“PiGGS, PUNS, PLOPS”: OiNK DOCUMENTARY PREViEW

If you happen to be in a certain English town today then you could always pop along to the Maccpow comic con where there’s a preview screening of the OiNK documentary tonight. But what if you don’t happen to live in Macclesfield? Don’t fret, the OiNK Blog has got you covered, and will throughout the year. You see, tonight is very much a preview screening, a first edit if you like, to gauge audience reaction of the film so far.

Very kindly, filmmakers Claire Bend and Rob Reed of Bread and Butter Films sent me a copy a couple of days ago so that I could give all of you lovely pig pals something of a preview too. Obviously, I don’t want to spoil anything for when you finally get to see the finished product but I can certainly give you a tease of how the film stands so far.

Back in May I interviewed Claire and Rob about Piggs, Puns and Plops (the new name for the film) and was able to reveal those who had been interviewed so far. They included the likes of OiNK’s co-creator and co-editor Patrick Gallagher, Tom Thug’s and Pete and his Pimple’s Lew Stringer, Psycho Gran’s David Leach, and Helen Jones, Mark Rodgers’ wife and star of some hilarious photo stories in the comic. Oh, and me. Now with an official title no less!

There were others I mentioned too and now I can reveal who else they’ve spoken to in this preview cut.

The big news is that the brilliant TV writer and producer Charlie Brooker has been interviewed! Creator of the hilarious Screen Wipe and the compelling Black Mirror, and known to OiNK readers as the mastermind behind The Swinelight Zone, Transmogrifying Tracey and The Adventures of Death among many others. I’ll admit it was a very surreal moment in my life to watch myself share screen time with Charlie bloomin’ Brooker!

I remember several years ago being told that Charlie was embarrassed with his art on OiNK but that was soon dispelled as rubbish and a misquote from when he’d looked back at his first published work. This documentary will put that to bed permanently. His obvious love of OiNK and the three editors who gave him a chance is clear and he tells a great story about how he originally got hired.

Jeremy Banx has also been added to the mix and regales us about Burp the Smelly Alien From Outer Space, a huge fan favourite. I’ll admit this (somehow) was the first time I’d seen Jeremy’s face beyond his childhood photos and that shocked me. I mean the fact this was the first time, I wasn’t shocked by his face! OiNK was such a silly and fun comic we don’t think of the challenges faced by those creating it and this makes Jeremy’s piece particularly fascinating.

If you think you know everything about OiNK’s story already you’ll be very happy to know you’re wrong. Take it from the guy who has written hundreds of thousands of words on the subject. This is thanks not only to the new additions but also seeing more of the interviews with everyone else. For example, Helen brings a certain detail to the story of Mark and Patrick meeting in a library that I hadn’t heard before and I laughed out loud upon hearing it!

The film also includes two very favourite cartoonists of mine who grew up with OiNK, the crazy contents of which very much influenced their own work, namely award-winning graphic novelist Jamie Smart and Beano cartoonist Laura Howell. Between Laura’s continuing enthusiasm for OiNK decades later and Jamie breaking into spontaneous laughter while reminiscing about it, they’re brilliant additions to the film.

Patrick Gallagher is as passionate about OiNK as he was when he and Mark and Tony were creating it and I could listen to him talk about it all day. Lew Stringer tells us about the creation of one of OiNK’s most popular characters, David Leach wears a hat you’ll all want while describing his big break, Steve McGarry laughs about his most famous OiNK cover and there’s even a nice section about a certain piece of merchandise that’s featured heavily on the blog too. This is all just the tip of the melting-in-this-heat iceberg! Quite a feat for a short film.

There’s so much in this I want to tell you about, so much I want to add to various OiNK posts on the blog, but I’ll not be doing any such thing until you’ve all seen it. When will that be? Well, Claire and Rob have made it very clear they’re nowhere near finished yet. Originally, it was meant to last 10-15 minutes but so far it’s running to 25 and they’ve a lot more they want to add, including more people to interview.

Some have already agreed to take part but I can’t mention any names as yet. There’s also the matter of funding to try to make a longer film and get it distributed and a lot (a lot!) of footage already filmed that’s had to be cut at this point which may be released as fun extras. There are plans to screen it at more comic cons and film fests as it develops and beyond that, when it’s finally finished, plans to release it to your sties.

As always, the OiNK Blog will be the place to find out about all future developments so make sure you follow along by subscribing via RSS or email, or follow along on the blog’s socials. Needless to say, your favourite childhood comic is in very safe hands with Claire and Rob.

(And thanks to both of them for the loveliest surprise addition to one of the end credits.)

iNTERViEW WiTH CLAiRE AND ROB

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OiNK’S 40th ANNiVERSARY

ALL CHANGE!

Wow, has it really been that long since I said I’d do this Writing Diary regularly? Sometimes life just runs away from us, doesn’t it? There have been changes to my plans for the year and I’m cursing myself for announcing things before being further along with them, but that’s the way it goes. Sometimes, other writing projects just take on a life of their own.

For a long while now I’ve been eager to produce an ongoing printed publication of some kind, something physical people can get their hands on to read, to slow down and enjoy, and to have new issues on a regular basis to build upon. Several possible topics have popped in and out of my head over the years but none ever seemed to suit what I had in mind.

NEW PROJECT

Well, now I’ve landed on one. It’s not comics-related but I’m confident there’ll be a good level of crossover for a lot of readers of the blog. In fact, it’s something I’ve already spoken about on here a couple of times, and it was working on the OiNK Blog that got me interested in this particular subject again. All that time searching for something and in the end it was right in front of me.

Of course, learning from my previous mistakes I’m not going to reveal what it is just yet but I can tell you about some exciting developments around it. Well, exciting for me anyway and it’s my diary so I get to decide what’s exciting and what’s not! I was considering expanding the amount of space I purchase from WordPress for this blog in order to create a second site for the new project, but then I discovered Neocities (with an ‘N’).

Who remembers Geocities (with a ‘G’)? Back at the turn of the millennium I used Yahoo’s Geocities to create a website of two halves. Half an episode guide to Knight Rider complete with a discussion forum, the other half for my friends including photo galleries of nights out, birthdays etc. I’d buy a disposable camera for nights out, use the whole thing up, develop it, scan all two dozen photos and upload them to the site before the next weekend. This was before social media. Eventually I even stopped using Geocities’ tools and learned how to program it myself using a great book borrowed from the local library.

Called Teach Yourself HTML in 24 Hours it was easy to follow and surprisingly very funny. I was so happy with the end result but after a year or so I moved on; I had been a student at the time and afterwards a full-time job and an income led to other interests. Fast forward to the present and after spending a lovely few days browsing the new Neocities I realised I’d found the online home of my new ongoing publication.

Neocities was created as a modern Geocities, to bring back the freedom and creativity of the internet. The big tech firms have basically walled off the internet; everyone’s social media presence looks and feels exactly the same; everything is uniform and bland by comparison to how it used to be. All while they track every aspect of our lives too. The internet is now a walled garden, and it’s not even that pretty a garden to look at.

Before all this, people created their own spaces which were fun, unique, quirky, interesting. We’d properly surf the internet, not get lost down negative rabbit holes. It was exciting, it really felt like we were interacting with the world at large instead of whoever a corporation’s algorithm decides upon. In contrast to the modern net, Neocities sounded too good to be true, so I took my time to research it.

I couldn’t be more thrilled with what I found. Already there are over 1.5 million personal websites full of creativity, hobbies, interests, and basically people being as quirky as they want; it’s a happy place to share what makes us tick as individuals (and generative AI is banned) and it feels like the perfect place for what I have planned. So much so that I now own a more up-to-date version of that same book I used to borrow from the library two-and-a-half decades ago.

UPDATES

So I’m working on the actual printed publication and its online presence at the same time, rather than producing the publication first and then marketing it on socials. I’m so excited by this but as you can probably guess it’s taking up a lot of my time and so other proposed projects have had to take a back seat for now. Last time, the big news was the Comics 80:99 bookazine. This hasn’t been abandoned, just delayed. By how long, I’m not sure yet.

At least I know Comics 80:99 is a viable project now. The prep work was well advanced (as I talked about last time), but the secret project I’m co-writing with another writer has been put on hold for now. Frustratingly I can’t explain why, I just ask that you trust me when I say it’s going to be of great interest to OiNK Blog readers and as soon as it gets moving I’ll let you know. I’d prefer Comics 80:99 to follow on from this, possibly as a potential annual or bi-annual publication rather than a one-off. It’ll make sense, believe me.

SUMMING IT ALL UP

So that’s where I am. The new ongoing project is taking centre stage and will be demanding most of my time. The co-writing project has been paused for now but hopefully we’ll see movement on it in a few months with an announcement perhaps by the end of the year. Finally, Comics 80:99 has been paused while the ongoing publication is released and the secret project begun, with plans for the bookazine to come at a later stage.

What about the blog? For the remainder of 2026 it’ll concentrate on extra content for many of the comics covered on the blog. There’ll be posts almost every weekend of the year and the Marvel UK Checklists every Wednesday, so two posts every week. At Christmas there’ll be the usual onslaught of content, with two new real time read throughs for the Annuals section included too.

Thanks for reading! I’ll be back soon(er).

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THE MiGHTY MARVEL CHECKLiST: WEEK 48

SATURDAY 24th JUNE 1989

On this day back in 1989 Marvel UK spoiled us with two ace covers for their top selling comics. Anthony Williams and Nick Abadzis joined forces for a funny yet thrilling environmental message for The Real Ghostbusters, while Geoff Senior stunned us two weeks in a row with his Transformers and Action Force page.

Back in week 42 I mentioned how one of that week’s Real Ghostbusters stories was a bit strange because it went against the comic’s previous environmental messages. Well, here we are just six weeks on from that strip flying against the comic’s stance and thankfully things have been corrected once again. Elsewhere, Slimer comes to Peter’s rescue when he brings home a haunted takeaway and the Dead True story this week is all about the Mary Celeste (although no mention of it being the fault of the Daleks – if you know you know).

In Transformers’ UK story (part two of Aspects of Evil) we learn the time fracture of Time Wars has healed itself, but the only way it could do so was to make sure it never happened in the first place, meaning Galvatron never travelled back in time (despite that being the reprint elsewhere in this issue). Everything that happened before still happened, but at the same time won’t happen. Brilliant, mature storytelling that treated the children as intelligent readers while setting things up for the next few years of the comic.

After a few weeks of repeated highlights it’s all brand new editions for the checklist this week. Transformers gets a bit of a by-the-numbers description compared to the rest, and in hindsight starting a so-called ‘Chinese Trilogy’ with a story called The Take-Away Terror in The Real Ghostbusters is as clichéd as it gets. (That’s me being kind, because that’s the least of its problems.) Action Force Monthly’s latest issue lived up to its ‘European Missions’ subtitle when it was exported to the US, but it’s not just a new issue that’s bagged the top spot, it’s a whole new (mini) series.

After several months of teaser ads The Sleeze Brothers were finally here! I bought the first issue as a kid and loved it, but my fickle attention span didn’t last a month so I never bought any more, despite the creative team being some of my favourites from The Real Ghostbusters. However, that has since been corrected, just a couple of years ago in fact right here on the blog. A link to the first issue’s review is below and from there you can check out the rest in that comic’s own section of the site. It was unlike anything I’d ever read before, that one issue sticking in my mind for decades after the fact.

Last week I mentioned how the Marvel Bumper Comic hadn’t been seen on the checklist for months. Well, this week’s contemporary advert sees it return in a somewhat strange comics merger. Much like how the monthly Slimer comic’s merge into The Real Ghostbusters felt weird because he was already in the comic and thus it didn’t need the “and Slimer” in the title, alien Alf had already been in the Bumper Comic too. They could’ve just continued printing his strips in it and nothing would’ve felt any different. But with his own comic ending Marvel UK would’ve seen the marketing potential in acting like it was a ‘new’ addition.

Next week the checklist pretty much stays the same but given the quality of their new comic I’ll forgive them this once. There’ll also be a tiny black and white advert (there’ll be more monochrome ads as we continue thanks to Transformers) that somehow still packed a bigger punch than those full-page, full-colour Popeye and Tom & Jerry ads recently. See you in seven more.

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THE GiFT: A PRESENT FROM DAVY FRANCiS

The Gift is exactly what it says on the tin, an absolute gift of a wee comic that’ll simultaneously have you roaring with laughter while pulling on your heart strings. As you’d expect coming from Davy Francis (Greedy Gorb, Doctor Madstarkraving, Cowpat County) it’s as unique a comic as you’re likely to find. Even its creation was very ‘Davy’.

A few months back I was having coffee with Davy and Peter Duncan of Belfast’s Sector 13 Comics when Davy pulled out a selection of random little bits of paper of various types and sizes. On each was drawn one panel of a story. He’d been randomly drawing each image whenever the mood took him on whatever he had to hand. What I saw that day was brilliant and deserved to be seen by others.

Peter was of the same opinion and had the means to make it happen. Sector 13 originally began by creating and publishing the entertaining 2000AD-inspired Sector 13 comic. In recent years they’ve branched out into publishing comics by other local writers and artists. Their latest release is Davy’s The Gift, which comes in a small square format in keeping with his original sketches.

It was released during the Enniskillen Comic Fest and there was something of an embargo on story or even character details beforehand as no one wanted to give anything away before its publication. Hence why I’ve waited until now to review it for the OiNK Blog, so that I can give you a few details in this review, although I’ll make sure not to spoil anything for you.

Part of the joy of this comic is not knowing anything about it beforehand, but that could make for a somewhat bland review. So what can I tell you? It involves a Bruce Wayne/Batman-type character called Dwayne Castle, who lives in a castle. His alter ego is… The Rook. Along with his Alfred-like butler friend the set up is a very funny take on the original Batman legend but it goes much farther than that.

How it develops is the part I don’t want to tell you about because it’s the whole point of the comic. It’s strange to be highly recommending something when I can’t mention the main plot point. What I can tell you is how funny it is. Any fan of Davy’s from OiNK or any of the other publications he’s appeared in over the years will instantly take to this, whether you’re a Batman or superhero fan or not. Thankfully, Sector 13 haven’t tidied the images up too much so you can still see the different types and shapes of paper Davy used, giving it the feel of him sharing each one with you personally and an insight into his crazy cartoonist mind.

Davy’s inimitable style shines all the more here, possibly because he was originally only drawing these for his own amusement. As such, you can feel the love that went into each image and when you read the dedication to his late dad at the beginning you’ll understand why. Having read this dedication you’ll then feel a lump build up in your throat as you read the second half of the tale, the half I’m not going to discuss.

Well, I say ”read”, but this is a silent comedy. There are some of Davy’s trademark background gags like shop signs etc., but other than those this is without speech or narrative captions. Each image takes up a full page and acts like a snapshot of a particular part in the lives of the two men at the centre of the story. Some spoofs of DC comics and scenarios from well known aspects of Batman’s life act as funny little pages in their own right, but it’s the overall story that makes this worth every penny.

I really can’t recommend this enough. Now, £7.00 might sound like a lot for a silent comic, especially since every page has just the one panel, but at 52 pages there are a lot of images here to savour. That’s the way to read Davy’s comic, taking your time to enjoy each individual drawing, laughing along with the gags and allowing yourself to get emotionally invested as it develops beyond what you thought it would be when you ordered it from Sector 13’s website.

Which you really must do. You won’t want to miss out on the experience of this one.

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SiDEBOTTOM iS GO: FRANK iN THUNDERBiRDS THE COMiC

On this day in 2010 we sadly lost Chris Sievey, known to many as Frank Sidebottom. His passing reminded me of how much I loved his contributions to OiNK and, after reading the three editions I still owned from childhood, I began tracking them all down. So it was Frank who pulled me back to the world of OiNK after decades away. On this day, sixteen years later, as part of OiNK’s 40th here’s the first of three posts remembering Frank.

I loved this comic. This was my complete collection of regular issues before they went to another home. Back in 1991, BBC Two began repeating the classic Thunderbirds series at teatime on Fridays and, even though I was approaching 15-years-of-age and in grammar school, I became hooked and watched it with my parents every week. Fleetway soon released Thunderbirds The Comic and with its mix of gorgeous 60s comics serials, stunning new cutaway posters from Graham Bleathman, new strips and features it was a quality read. I bought it for over a year before believing I was too old for comics (don’t we all make that mistake for a while?) and missed out on a certain cameo later in its run.

You see, a megastar-of-megastars was also a big fan, namely Frank Sidebottom (aka Chris Sievey) and he’d pop up in the comic for a brief interview conducted by none other than Gerry Anderson himself. We’ll get to that eventually but by way of a build up I thought I’d begin by showing you all those times Frank brought a bit of Supermarionation to the pages of OiNK, most of which I haven’t shown you before. Frank joined the team in #16 and just five issues later in the Valentine’s issue he drew this wonderful strip starring two of his own puppets, Little Frank and Little Denise.

On a personal side note, I can remember around Christmas 1991 I discovered a double-bill video of the movies Thunderbirds Are Go (which Frank and Denise are sneaking off to see) and Thunderbird Six. I can remember the thrill of realising these had been cinema releases and rushing home to watch them for three hours. I think I wore that tape out!

Just a little while after the lovey-dovey issue came the first OiNK Holiday Special. You know the one, with the plasticine Uncle Pigg on the cover and a cardboard Mary Lighthouse fanning him on a desert island (classic Ian Jackson work). Inside was a space-based board game by Frank that tied in with his comic strip. Look out for Thunderbirds 3 and 5 making cameos, and for one of the playing pieces!

I would be remiss if I didn’t mention some of the other favourite references of mine in this piece, such as Tom Baker’s Fifth Doctor as another character piece. Or how about the Button Moon Heinz Baked Beans tin, the TARDIS, a multitude of other Gerry Anderson creations, Steven Spielberg, Roger Moore (I assume because of Moonraker), the Time Tunnel and more. I find how unfair the game is to anyone playing as Little Frank so funny too, as is that random space elephant square. Although, what’s wrong with wearing glasses, Frank?

I never played it and I doubt many did, but those that convinced their family or friends to give it a go must’ve had a laugh. Chris’ love of the shows he grew up with is apparent throughout his time in OiNK, as you can see with this pin-up from #66, just a couple of months before the comic’s cancellation. Again, Supermarionation programmes feature heavily among the vast array of merchandise he’s clearly never wanted to part with from childhood.

I was aware of Thunderbirds when I was reading OiNK as a child, we all were, but it wasn’t until a few years later that I became obsessed and the references became all the funnier for it. This brings us back to the early 90s and Thunderbirds The Comic from OiNK’s own publisher. In later issues Gerry Anderson contributed a regular page to the comic (via Simon Archer, the author of his biography), answering fan questions and keeping the kids clued in on the latest news of his new series and repeats of the classics.

Sometimes he’d speak to people who had worked on Thunderbirds to give readers even more of an insight into the making of their favourite show. On one occasion he spoke to a celebrity super fan, who even contributed their own self-portrait in character as International Rescue’s arch nemesis, The Hood. Although, it’s clear this was a general chat about all of Gerry’s series given how few of the answers pertain to this comic’s title.

It’s still a fun little addition and the answers are very Frank (oh, that could be a pun). Eventually, other Gerry Anderson series would be repeated on BBC Two and some would get their own Fleetway comic in pretty much the same vein, although none would last very long and they’d all end up merging into this one (some series would just start out as back up strips here rather than get their own title). Thunderbirds The Comic was very much the Buster of the Supermarionation line.

Later in life I’d fall in love with Thunderbirds all over again thanks to the newer Thunderbirds Are Go series which used CGI for the characters and craft alongside wonderfully intricate models for their sets and backgrounds. It was during this time I splashed out on the Thunderbirds The Comic complete set with the intention of covering it on the blog. However, flicking through them to check for missing pages or damage I soon realised why I’d stopped collecting it as a teen; when the classic reprints stopped the new stories just weren’t a patch on them and I never cared for any of the other puppet shows that found their way into the contents. But at least I did find this little gem of a Frank Sidebottom contribution to share with you.

As I’ve previously stated, OiNK’s 40th anniversary celebrations wouldn’t be complete without a celebration of Frank Sidebottom and over the next few weeks I’ll be watching for the first time the movies Being Frank (the documentary about Chris’ life) and Frank, the fictional story based on the character and written by one of Chris’ band friends, Jon Ronson.

I’ll admit I know little about Frank or Chris beyond what I’ve learned from OiNK and my research into his contributions to the comic, so I’m very much looking forward to both of these to learn more about the man himself and the psychology of becoming a different persona once the papier-mâché mask was put on. I can’t think of a better time to rediscover Frank Sidebottom.

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THE MiGHTY MARVEL CHECKLiST: WEEK 47

SATURDAY 17th JUNE 1989

There’s something strange (in the neighbourhood?) going on with the speech balloons on Brian Williamson’s and Dave Harwood’s The Real Ghostbusters cover, while the triumphant return of Geoff Senior to the front page of Transformers and Action Force heralded an exciting beginning inside.

A couple of weeks ago messed up speech was also main gag of the prose story and cover for The Real Ghostbusters, however this time it does so in a different way. Instead of nonsense, Egon’s and Winston’s speech patterns were swapped in a funny tale written by one of the comic’s best writers, Dan Abnett. Speaking of writers, Jane Fabian is a wonderful addition if her Super Bowl strip is anything to go by.

In Transformers, that fantastic cover heralds the start of UK stories written and drawn specifically for the new 5-page black and white format, and it shows! Aspects of Evil told five individual stories with a linking theme of the most evil characters in Transformers lore, beginning with one of the better developed Decepticons, Scorponok. It’s a packed little tale and Jeff Anderson really shows us what can be achieved without colour, upping the ante with his superb inking.

Why did our two top-selling comics get such a raw deal on the checklist?

On a quick separate note, this issue of Transformers and Action Force also contains the first advert for Hasbro’s new Pretender Classics range. The Pretenders had an outer shell (usually human-like or some horrible monster) with the Transformer inside. The Classics were all large humans wearing intricate sci-fi military gear but inside were characters such as Bumblebee, Grimlock, Jazz and Starscream. Their release really excited me as a child because I’d missed out on those toys as I became a fan after they’d originally been discontinued. So why did I never asked Santa for any?!

Back to the checklist and Thundercats steals the top position as it always does, albeit this time it’s taken until its second week on sale thanks to the Doctor. So the only new information here is for our two weeklies, everything else has already been covered. Although, it does beg the question of why our two top-selling comics got such a raw deal on the checklist. They may have always been first and second on the list but the ‘Don’t Miss’ spot seems to be given almost solely to the monthlies.

Transformers has only had that honour three times in nearly a year and the Ghostbusters once, with even its milestone 50th issue passed over while others such as Thundercats hogged the limelight, sometimes two weeks in a row with the same issue. Other comics such as the Marvel Bumper Comic disappeared completely from the checklist after only a few entries. As a promotional tool it’s a great idea but sometimes I do question its contents.

At least next week there’s a brand new, sleazy (or is that “Sleezy”) comic that readers definitely wouldn’t want to miss! See you then.

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WEEK 46 < > WEEK 48

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TURBO JONES: A WiLDCAT GRAPHiC NOVEL

It’s been a long time coming, 37 years in fact, but finally I’m going to find out how Wildcat’s Turbo Jones strip ends, thanks to the first of Rebellion’s graphic novel collections. Containing all of Turbo’s strips from the entire Wildcat series, including the Winter and Holiday Specials, it’s the strips from the merge with Eagle that I haven’t read yet. As such, I was a bit disappointed to find out on the contents page the character didn’t last long in that comic. Oh well, let’s dig in to what’s here.

A word of warning, I’m looking at these as classic strips just like the rest of Wildcat, so while this is a review of a book on sale it could contain some spoilers if you’re thinking of buying it and would prefer to go in fresh. After an introduction by Wildcat’s creator-editor Barrie Tomlinson, the preview issue and all 12 Turbo Jones strips from the regular comic, we get to Eagle and Wildcat and the conclusion to the Trial of Death Turbo had been forced into at the end of his own comic.

After the big build up the trial itself only lasts one issue before Turbo and Robo spot the Arglon army moving towards Borovia. Seeing a way back in with his former allies, Turbo assembles the army before promptly kills a dissenter! Then the rest just fall in line. What? Throughout Wildcat, Turbo was always quick to anger and get into a fight. Some leader of the human race, right? He was always taught the error of his ways though, but not here. It doesn’t feel right when I think back to Wildcat and the stories it told, the characters and situations it involved, and the morals it portrayed for the kids.

Then the battle-to-end-all-battles is hyped on one page as a fight that will be taught to successive generations, before it gets wrapped up after one page. Even more incredulously, after this one defeat the entire Great Ark council of talking skeletal heads just self-destructs. So no answers about who they were or their history. Nothing. After such great pacing, world building and storytelling in Wildcat this feels very rushed, which is all the more frustrating since I never bought the merged comic and have waited all these years for this!

As our heroes leave to return to the ship they crash land. Again. In what feels like a tacked-on two-part story they meet the Sens Protens, a race of psychic aliens who Turbo instantly distrusts and even gets into fist fights with. But it’s actually a funny little tale, from beginning as it does with Turbo and Robo about to be sacrificed by the aliens, to them becoming best friends within a few pages. However, just as it feels like it’s getting going it ends. Again. The problem is that Wildcat was meant to contain long-form storytelling. There were no individual tales as such in each of the main strips. Instead, they were designed to be never-ending, naturally moving from one scenario to the next. I loved that about it. But of course this simply wouldn’t work in Eagle.

There were four main character strips in Wildcat plus the anthologies, the Wildcat Completes. There was only room for two at a time in Eagle, and the little panel at the end of the above story tells the reader Loner’s story would restart the following week. It’s painfully obvious Turbo’s was curtailed to make room for other strips in a shared environment. Then there’s another two-part tale which ends with news of Joe Alien returning, so Turbo was clearly also used to fill some gaps between strips in Eagle. 

It’s a shame, because the character development for Turbo was excellent in Wildcat, yet here it has to stop in order to get the stories told quickly and out of the way. As such, he’s back to being the person he was at the beginning, including shouting constantly at poor old Robo, their developing friendship in Wildcat all but forgotten. Robo also never stops calling him ‘Master’ despite protestations, which I’ll admit does lead to some laughs when Turbo tells him off for it at the most inopportune of moments.

There’s a scene where Turbo is furious when an alien kills a human upon meeting because it deemed them unimportant. Bit of a cheek getting angry about that considering his own actions when meeting some of the more imaginatively designed alien characters! Speaking of designs, the art is as superb as always. Ian Kennedy gets top artist billing despite only drawing the first two strips (however he did design all of the main characters and the Wildcat itself). Vanyo is our most prolific artist here and their monsters are as imaginative as always. I’m sure these would’ve thrilled Eagle readers just as they did for me in Wildcat back then.

There are a few one-shot stories for Turbo as well. Some are a bit like the Wildcat Completes, however whereas those were satisfying and told a complete (clue is in the name) tale with a proper beginning, middle and end, these Turbo Jones stories feel frustratingly short. One introduces two species of fish-like aliens with what seems like really interesting origins, and in another a full-scale intergalactic war forms the background to the story, but both of these are just dropped, never to be heard about again. Were these ideas of Barrie’s he was originally going to flesh out in Wildcat later on?

There are other genuinely funny moments, such as when we see Robo trying to calm a terrified Turbo. As it turns out, this heroic, chisel-chinned leader of humans who takes no nonsense from any alien monster is terrified of the dentist. The final Eagle tale then shows just how horrible humans can be and questions whether we deserve to settle on another planet at all. It’s something Wildcat often considered in its stories. This tale seems to mirror the real world even today and the hateful minds of far too many people. Thankfully, the more enlightened version of Turbo Jones is on hand to make them see sense. In his own way, naturally.

I’ve loved rereading the Turbo strips from Wildcat again, it’s just frustrating how the epic nature of that comic had to be so obviously cut short because of the limited space and time available in the comic it merged into. If anything, the stories I’ve finally read now for the first time only confirm just how different Wildcat was, and just how original its style of storytelling was compared to the more episodic nature of its contemporaries. However, I still look forward to seeing how Loner’s story pans out in the second graphic novel. He proved very popular with Eagle readers and hung around for a lot longer as a result (his book is somewhat thicker than Turbo’s). 

For now, volume one ends with the strips from the Wildcat specials and a selection of covers and pin ups featuring characters from the Turbo Jones strip. Unfortunately, the gorgeous cover for #1 by Ian isn’t included. Parts of it are used for the book’s cover but it still would’ve been nice to see it in full colour alongside the rest. That kind of sums up the continuation of the story after Wildcat’s premature end. What’s here is good but it could’ve been so much more, reaffirming my belief that the end of Wildcat was one of the cruelest cancellations in comics history.

You can purchase both Wildcat volumes at the Rebellion online shop.

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THE MiGHTY MARVEL CHECKLiST: WEEK 46

SATURDAY 10th JUNE 1989

That stipple effect on Brian Williamson’s and Dave Hardwood’s cover for The Real Ghostbusters really was ubiquitous with Marvel UK at the time, wasn’t it? While on Transformers and Action Force, Simon Coleby joined the team with his first cover and he impressed from the start!

That skateboard story emblazoned on the cover of The Real Ghostbusters would end up becoming very familiar to readers. Not only would it pop up again in a Collected Comics special, but also twice more in the regular comic before the end of its run. This issue also contained the announcement of the sequel movie. This was the first mention of Ghostbusters II despite its release being just a few months later. The comic would go all-in with promotions, competitions and even serialised the adaptation as its first imported back up strip.

The exciting news in Transformers was that from next week the UK stories would finally be written for the new 5-page black and white format. Survivors came to an entertaining and somewhat intriguing ending this issue, setting up a superb character arc for Decepticon Pretender Beast, Carnivac. Having allied himself with Autobots, he witnessed his friend Catilla’s murder and left the team, swearing vengeance against the Decepticons but going out on his own, not wishing to endanger his new sort-of-allies. A superb character and some great stories to come. On the letters page a fan complained that Combat Colin wasn’t in one issue, so Dreadwind promised it wouldn’t happen again… “until next time”!

Well there you have it, the milestone issue of Doctor Who Magazine did get top billing after all. I still think he should’ve been given the honour last week when it was just released, but I suppose the crossover between the Time Lord and Death’s Head was equally as exciting an event and an executive decision was made. What’s shocking about this week’s checklist is that a new issue of Thundercats wasn’t given the ‘Don’t Miss’ slot. That’s a first for this series!

Last week, Popeye showed up to promote his own monthly comic and unlike the checklist entries it wasn’t much of an event for me personally because I was never a fan of the cartoon. However, I was very much a fan of the cartoon characters starring in their own Marvel UK summer special this week! I’m not sure why one of them is dressed as a magician to promote it, though. Probably something to do with a strip inside but it’s a strange choice without context.

I have happy memories of renting Tom & Jerry videos from my local shop as a child, often containing well over an hour of hilarious cartoons. The store only had a few of their tapes so I became very familiar with them. As did my parents! I have a distinct memory of laughing really hard (and my parents enjoying watching me) at the episode where Tom was a classical pianist and Jerry was asleep inside the piano, and once woken by Tom’s playing his revenge was taken in the usual, highly original variety of ways.

However, I never bought any of their comics. I remember seeing them advertised but still images were never going to be as funny as the high octane insanity of the cartoons as far as I was concerned. Did I miss out? If you picked this up (or any other Tom & Jerry comics) let me know, I’m intrigued as to how they could possibly translate successfully to the page. After this special Clearmark obtained the comics licence in the UK and the next year released a monthly Tom & Jerry comic which lasted only seven issues.

Next week Geoff Senior finally returns to cover duties to launch Aspects of Evil in Transformers, so you won’t want to miss that in just seven days.

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DAVY FRANCIS’ SHOEBOX: PART TWO

Electric Soup was “Scotland’s Adult Humour Comic”, with 17 issues released between 1989 and 1992 followed by a 10th anniversary special a while later in 1999. Think Viz but with thick regional accents in every panel and plenty of jabs at local politicians, celebrities and even whole Scottish cities. There was quite the collection of these inside Davy Francis’ shoebox so I was looking forward to seeing plenty from the Cowpat County creator.

Unfortunately, as I began to flick through them I soon came to realise this was a case of Davy’s friends being inside rather than the man himself. Thankfully, eventually his unique art style popped up in #16, the penultimate issue of the run and the last of the regular issues in this box. He also returned for the 10th anniversary special. Altogether we’ve got three new strips from Davy and one spoof I’m sure fans of the blog will enjoy. First up, a rather more adult (and Scottish) spin on one of OiNK’s favourite spoof targets, Desperate Dan of The Dandy. Although fans of another OiNK Blog comic should get a kick out of this too.

As a pig pal it’s strange to see bad language in one of Davy’s strips but I’m not for one second saying it shouldn’t have been, this is an adult comic after all. There are less of the usual background gags than we were used to with his OiNK pages but I did laugh at the picture of mother. Davy’s Predator isn’t half bad though, right? (Obviously look beyond the glasses.) His Desperate Dan is how I imagine a 90s Hollywood live-action take on the character would be, so it feels perfect for the time of this comic.

Moving on to the anniversary special and I have to warn you about this next strip. It’s blurred until you click on it for a reason. It’s very adult and I didn’t want the images just sitting out there on the blog for all to see as you scroll on your morning commute. Originally drawn by Tommy Somme in the regular comic, for the 10th anniversary special Davy took over art duties for Helmetman. Now, you know this is an adult Viz-like comic, so just think about what that superhero name could mean for a second before deciding to click.

I’ll admit this is only here because it was drawn by Davy, who was creating a follow-up for an established strip, one that readers had an expectation of. I’ve never been a fan of this type of humour though. Maybe OiNK spoiled me. Yes, OiNK could be cheeky at times but it was done in a genuinely original, funny way and the comic was hilarious at all times whether it was one of those moments or not. Humour that relied solely on shocking the reader is a one-trick pony to me and grows tired very quickly. Unfortunately for me, the vast majority of Electric Soup is like this.

Frustratingly, it needn’t have been this way. In the few strips that don’t use overly adult themes as the sole gag (“Ooh, nude bits and extreme language in a comic! Hehehe, aren’t we hilarious”) there are some genuinely brilliant moments. Davy himself supplies one in The Y Front which, apart from the occasional rude joke, reminds me very much of his OiNK strips. By this I mean every panel has something to laugh at, with plenty of sight gags that take the narrative captions and turn them into something else entirely, leaning heavily into the ridiculously bizarre.

It’s just gloriously stupid. If Electric Soup had more of this kind of adult-enough humour I’d have loved these comics. Davy wasn’t the only contributor capable of realising there’s more to comedy for grown ups than boobs and genitalia. While Frank Quitely could be just as guilty as the rest, he also had the ability to see beyond the shallow schoolboy jokes and give us something properly funny. In fact, the final strip I want to show you is his but with the sheer amount of gags and silliness you’d swear Davy had written the script.

It’s a spoof of Alien³, so for the second time there’s something here that readers of the Aliens section of the blog should find funny. I really enjoyed this film as a teen and as an adult I think the Special Edition is fantastic, so much so I’d rank it right alongside the first two movies. Thankfully, I can still have a giggle at the things I love when their spoofs are done well, and this is done very well indeed. Much like Davy’s Y Front (oo-er!) every panel had me chortling; it’s just relentless, especially if you know the film well.

See? No need for the so-called “adult humour” that just ends up being adolescent and childish. This Alien³ strip and Davy’s non-blurred pages above show that at least some of the people behind Electric Soup were genuine comedic talents. It’s just a shame their work is hidden amongst such unfunny nonsense. Maybe if I was a teenager I’d have laughed at the rudeness here the first time I saw it, but after growing up with the quality of OiNK I doubt it.

You can thank me later for trawling through all of these for the few gems within. Looking at some of the magazines still inside the shoebox I’m a bit concerned about having to do so all over again with titles such as Sweet FA and UC. But then again, I knew this going in and having a quick flick through they seem more professional, genuinely aimed at adults with a proper sense of humour and include more OiNK contributors. So while the subject matter of football (or the Sunday Sport!) might not appeal to me I’m still looking forward to the gems I can locate for you in the next part of this series later in the summer.

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OiNK’S COMiCS CUTS: OiNK ON KEV F’S PODCAST

Five years ago, almost to the day, I told you about OiNK cartoonist Kev F Sutherland’s brand new podcast, Comic Cuts. Known around the sty for his hilarious Meanwhile… series and two of my own personal favourites from OiNK’s entire run (The Three Scientists and The March of the Killer Breakfasts), Kev’s podcast was full of enthusiasm for the comics medium and provided plenty of entertainment to boot.

In recent months his current batch of episodes have been dropping and the latest one at the time of writing should be of particular interest to pig pals. For the uninitiated, you’ll probably want to know the set up of the series first. To quote the man himself from the beginning of the episode, “We’re looking at a panel, and we comprise a panel, there’s a few of us. So the panel sees a panel, and we talk about the comics from the panel we discuss.”

Simple, right? Basically, Kev invites on two guests with ties to the comics industry. Each brings with them a panel (or a series of panels) from a favourite comic. The other guest then has to describe it to the listener (although the image is also in the promo art for the episode and shown on the YouTube version) and guess the comic it came from. Previous guests have included Psycho Gran’s very own David Leach and OiNK fan and Beano artist Laura Howell. The current episode doesn’t feature anyone from OiNK, instead it features the comic itself.

Is that image a spoiler? Well, as soon as any pig pal sees the cover image for the episode they’ll instantly recognise Ian Jackson’s handiwork and maybe even the strip itself. Children’s book illustrator Liz Million is the OiNK fan who has provided for the podcast the full page (four panels) of #14’s The Hold Up written by Mark Rodgers and drawn by Ian, and it’s up to comics writer and artist Rich Johnston to work out where it’s from. I’m not going to give anything away, you’ll have to listen to it for yourselves to find out if he’s successful or not.

In amongst the gameplay is plenty of reminiscing about OiNK and some lovely insights from Kev about working on the comic. In particular, I like the little bit about Meanwhile at the Ball from the final issue, #68. As long as you can grit your teeth through the two guests (but NOT Kev, to be fair) stating OiNK was a kid’s version of a certain adult comic (grrrr!) there’s plenty to enjoy here. You can either watch the episode on YouTube on your next train journey or even take Kev into the shower with the audio version. (Just don’t tell him you did that.)

To find out more about the series in general, and the man himself, you can read my original post from June 2021 when Comic Cuts had just been launched.

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