TURBO JONES: A WiLDCAT GRAPHiC NOVEL

It’s been a long time coming, 37 years in fact, but finally I’m going to find out how Wildcat’s Turbo Jones strip ends, thanks to the first of Rebellion’s graphic novel collections. Containing all of Turbo’s strips from the entire Wildcat series, including the Winter and Holiday Specials, it’s the strips from the merge with Eagle that I haven’t read yet. As such, I was a bit disappointed to find out on the contents page the character didn’t last long in that comic. Oh well, let’s dig in to what’s here.

A word of warning, I’m looking at these as classic strips just like the rest of Wildcat, so while this is a review of a book on sale it could contain some spoilers if you’re thinking of buying it and would prefer to go in fresh. After an introduction by Wildcat’s creator-editor Barrie Tomlinson, the preview issue and all 12 Turbo Jones strips from the regular comic, we get to Eagle and Wildcat and the conclusion to the Trial of Death Turbo had been forced into at the end of his own comic.

After the big build up the trial itself only lasts one issue before Turbo and Robo spot the Arglon army moving towards Borovia. Seeing a way back in with his former allies, Turbo assembles the army before promptly kills a dissenter! Then the rest just fall in line. What? Throughout Wildcat, Turbo was always quick to anger and get into a fight. Some leader of the human race, right? He was always taught the error of his ways though, but not here. It doesn’t feel right when I think back to Wildcat and the stories it told, the characters and situations it involved, and the morals it portrayed for the kids.

Then the battle-to-end-all-battles is hyped on one page as a fight that will be taught to successive generations, before it gets wrapped up after one page. Even more incredulously, after this one defeat the entire Great Ark council of talking skeletal heads just self-destructs. So no answers about who they were or their history. Nothing. After such great pacing, world building and storytelling in Wildcat this feels very rushed, which is all the more frustrating since I never bought the merged comic and have waited all these years for this!

As our heroes leave to return to the ship they crash land. Again. In what feels like a tacked-on two-part story they meet the Sens Protens, a race of psychic aliens who Turbo instantly distrusts and even gets into fist fights with. But it’s actually a funny little tale, from beginning as it does with Turbo and Robo about to be sacrificed by the aliens, to them becoming best friends within a few pages. However, just as it feels like it’s getting going it ends. Again. The problem is that Wildcat was meant to contain long-form storytelling. There were no individual tales as such in each of the main strips. Instead, they were designed to be never-ending, naturally moving from one scenario to the next. I loved that about it. But of course this simply wouldn’t work in Eagle.

There were four main character strips in Wildcat plus the anthologies, the Wildcat Completes. There was only room for two at a time in Eagle, and the little panel at the end of the above story tells the reader Loner’s story would restart the following week. It’s painfully obvious Turbo’s was curtailed to make room for other strips in a shared environment. Then there’s another two-part tale which ends with news of Joe Alien returning, so Turbo was clearly also used to fill some gaps between strips in Eagle. 

It’s a shame, because the character development for Turbo was excellent in Wildcat, yet here it has to stop in order to get the stories told quickly and out of the way. As such, he’s back to being the person he was at the beginning, including shouting constantly at poor old Robo, their developing friendship in Wildcat all but forgotten. Robo also never stops calling him ‘Master’ despite protestations, which I’ll admit does lead to some laughs when Turbo tells him off for it at the most inopportune of moments.

There’s a scene where Turbo is furious when an alien kills a human upon meeting because it deemed them unimportant. Bit of a cheek getting angry about that considering his own actions when meeting some of the more imaginatively designed alien characters! Speaking of designs, the art is as superb as always. Ian Kennedy gets top artist billing despite only drawing the first two strips (however he did design all of the main characters and the Wildcat itself). Vanyo is our most prolific artist here and their monsters are as imaginative as always. I’m sure these would’ve thrilled Eagle readers just as they did for me in Wildcat back then.

There are a few one-shot stories for Turbo as well. Some are a bit like the Wildcat Completes, however whereas those were satisfying and told a complete (clue is in the name) tale with a proper beginning, middle and end, these Turbo Jones stories feel frustratingly short. One introduces two species of fish-like aliens with what seems like really interesting origins, and in another a full-scale intergalactic war forms the background to the story, but both of these are just dropped, never to be heard about again. Were these ideas of Barrie’s he was originally going to flesh out in Wildcat later on?

There are other genuinely funny moments, such as when we see Robo trying to calm a terrified Turbo. As it turns out, this heroic, chisel-chinned leader of humans who takes no nonsense from any alien monster is terrified of the dentist. The final Eagle tale then shows just how horrible humans can be and questions whether we deserve to settle on another planet at all. It’s something Wildcat often considered in its stories. This tale seems to mirror the real world even today and the hateful minds of far too many people. Thankfully, the more enlightened version of Turbo Jones is on hand to make them see sense. In his own way, naturally.

I’ve loved rereading the Turbo strips from Wildcat again, it’s just frustrating how the epic nature of that comic had to be so obviously cut short because of the limited space and time available in the comic it merged into. If anything, the stories I’ve finally read now for the first time only confirm just how different Wildcat was, and just how original its style of storytelling was compared to the more episodic nature of its contemporaries. However, I still look forward to seeing how Loner’s story pans out in the second graphic novel. He proved very popular with Eagle readers and hung around for a lot longer as a result (his book is somewhat thicker than Turbo’s). 

For now, volume one ends with the strips from the Wildcat specials and a selection of covers and pin ups featuring characters from the Turbo Jones strip. Unfortunately, the gorgeous cover for #1 by Ian isn’t included. Parts of it are used for the book’s cover but it still would’ve been nice to see it in full colour alongside the rest. That kind of sums up the continuation of the story after Wildcat’s premature end. What’s here is good but it could’ve been so much more, reaffirming my belief that the end of Wildcat was one of the cruelest cancellations in comics history.

You can purchase both Wildcat volumes at the Rebellion online shop.

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THE MiGHTY MARVEL CHECKLiST: WEEK 46

SATURDAY 10th JUNE 1989

That stipple effect on Brian Williamson’s and Dave Hardwood’s cover for The Real Ghostbusters really was ubiquitous with Marvel UK at the time, wasn’t it? While on Transformers and Action Force, Simon Coleby joined the team with his first cover and he impressed from the start!

That skateboard story emblazoned on the cover of The Real Ghostbusters would end up becoming very familiar to readers. Not only would it pop up again in a Collected Comics special, but also twice more in the regular comic before the end of its run. This issue also contained the announcement of the sequel movie. This was the first mention of Ghostbusters II despite its release being just a few months later. The comic would go all-in with promotions, competitions and even serialised the adaptation as its first imported back up strip.

The exciting news in Transformers was that from next week the UK stories would finally be written for the new 5-page black and white format. Survivors came to an entertaining and somewhat intriguing ending this issue, setting up a superb character arc for Decepticon Pretender Beast, Carnivac. Having allied himself with Autobots, he witnessed his friend Catilla’s murder and left the team, swearing vengeance against the Decepticons but going out on his own, not wishing to endanger his new sort-of-allies. A superb character and some great stories to come. On the letters page a fan complained that Combat Colin wasn’t in one issue, so Dreadwind promised it wouldn’t happen again… “until next time”!

Well there you have it, the milestone issue of Doctor Who Magazine did get top billing after all. I still think he should’ve been given the honour last week when it was just released, but I suppose the crossover between the Time Lord and Death’s Head was equally as exciting an event and an executive decision was made. What’s shocking about this week’s checklist is that a new issue of Thundercats wasn’t given the ‘Don’t Miss’ slot. That’s a first for this series!

Last week, Popeye showed up to promote his own monthly comic and unlike the checklist entries it wasn’t much of an event for me personally because I was never a fan of the cartoon. However, I was very much a fan of the cartoon characters starring in their own Marvel UK summer special this week! I’m not sure why one of them is dressed as a magician to promote it, though. Probably something to do with a strip inside but it’s a strange choice without context.

I have happy memories of renting Tom & Jerry videos from my local shop as a child, often containing well over an hour of hilarious cartoons. The store only had a few of their tapes so I became very familiar with them. As did my parents! I have a distinct memory of laughing really hard (and my parents enjoying watching me) at the episode where Tom was a classical pianist and Jerry was asleep inside the piano, and once woken by Tom’s playing his revenge was taken in the usual, highly original variety of ways.

However, I never bought any of their comics. I remember seeing them advertised but still images were never going to be as funny as the high octane insanity of the cartoons as far as I was concerned. Did I miss out? If you picked this up (or any other Tom & Jerry comics) let me know, I’m intrigued as to how they could possibly translate successfully to the page. After this special Clearmark obtained the comics licence in the UK and the next year released a monthly Tom & Jerry comic which lasted only seven issues.

Next week Geoff Senior finally returns to cover duties to launch Aspects of Evil in Transformers, so you won’t want to miss that in just seven days.

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DAVY FRANCIS’ SHOEBOX: PART TWO

Electric Soup was “Scotland’s Adult Humour Comic”, with 17 issues released between 1989 and 1992 followed by a 10th anniversary special a while later in 1999. Think Viz but with thick regional accents in every panel and plenty of jabs at local politicians, celebrities and even whole Scottish cities. There was quite the collection of these inside Davy Francis’ shoebox so I was looking forward to seeing plenty from the Cowpat County creator.

Unfortunately, as I began to flick through them I soon came to realise this was a case of Davy’s friends being inside rather than the man himself. Thankfully, eventually his unique art style popped up in #16, the penultimate issue of the run and the last of the regular issues in this box. He also returned for the 10th anniversary special. Altogether we’ve got three new strips from Davy and one spoof I’m sure fans of the blog will enjoy. First up, a rather more adult (and Scottish) spin on one of OiNK’s favourite spoof targets, Desperate Dan of The Dandy. Although fans of another OiNK Blog comic should get a kick out of this too.

As a pig pal it’s strange to see bad language in one of Davy’s strips but I’m not for one second saying it shouldn’t have been, this is an adult comic after all. There are less of the usual background gags than we were used to with his OiNK pages but I did laugh at the picture of mother. Davy’s Predator isn’t half bad though, right? (Obviously look beyond the glasses.) His Desperate Dan is how I imagine a 90s Hollywood live-action take on the character would be, so it feels perfect for the time of this comic.

Moving on to the anniversary special and I have to warn you about this next strip. It’s blurred until you click on it for a reason. It’s very adult and I didn’t want the images just sitting out there on the blog for all to see as you scroll on your morning commute. Originally drawn by Tommy Somme in the regular comic, for the 10th anniversary special Davy took over art duties for Helmetman. Now, you know this is an adult Viz-like comic, so just think about what that superhero name could mean for a second before deciding to click.

I’ll admit this is only here because it was drawn by Davy, who was creating a follow-up for an established strip, one that readers had an expectation of. I’ve never been a fan of this type of humour though. Maybe OiNK spoiled me. Yes, OiNK could be cheeky at times but it was done in a genuinely original, funny way and the comic was hilarious at all times whether it was one of those moments or not. Humour that relied solely on shocking the reader is a one-trick pony to me and grows tired very quickly. Unfortunately for me, the vast majority of Electric Soup is like this.

Frustratingly, it needn’t have been this way. In the few strips that don’t use overly adult themes as the sole gag (“Ooh, nude bits and extreme language in a comic! Hehehe, aren’t we hilarious”) there are some genuinely brilliant moments. Davy himself supplies one in The Y Front which, apart from the occasional rude joke, reminds me very much of his OiNK strips. By this I mean every panel has something to laugh at, with plenty of sight gags that take the narrative captions and turn them into something else entirely, leaning heavily into the ridiculously bizarre.

It’s just gloriously stupid. If Electric Soup had more of this kind of adult-enough humour I’d have loved these comics. Davy wasn’t the only contributor capable of realising there’s more to comedy for grown ups than boobs and genitalia. While Frank Quitely could be just as guilty as the rest, he also had the ability to see beyond the shallow schoolboy jokes and give us something properly funny. In fact, the final strip I want to show you is his but with the sheer amount of gags and silliness you’d swear Davy had written the script.

It’s a spoof of Alien³, so for the second time there’s something here that readers of the Aliens section of the blog should find funny. I really enjoyed this film as a teen and as an adult I think the Special Edition is fantastic, so much so I’d rank it right alongside the first two movies. Thankfully, I can still have a giggle at the things I love when their spoofs are done well, and this is done very well indeed. Much like Davy’s Y Front (oo-er!) every panel had me chortling; it’s just relentless, especially if you know the film well.

See? No need for the so-called “adult humour” that just ends up being adolescent and childish. This Alien³ strip and Davy’s non-blurred pages above show that at least some of the people behind Electric Soup were genuine comedic talents. It’s just a shame their work is hidden amongst such unfunny nonsense. Maybe if I was a teenager I’d have laughed at the rudeness here the first time I saw it, but after growing up with the quality of OiNK I doubt it.

You can thank me later for trawling through all of these for the few gems within. Looking at some of the magazines still inside the shoebox I’m a bit concerned about having to do so all over again with titles such as Sweet FA and UC. But then again, I knew this going in and having a quick flick through they seem more professional, genuinely aimed at adults with a proper sense of humour and include more OiNK contributors. So while the subject matter of football (or the Sunday Sport!) might not appeal to me I’m still looking forward to the gems I can locate for you in the next part of this series later in the summer.

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OiNK’S COMiCS CUTS: OiNK ON KEV F’S PODCAST

Five years ago, almost to the day, I told you about OiNK cartoonist Kev F Sutherland’s brand new podcast, Comic Cuts. Known around the sty for his hilarious Meanwhile… series and two of my own personal favourites from OiNK’s entire run (The Three Scientists and The March of the Killer Breakfasts), Kev’s podcast was full of enthusiasm for the comics medium and provided plenty of entertainment to boot.

In recent months his current batch of episodes have been dropping and the latest one at the time of writing should be of particular interest to pig pals. For the uninitiated, you’ll probably want to know the set up of the series first. To quote the man himself from the beginning of the episode, “We’re looking at a panel, and we comprise a panel, there’s a few of us. So the panel sees a panel, and we talk about the comics from the panel we discuss.”

Simple, right? Basically, Kev invites on two guests with ties to the comics industry. Each brings with them a panel (or a series of panels) from a favourite comic. The other guest then has to describe it to the listener (although the image is also in the promo art for the episode and shown on the YouTube version) and guess the comic it came from. Previous guests have included Psycho Gran’s very own David Leach and OiNK fan and Beano artist Laura Howell. The current episode doesn’t feature anyone from OiNK, instead it features the comic itself.

Is that image a spoiler? Well, as soon as any pig pal sees the cover image for the episode they’ll instantly recognise Ian Jackson’s handiwork and maybe even the strip itself. Children’s book illustrator Liz Million is the OiNK fan who has provided for the podcast the full page (four panels) of #14’s The Hold Up written by Mark Rodgers and drawn by Ian, and it’s up to comics writer and artist Rich Johnston to work out where it’s from. I’m not going to give anything away, you’ll have to listen to it for yourselves to find out if he’s successful or not.

In amongst the gameplay is plenty of reminiscing about OiNK and some lovely insights from Kev about working on the comic. In particular, I like the little bit about Meanwhile at the Ball from the final issue, #68. As long as you can grit your teeth through the two guests (but NOT Kev, to be fair) stating OiNK was a kid’s version of a certain adult comic (grrrr!) there’s plenty to enjoy here. You can either watch the episode on YouTube on your next train journey or even take Kev into the shower with the audio version. (Just don’t tell him you did that.)

To find out more about the series in general, and the man himself, you can read my original post from June 2021 when Comic Cuts had just been launched.

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THE MiGHTY MARVEL CHECKLiST: WEEK 45

SATURDAY 3rd JUNE 1989

I instantly remembered this issue’s story when I read Egon’s silliness on Anthony William’s and Dave Harewood’s cover to The Real Ghostbusters, and what Jeff Anderson’s cover to Transformers and Action Force promised and the reality inside were quite different things.

Reprints were everywhere at the time and Transformers would eventually explain to its readers it was to allow the US strips to get ahead again and the three-story/black and white format was to combat rising costs. I wish they’d explained straight away though, it could’ve stopped some from leaving and missing out on some truly amazing UK and US stories over the next 111 issues. As a teen I’d never read Wanted Galvatron Dead or Alive so I was a happy little reader getting to enjoy new-for-me Death’s Head!

Anthony Williams was one of the very best artists on The Real Ghostbusters. As entertaining as the cover is, it doesn’t do him justice compared to some of the strips he illustrated. Dan Abnett’s prose story represented by that cover is completely daft, but then again what should we expect from the person who wrote every single one of those hilarious Spengler’s Spirit Guides? Name-Gremlin was just an excuse for lots of silly sounding names. This isn’t a complaint. Far from it. It’s brilliant and even surpasses Dan’s usual quotient of laughs.

Another strange choice for top billing on the checklist this week. While a new issue of Death’s Head was always going to be celebrated, having a milestone 150th issue of one of your biggest titles released this week and it not getting the ‘Don’t Miss’ spot seems strange, especially as how new issues of Doctor Who Magazine frequently got that honour. At the time of writing this post the mag is currently at #630, so marking the 150th of this monthly is making me feel really rather ancient.

The Seventh Doctor guest stars in Death’s Head of course, so perhaps we can forgive Marvel UK this once for its choices, as long as the big issue of DWM gets the same treatment next week, I say. This particular story was another wonderful addition to the Freelance Peacekeeping Agent’s résumé with some genuine laugh-out-loud moments, especially with his own time machine. Although, the ending is a dubious one. It goes against the Doctor’s character in a pretty essential way, almost ruining the whole issue for me. You can read my full review at the link further below.

This week’s advert isn’t for a new comic but rather a series of new books.

I have a distinct memory of obtaining the money for one of these books but only vague ones about the contents. I remember being in a local bar having lunch with family. I would’ve been around 11-years-old and I was given money to play a fruit machine but I had to do so with an adult (technically it was gambling), so a family member played it with me. I won some money, argued over having to give half of it to the person that supervised me and then went to a nearby shop and bought the book with the shark on the cover. (Regular blog readers will know I’ve always had a soft spot for anything with comical sharks.)

While researching for this post some Ghostbusters fan sites have these books listed as collections of strips from the comic. I was sure the book was a prose story with rather large writing and big illustrations which took up most of each page, and I seem to remember it didn’t take me long to read it. Thankfully I eventually found some eBay listings for the other books in the series and my ageing memory was proven right (so you Ghostbusters Wiki pages need to update yourselves). For a moment I thought I’d gotten it mixed up with one of my many, many other Real Ghostbusters books. (I had so many!) Ah, the joys of getting old. Thanks Ghostbusters and Doctor Who!

I’m off to console myself about my advancing years, I’ll see you all back here in seven days when we’ll see if the checklist can make things up to the Time Lord and the latest contemporary ad is (like last week) for a comic based on a classic cartoon, but this time one I actually liked. See you then.

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