Tag Archives: Steve Gibson

OiNK! #43: CHRiSTMAS, STUFFED!

I have so many happy memories associated with OiNK, none more so than in and around Christmas 1987 when the comic was at its height. First up was this superb second festive issue, followed 13 days later on Christmas Day with The OiNK! Book 1988. The double whammy of these two editions can’t be understated as far as I’m concerned. This issue ended up being my favourite regular issue of the comic and the book my very favourite edition of all! Do they live up to the memories? Let’s start with #43.

Just like all the best issues it begins with an Ian Jackson cover, possibly my favourite of his, with apparently obscene words for us kiddies to guess at the time. I always looked forward to the festive issues of my comics and seeing the snow covered logos always made them feel extra special. There may be no multi-page Uncle Pigg strip like last year’s (by this point he and Mary Lighthouse seemed to be limited to the Grunts page and promotions) but it still manages to outdo even that issue with its plethora of Christmassy contents.

Let’s begin with The Night Before Christmas, a Yuletide Tale from David Haldane. Sounds nice and traditional, doesn’t it? It does and it’s right there at the very beginning of the comic, setting the anarchic tone for all that follows. OiNK was always great at taking traditional comic elements and turning them on their head. Surely nothing could be more traditional than Christmas comics, and upon reading this issue the feeling you come away with is one of the whole team having a blast at poking fun the season and everything we loved about it.

Haldane’s naughty child was the epitome of an OiNK reader wrapped up in one quick half-page strip. No, we didn’t really steal all the other children’s gifts from Santa but this cheeky, irreverent nature of the comic was what we lapped up, encapsulated here in the first strip of the issue. Things are looking good. A few pages later Horace (Ugly Face) Watkins gave readers a chance to appear as themselves and show just how irreverent they could be with letters to his headmaster.

After being banned from playing for Melchester United, Horace asked readers to send in letters begging his headmaster to change his mind. Well, the word “begging” was replaced with “telling” by those who wrote in, including one Stu Perrins, an OiNK fan who in recent years has written comics series such as Megatomic Battle Rabbit and Chrono-Cat. All of these readers won a Horace t-shirt which is something I’ve yet to see.

Way back in the mists of time when I reviewed #3 of OiNK I loved a particular spoof of favourite comic and movie stars of mine, the Transformers. Named The Transformoids and drawn by Ralph Shephard, the go-to guy for such stories at the time, it made fun of the characters and their abilities. This issue the target is the Hasbro toy line itself, in the very capable hands of Dave Huxley. This reminds me of my parents’ attempts at following the instructions of my Transformers toys when I got into them about a year later.

I remember my dad in particular treating my Head Master Slapdash like some kind of elaborate Rubik’s Cube puzzle on Christmas Day, following the instructions step-by-step and still not being completely sure he’d got it right in the end. Similarly, the above was based on Dave’s own struggles with his sons Alan’s and John’s Transformers toys which he described as “near lethal” in an article in Crickey! magazine some years later. He even drew his sons into the madvertisement, although apparently they weren’t too impressed.

This next page is so clearly the work of the mind behind Screen Wipe and Black Mirror

Dave’s work would only appear in three issues altogether and he went on to become Dr. David Huxley at the Manchester School of Art and for a while had a page of his work, including one or two OiNK pieces, on their website. Unfortunately he no longer appears on there so must have moved on. However, look out for a post about that Crickey! article at a future date on the blog.

After that hilarious cover, thankfully the OiNK team weren’t done with spicing up our favourite Christmas Carols and who better to write some than Charlie Brooker? As we all know he was still at school at the time of contributing to the comic but this next page is so clearly the work of the mind behind Screen Wipe and Black Mirror. These are great fun and next to the carols is a Christmas pop song, the Jackson 5 version of which I have on my Christmas playlist every year, but now I can’t help but replace the words in my head when it comes on!

Alongside Charlie’s words are some crazy illustrations by Steve Gibson, whose tiny drawings always added so much to the text-based pages of OiNK. If social media is anything to go by these carols are fondly remembered and recited to this day by many pig pals. Oh, and in case you’re wondering ‘James Lost’ is a reference to the ‘happy music’ of James Last, who wasn’t a stranger to releasing some top-selling Christmas ditties.

If like me you make a bit of an occasion out of wrapping your Christmas presents, you might have a TV show (usually Channel Five) counting down favourite Christmas songs and music videos on in the background while you wrap. At some point during it you’re very likely to hear the inspiration behind our next strip, just as you’re guaranteed to see the animation itself on Channel Four. Every. Single. Year. Raymond Briggs’ name is easily changed into a piggy pun and Davy Francis doesn’t disappoint with that and the quick gag of his The Snowbloke.

Despite only sat down and watched the original The Snowman once when I was a kid, seeing even small parts of it on the TV and hearing that song never fails to make me smile because it reminds me my favourite time of the year is here, and hearing something we hear every year at Christmas reminds me of all the things I like to do every festive season. Even seeing this small spoof brings those same feels. I’m really enjoying this issue.

Other highlights here include Ponsonby Claret, the Know-It-All Parrot taking the pirates he lives with to task, Rubbish Man and Boy Blunder’s Christmas dinner has more hidden surprises than any pack of crackers, the GBH Christmas Catalogue order form has one particular addition I found very funny (the Yes/No part) and Weedy Willy finds something he’s capable to contributing to at Christmas that doesn’t strain/exhaust/scare him.

Something you’ll see on the TV every year from about October onwards are a plethora of extravagant, clearly very expensive advertisements for various brands of perfume. It always confused me how they’d spend so much on these every year and yet not one of them actually tells us anything about what the product smells like. This might be a blessing for the next piece of fragrance marketing however, because Jeremy Banx’s Burp appears to have released his own to cash in on the gift giving.

This being Burp of course this particular spray (a deodorant) isn’t straight forward. We’ve all seen how Burp interacts with his internal organs, how many of them act independently of their host, even leaving his body to go and live the lives of villains, superheroes and lovers in the outside world. So, after a suitably moral reminder that beauty is not just skin deep the following strip really takes a turn for the bizarre.

I love how Burp is interrupting each of his organs as they go about their daily lives inside his body, reading OiNK, eating dinner or simply having a nice, relaxing glass of wine. Then, just as the stupidity and weirdness ends Burp reminds the reader that all of these fragrances etc are really about inner confidence, not the glamorous models on TV. A wonderful way of poking fun at those advertisements and with a laugh in every panel.

The last page I want to show you is another of those traditions we loved as kids, writing the letter to Santa Claus and who better to type out one in OiNK than Hadrian Vile, as ever written by Mark Rodgers and drawn by Ian Jackson. I remember writing my letter several months before Christmas, my parents reading it over and over (it was as if they wanted to memorise it for some reason) before it went up the chimney fire to Santa.


“Noeboddy wud bee daft enuff to dress up in a red duffel cote and climb down chimbleys.”

Hadrian Vile

I’m glad Hadrian waited until now to write his though, it makes for a great strip near the back of the issue just as young readers were preparing for their holidays and the arrival of the man with the bag. There may only be three drawn panels to go alongside the pages of the letter but they’re packed with detail and lots of sight gags and cameos from other characters in Hadrian’s regular diary. Watch out for a special mention of Mark’s friend and OiNK writer Graham Exton too!

After this issue it was only 13 days until Christmas Day itself when that gorgeous big, floppy and ultra glossy book would be brought down “ower chimbleys”. I’d seen it on the shelves of my local newsagents for a couple of months now and marvelled at its shine and the big grinning pig face on the cover. It really stood out amongst all the other annuals and I’m so excited to almost be at the point when I’ll be reviewing it for the blog. When can you see it? That’ll be on The Big Day itself of course. While it had been in the shops for a while, we all received our annuals from Santa, didn’t we?

Of course, I’ll be breaking the rules of the real time read through a little bit and reading it a few days in advance simply because it’s Christmas, but it’ll be published first thing Christmas Morning so you’ll have a bit of OiNK to wake up to as we did 35 years ago. One more rule break; the Hogmanay issue’s date is Boxing Day so it appeared early, a few days before Christmas back in 1987. I can’t be sure of the exact date and I didn’t read my issue until Boxing Day because it just didn’t feel right back then to celebrate the New Year before Santa had even been. So I’ll be keeping to the cover date for that one. A double whammy or you, OiNK reviews two days in a row.

With all of this to look forward to back in 1987, the news of the comic turning weekly in January (drawn above by Patrick Gallagher) was just the icing and the marzipan on the cake. Of course, we weren’t to know yet of the changes to come when it went weekly but the excitement at this time was electric for pig pals; the festive season had so much to enjoy and the future looked very bright and very pink indeed. 

For now it’s time to sign off, but watch out for a little extra OiNK-related post on Christmas Eve as Psycho Gran prepares to welcome the jolly man down her chimney and in the meantime I hope you’re all having as good a holiday season as I am. The blog is jam-packed with content this month and it’s nowhere near over yet! Check out this post for more details (including a special make-your-own OiNK Christmas Angel from this issue), then the review for The OiNK! Book 1988 will be here on Christmas Day and #44 on Boxing Day.

OiNK! #40: HAM-MER HORROR

In 1986 OiNK’s timing was impeccable when it came to the spooky season and the relevant issue ended up being #13. A year later another happy coincidence saw the release date of the 40th issue as Saturday 31st October, perfect for their second Hallowe’en special. Kicking things off is the triumphant return of Ralph Shephard (not seen since #23 and who wouldn’t be again until the second annual), an artist who drew so many great spoofs of childhood favourites in the early days of the comic. What an incredible cover this is!

Ralph’s bewitching front page is a fondly remembered classic, a gorgeous piece which takes advantage of the little bit of extra space the new smaller logo gives, and that background colouring effect is just beautiful, adding plenty of atmosphere and really making it stand out on the shelves. (It’s also the second cover in a row for Harry the Head.) From now on we’d get one banner along the top instead of several, the cover images no longer needing gaps. I think it makes for a bolder, clearer cover for the rest of the fortnightlies.

For me the stars of this issue are the smaller mini-strips; there are just so many of them this time out and every one is a cracker. This does make my job of select only a few choice highlights incredibly difficult of course but it’s a nice problem to have. On the inside front cover is Roger Rental, He’s Completely Mental as ever drawn by Ian Knox, now written by new OiNK scribe Vaughan Brunt.

May has passed away in recent years and it’s been nice to relive memories of reading OiNKs at her house

It’s strange to think how tiny little strips like this, with just two panels and two lines of dialogue, can stick in the brain for decades to come. This one certainly went on to do just that. Then again, Roger was such a memorable character. Ever since his first appearance in #3 all his strips have been genuinely laugh-out-loud funny, the premise letting the writers’ imaginations run completely wild. The job of writing Roger’s ability to turn any everyday situation into the complete opposite was in good hands with Vaughan.

This issue is very memorable for me as a whole, I can remember reading it over and over again that Hallowe’en and in particular at my Aunt May’s house, a lovely lady who wasn’t actually related but was my mum’s best friend and so got the honorary title of ‘Aunt’. May has passed away in recent years and it’s been nice to relive memories of reading OiNKs at her house (see also #37). This strip of The Adventures of Death I can remember giggling about while tucking into the plate of biscuits and juice May had brought out while I read.

Charlie Brooker’s Death was a great little character and a firm favourite from the moment he first appeared. Having been the star of the half-page Next Issue promo in the previous issue I was surprised to see he wasn’t given more than a quarter page here, but that’s all the space Charlie needed. Both young me and older me loved this particular entry. I am aware of how it might seem, describing how this particular character brings back a specific memory of a late friend, but I also think there’s some kind of lovely poetry about that.

Not something Charlie would’ve considered about the character when he created these strips I’m sure. The Adventures of Death is the perfect OiNK twist on a traditional comic character. We’d had fun monsters before in other comics but to turn the Grim Reaper himself into a funny little character like this is very much in keeping with the comic’s ethos. We loved him! Unfortunately, unbeknownst to his fans this was his last regular appearance after first appearing in #35. He’d pop back for just six more sporadically over the next year.

Another character perfectly suited for the theme is Dead Fred, the friendly undead zombie created by Eric Wilkinson (Wilkie). He contradicts my previous comments about memory though, because I thought he was a regular in nearly every issue, but instead he only rose up from the grave every now and again. Maybe he was comfy down there. But he couldn’t miss the Hallowe’en issue. I’ve only shown a couple of panels of his before so he’s well overdue for a full strip, one which reminds me of the attendant at the Ghost Train in Barry’s Amusements in Portrush as a child!

Just like Death, Fred would appear in twelve issues altogether although his were spaced apart in the expanse between #19 and #64, which boggles my mind. I know I did reread many of my OiNKs throughout the time it was being published and that must’ve messed up my memories somewhat. I always loved Wilkie’s art in Fred’s strips, his detailed textures conveying rotting flesh, clothes and bones perfectly. Under any other artist I don’t think the jokes would work quite as well, the contradiction between his friendly nature and his rotting corpse are what makes it funny.

What a delight to turn the page and see a J.T.Dogg (Malcolm Douglas) poster. It’s been far too long since we enjoyed those OiNK Superstar Posters of his in the very first issues so it was a lovely surprise to see this ‘Superswine’ poster of an OiNK take on the classic Dracula, complete with his own Hell Hog? The colouring here is as ever stunning. I love the skin tones and cloak which give a lovely gloomy yet somehow colourful finish. But just look at those gravestones and the finish Malcolm has given them. Simply stunning work.

The only negative I can think of for this poster is that it wasn’t the return of the poster series. In fact, it would be the last poster by J.T. Dogg, although the original ones would be reprinted in the first few monthlies which is when I enjoyed them all for the first time as a kid. This Hallowe’en issue isn’t short of other highlights too, Hadrian Vile has me thinking about my friends’ latest addition to their family (and her older brother), and after Burp‘s tractor beam (#37) he has more inventive weaponry to show off. The biggest laugh of the whole issue comes from a background gag in Rubbish Man, and Jimmy Flynn’s strip plays up to an old horror moving staple.

Back in July the free Crash magazine edition of OiNK ran a special competition. The Mutant Space Barbarian Magic Warriors of Doom strip ended with the readers being asked to send in drawings of what they thought had turned hero Macho Mike into a big pile of blancmange. Suitably enough the editorial team have decided to use the Hallowe’en issue to show off the winners, taking over one half of a Grunts spread. There were ten altogether, each of which received an OiNK t-shirt and a copy of the OiNK computer game for their chosen format.

The strip they were drawing the conclusion to was illustrated by J.T. Dogg, so no pressure, right? You can’t deny the pig pals had skills. My favourites are ‘Squirty Bogweazel’ by Glenn Taylor of Gwynedd and ‘Molly Slocombe Intergalactic Mother-in-law’ by Michael Firth of Wolverhampton. Just a shame they’re so small on the page really. Special mention to ‘Uglay’ by Plymouth’s Danial Garside who dare I say is obviously a fan of Tom Paterson. Also, have a look at Noel Watson’s fantastic multi-headed beast on the other page! Quality reader contributions all round.

Lew Stringer’s Pete and his Pimple gets a half-page this issue but just across from him on the opposite page (right beside said strip when the comic is opened out) is Night of the Vampire! written by Lew and drawn by the ever entertaining Steve Gibson. With OiNK’s artists having such a wide range of styles I always like it when they take on each other’s characters, and Steve’s interpretation of one of Lew’s ‘popping’ up here in a particularly Steve-like fashion is great!

Little did I know the very next issue would bring a lot more of this sort of thing as different artists would take on Pete Throb in a special pull-out comic dedicated to the fan favourite, as advertised in the Next Issue promo here. That’s something you won’t want to miss so make sure to follow the blog.

On the same spread is this little treasure from Jeremy Banx. Regular readers of the comic (or of this blog) will know all about the surrealist humour of Jeremy’s strips, in particular Mr Big Nose. From toothpaste squeezing competitions and starring as Rambo in Little Bo-Peep to the famous Keith the dolphin, there’s been a lot of memorable strangeness and he appears to be upping that with each new appearance. (Ploppy puns throughout the comic drawn by Patrick Gallagher.)

Where would you even begin if you attempted to describe this to someone who hadn’t seen it? The poltergeist idea itself is a brilliant one and looks hilarious in that final panel, complete with the one who let go of the globe I bet you didn’t notice was floating. In those first images using Mr Big Nose’s face on the planet and the globe to tell us the story is weird but it works. Brilliantly. It’s heartbreaking to think this character will disappear from the regular comic after the next four issues!

But let’s not think about that yet, let’s enjoy the rest of the year and these simply perfect issues of OiNK we were getting every fortnight. This one ends with a truly classic OiNK back page, the latest spoof movie poster. Written by Charlie Brooker and again drawn so perfectly by Simon Thorp, it’s one which I particularly enjoyed at the time. In fact, while I hadn’t seen the original movie when I first saw this, it would become my favourite of Simon’s mini-posters as a child because the next year I became obsessed with the cartoon and Marvel UK comic. Take a butchers at this.

I can remember re-discovering this many months later after I’d eventually seen the movie and thought this was hilarious. Somehow, Simon has perfectly captured Bill Murray in pig form. It’s just a genius piece of work. Believe it or not, despite how great this is, as an adult it isn’t even my favourite of Simon’s pieces any more. That honour goes to a certain Half Pig, Half Machine hero who I’ll definitely be showing off when we get to that issue.

As we tear ourselves away from page 32 that’s a wrap on the latest OiNK and it’s been a genuine pleasure to relive every single thing this has had to offer. Seriously, if you haven’t read a full issue since the 80s (or perhaps never have) then I’d heartily recommend #40 as the ideal starting point to your inevitable collection. The next issue, complete with pull-out Pete comic, is the Health & Fitness special and its review will be here on Monday 14th November 2022.

Just to finish off this superb Hallowe’en feast here’s a suitably terrifying mini-strip from Mark Rodgers and Ian Jackson. See you next time.

OiNK! #27: OFF THE LEASH

Last issue aside we’ve had an almost unbroken run of Ian Jackson covers (including the Holiday Special) and his latest introduces us to the Big, Soft Pets Issue. I’ve always loved pets, even though we never really had any when I was a child, but nowadays I look after a late friend’s cat regularly and if I’m out and about and come across one everything stops while I chat to them in the hope of a little pet on their head. With lavatory humour right there on the front page (quite literally) it’s a funny start to the comic’s second year. Unsurprisingly, there are no pet pigs inside, they were on an equal footing with us in the world by now.

Last month in #23‘s review I told you about a time back at school when a friend erupted in the middle of a class and narrowly escaped getting into trouble because of OiNK. Then just a few weeks ago I explained how a similar situation led to a great deal of embarrassment for me as an adult in a hospital waiting room. We’re continuing the trend here because I’d forgotten how the following Vernon the Vet page produced yet another moment like these back in my school days. There’s a theme here, isn’t there? Can you guess which part of this resulted in a friend going into an uncontrollable giggle fit?

Well of course it was the moment Vernon fed medication to the wrong end of a St Bernard! Vernon had appeared in three of the early issues in tiny little entries, sometimes squeezed in next to a strip with advice for pet owners. Obviously his tips were always terrible and very funny, so it was great to see him upgraded to a full page, drawn here by Wilkie (Eric Wilkinson), who wasn’t with the comic when the character originally appeared. Unfortunately, apart from this very page being reprinted in the final edition (the OiNK Summer Collection, released in 1990) this would be the last we’d ever see of Vernon.

The promo for this issue in #26 featured Roger Rental so it’s rather strange to see he’s not actually present. However, his artist Ian Knox certainly is as he puts his talents to use in bringing a Tony Husband script to life. The story features a one-off character called Neville Stockport, otherwise known as superhero The Amazing Crablad. Ian’s work is easily identifiable but in this particular strip there are instances where I felt like he could’ve been subconsciously channelling his inner John Geering, which is never a bad thing obviously!

I love Ian’s work, always have, and I’m not saying this was the case, it just reminds me of the toothless great white shark Gums created for Monster Fun and originally drawn by Roy Davis. I knew the strip from the pages of Big Comic Fortnightly which reprinted later stories which John drew and I get that same energy here. Neville wouldn’t make another appearance in OiNK for obvious reasons.

This would be the last we’d see of these kinds of stories, and Daz himself, until the final issue

It’s been a while since we’ve read a nice, sweet bedtime story illustrated by Daz (Dave Skillin). These were such a common experience last year, the first appearing in the premiere issue. It’s a bit of a recurring theme with Daz for there to be some form of magical item (or this case an animal) and for the protagonist’s surname to rhyme with it, usually by just changing the first letter, resulting in a ridiculous name of course. In #1 we had Billy Bat and his Magic Hat, here we’ve got a magic kangaroo, so naturally Bangaroo is the person we end up with!

As usual it’s all told with rhyming captions and seems like a normal children’s story until about halfway through, when it suddenly takes a turn for the unexpected. To say the least! This would actually be the last we’d see of these kinds of stories, and Daz himself, until the very final issue, #68. So it’s just as well this one is so good and it’s all down to that very final caption where we find the traditional moral of the tale ( and I thought Graham Exton‘s puns were good/bad).

I hope you groaned and/or laughed as much as I did. This issue has so many highlights but I’ve painstakingly chosen a few to give you a sense of the issue as a whole. Frank Sidebottom’s guide to pets is as unique as you’d expect and his depiction of what’s really under the surface of those Loch Ness monster sightings is fantastic. Burp‘s internal organs’ independence takes a bold new leap and I’m not sure what’s funnier, his liver being a supervillain or the fact the disguise actually worked.

A rather strange addition is Daft Dog because it’s exactly the same joke as the Henry the Wonder Dog strip from #13, and there’s a lovely double-page spread for Zootown‘s pet show which contains this funny little gag below. Finally, Lashy the Wonder Pig from #18 makes a welcome return with his first of many name changes to Laffie. While it’s just as ridiculous as last time I adore this panel which brings a lovely little shadowy sunset atmosphere to the hilarity and a little sense of the heroic to the pig in question.

There’s a treasure trove of smaller strips here. While that could be said of every edition of OiNK, they’re of a particularly high standard this time with many memorable entries that have stood the test of time inside my ageing memory. The fact they’re so tiny and still stand out so much is testament to their quality and the genius of their writers and cartoonists. Out of all of these the largest is (suitably enough) David Haldane’s Hugo the Hungry Hippo. A disaster for all mankind, he takes a break from eating our cities this issue to show us just how lovable he could also be.

The quarter-page mini-strips this issue, those between one and three panels in length and guaranteed to produce a quick laugh, nail it so perfectly. Always a great addition to any OiNK, this issue by design or coincidence they’re all classics. I’ve selected just three of them to show you what I mean and first up is Davy FrancisDerek Blinge.

One panel, one line of dialogue, one funny facial expression and we’re done! Davy’s quick wit on full display

Originally written by Davy to be drawn by Ed McHenry, Ed was ill at the time and waiting for a triple bypass operation. With a few scripts written, when Ed became sick co-editor Mark Rodgers asked Davy to draw them instead. The name was also changed from ‘Plinge’ to the now familiar ‘Blinge’ to keep them separate but as it turned out only two of the scripts would see print, in this issue and the second Holiday Special and both drawn by Davy, so in the end we never did see any ‘Plinge’ strips drawn by Ed. This first appearance is very much classic Davy!

Below that is another Davy creation, Doctor Mad-Starkraving. First appearing in Greedy Gorb three issues ago this was the first time he got his own little corner of the comic. One panel, one line of dialogue, one funny facial expression and we’re done! Davy’s quick wit on full display here. Just brilliant. The doctor would reappear another six times, four of those towards the end of OiNK’s run in the monthlies. Then lastly for these highlights there’s a one-off which will have an air of the familiar for two reasons.

Anyone familiar with Whizzer and Chips (or indeed Big Comic Fortnightly where I knew him from) will remember Sid’s Snake, the regular cover star whose pet snake was a ginormous but friendly snake. For OiNK, Jake’s Snake makes a little fun of the premise, even including a pattern on the snake that’s a riff on the original. The art style may be familiar to some too, those initials in the second panel standing for Simon Thorpe who is best known today for being one of the editorial team behind Viz, which he has worked on since the time of OiNK. He’d contribute to 22 issues of our piggy publication altogether, most fondly remembered for his gorgeous spoof movie posters, so look out for some of them in future reviews.

OiNK writer Graham Exton talked to me once about the inspiration behind the strip, namely Sid’s Snake and how it would often be referred to as “that bloody snake” by writers because it was so difficult to come up with something original and genuinely funny for. As such, few liked working on the strip and so it would be given to new writers as a way of proving themselves, but mainly because no one else wanted to do it!

Steve Gibson returns with another very funny selection of little drawings and captions (see also his Watch the Skies from #25) and this time he brings us a fascinating selection of Amazing But True facts from the world of nature, the first example being my particular favourite. Expecting the cheetah fact to be reflected we instead get more information than we possibly wanted about an elephant “doing a ton”. Surprising, inventive and funny, Steve will return to OiNK more and more regularly I’m very happy to say.

That’s almost your lot from this issue but the back page had one more big surprise in store for pig pals. Finally, 16 issues after they last appeared came news of the next Street-Hogs story, Day of the Triffics (which had actually been referenced way back in #11). As a child I’d missed out on their first adventure so to me originally this may not have been the exiting return it was advertised as, but the artwork and the premise presented here was certainly enough.

Now in 2022 I can’t wait, both from the perspective of a Street-Hogs fan and of someone who has seen more than one version of Day of the Triffids in the intervening years. Take that story and place it into the hands of writer Mark Rodgers and artist J.T. Dogg and this could be the best thing OiNK has produced yet. Time will tell. The wait is sadly a little longer than we’d like though. The ‘Hogs wouldn’t be seen again until #31 with a special poster celebrating their return before the cliffhanging spoof kicks off in #32. I just know it’ll be worth the wait.

Before then we’ve got an ample supply of superb content coming up, with #27‘s (the Flying Issue) review here from Monday 16th May 2022. Watch out for a memorable spoof of a certain high-flying, building-leaping superhero as he hogs the limelight on the cover and in a brilliant strip inside. Don’t miss it, subscribe to the blog (click on the link in the bottom corner as you scroll) or follow along on Twitter, Instagram or Facebook to be notified when there are any additions to the blog. See you next time!