John Marshall and Dave Harwood laughed it up with their cover to the latest issue of Marvel UK’s The Real Ghostbusters, and Geoff Senior’s stunning cover to Transformers and Action Force shocked us all! Two great comics on sale today back in 1989.
It seems there was some degree of miscommunication going on within the walls of Marvel UK as far as The Real Ghostbusters was concerned. Last week the checklist told us we should be happy with two reprint strips but everything inside was brand new. This week, we’re promised a tale called Curse That Pharaoh and as a nut for Ancient Egypt I was disappointed to see no such strip inside, despite Spengler’s Spirit Guide (which usually tied in with at least one of the stories) being a very funny guide to Egyptian burial tombs.
After last week’s blip, the British Transformers story was not only back on form, it was brilliant. An alien discovered Optimus Prime’s long-lost body, which had been jettisoned into space about 130 issues ago! This was the beginning of the UK’s preludes to what would become the epic Matrix Quest in the US strips. Writing for both sides of the Atlantic, Simon Furman was perfectly placed to give UK readers exclusive prequel stories, extra character development, foreshadowing for future events and more that would make our comic even more epic. A hugely atmospheric beginning too.
There were no new contemporary comic adverts this week again so you’ll have to make do with this checklist all on its own. The monthly Sleeze Brothers entry from last week is repeated but the rest are for weeklies so are all new. I can’t help feeling more could’ve been made of the Deathbringer description though. Then again, little did us kids know just how fantastic the following years of Transformers were going to be, and that it had all begun right before our eyes.
For The Punisher entry we must firstly remember this was 1989. It was a very different time, although with hindsight that’s still no excuse for the clichéd way in which South America is described. It’s not as bad as last week’s incredibly sexist Transformers story but still, put that and this checklist together and it doesn’t exactly scream of people who have seen much of the world outside of their male-dominated office in England. I guess that’s part and parcel of looking back on 80s comics though, in that we’re reminded of just how far we’ve come since.
It’s all change next week with a brand new look to the checklist that’ll eventually allow for more comics to take centre stage. Take a gander at the title graphic of every one of these posts for a clue (or to jog your memory) of what’s to come. Also next week, one of Marvel UK’s regulars reaches a landmark 10th anniversary! See you in seven.
There was no let-up from John Marshall and Dave Harwood’s lengthy series of covers for The Real Ghostbusters this week in 1989, while Geoff Senior’s superb drawing for Transformers and Action Force doesn’t make up for the mess within.
In the former, while Egon waxed lyrical about ghosts of long dead plants in his Spengler’s Spirit Guide, the checklist entry for The Real Ghostbusters promised readers “a chance to revisit” two strips. That was a dreaded phrase, one we all hated, as it singled reprints. Another chance to read? But we never threw out our issues so we could reread them anytime! As it turned out this was a rather big error on the part of the checklist because everything inside this issue was brand new. Whoopsie.
As a kid I always felt it cringeworthy that the one and only female Transformer had to suffer the indignity of having pink lipstick. Previous to this issue one reader had actually written in to complain about this and asked why there weren’t more women robots. The response? We had Arcee, that would do. This origin strip for poor Arcee is demeaning and incredibly patronising. An awful editorial to start the issue doesn’t help either and overall everything comes across as nothing more than sexist drivel. It’s a world away from modern Transformers comics I’m glad to say. Thankfully Action Force and a laugh-out-loud Combat Colin from Lew Stringer more than made up for these five pages of garbage.
Formatting and grammar mistakes aside, the checklist detailed winning comics to make up for the Marvel UK top-seller’s misstep. However, the ‘Don’t Miss…’ box had gone the way of the dodo for the remainder of the series, meaning the brand new issue of The Sleeze Brothers had to slum it with the rest of the comics. A shame, because every issue of that short series was an event when I read them for the first time a couple of years ago, so they each deserved all the hype the checklists could muster. I have to say though, I don’t envy the writer who had to summarise any of The Sleeze Brothers stories into one paragraph!
The sixth issue of The Punisher gets a rather grin-worthy summary of its own. Listing off such adult themes as just run-of-the-mill everyday occurrences definitely would’ve piqued interest in the younger readers. It certainly did for me but my reserve list was already full and there were just too many other comics to sample first issues of back in 1988 and 1989. It’s still possible The Punisher could make it to the blog to see what I missed out on, but then again I’ve also thought that for The Marvel Bumper Comic and Action Force and Spider-Man and Zoids and…
There’s a shocking cover for Transformers next week that really took me by surprise when I first saw it all those years ago. It accompanies the last checklist you’ll see in this format. Changes are afoot. See you in seven.
At the time of this post we’re one day away from the year anniversary of these posts and it’s a particularly brilliant checklist this week! First though, check out John Marshall and Dave Harwood’s cover for The Real Ghostbusters which reminded me of the lacklustre second movie, and Geoff Senior’s exciting Dinobot cover to Transformers and Action Force.
Not mentioned in the editorial of the former is a multi-issue competition to win a bunch of toys. Readers had to design a new monster for the team to fight. I designed a version of their HQ building that had been taken over by Gozer but I never sent it in. Guess what someone else across the water in England completely randomly also designed and ultimately won the competition with? Damn it. On the letters page a reader has gone to the trouble of writing in to ask why Winston had a moustache in the film but not the cartoon, only for Peter to reply explaining what razors are.
In Transformers, the UK black and white story was drawn by Simon Coleby and it suited his style perfectly! The lack of colour also brought a darker tone to some of the storytelling and settings. For example, this tale was set somewhere called Slaughter City, a place full of dead, partly decapitated Decepticons strung up everywhere as a warning. Glorious stuff that was exclusive to us this side of The Pond. Wonderful! There was also news of the next week’s story and I just might read that issue again next time, as it’s one of my absolute favourites!
The Sleeze Brothers got a funny description in this week’s checklist and it really was a belter of a story, but then again every single one of their issues was a classic. With just the one, long story their comic gets a lot more detail than Transformers or The Real Ghostbusters, because those two had so much content to list off. However, a new weekly comic was about to give the monthlies a run for their money in terms of story length.
I bought the first issue of The Punisher but can’t remember if I owned any more. Having such a huge comic as a weekly was awesome. Even though the following issues would be half the size they were still thicker than the usual Marvel UK weeklies. I remember putting the badge on my schoolbag and I loved the RoboCop movie adaptation back up which was fun to read. While I don’t usually like movie adaptations I’d only seen the film once and, due to its contents, it wasn’t something I was going to get a chance to watch again at home for a while!
No new adverts this week, not even for the release of a brand new comic. Frank Castle would have to wait a month to get a bit of solo promotion. Then again, the checklists did that for them, a handful of comics at a time. These lists told us a lot more than most of the adverts anyway. See you in seven.
Geoff Senior’sTransformers and Action Force cover somewhat overshadows John Marshall’s and Dave Harwood’s one for The Real Ghostbusters. That’s obviously not a criticism of the latter. How can you compete with Geoff drawing Unicron?
With a reprint of a superb Death’s Head story I’d never read before and the return of the God of Chaos from Transformers: The Movie, young me was absolutely thrilled with this issue! This was when I really fell in love with the black and white art thanks to the opening splash page, which got across the size and power of Unicron much more effectively than most of the colour movie adaptation did. Drawn by Simon Coleby and Cam Smith (what a team!), check it out at the link at the bottom of this post.
The Real Ghostbusters’ front page to #58 would be reprinted as the cover for the final issue, #192. Its first outing was for a fun story inside which was basically a retread of (or should we say ”inspired by”) Eddie Murphy movie, The Golden Child. Thankfully, the story concentrated on monsters from Eastern Mythology rather than making a joke out of a people’s history. After last issue’s abomination that’s a blessed relief!
Action Force Monthly nabbed the top spot this week 37 years ago. With the gift of hindsight (as well as just living in the modern world) it seems the good guys may have been on the wrong side of things in their latest issue, and in Transformers their story wasn’t exactly hyped compared to the other strips, was it? At least there was an interesting-sounding Snake Eyes story to back things up.
The Sleeze Brothers took a week off from grabbing all the checklist glory and Death’s Head’s penultimate issue hung around a bit too, but still doesn’t make it to ‘unmissable’ level. With no new comics adverts and a rather basic update to the checklist you’d be mistaken for thinking it was a quiet week on UK comics shelves for Marvel UK, but that Transformers issue does a lot of heavy lifting. I may be biased but it really should’ve got the yellow box!
In fact, Transformers would go from strength-to-strength from here on (not that it wasn’t already superb, of course), so expect a lot of excited text from me over the remainder of the year. There’ll be more of that next week, in fact. See you then.
On this day back in 1989 Marvel UK spoiled us with two ace covers for their top selling comics. Anthony Williams and Nick Abadzis joined forces for a funny yet thrilling environmental message for The Real Ghostbusters, while Geoff Senior stunned us two weeks in a row with his Transformers and Action Force page.
Back in week 42 I mentioned how one of that week’s Real Ghostbusters stories was a bit strange because it went against the comic’s previous environmental messages. Well, here we are just six weeks on from that strip flying against the comic’s stance and thankfully things have been corrected once again. Elsewhere, Slimer comes to Peter’s rescue when he brings home a haunted takeaway and the Dead True story this week is all about the Mary Celeste (although no mention of it being the fault of the Daleks – if you know you know).
In Transformers’ UK story (part two of Aspects of Evil) we learn the time fracture of Time Wars has healed itself, but the only way it could do so was to make sure it never happened in the first place, meaning Galvatron never travelled back in time (despite that being the reprint elsewhere in this issue). Everything that happened before still happened, but at the same time won’t happen. Brilliant, mature storytelling that treated the children as intelligent readers while setting things up for the next few years of the comic.
After a few weeks of repeated highlights it’s all brand new editions for the checklist this week. Transformers gets a bit of a by-the-numbers description compared to the rest, and in hindsight starting a so-called ‘Chinese Trilogy’ with a story called The Take-Away Terror in The Real Ghostbusters is as clichéd as it gets. (That’s me being kind, because that’s the least of its problems.) Action Force Monthly’s latest issue lived up to its ‘European Missions’ subtitle when it was exported to the US, but it’s not just a new issue that’s bagged the top spot, it’s a whole new (mini) series.
After several months of teaser ads The Sleeze Brothers were finally here! I bought the first issue as a kid and loved it, but my fickle attention span didn’t last a month so I never bought any more, despite the creative team being some of my favourites from The Real Ghostbusters. However, that has since been corrected, just a couple of years ago in fact right here on the blog. A link to the first issue’s review is below and from there you can check out the rest in that comic’s own section of the site. It was unlike anything I’d ever read before, that one issue sticking in my mind for decades after the fact.
Last week I mentioned how the Marvel Bumper Comic hadn’t been seen on the checklist for months. Well, this week’s contemporary advert sees it return in a somewhat strange comics merger. Much like how the monthly Slimer comic’s merge into The Real Ghostbusters felt weird because he was already in the comic and thus it didn’t need the “and Slimer” in the title, alien Alf had already been in the Bumper Comic too. They could’ve just continued printing his strips in it and nothing would’ve felt any different. But with his own comic ending Marvel UK would’ve seen the marketing potential in acting like it was a ‘new’ addition.
Next week the checklist pretty much stays the same but given the quality of their new comic I’ll forgive them this once. There’ll also be a tiny black and white advert (there’ll be more monochrome ads as we continue thanks to Transformers) that somehow still packed a bigger punch than those full-page, full-colour Popeye and Tom & Jerry ads recently. See you in seven more.
There’s something strange (in the neighbourhood?) going on with the speech balloons on Brian Williamson’s and Dave Harwood’sThe Real Ghostbusters cover, while the triumphant return of Geoff Senior to the front page of Transformers and Action Force heralded an exciting beginning inside.
A couple of weeks ago messed up speech was also main gag of the prose story and cover for The Real Ghostbusters, however this time it does so in a different way. Instead of nonsense, Egon’s and Winston’s speech patterns were swapped in a funny tale written by one of the comic’s best writers, Dan Abnett. Speaking of writers, Jane Fabian is a wonderful addition if her Super Bowl strip is anything to go by.
In Transformers, that fantastic cover heralds the start of UK stories written and drawn specifically for the new 5-page black and white format, and it shows! Aspects of Evil told five individual stories with a linking theme of the most evil characters in Transformers lore, beginning with one of the better developed Decepticons, Scorponok. It’s a packed little tale and Jeff Anderson really shows us what can be achieved without colour, upping the ante with his superb inking.
Why did our two top-selling comics get such a raw deal on the checklist?
On a quick separate note, this issue of Transformers and Action Force also contains the first advert for Hasbro’s new Pretender Classics range. The Pretenders had an outer shell (usually human-like or some horrible monster) with the Transformer inside. The Classics were all large humans wearing intricate sci-fi military gear but inside were characters such as Bumblebee, Grimlock, Jazz and Starscream. Their release really excited me as a child because I’d missed out on those toys as I became a fan after they’d originally been discontinued. So why did I never asked Santa for any?!
Back to the checklist and Thundercats steals the top position as it always does, albeit this time it’s taken until its second week on sale thanks to the Doctor. So the only new information here is for our two weeklies, everything else has already been covered. Although, it does beg the question of why our two top-selling comics got such a raw deal on the checklist. They may have always been first and second on the list but the ‘Don’t Miss’ spot seems to be given almost solely to the monthlies.
Transformers has only had that honour three times in nearly a year and the Ghostbusters once, with even its milestone 50th issue passed over while others such as Thundercats hogged the limelight, sometimes two weeks in a row with the same issue. Other comics such as the Marvel Bumper Comic disappeared completely from the checklist after only a few entries. As a promotional tool it’s a great idea but sometimes I do question its contents.
At least next week there’s a brand new, sleazy (or is that “Sleezy”) comic that readers definitely wouldn’t want to miss! See you then.
The Real Ghostbusters’ cover by Brian Williamson and Bambos Georgiou doesn’t stand a chance this week when compared to the epic nature of that for Transformers and Action Force. They even had Geoff Senior render the scene for the front page! A shame then that it refers to next week’s issue instead.
Inside, Starscream does appear as a yellow ethereal being but for the most part he keeps to his normal proportions so he can get up close and personal with his victims. It’ll be next week before he’ll appear like the cover in some of the best artwork the US comic imports had before the UK team made the transfer. There are plenty of Starscream victims though with the death toll increasing exponentially, while Cobra Commander shows his softer side when he finds his long-lost son.
Across the way, some of toy company Kenner’s original ghost creations made their first appearances in this week’s issue, something they never did in the US comic or the cartoon series. Spengler’s Spirit Guide made me laugh with its details about Egyptian Pharaoh Halitoses Nuff, and a haunted cinema brings to life Mr Stay Puft (again), a vampire Charlie Chaplin and even Howard the Duck is spoofed, which he deserved after that movie!
The editorial in Transformers broke the sad news of the cancellation of Dragon’s Claws so it’s surprising to see it wasn’t given the ‘Don’t Miss’ slot on this week’s checklist. In fact, that honour isn’t given to any new comic, instead going to last week’s Thundercats again. You’ve got to start wondering what that slot is even for by this stage.
The description of the Transformers story, that Starscream is taking on not only the Autobots but all Transformers makes it sound unmissable too, so it could’ve got the top billing and I’d have been happy. Death’s Head #5 was also released this week but is for some reason completely absent here to make room for yet another repeated listing for Action Force Monthly.
Hopefully more thought is put into next week’s checklist. What I do know is that new comics adverts return in seven days. As promised previously, they’ll make up for being absent these past few weeks because there are no less than three to transport you back to 1989 in The Mighty Marvel Checklist: Week 34. See you then!
This week back in 1990 the editorial in Marvel UK’s Transformers announced the exciting news that Death’s Head was finally back. Not in a reprint of a previous story (something they still liked to hype) but a brand new graphic novel. In reality it collected together his run from Strip comic, and this is the final piece of the jigsaw for the blog’s real time read through of the original incarnation of the character.
Coming in at 68 pages including a card cover, inside is all glossy and beautiful, the paper upgrade allowing artist Geoff Senior (who co-created the character for the Transformers but only drew one of the monthly issues) to return to the character in style and bring us a new level of colouring. Helen Stone (The Sleeze Brothers, The Real Ghostbusters, Knights of Pendragon) joins the team as letterer, Steve White (Xenozoic Tales, Rogue Trooper, The Lost World Jurassic Park) returns to edit and of course it’s all written by co-creator Simon Furman (Transformers, To the Death, Doctor Who), with Geoff (Hell’s Angel, Dragon’s Claws, Judge Dredd) and Walt Simonson (The Star Slammers, Jurassic Park, Thor) teaming up on the cover.
We begin in a strange land that apparently doesn’t adhere to time or meaning, with someone being tracked down and killed, the perpetrator only seen from one angle, their arm looking suspiciously like Death’s Head’s original design from Transformers and Doctor Who. Then it’s back to 2020, where he ended up at the end of his comic’s run and an electrifying chase as the Freelance Peacekeeping Agent hunts down his latest bounty and it’s full of all the usual quips and comedy action.
Rogan accuses Death’s Head of enjoying the chase and this really gets into his head. As he runs he questions himself. Is he really enjoying the hunt more than the profit? At the end he believes Rogan is about to take a woman hostage so he kills him, but he was running to her apartment for safety. She’s his partner and she screams that Death’s Head ran him down like it was sport. He walks away, solemn, trying hard to convince himself that she’s wrong.
Initially I thought this wasn’t going to feature Spratt but suddenly we’re back in 8162 and he’s meeting with his boss’ mysterious love who was hinted at in the monthly. (He doesn’t look like Spratt at all though.) It’s good to see the vulture is still on the team too. So apparently the not-a-bounty hunter is her husband and she has “vengelust” for him. Big Shot is also back and just as angry as ever. Spratt tries to escape, so Nightweaver reads his mind and finds out her love has time travelled. All the while in some void-like world the lookalike looks on. So far, so intriguing.
As in the comic the year 2020 looks just as futuristic as thousands of years into the future and given what actually happened in the world in 2020 maybe this version would’ve been preferred. I don’t want to ruin any possible future you may have in reading this graphic novel, so I must warn you this review will obviously contain spoilers. It should go without saying by this stage, this blog is all about classic comics, but more than any of the monthly stories the shocks and surprises in this are an integral part of the plot and thus the reading experience. To tell you about them would be to ruin the experience for you if you intend to read this one day. So consider yourself warned.
My favourite parts always involve our lead character and his quips, his inner thoughts and biting humour. Such as the moment above. He ends up flashing back and forth between the real world and the void and slowly the identity of the lookalike reveals himself. However, surprisingly this is seen in flashback form inside our anti-hero’s mind. He begins to question his own origin, something he’s never done until now. The same goes for the reader, but I’ll get to that below as it’s the only real bone of contention I have with this.
It doesn’t stop the rest of this graphic novel from being highly enjoyable. For example, despite Death’s Head initially being joyful that Spratt wasn’t there, the banter between the two during action scenes is better than ever. I think he secretly loves it! Or how about another scene when he realises he hadn’t previously defeated Big Shot and he strops like a child, proclaiming it’s unfair while having the huffiest of faces his angular jawline will allow. Then things take a turn when Big Shot says all bounty hunters are the same, that they all enjoy their work. Following up from earlier in the story, this leads us to the main event, the creation of Death’s Head.
Meet Lupex. He’s the fella in the void universe who bares a striking resemblance to the star of the piece and whose catchphrase is also somewhat familiar. He’s a warlord and Nightweaver, known here as Pyra, was his wife; a woman who wanted all the power he had but who was in love with another. Lupex possessed bodies to survive and did so with her lover’s body out of spite. He was also creating a robotic form for himself so he could live forever without the need of new flesh.
But in an act of revenge Pyra finished programming the robot and made him autonomous with a mind and soul of his own. Not just any mind, a business-like mind, a clinical assassin whose only goal was to do the job and get paid. The opposite of Lupex. She thought this would create the only one who could go up against her husband (whose love of killing drove him). It’s a hell of a story but I’m not sure if it fits within the Death’s Head comic for me. It feels too mythical. Then again, he did fight Unicron, the God of Chaoson the astral plane so maybe it’s just that I’m used to the more grounded stories of the monthly by now.
What definitely doesn’t gel for me is the retconning. Don’t get me wrong, I like stories that add to previous ones, that surprise us and take things in new directions or give us previously unknown facts to completely redefine characters and settings. But what I don’t like is when this completely contradicts what went before, and we’d already been told by Death’s Head himself he was created as the plaything of a very rich, very bored individual who he later killed.
However we are told here that his body was subsequently stolen by an unknown party so there’s always a chance the previous origin could be woven in, in the time before his first appearance in Transformers. Did Simon intended to do so or was this was replacing what went before? I’ve convinced myself it’s the former because the rest of this book is so much fun, so full of superb action, great character moments and lots of laugh-out-loud moments that it really is classic Death’s Head.
The story culminates in a chase echoing that from the beginning, only with Death’s Head as the one being chased and taunted. This creature also has control over the land in this realm, which is split into ‘magik’ and ‘techno’ sectors. In each he can realign his powers to shape the ground and use it to attack his victims, and he almost destroys Death’s Head by doing so. However, he cannot control the borders between these sectors or when they change from one to the other independently.
We see Death’s Head almost enjoying each successful escape, leading him to question himself again. That is, until he remembers his one true love. No, not Pyra. He remembers how much he loves money! This is enough to refocus him, and I’ll admit I had a little inward cheer and fist bump when this happened. It’s almost a spoof of scenes in superhero comics when doubts are washed away and the hero emerges ready for battle after thinking about the reasons they’re fighting, their cause for good. Here, the cause is cash.
In the end Death’s Head takes a gamble that Lupex doesn’t know he’d spent so long in 8162 (in his own comic and Dragon’s Claws) and as a result has become much more advanced as he repaired and added to his tech. In the end he’s playing the victim but in reality his computer systems are calculating where a magik zone is about to change into a techno one. We think the final blow is about to fall but Lupex unknowingly tries to use magik as the zone changes and it no longer works. The few seconds it takes him to correct his attack is just enough for our star to use his built-in hidden spike.
It’s a thrilling conclusion. It rockets along but never fails to hit the right character beats as it goes. Lupex feels like a genuine threat for the seemingly indestructible Death’s Head, all the while our hero (I’m just going to call him that from now on, I think he deserves it after all this) quips escalate the more desperate he gets, almost like he’s trying to use humour to keep himself going. After it’s all over he even begins to gloat, but he stops himself. He doesn’t want to end up like his father!
Even the vulture gets a funny moment alongside Spratt before Death’s Head gets to round everything off with his usual blasé attitude, despite the scale of the battle that’s just occurred. While I’m still in two minds over the retconning, the story told here is a fascinating one. If we hadn’t been told something different beforehand this would be faultless. In fact, it near enough is anyway!
What a fantastic send off for one of my very favourite comics characters. Apparently this first incarnation of Death’s Head appeared in Marvel US’ Fantastic Four #338 so I might track that down some day as an extra for the blog, but in the meantime it’s a very, very fond farewell to the greatest Freelance Peacekeeping Agent any world, any time or any universe has ever seen. What an ending! Kudos to all involved.
This is the last we’ll see of Derek Yaniger’s wonderful art on the blog. The final edition of Marvel US’ Transformers: Generation 2 has 48-pages with 37 of strip broken down into chapters of varying length called Judgement, Twilight, Siege and Creation. All written by Simon Furman, coloured by Sarra Mossoff and lettered by Richard Starkings, with alternate chapters drawn by either Manny Galan and Jim Amash or Geoff Senior, making it feel even more special. The annoying adverts breaking the up strip are also limited, with the final 17 pages left as one long chunk.
Things kick off with something I enjoy but which seems to irk the all-too-ready-to-criticise folks when another movie drops. I don’t like retcons if we have to ignore previous storylines in order to make them work, but unlike some I’ve never thought that about the films. Instead, just like the G1 comic which (and this is not a complaint) was made up as it went along, I enjoy a storyline that adds background, depth and builds upon what we thought we knew. This is what has happened with the G2 comic. At least, until the final page anyway.
So our memories have been refreshed about the ‘evolution’ of these mechanical beings and Simon’s clever way of integrating the comic’s necessary name change into the story, then there’s some surprisingly good comedy as Starscream finds himself battling with his own consciousness. His natural desire to conquer is in a losing battle with the power of the Autobot Creation Matrix and he finds himself unwillingly saving the lives of others. Hilariously he’s never anything other than the Starscream we all know and love to hate, and he hates every moment of it! Eventually he relents and passes the Matrix back to Optimus Prime like a child forced to give up their toy until they’ve eaten their dinner. This is a brilliant swan song for him.
Moving on to book two and Geoff’s easily recognisable style instantly elevates an already enjoyable story. We find out The Swarm is something “between matter and energy” and we witness it destroying a battleship, killing its 16,000 troops in seconds. It falls on Megatron of all characters to bring some levity to the proceedings. He’s a far cry from the megalomaniacal ranter in G1, continuing his entertaining line in dark quips from last issue.
The two leaders have a plan but it’s not revealed yet, leaving us to enjoy the tension as things continue to worsen. After years of knowing these characters it’s fascinating watching Megatron go about something with all of his usual verve while treating Prime as his equal. Speaking of Optimus, he senses some form of intelligence within The Swarm and believes if he can reason with Jhiaxus he can contact it on some form of psychic level through one of the second generation. Given the twists and turns and shocks the original comic gave us over seven years, it would really take something to shock us by this stage, right? Correct.
There’s some gloriously detailed art here, some of Geoff’s finest in fact. Could a shock conclusion see the end of Optimus? No, that’d be too easy. Instead he’s forced to fight through the pain and the temptation to give up and simply pass away. This gets dark at times. But in the end it plays to the strength of this character.
It feels less like a sequel and more like an epilogue to the original epic 332+ issue run
As far as Jhiaxus is concerned the original generation of Transformers have compassion and empathy, and he believes caring about those other than yourself (or indeed for those worse off than you) is a weakness and must be torn out. In the end it’s the Swarm that gets him, tearing him apart in a burst of agony and the ship’s reactor blows, pushing Prime into space and leaving Megatron as the last hope for both Autobot and Decepticon alike.
The Rheanimum he mentions is the mineral his Decepticons mined in #7 and here it’s explained it could be the key to their survival. It makes metal super dense and resistant to damage, you see. It’s exciting to see Megatron racing to save everyone, even if Earth continues to look like any barren bit of space rock. Why not set the story somewhere recognisable like G1 did, even just a named place (like Portland in the original). It takes away any potential drama of having this happen on our own planet.
The characters make up for this though. I mean, come on, seeing Grimlock and Soundwave side-by-side is something else! Then new Decepticon Manta Ray hears Razorclaw’s orders but looks to Grimlock before following them. That’s the final straw for the Predacon, who attempts to kill his brother in arms but Autobot Leadfoot saves the Decepticon. We’ve had moments of truce between the factions before in comics, cartoons and movies, but it feels so much bigger, more impactful and more permanent this time.
Then everything happens at once! Starscream saves Prime and hands him Rhanianimum, but he refuses it. There’s even a reference to the Scraplets by Starscream, who spends a lot of time worrying his co-operation isn’t like him and that the Matrix has done him permanent damage! Frenzy gets some funny moments, Nightbeat dies (nooooo!) and Megatron politely introduces himself to Grimlock. Then Prime insists that for his desperate plan to work, he must die. Thing is, while it tears his physical body apart, the Swarm doesn’t kill him. Instead he ends up in a void, seemingly forgetting he was in a void before in the UK comic (Furman annoyingly ignoring his own UK continuity), and he gets the feeling the Swarm is like an innocent child clamouring to be taught.
This review was almost twice as long as it is because there’s so much going on in this issue. I’ve had to edit this post down and cut so much out I could get a job on Film4’s daytime schedule team. So, Prime wants to let the Swarm take him, absolutely and completely, letting it consume him and fulfilling his visions which began way back in #1. The nightmares weren’t to be feared, they were instructions. The ultimate sacrifice. It’s portrayed brilliantly by Geoff above and you can feel the agony Prime goes through.
Then there’s darkness… before he suddenly sees, well, everything!
He sees and feels everything the Swarm does. While he still has a consciousness the Matrix sustains his mind and uses the pure essence of their creator Primus to educate the Swarm. From the outside its misshapen form becomes a dazzlingly bright light and all who witness it are filled with a feeling of peace and joy, their fear dissolving in an instant. Then, out of the light steps a new creation, the Swarm now knowing what it is and where it’s come from, and it uses its immense power to create instead of destroy.
The Optimus Prime you see below is based on the ‘Hero’ version of the toy, the most recent plastic incarnation of him at the time. But what exactly was the Swarm? The whole “byproduct of the second generation of Transformers” is never fully explained. How was it produced in the first place? We don’t know. (Nor do we get an answer about that strange moment with Onslaught.) What is explained is that the second generation of Transformers lacked any kind of morality, just a legacy of destruction and, like a child, the Swarm was searching for something more. It knew it wanted something better and was destroying all Transformers because it thought they were all fascist killers; it didn’t know there was an earlier generation or why the species had been created in the first place (to fight evil and save the universe).
Exposed to the original Primus ‘code’ it’s reprogrammed and from the lives it took it constructed a new life, a new leader for a new future for their whole race, not just the Autobots. The story ends with what feels like both sides genuinely wanting to work together. It certainly feels a lot more permanent than the truce at the end of the 80s cartoon movie. Then, after months of wondering we’re finally introduced to the Leige Maximo. This is the one bit of the whole issue that I’m not sure about.
These will forever sit at the end of my original Marvel UK collection as an integral part of that lifelong favourite
The thought of the comic continuing beyond this resolution is an exciting prospect, with the Transformers (no longer Autobots and Decepticons) fighting a new war together against this new foe. However, the Decepticons weren’t a separate race, they were an offshoot who’d had enough of how things were being run. I hope Simon would have eventually interwoven this new backstory in with what came before if the comic had continued. However, I’m more annoyed with Megatron being sidelined in the final pages for Prime’s speech when he should’ve been standing shoulder-to-shoulder with him.
I had no expectations of this sequel, especially since there were only 12 issues. But what a rush! Some complained it retconned things (much like we constantly hear from moaners about the live-action movies, Star Wars or Doctor Who… etc.) but surely things would be boring if we knew everything there was to know about characters right from the off. This comic felt like an elaboration of what came before, using the millions of years between their leaving Cybertron and arriving on Earth to its advantage. It was a gap of four million years after all! It was also a clever way of working in the toy line’s new name, so kudos one final time to Simon for that.
Before we finish up completely, there are a couple of the usual extras to cover. After acknowledging G.I. Joe’s 150th edition, the final issue of this spectacular comic isn’t given any such coverage on the Bullpen Bulletin news page, however the letters page is rather unique. It takes up more space and begins with a missive from letterer (and Marvel UK editor) Richard Starkings. It’s interesting but I must point out the UK Transformers comic lasted a lot longer than 250 issues (332 plus annuals, specials etc) and I happen to love his Dragon’s Claws logo!
The second letter reminds me of my mum’s confession later in life that she didn’t actually mind buying me comics as a child, the letter from OiNK Blog reader James Healy asks us to remain positive before being negative about the original comic’s ending (I must say I disagree with him on this), and in Simon’s farewell message there’s an interesting snippet that it was colourist Sarra Mossoff who decided the idents in speech balloons should be coloured to match the speaker. Unfortunately, she’s also the victim of a rather cringey description.
Below this are some unused pieces of art by Derek and a Decepticon image by Chia-Chi Wang (The Punisher, Ren & Stimpy, G.I. Joe). Whether these were unused covers/posters is unclear and I wish they were bigger. I know the issue already has more pages, but a few more so we could see these at their full size would’ve really added to what has been a great send off.
During this real time read through I found out the name ‘Jhiaxus’ is pronounced “gee, axe us”, an in-joke by Simon who anticipated a quick cancellation by Marvel of another toy comic. He wasn’t wrong. While it was designed to last much longer, I haven’t felt short-changed. Yes, it was obvious things were being ramped up to get to a suitable conclusion but I’m left feeling completely satisfied, and not just with this as an end to its own series.
Now that it’s over it feels less like a sequel and more like an epilogue to the original epic 332+ issue run, like this was a story that had always occurred and just needed to be told before we could properly say goodbye to these original versions of beloved characters. Characters who have been reinvented many times since. As such, this hasn’t felt like a short run but an addition to the longest running comic I’ve ever collected, and these will forever sit at the end of my original Marvel UK collection as an integral part of that lifelong favourite.
Well this week is a turn up for the (comic) books! For the first time we’re not choosing between a Mighty Marvel Checklist and a classic comic advert because this week we have both. In fact we’ve more than that, we’ve got two adverts. All taken from the pages of these two comics, on sale Saturday 27th August back in 1988.
Lee Sullivan’s cover for The Transformers and Action Force #181 refers to the second part of the story I mentioned last time and, despite the lengths Marvel UK went to in order to explain away the American story, their editorial still contains a plea asking people not to write in complaining! Unfortunately nothing is made of the issue number for The Real Ghostbusters (cover by Martin Griffiths and Dave Hine) which feels like a bit of a missed opportunity. Inside, the comic teamed up with Sport Aid and had the characters taking part in a sponsored fun run in which Ray comes across a little sprite called The Spirit of Competition.
In the checklist the publisher may have stopped short of the usual “Great News For All Readers” blurb used when our comics merged (and which never convinced us to be happy about it) but it’s obvious what #9 of Galaxy Rangers would mean for its readers. They’d be off to join forces with the Thundercats soon enough, who seem to be welcoming what sounds like a trio of deodorant scents to their ranks.
The Action Force comic here was the later monthly title rather than the original weekly. This smaller format comic was an attempt to sell the British strips back to the US where it was renamed G.I. Joe The European Missions. The addition of the Transformers crossover reprint (originally in the weekly) may have been exciting to American readers but it just meant a third of the comic was reprint for UK fans. Given the talent involved I’m sure the rest made up for it though.
Inside The Real Ghostbusters we have the second of the strip adverts we’ll see during this series, this time for Dragon’s Claws. Written by Simon Furman and drawn by Geoff Senior, this was the final version after a few edits had to be made after a last-minute name change. You can find out more about that in the link at the bottom of this post. There’s also a small cameo for a character who’ll pop up in the checklists soon enough. Or at least, his arm makes a cameo anyway.
It may only be the end of August but it was already the start of the Marvel Annuals hype season on the back cover of Transformers. Strangely, while the annual would be mentioned a couple of times on the editorial and letters pages (and given away in a competition closer to Christmas) this was the only time this advert appeared in the pages of Transformers! It did appear several times in The Real Ghostbusters though. The countdown to the best time of the year had begun!
Okay, so next week there’s no checklist again but that’ll be the last time for a while because Peter, Winston, Egon and Ray would soon be returning every seven days instead of every 14, so between the two comics the checklists will be more consistent. Next week, Transformers announces the good news, so I’ll catch you then.
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