.

I always liked seeing favourite characters drawn by different artists. Ed McHenry is the artist here and his depictions of Ian Jackson’s Hadrian and his family, David Haldane’s Rubbish Man, J.T. Dogg’s Street-Hogs heroes and villains, and Jeremy Banx’s alien innards are my particular favourites. Did any blog readers cut out and play this game when they were but a piglet? I never cut up any of my OiNKs back at the time. (I did begin to colour in something in the first annual but that was about it.) However, these days the angel on top of my Christmas tree is from a page of the comic, and for the blog I’ve already constructed an old-fashioned Frank Sidebottom toy.

There’s a certain phrase I remember my dad using whenever my siblings or I did anything that our mum would’ve found particularly bad and one of the little quarter-page strips in this issue takes that exact phrase and ridicules it, albeit swapping the parents’ roles over in the process. From that moment on I could never take it seriously when it was used. I still can’t. Mad Dad is written by Vaughan Brunt and drawn by Ian Knox. This is followed up by Grate Expectations, a memorable little one-off from the insane mind of Simon Thorp who, I’m very happy to say, was turning up more regularly by this point.

There were so many potential highlights in this issue I really struggled in deciding which ones to include. This could be a regular problem these next few months, but it’s a nice problem to have, isn’t it? The Grunts page features press clippings about OiNK itself, although I’ll save them for their own post at a future date. Just mentioned recently on the blog’s Twitter feed by a fellow pig pal was Burp’s tractor beam and it pops up here, so I just had to include that in this little selection of panels.

There was also a unique competition in which readers could win a trip to Timperley, the home of megastar Frank Sidebottom and meet their hero, and to get readers excited to enter he tells us all about his post office having two letterboxes! I’ll keep an eye out for the results and winners. There’s a full-page Uncle Pigg strip describing the special versions of OiNK he publishes around the world and it’s nice to see he and Santa have made up since #17

For the first time we see Horace (Ugly Face) Watkins playing football, something which would lead to a huge multi-issue story for the character in future issues, a little plop drawn by Patrick Gallagher invaded a handful of pages throughout the issue such as Rubbish Man’s, and in the latest Butcher Watch a pig by the name of Stig the Pig thinks he’s finally won the battle with Jimmy ‘The Cleaver’ Smith, with wonderfully Banx’y captions.

Of course, Jimmy has to live to see another day and terrorise the world in which the characters of OiNK reside. As it turns out that shadowy figure wasn’t Jimmy at all but rather a selection of pork sausages tied up and dressed to resemble him. We see this reveal just before Jimmy strangles Stig to death with another string of sausages. This might sound a bit brutal for a kid’s humour comic but it’s so ludicrous and over-the-top it was a hoot to read every time and we’d just laugh at the absurdity of the pretend horror.

So, Frank has just set a new competition and this issue announces the runner-up of a previous one, but not one we’d seen in the comic. Instead, in much the same way as OiNK had run a competition in conjunction with Radio Manchester (the results were in #26), they teamed up with Granada TV’s Scramble programme. Ian Marshall from Bramhall has not one, but two small strips in this issue starring his own creation, Professor Foible.

If this is the level of quality the runner-up produced I can honestly say I’m eagerly looking forward to seeing what the young winner came up with! We’ll have to wait to find out though because they’re holding that back until #38.

So for the uninitiated, what were Frank Sidebottom aka Chris Sievey and Snatcher Sam aka Marc Riley up to earlier in the issue? Why, they were recording a new song for the OiNK 45 of course! Way back in the mists of time the premiere issue of our favourite comic gave away a fun flexidisc record with two songs created specifically to annoy adults as much as for the kids to enjoy. The OiNK Song and The OiNK Rap are often quoted by fans to this day and on this new proper record they were getting another outing alongside a new song.

When the original songs were produced by Marc, Chris was yet to join the comic (#16) so the new track, called The OiNK Get Together Song was a chance for the pop music sensation to get in on the action and team up with the former member of The Fall. Along with the other two songs (the rap now renamed The OiNK Psycho Rap) this was a proper, solid record the size of a single, in its own sleeze for just £1.70 and I for one jumped at the chance to own it, especially since all three songs were new to me (having missed the flexidisc first time around). In fact, this and the mug were the only pieces of OiNK merchandise I originally owned.

I recall the song contained impressions of various characters and it irritated my family just as much as the other two. My record met with an early demise when it warped under the hot sun from a skylight window only a couple of weeks after it had arrived in the post. I hadn’t even had a chance to tape it yet so I could listen to it on my Walkman. Now if only I could listen to it again after all these decades to see how my adult brain would react to these songs.

Well would you look at that. Yep, in a moment of perfect timing just a couple of months ago this appeared on eBay and the record is in mint condition. I could not be happier. But then again, I haven’t listened to it yet! Nope, I haven’t stuck it on the ol’ record player yet, I’ll do that when it comes to writing the accompanying blog post. So look out for that just after 17th October. Why am I making you wait so long? Well, we had to wait 28 days for delivery after all and this is all in real time.

That brings us to the end of another fantastic issue. As a child I’d loved the changes and was so happy they weren’t a one-off (the previous issue‘s theme explaining them away for that edition), the book was in the shops and I was eagerly anticipating it for Christmas and I’d just ordered an exciting new piece of merchandise, my first piece of OiNK merchandise in fact. I’d been a fan of OiNK since I’d first discovered it, but by now I was completely obsessed. The next issue is the Food and Drink Special with yet another memorable cover, a full-page photograph of (who else) Frank and Sam. The next review will be here on Monday 3rd October 2022.

October already?!

OiNK! #35: TRAVELLiNG HALFWAY

With Ian Jackson back on cover duties off we go with the second half of OiNK’s run. Of course, we didn’t know this was the case at the time. As far as the (much) younger version of me was concerned the comic was going to run and run just like Beano or The Dandy; with OiNK being my first comic I had yet to experience any kind of cancellation. There’s so much great stuff to come over the remainder of this year in particular (1987 in old money) but first I want to touch upon something, a change which seemed so small and insignificant but which would ultimately decide OiNK’s fate.

By coincidence Fleetway Publications took over from IPC Magazines at the exact halfway point in the comic’s eventual 68-issue run and it’s only with hindsight that I can say it was an incredibly important moment. Looking at #35 you’d not notice it unless you read the copyright blurb at the bottom of the Grunts letters page so you may be wondering why I’m giving it such prominence right at the beginning of this review.

A wonderful selection of input from the readers which co-editor Patrick Gallagher tailored to the theme of the issue, that of travel. You could almost see this issue as a mini holiday special or as a follow up to last year’s summery #7. You’ll see the change in the blurb at the bottom of the page too.

Fleetway was originally created by newspaper group chairman Cecil Harmsworth King and when he later purchased Odhams and Newnes the IPC holding company was formed to oversee them all. Eventually it was all rebranded, OiNK falling under IPC Magazines alongside all the other comics. However, in 1987 IPC sold off its comics by placing them into a separate ‘Fleetway Publications‘ company and selling the whole caboodle to Robert Maxwell‘s Pergamon Holdings Ltd. Maxwell’s company now owned the independently crafted OiNK.

OiNK was a hit for IPC Magazines with average sales of 100,000 per issue

OiNK was a hit for IPC Magazines with average sales of around 100,000 per issue and they certainly treated it as such. They were also very happy with the buzz one of their titles was generating in the press and the celebrity endorsements it attracted. This didn’t stop it being victim to some reorganisation under the new company though, but we’ll get to that in a future post and I’ll touch upon the importance of the next issue (and the immediate physical changes to the comic in particular) in its review. But for now let’s get back to the comedy with my favourite Greedy Gorb strip.

Greedy was usually written by his creator and artist Davy Francis and I dare say most (if not all) of the background jokes here were also added by Davy. The main set up and joke were written by Howard Osborn this time though, who actually has no less than five strips to his name in this one issue alone. Howard worked in law in some administrative capacity according to co-editor Patrick Gallagher. He would actually write his OiNK material after work whilst having a pint in a pub!

There can’t have been many pig pals who wouldn’t have had Pete Throb as one of their favourite characters

In any other comic Gorb could’ve become very repetitive but in OiNK that was never a concern and his mini strips were highlights of every issue he was in, especially when there were so many gags squeezed into such a small space. The main pun would’ve been enough anywhere else but Davy always liked to give us plenty of value. My personal favourite there (although it’s hard to choose) would be the teeny tiny wings on the Flying Scotsman.

Elsewhere, a one-off character appears in two separate strips, both written by Howard. This is the best of the two and it appears Howard is trying to give pun masters Davy and Graham Exton a run for their money with Tommy Tyre (He Gets Around), drawn by Mike Green.

I know I’ve already described Greedy Gorb as one of my regular highlights but there can’t have been many pig pals who wouldn’t have had Pete Throb as one of their favourites. Lew Stringer’s Pete and his Pimple was one of the most popular strips and featured in crossovers with Lew’s other creations Tom Thug and Pigswilla, later in the run the strip would include a weekly competition asking readers to send in their outlandish pimple cures, he’d make the cover in an image that required the OiNK logo to be altered for the issue and he’d even get his own pull-out comic! Phew.

Following on from his collaboration (of sorts) with Tom just a fortnight ago, this issue brings us a full board game, Around the World With 80 Zits. As well as taking up the middle pages with the game there’s a strip introducing the scenario behind it, complete with cut out figures to use as player pieces, a bit like Frank Sidebottom’s in the first Holiday Special. This certainly wouldn’t be the last time we’d get a cut out game either.

So the set up is simple and the race for the miracle cure is on. The game is a wonderful, full-colour spread complete with so many ways to force the players around the board you could get dizzy playing! Just look at square number eight and follow its instructions to see what I mean. The only thing more cruel than that one is square 44! I never did play it as a kid because I didn’t like to cut up my OiNKs but I can imagine the laughs to be had for those that did.

To be fair the instructions contain the first clue that this isn’t going to be your normal board game, not when they include the words, “tough luck”. I love all the little details around the route, containing everything from palm trees to the South Pole, a kangaroo to a yeti. There’s even a drawing of Blackpool Tower, a trademark holiday destination for many of Lew’s comics characters over the years. That’s understandable when you find out it’s a favourite place for Lew himself to visit in the real world.

After the game we get a bonus mini-strip as a conclusion to the race, with the winning character’s face conveniently obscured so no matter who wins they can pretend it’s their fate being portrayed.

Of course it had to have a twist ending, have you not been paying attention to these comic reviews so far? Definitely the best game the comic has produced so far, although it would have stiff competition in just a couple of issues from now. Still, with taking in so many random locations it’s the perfect main event to this travel special. Other characters were out and about too, as you’ll see in this selection of highlights from elsewhere in the issue.

On the back cover Frank Sidebottom had left his holiday snaps on the train so was forced to draw them for memory, Rubbishman and Boy Blunder discovered the truth on their terrifying ‘Hunt the Yeti’ trip, Hector Vector and his Talking T-shirt visited a brilliantly named drinking establishment, the Grim Reaper made his first appearance in The Adventures of Death while buying a helicopter for his “reclaiming work” and Hadrian Vile’s life was about to change forever, a situation which he handled in his usual inimitable style.

After a break for a few issues David Leach’s fantastic Psycho Gran is back and she’s making up for lost time with a full page of her own and it’s almost a silent comedy. Usually taking up no more than half a page, it’s great to have a larger strip and it really is chock full of fun. David squeezes in as many panels as he can, each one intricately detailed as the little old dear goes through a situation many of us may find familiar.

Okay, so her solution isn’t exactly conventional or familiar, but I do love the panel where she lifts the weapon out of her tiny bag after searching through it in the previous one. The lack of background, the angel of its composition and her tongue sticking out as she concentrates are all brilliant, all of these little things combining to make this moment stand out. Genius.

I remembered her taking up the back page of a Christmas issue of OiNK with a funny image of her waiting for Santa Claus (reminiscent of David’s Psycho Gran Versus series in recent years) and a large section of the second annual was devoted to her too, so it was a nice surprise to find her given a full page strip in the regular comic. Here’s hoping for more.

After the wonderful Sownd of Music spoof movie poster in #29, Simon Thorp returns to bring us a strip this time, entitled Arctic Adventure in which a narrator tells a captive audience the fantastical tale of the world’s greatest fur hunter. Now, if this sounds a bit off to you and if you’re asking why OiNK would tell such a tale in a comic which lampooned butchers and hyped piggies up as heroes, you wouldn’t be alone. Obviously there’s more to it and reading Simon’s story I was just waiting for the twist, which was hugely satisfying.

Two particular moments (asides from the obvious one) stand out for me here. The first is panel four, where the caption tells us of how he’d track so many beautiful and exotic creatures down… and shoot them. The other is when he “bravely” loads his machine gun, a weapon the polar bear would have no chance against, and then his terror when it won’t fire. I think this strip perfectly sums up how cowardly sports hunters are.

In recent years I’ve seen countless images going viral on social media of big game hunters with smug grins next to the carcasses of beautiful animals who they’ve slaughtered with their high-powered weaponry, posing like they were so brave to shoot a defenceless creature, like it took so much effort beyond simply twisting their cowardly finger around a trigger. I think Simon’s Arctic Adventure perfectly sums up these sorts of people.

The next issue will surprise you but some of the changes weren’t liked by everyone

Finally, as we say goodbye to the glossy paper for now (more on that next time) it’s fitting that the technicolour Street-Hogs: Day of the Triffics gets to have its finale first. As stated before this was my first exposure to the ‘Hogs as a kid, their previous adventure having already ended by the time I discovered OiNK, so to me this had felt epic. However, readers of the original 12-part story may have felt somewhat disappointed that things were coming to an end already, the story lasting only a quarter of the time.

With what had looked like Jimmy ‘The Cleaver’ Smith‘s entire toolbox flying through the air towards them at the end of last issue’s strip, I wondered how on Earth they were going to get out of that one with less than a second to spare (apparently). I don’t know why I keep trying to guess. Mark Rodgers’ script would always come up with something so ridiculous and J.T. Dogg’s artwork would portray it so perfectly, the randomness of their insane escapes was the main reason I loved them so much!

It all ends with a ‘Coming Soon’ caption, but their next serial wouldn’t be seen until the last days of the comic, their multipart tale all packed into one of the big, fat monthlies. It’s a very different beast of a tale, but definitely worth the wait. Speaking of waiting, that’s what we’ll have to do for more OiNK highlights as we’ve reached the end of another review. The next issue will surprise you but some of the changes weren’t liked by everyone. Personally, these issues to come are my very favourites so I can not wait! Watch out for a special personal post about them over the next two weeks and then #36’s review will be here from Monday 5th September.