DAVY FRANCiS’ SHOEBOX: PART THREE

This third selection from OiNK cartoonist Davy Francis’ shoebox of goodies didn’t inspire confidence when I began flicking through them. Masses of football, porno adverts and supposedly comedic breasts and phalluses met the eye in the pages of Sweet FA, while The Sunday Sport’s name on the front of UT produced a similar level of dread. But I took a deep breath, delved deep and found some little gems from some of our favourite OiNK cartoonists.

First up is UT, created by none other than Kev F Sutherland. Beginning as a parody strip in another publication, UT became its own title in September 1991. While it rode the wave of Viz copies, Kev’s intention was to attract some top established comics talent and produce strips that were less about shock value and more about actual comedy. However, financial backing was required and Sunday Sport’s publishers ended up footing the bill, creating the harsh contrast of quality strips printed opposite pornographic adverts for videos and sex chat lines.

“That was my dilemma”, Kev told me recently. “They wanted a magazine to carry that sort of ad, and I wanted to make Mad Magazine but funny.” It appears, however, that this dichotomy was harmonious enough behind-the-scenes at least. “To an extent,” says Kev. “In fact, thinking about it, I can’t remember any interference.”

One strip I really like in UT feels a bit autobiographical, with the magazine’s editor (Kev in real life) battling a stereotypical porno publisher pushing for overly disgusting contents, taking the hand out of the very company financing it. You can see it above in the opening spread to the dummy copy of #1, which somehow ended up in Davy’s possession and is full of blank pages between samples of strips.

”UT was organised between me, Sunday Sport and the printers in Bristol”, explains Kev. ”I went in there in person a lot, and the dummy copies were part of the development process. Once they turned the machine on and started the presses rolling there was no point in just doing one copy, so quite a few were made. I suppose they were used to show to advertisers and newsagents. I may only have one left here myself but I once had more.”

There’s definitely some humour in UT that we rightly wouldn’t want to see today that seems to be squarely aimed at the Sunday Sport readership. (Teenage Lesbian Nymphomaniac Mutant Bimbo Surfers is just one example of many strips that paint lesbians as sex mad, probably because Sport readers wanted to believe they were.) It’s very much a product of the 90s adult comics market despite Kev’s grander plans. While for the most part it’s intelligently written and very funny, I feel it’s let down somewhat by that kind of strip named above and the relentlessness of its very adult advertisements.

It’s frustrating because when it stops pandering to that audience it can be genuinely brilliant. For example, Kev’s Blunderbirds is a fantastic Thunderbirds parody with an accident prone rescue team. (I love how that downed jumbo jet is freed!) I was also very happy to see a continuation of Kev’s Meanwhile… from OiNK. Speaking of OiNK, it wouldn’t be Davy’s shoebox without some fun pages from him and fans will enjoy his more OiNK-like silliness rather than the penis-shaped rudeness of Electric Soup.

David Leach’s Conan spoof, Arthur Pilkington, Chartered Barbarian is great fun, even if it does remind me of Jeremy Banx’s Konan the Accountant from OiNK, and Battler Britain is an incredibly funny, fast-paced riff on the “jolly good show” kind of British comic heroes the then-adult audience may have grown up with. It’s drawn by Malcolm Douglas, aka OiNK’s very own J.T. Dogg. Despite not having the production values and paper quality to reproduce it that OiNK had, it’s still lovely to look at and at times feels like a World War II-set Ham Dare!

I admit I also laughed at UT #2’s declaration on the front page that it was “Not as funny as it used to be”. Published over a year-and-a-half, UT consisted of eight regular issues and two reprint specials. I find it hard to recommend to OiNK Blog readers given the Sunday Sport contents prevalent in each issue, but if you can get past that tabloid nonsense there are a lot of laughs to be had here.

Moving on to Sweet FA, a bi-monthly football comic-magazine that boasts of ”Bringing the game into disrepute” on its covers. Davy’s shoebox contains a handful from volume one and the first five issues of volume two, but I can find little-to-no information on it anywhere so I’m pretty much going by what I have in front of me. Named in its list of main contributors is Lew Stringer despite football not really being his thing (his words to me). Unfortunately, he can’t remember who wrote the scripts he drew, which included one of the few highlights in here, called Tightarse.

Also contributing (although not anywhere near as much as Lew) are Davy Francis, J.T. Dogg and Jim Eldridge, who drew some of the Knight Rider Annuals in the 80s and who I’ve interviewed for a special post about the books this Christmas (2026). Much like UT this was intended for a particular audience. Pretty much the same audience, actually.

While volume two’s back issues page warns that “Volume 1 issues are not suitable for children”, it’s not like the later ones are! However, the earlier editions contain much more Sunday Sport-type content with photographs of naked (and nearly naked) women and they have a sleazy tabloid Page 3 feeling about them. There was even a free gift (thankfully lost) of postcards featuring bikini-clad women that required the reader to lick them to remove their clothes!

Add in the fact the title is all about football and this really isn’t my cup of tea at all. So apologies if footie fans want to see more highlights than the three I’ve plucked out, but with every single strip focussing on the game all of the joke references are pretty much lost on me. I’m not the ideal person to choose the best examples of Sweet FA’s contents. This series of posts isn’t about that though, it’s about showing some new content from OiNK’s cartoonists and I can do that okay.

Flicking passed atrocities such as Sporting Lesbians, Football Bimbo and a ‘joke’ headline that asks, “Should birds be allowed to play football?”, while reminding myself of how far we’ve come since then I discovered Jimmy Armchair by Davy. At the time not everyone had access to satellite or cable television, with many stuck with the five terrestrial channels. Jimmy was one of those people who’d take advantage not only of owning such a device, but also of his friends’ eagerness to watch the game.

J.T. Dogg draws Sweet FA’s take on Ripley’s Believe It or Not, now named after a contemporary footballer and very much skewed towards the “Not” in the title. These feel like a spoof version of fellow OiNK cartoonist Steve McGarry’s football fact-files, and even I was able to crack a smile and have a giggle with this one despite not knowing who these people were. Plus it’s always nice to see some artwork from Malcolm, his detailed style coming across nicely even in black and white here.

There’s just the one part left in this series and I’m hopeful it’ll be a Gas! Quite literally. While I haven’t peered inside its pages yet, I’ve heard good things about Gas comic and the amount of content in it from OiNK contributors, so here’s hoping for more humour along the lines of our favourite comic next time. We’ll wrap up Davy’s shoebox in shiny gift wrap in a couple of months during Christmas 2026.

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THE MiGHTY MARVEL CHECKLiST: WEEK 63

SATURDAY 7th OCTOBER 1989

Another pretty generic cover for The Real Ghostbusters comic this week, even without a free gift. It’s still a nice piece by John Marshall and Dave Harwood though, even if it is put to shame somewhat by Geoff Senior’s fantastic Transformers and Action Force cover featuring the Mayhem Attack Squad!

Geoff’s art really shone this week thanks to Marvel UK upping the paper quality again, the outer 16 pages adding a gorgeous gloss and weight to the comic, it was that good. Geoff also draws the black and white UK strip and it was an action-packed few pages after the tension building the past few weeks. Dare I say it but I think it looked even more stunning in black and white thanks to the dark nature of the story and the atmosphere Geoff brought to it with his inks. Maybe it’s due to the lack of colour that my eyes are picking out more details or perhaps Geoff was really able to go to town for the same reason. Simply incredible stuff and you can check out some highlights at the link below.

Inside The Real Ghostbusters it’s all brand new material again after some reprints, which the checklist gets wrong. Again. The list really hasn’t been working in this comic’s favour for a while now. With the final part of the multi-issue competition the editor finally decided it’s time to show us some photos and gave details of the plethora of prizes up for grabs. That list in full: a trike, jogging bottoms, hooded sweatshirt, a parka, a visor, a watch, a ghostly make-up kit, the new annual, a Ghostball, more books and book/cassette packs. Quite the haul! Not sure why I never entered it. Perhaps I didn’t want to be lumbered with the trike or make-up.

A quick glance of the (colour) checklist and the only other new entry was #11 of The Punisher weekly. Reading his bit I’d have been concerned about its worldviews being a bit restricted, a bit too 80s, if it weren’t for who the baddies were the last few weeks, so I know that’s not the case. I’m very aware of how certain hateful people in America wear the comic’s skull motif nowadays and how ridiculed they are for completely missing the point of the character and the stories he starred in. I’ll have to find out for myself one of these days. The Sleeze Brothers’ trip to an outer space Bates Motel continued to bring up the rear and that’s yer lot for this week.

Yup, no new adverts to feature this time. In fact, not only do next week’s comics not feature any either, but the checklist has even less contents than normal! There’s a Transformers cover that brings back some funny memories though, so we’ll reminisce about that instead in seven days.

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AN OiNK BLOG STATEMENT ON THE SHORT FiLM

Over the course of the past year you may have seen some posts on the OiNK Blog about a new short film. These contained screen captures of interviewees including myself and my credit at the end of the film for research and fact-checking. When some factual errors cropped up in the film, and some choices surrounding it as a whole were made that weren’t in keeping with OiNK, I raised my concerns as the aforementioned fact-checker in good faith. Attempts were made to reach a mutually agreeable resolution thanks to another individual with the same concerns, and things seemed to be back on track when there was a sudden and complete breakdown in communication.

It’s with a heavy heart that I’ve decided to walk away from the film. This shouldn’t take anything away from the OiNK creative team (and their relatives) who appear, or those genuine pig pals such as Jamie Smart and Laura Howell who have interacted with the OiNK community in the past and spoken about growing up with the comic. However, due to some editorial decisions I’ll no longer be taking part. At the end of the day I feel I’m in a unique position here, that if I (and the OiNK Blog) appeared in the film with my credited role I’d be endorsing everything said about the comic and its three editors and I can’t do that. I’ve requested that I, the blog and any images from it be edited out and all credits removed.

What should’ve been a highlight of my blog work became extraordinarily stressful. Thankfully, my friends rallied around me including some who worked on OiNK, so thank you all. There are still quite a few OiNK creatives in the mix and those genuine fans too (who talk eloquently – and factually – about their time with the comic) and what they have to say is fascinating. But things haven’t turned out as I’d hoped.

However, “every cloud” and all that. Watch this space for some very exciting news about a project planned long before this film was announced, one that will hopefully be proceeding with pace now. Keep it tuned to the OiNK Blog, pig pals!

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THE MiGHTY MARVEL CHECKLiST: WEEK 62

SATURDAY 30th SEPTEMBER 1989

Today 37 years ago Brian Williamson and Dave Harwood teamed up again for The Real Ghostbusters and another cover promoting a gift with a somewhat generic image. Although, I did like the way the logo sticker was incorporated. Meanwhile, Andrew Wildman returns to Transformers and Action Force with a thrilling cover for a thrilling strip.

It wouldn’t be long until The Real Ghostbusters began importing American strips as their back up. The first would be the Ghostbusters II adaptation and in the meantime the comic seemed to be treading water, already relying on reprints just a year-and-a-half into its run. As a kid I hung on in there but I’ll admit I was close to cancelling my order at this stage if the reprints didn’t disappear. This week it was another from the first annual. Did they think less readers would catch on if it came from the book? Even the new story wasn’t groundbreaking, with ghostly doubles of the team being something the comic had already done more than once (as had the cartoon).

Decepticon Pretender Beast Carnivac continued to be an intriguing character. He was a Decepticon trying his best to do the right thing but his programming was so ingrained that he’d often do the right thing through some very dark means. Here he learned about guilt the hard way after deserting some human soldiers to save his own (metallic) hide. Lee Sullivan’s strip art really was second-to-none here. At the link below check out the final panel of the story in which Octopunch has Carnivac captured. This was top tier Transformers!

Elsewhere on this week’s checklist, “brain-washed refugees” actually referred to the Christian followers of an evangelical-type leader as they landed on foreign shores in The Punisher. I doubt many such-minded people today would see the irony. The fourth issue of The Sleeze Brothers’ six-issue run was one of my favourites. I missed out on it decades ago and only put that right in 2024 so the checklist didn’t really do its hype man job for me. That was my own fault, although the description here does sound a bit too run-of-the-mill for that comic. Read its entry above and then pop over to its full review at the link below to see just how different it really was!

One advert this week and it’s for another magazine rather than Marvel UK’s bread and butter. I’ll admit I’ve never been a huge Star Trek fan. I did enjoy a few of the movies as a teenager when they were on the telly but once they were over I kind of just moved on. A friend of mine has recently been trying to get me to watch Picard, despite the fact I never watched The Next Generation (although it always looked the most appealing of all the series). At the moment I’m on an umpteenth rewatch of Babylon 5 so Jean-Luc will have to wait for now.

We’re back to a little advert wasteland next week but the new look checklist will be in colour. Um, will that be enough to entice you back? I’ll guess I’ll find out in seven.

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THE MiGHTY MARVEL CHECKLiST: WEEK 61

SATURDAY 23rd SEPTEMBER 1989

John Marshall got a break thanks to Brian Williamson but Dave Harwood was still slogging away on the latest cover for The Real Ghostbusters this week in 1989, while Geoff Senior supplied us with superb Pretender Beasts action for Transformers and Action Force.

The cover for The Real Ghostbusters was another promoting the free gift rather than any story, just like last week’s and a recent one for Transformers back in week 57. It was the same type of gift as the latter, too. According to the checklist there are two reprints in the comic, but in reality (again) there was only one, taken from the annual we all received just the previous Christmas. They really hadn’t been the best at marketing this comic over the past few weeks, had they? Also, only 68 issues and one-and-a-half-years in and it was already relying on reprints? It was Marvel UK’s top-selling comic by this stage so this was a real disappointment, albeit a temporary situation.

In the UK Transformers strip we were reintroduced to Decepticon Pretender Beast, Carnivac. A friend of mine owned the toy at the time and I thought it was awesome, so it was a shame he’d cancelled his comic order not long before this. Joining the Autobot Wreckers and forming The Survivors (of both the Time Wars and Underbase sagas), he wasn’t necessarily evil but his programming was still Decepticon in nature. This made for a really interesting character over the following months; one of my very favourite arcs from the whole run actually. Simon Coleby’s art was superb too, with real weight behind the action scenes. Any fan should check it out at the link below.

The Real Ghostbusters finally told readers what the prizes were in that multi-issue competition, namely book and cassette packs, “ghostly” make-up sets, watches, Ghostballs and Rough Riders tricycles. A rather random mashup if ever there was one. More Christians-as-baddies storylines in this week’s The Punisher makes it seem rather contemporary in our modern 2026 world, never mind the 80s, and below that is a surprise entry for the Thundercats.

I say it’s a surprise because we haven’t seen them in a while. In fact, their celebratory (I’m assuming) 100th issue never featured on the checklists at all, which was rather strange. It’s also a surprise because many people I’ve spoken to on the blog’s socials were sure it was cancelled before it hit the big one-oh-oh. In actual fact, it would continue in its monthly guise for a while longer and revert to fortnightly with #105, eventually lasting until #129. Given how a formerly weekly comic becoming monthly usually signalled its death knell, kudos to the cats for continuing to fight the good fight for so long.

Two ads this week, the first for a Slimer spin-off which I didn’t buy as a child. We never got the Slimer TV show here in the UK (shown as part of a Real Ghostbusters hour-long slot in the States with the main show) and so the strips in this were weird to me as a kid. It had a childish art style, he had a bunch of human friends and a whole life away from the ‘busters, and in general Slimer was very different to the one I was enjoying in the weekly comic. This monthly of American import strips would last 13 issues before merging with the main comic, where I’d ignore the strips.

Our other advert shows all of the publisher’s range of Christmas annuals for 1989. Unbelievably, despite doing such a brilliant job of showcasing many of their books with individual promos in 1988, this was the one and only advert they produced for ’89. I don’t know why they didn’t bother doing the same thing (or a variation thereof) from the year before. The Transformers and Real Ghostbusters annuals were superb and deserved more publicity, and I would’ve loved to have found out more about Action Force and Dino-Riders, but unfortunately all we got were these teeny tiny cover images, so I never asked Santa for any more than my regulars.

More cover gifts and brutal action for our two main comics next week and a certain sci-fi franchise gets the magazine treatment. See you then.

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PHOTOGRAPHiNG TRANSFORMERS UK: MONTH ONE (SEPTEMBER 1984)

Rounding these comics up on a calendar-monthly basis means we’ve only the one issue to launch the series with. As we continue through the next several years there’ll be more each month, especially after it goes weekly of course. In fact, there’ll be one month in particular with no less than nine comics to show off! For now, here’s how it all began on this day 42 years ago in newsagents across the UK, and then again ten years ago when I began reading it all in real time…


iSSUE ONE – 20th SEPTEMBER 1984

#1: So off we go, at the start of Marvel UK’s Transformers all over again (again). It begins with this absolutely fabulous (and now rather famous) Jerry Paris cover, which must’ve been exciting to see when it first appeared on shelves! Inside, launch editor Shiela Cranna welcomes readers and it all looks rather different to the comic we’d come to know and love later. Humble beginnings, you could say.

For its first year Transformers was 32 pages and each issue could contain some rather ‘unique’ features, as you’ll see as this series progresses over the next 12 months. For now, we start off with the first part of the imported American origin strip story, simply called The Transformers. We get a look at regular life on Cybertron and our first glimpses at the war and the characters 80s children were about to become very familiar with. I love the imagination on show, it all feels so completely and utterly alien.

Several pages later and the crashed Ark inside Mount St. Hilary looks suitably creepy after four million years. It’s an original, exciting and intriguing start to what would ultimately be a truly epic comic. Elsewhere in the issue our first Hasbro advertisement heralded the arrival of the toys in the UK and here’s the final paragraph of the comic’s regular robot news feature, Robot Round Up. It was a far-fetched thought at the time but today, as I update this post in 2026, it’s a rather terrifying one.

The first back up strip was Jack Kirby’s Machine Man from the late 1970s. Transformers didn’t begin with Aaron Stack’s first story though. Instead, we got a round up of the character’s origins and part one of Byte of the Binary Bug from #11 of his own comic. The story included Senator Miles Brickman, who I remember from the Machine Man of 2020 strip that ran in the comic during its second year, which young me first read when it was reprinted in Transformers’ final months in late 1991. I must say though, he doesn’t look like the kind of man who’d chuck a brick at a bank robber! He does sound like certain modern day politicians though.

All-in-all, we’re off to a helluva good start!

Cover by Jerry Paris
The Transformers: Part One
plot by Bill Mantlo, script by Ralph Macchio,
pencils by Frank Springer, inks by Kim DeMulder,
lettering by Michael Higgins & Rick Parker,
colours by Nel Yomtov
Machine Man – Byte of the Binary Bug: Part One
written by Marv Wolfman, art by Steve Ditko,
lettering by John Costanza,
colours by Michelle Wolfman


That’s basically what you can expect for each issue from here on; a handful of photos taken while I was reading the comic in real time, with the captions from the original Instagram posts rewritten to suit the blog but essentially the same insights I had as a reader between 2016 and 2024, the first time I’d read the whole series. It was quite popular on socials and I’ve a feeling that bringing it here (with the audience the OiNK Blog has built up over the years) will see these classic comics celebrated in a bigger way.

Come back on Tuesday 20th October 2026 for #2 and #3, their gorgeous covers, introductions to the Autobots proper, lots of retro-futuristic 80s tech, more contemporary adverts, pin ups and even a guest appearances from a Time Lord. One month down, only another 88 to go.

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Kim DeMulder in Havoc
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Nel Yomtov in The Sleeze Brothers
John Costanza in Jurassic Park and Dracula

COME DiNE WiTH DAViD LEACH

I’ve considered applying for Channel 4’s Come Dine With Me in the past. Who doesn’t want to hear narrator Dave Lamb’s take on their cooking? I’ve never had the guts to do so, but I’ve known three people who’ve taken part. One was a former work colleague, one an award-winning Belfast drag queen friend and one is a cartoonist who just so happens to have worked for a certain funny little publication called OiNK!

In 2013, Psycho Gran’s creator David Leach starred in one of the primetime editions of the series, the ones which show all four nights of the competition over the course of one hour rather than spread out over a week. I’d never seen his episode (I’d have remembered seeing the large framed picture of Psycho if I had) and I’ve always wondered what it’s like to take part in the show, so it felt like the perfect idea for a blog post.

David is the first host and any OiNK fan will be in awe of his home, with the dining room’s wall-to-wall comics and movies, Psycho Gran on the wall in the living room and, if you look closely, one of my favourite strips greeting visitors by the front door. Two of his guests, Joh and “funtime vicar” Levi poke fun to begin with and surprisingly it’s Noelle, who seemed a bit stuck-up in her intro, who comes to David’s defence while he’s off cooking. These were first impressions only and by the end of his night there’s a definite feeling of respect for his work, a love of his sense of humour, and my own opinion of Noelle had completely changed.

As for his cooking, sporting a fetching apron David served up three pun-labelled courses, beginning with quail eggs (ooh, fancy) on mushrooms and toast with ham and hollandaise, followed by a hearty lamb dish I’d pay anyone to cook for me, and a coconut pie for pudding that I’m definitely going to have to try for myself. Unfortunately, contrary to the narration, the recipes are no longer on the Channel 4 website “to add to your own online scrapbook”. (So I’ve pestered David for his recipes.)

He’s certainly got knife skills, I’ll give him that! While in the kitchen, his gloriously Leach-like puns are sometimes met with corny music and some funny Dave Lamb narration, as we’d all expect. The music choices elsewhere are often genius. David tells Levi he doesn’t believe in organised religion, only for Levi to then admit he’s a vicar. So cue Papa Don’t Preach for David entering Levi’s home a couple of nights later.

It’s on this particular night that I burst out laughing a few times. Watch out for David’s deadpan reaction to Levi’s Jesus painting, for example. He told me one of his own favourite moments also came from that night, when he heard the sound man in the next room laughing at his comment after Levi plays a song on the piano. I won’t ruin the moment for you. Or how about when David apologises for offending Levi, only to immediately take it back when Levi says he wasn’t.

There’s a bit of tension between the two but over the course of the week they embrace their differences and produce some genuinely funny moments together. You could say there’s a bit of a story arc between the pair that ultimately leads to a conclusion in the competition that couldn’t have been better planned if it had been scripted. Speaking of “scripted”, I asked David about the production itself. How real is this little slice of reality telly?

“The first time you meet the others is when they knock or ring on the door”, David told me. These bits sometimes look staged so I was surprised! “But their entrance is filmed three times.” Ah! “The show is very stop/start,” he continued. I suppose with limited space in people’s homes it’s not like they can have multiple cameras catching everything organically. “They’re stopping to recored reaction shots. The show is very carefully editorialised and controlled. I was surprised how long the days were, when you were hosting they were setting up at 8am, they didn’t leave my house until 1am and you’re doing it all again the next day.”

Sounds exhausting! So is any of it actually scripted? Are the conversations, which can sometimes lead to confrontations in other episodes, prompted with specific conversation starters by the crew?

“Not that I remember, although I don’t need them. There were topics we were told not to talk about, for example one of the contestant’s house was infested with mice, which we watched run along the work surfaces and floor but we weren’t allowed to talk about it because it wasn’t filmed. The director knew all our secrets and was steering the conversations. The conversations are stopped during the meals to get reaction shots of the five guests. It kills conversation. Also we were shepherded by an assistant and if we started having interesting conversations we were told to stop and save it.”

Overall it seems contestants do talk about what they would’ve discussed without the crew there, it’s just all done in a very (unfortunately necessary) unnatural way.

“Levi was told he had to tell us his secret (him being a vicar) and Joh had to reveal her ‘glasses secret’ (that she wears a fake pair to look smart – Phil). I was encouraged to do my party trick of fake vomiting (far too convincing, that! – Phil) and the show tried really hard to get me to dress up as a superhero, but I refused. I told them after I would have dressed as Godzilla. They know lots about us, so they steer conversations but it’s all us.”

Obviously it’s pure luck who we’d end up sharing the screen (and our dinners and homes) with if we applied, and in this case David seems to have lucked out and been given an enjoyable bunch to spend four very long days with. David’s own genuine character comes across and I get the impression from him that the same is true of the others.

“Of the three of them, I liked Joh and Noelle the most and for a while we’d go out for meals,” David says. Joh is endearingly ditzy and her mixing up the jobs of vicar and fishmonger is a classic moment. I also love how honest she is about cheating with shop-bought ingredients on a cookery show. Then there’s Dave Lamb’s comment, “that’s some party trick”, when Noelle claims the eggs she’s cooking “are my friend’s mother’s”!

Speaking of Mr Lamb. How was it being the subject of his famously cutting commentary?

“I knew going in that because of my personality if I wasn’t 100% honest I would be branded as the villain. I also knew of the four of us I was the most interesting (I’m not being big headed), so I approached it totally honest, no game play. Dave Lamb clearly took the piss out of me and also claimed my foaming hollandaise sauce had split but it hadn’t, and Levi claimed he was missing an egg, he wasn’t. So I don’t really mind about Lamb. I was the joker, I played jokes, I battled with Levi and I didn’t back down, so I was fair game.”

I won’t spoil the show if you haven’t seen it by giving away what position David finishes in, but I’m curious about what he thinks of the overall experience. With all of the things that come with the production of a TV show (and in your own home to boot), what did he make of starring in Come Dine With Me?

“For me, it gave both halves of my brain a chance to work together in unison; the creative side and the performing side. I could see my creative side writing gags for me and at one point I started laughing early because I read a joke I lined up too soon. Actually I loved… bloody loved it all”, he concludes.

Between the original series, the primetime version, the couples, the professionals, the celebrities and the Christmas specials there are nearly 2,000 episodes of Come Dine With Me available to watch on Channel 4, and it doesn’t help that they’re not split up into seasons. Just as well I’ve got a link for this episode then, isn’t it?

Eat beforehand though, or you’ll be starving by the end.

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THE MiGHTY MARVEL CHECKLiST: WEEK 60

SATURDAY 16th SEPTEMBER 1989

Would John Marshall and Dave Harwood ever get time away from The Real Ghostbusters covers? Not that this week’s would’ve been particularly taxing with a huge gap designed to contain the free gift. Meanwhile, Lee Sullivan’s work for Transformers and Action Force told us more dark Deathbringer delights awaited us inside. 

Those Slime Slurps were bits of moulded plastic filled with a rubbery jelly sweet which I’d refill with a soft drink of my choice and freeze for future enjoyment. (Hey, it was nicer than the sweet!) There was an Egyptian mummy story this week but the title and creative team still didn’t match those erroneously written about in last week’s checklist. There was also the start of one of those multi-issue competitions both of these comics were keen on, although strangely with no indication of what the prize was.

Transformers felt different this week. Literally. The outer colour pages were of a really good paper grade and it felt terrific! Unfortunately this would only semi-regularly once in a while instead of every week. Artist Staz Johnson also debuted this issue with the second part of Deathbringer, following on from Geoff Senior last week. (No pressure for a newbie there!) Needless to say Staz did a great job and would become one of my favourite artists for the rest of the comic’s life. In fact, an Optimus Prime panel of his from this issue’s story had already been used six weeks ago in advert for the comic. Way to go to make an entrance, Staz.

A shame his incredible debut isn’t mentioned on the checklist, which gets the details of the UK strip completely wrong. There have been quite a few such errors recently on these lists, I must say. If this week’s issue of The Punisher was released in modern day Britain I’m sure we’d hear all about it from certain tabloids and politicians calling for it to be banned, don’t you think? Which would probably just increase sales with the rest of us.

This new look to the checklist led to them including more titles in the same space but for now it stuck to the usual four. The entry for Doctor Who Magazine squeezed an awful lot of information into a tiny space and the good ol’ Doc was also the star of this week’s new advert. DWM was celebrating its tenth anniversary with what appeared to have been a special issue, although there’s no indication of the celebratory nature of it on the checklist, strangely enough.

Why was Tom Baker’s Fourth Doctor used? The series was by now starring its Seventh Doctor as played so wonderfully by Sylvester McCoy (that’s his series’ funky logo). Well, Tom’s Doctor was the star of the show and the magazine’s comic strips and news articles when it began back in 1979, that’s why (and this was the same image used for #1). In this series of blog posts we’ve already seen an advert for the special edition focussing on the show’s 25th anniversary and a checklist entry for the magazine’s 150th issue. The show celebrated its 60th a few years ago now, the magazine is only three years away from its own 50th and the current issue on sale at the time of writing is #634. Talk about feeling as old as a Time Lord!

I think I need a lie down after that realisation. Next week’s adverts include the launch of a spin-off from one of the above comics, as well as the one and only advert for all of Marvel UK’s annuals for Christmas 1989. I’ll definitely see you in seven, then.

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PHOTOGRAPHiNG TRANSFORMERS UK: iN REAL TiME

Starting ten years ago this month, continuing for over seven years and finishing in January 2024, I read every single issue of Marvel UK’s Transformers and photographed highlights to share on the blog’s Instagram in real time. Reading OiNK in real time was one thing, but here was an epic comic series with great character arcs, huge storylines and its fair share of cliffhangers, and I relished the challenge of using all of my will power to not jump ahead in what was a massive reading project! Now, it’s finally coming to the blog itself.

Our version of Transformers had a whopping 332 issues and (during its run) 19 specials, seven annuals and a variety of other books. The word “epic” can be overused in comics, but it’s the right one to use here and reading it one issue per week just confirmed that. It proved really popular on socials and I loved every minute of it, never sneaking a peak at what was to come, reliving it the way it was intended to be read. What I didn’t count on was social media companies’ ability to make their platforms exponentially worse as time goes on.

When my read through was over I realised the posts were becoming lost in the past and even if I shared a link to any one of them there was no longer any way for people to scroll to the next/previous issues. So I spent a week adding unique hashtags to all 375 posts, explaining them on the blog so that readers could also relive all of the issues in the correct order, or easily select any specific ones they wanted to see. However, now keywords have replaced these and when searching my hashtags my posts are behind several dozen others, despite the tags being unique to me!

There was only one solution, to preserve my content myself by reposting everything here on the blog where I’m not at the mercy of further enshitification. Are you ready for a new, very (very) lengthy real time series on the blog?

TRANSFORMERS UK ON THE OiNK BLOG

Before I started the read through I’d actually wanted to do something with the comic on the blog for a while, but two things had stopped me. Firstly, reviewing a weekly comic for seven years was too daunting at the time (I was just starting out) and secondly, the stories had already been covered in depth all over the internet. I decided upon a photographic journey instead, as a way for fans to relive treasured memories of owning these, and to show the physical comics to fans who’d read the stories in book form but had never seen the originals, their covers, back up strips and features, everything that made our version unique.

What had seemed like the perfect platform for such a project had turned out to be anything but, so I’m bringing everything over to the OiNK Blog on a monthly real time basis.

The first issue went on sale 20th September 1984 so on or around the 20th of each month (depending on other scheduled real time posts) I’ll show you all of the issues from that calendar month. It felt like the obvious way to begin and it also means each December you’ll see the Christmas issues at the right time (rather than my original idea of summing things up at the start of the following month). Altogether this series will last for a humongous 89 months in total! It begins in just seven days from the time of writing this, on Sunday 20th September 2026, with the final post scheduled for January 2034!

I won’t be taking any new photos because this is all about preserving the specific experience I had. It was the first time I’d ever read the first few years of the comic and the first time in decades for the ones I’d collected as a kid. The photos showed what had leapt out at me during the read through, the first time I’d ever read the entire saga from beginning to end. While I won’t be rewriting what I thought as I read them, I’ll be updating the writing in the posts so it better matches the style of the blog, improving their flow over the short-form captions of social media, and the early posts didn’t have credits so I’ll add them in too.

Also, don’t forget every Christmas we’re still celebrating the 40th anniversaries of the festive issues and annuals with full reviews of each when that time rolls around, and we’re already a couple of years into those at the time of publishing this post. Alongside the complete real time read through of Marvel US’ Transformers Generation 2, there should be plenty for fellow Transformers fans to read on the OiNK Blog for years to come.

GO TO MONTH ONE

PHOTOGRAPHiNG TRANSFORMERS UK MENU

MAiN TRANSFORMERS MENU

Video from the TFRaw!! Transformers Multimedia Archive YouTube channel

THE MiGHTY MARVEL CHECKLiST: WEEK 59

SATURDAY 9th SEPTEMBER 1989

John Marshall and Dave Harwood laughed it up with their cover to the latest issue of Marvel UK’s The Real Ghostbusters, and Geoff Senior’s stunning cover to Transformers and Action Force shocked us all! Two great comics on sale today back in 1989.

It seems there was some degree of miscommunication going on within the walls of Marvel UK as far as The Real Ghostbusters was concerned. Last week the checklist told us we should be happy with two reprint strips but everything inside was brand new. This week, we’re promised a tale called Curse That Pharaoh and as a nut for Ancient Egypt I was disappointed to see no such strip inside, despite Spengler’s Spirit Guide (which usually tied in with at least one of the stories) being a very funny guide to Egyptian burial tombs.

After last week’s blip, the British Transformers story was not only back on form, it was brilliant. An alien discovered Optimus Prime’s long-lost body, which had been jettisoned into space about 130 issues ago! This was the beginning of the UK’s preludes to what would become the epic Matrix Quest in the US strips. Writing for both sides of the Atlantic, Simon Furman was perfectly placed to give UK readers exclusive prequel stories, extra character development, foreshadowing for future events and more that would make our comic even more epic. A hugely atmospheric beginning too.

There were no new contemporary comic adverts this week again so you’ll have to make do with this checklist all on its own. The monthly Sleeze Brothers entry from last week is repeated but the rest are for weeklies so are all new. I can’t help feeling more could’ve been made of the Deathbringer description though. Then again, little did us kids know just how fantastic the following years of Transformers were going to be, and that it had all begun right before our eyes.

For The Punisher entry we must firstly remember this was 1989. It was a very different time, although with hindsight that’s still no excuse for the clichéd way in which South America is described. It’s not as bad as last week’s incredibly sexist Transformers story but still, put that and this checklist together and it doesn’t exactly scream of people who have seen much of the world outside of their male-dominated office in England. I guess that’s part and parcel of looking back on 80s comics though, in that we’re reminded of just how far we’ve come since.

It’s all change next week with a brand new look to the checklist that’ll eventually allow for more comics to take centre stage. Take a gander at the title graphic of every one of these posts for a clue (or to jog your memory) of what’s to come. Also next week, one of Marvel UK’s regulars reaches a landmark 10th anniversary! See you in seven.

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THE SLEEZE BROTHERS 3

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Classic Comics in Real Time