Tag Archives: Kev F Sutherland

DAVY FRANCiS’ SHOEBOX: PART THREE

This third selection from OiNK cartoonist Davy Francis’ shoebox of goodies didn’t inspire confidence when I began flicking through them. Masses of football, porno adverts and supposedly comedic breasts and phalluses met the eye in the pages of Sweet FA, while The Sunday Sport’s name on the front of UT produced a similar level of dread. But I took a deep breath, delved deep and found some little gems from some of our favourite OiNK cartoonists.

First up is UT, created by none other than Kev F Sutherland. Beginning as a parody strip in another publication, UT became its own title in September 1991. While it rode the wave of Viz copies, Kev’s intention was to attract some top established comics talent and produce strips that were less about shock value and more about actual comedy. However, financial backing was required and Sunday Sport’s publishers ended up footing the bill, creating the harsh contrast of quality strips printed opposite pornographic adverts for videos and sex chat lines.

“That was my dilemma”, Kev told me recently. “They wanted a magazine to carry that sort of ad, and I wanted to make Mad Magazine but funny.” It appears, however, that this dichotomy was harmonious enough behind-the-scenes at least. “To an extent,” says Kev. “In fact, thinking about it, I can’t remember any interference.”

One strip I really like in UT feels a bit autobiographical, with the magazine’s editor (Kev in real life) battling a stereotypical porno publisher pushing for overly disgusting contents, taking the hand out of the very company financing it. You can see it above in the opening spread to the dummy copy of #1, which somehow ended up in Davy’s possession and is full of blank pages between samples of strips.

”UT was organised between me, Sunday Sport and the printers in Bristol”, explains Kev. ”I went in there in person a lot, and the dummy copies were part of the development process. Once they turned the machine on and started the presses rolling there was no point in just doing one copy, so quite a few were made. I suppose they were used to show to advertisers and newsagents. I may only have one left here myself but I once had more.”

There’s definitely some humour in UT that we rightly wouldn’t want to see today that seems to be squarely aimed at the Sunday Sport readership. (Teenage Lesbian Nymphomaniac Mutant Bimbo Surfers is just one example of many strips that paint lesbians as sex mad, probably because Sport readers wanted to believe they were.) It’s very much a product of the 90s adult comics market despite Kev’s grander plans. While for the most part it’s intelligently written and very funny, I feel it’s let down somewhat by that kind of strip named above and the relentlessness of its very adult advertisements.

It’s frustrating because when it stops pandering to that audience it can be genuinely brilliant. For example, Kev’s Blunderbirds is a fantastic Thunderbirds parody with an accident prone rescue team. (I love how that downed jumbo jet is freed!) I was also very happy to see a continuation of Kev’s Meanwhile… from OiNK. Speaking of OiNK, it wouldn’t be Davy’s shoebox without some fun pages from him and fans will enjoy his more OiNK-like silliness rather than the penis-shaped rudeness of Electric Soup.

David Leach’s Conan spoof, Arthur Pilkington, Chartered Barbarian is great fun, even if it does remind me of Jeremy Banx’s Konan the Accountant from OiNK, and Battler Britain is an incredibly funny, fast-paced riff on the “jolly good show” kind of British comic heroes the then-adult audience may have grown up with. It’s drawn by Malcolm Douglas, aka OiNK’s very own J.T. Dogg. Despite not having the production values and paper quality to reproduce it that OiNK had, it’s still lovely to look at and at times feels like a World War II-set Ham Dare!

I admit I also laughed at UT #2’s declaration on the front page that it was “Not as funny as it used to be”. Published over a year-and-a-half, UT consisted of eight regular issues and two reprint specials. I find it hard to recommend to OiNK Blog readers given the Sunday Sport contents prevalent in each issue, but if you can get past that tabloid nonsense there are a lot of laughs to be had here.

Moving on to Sweet FA, a bi-monthly football comic-magazine that boasts of ”Bringing the game into disrepute” on its covers. Davy’s shoebox contains a handful from volume one and the first five issues of volume two, but I can find little-to-no information on it anywhere so I’m pretty much going by what I have in front of me. Named in its list of main contributors is Lew Stringer despite football not really being his thing (his words to me). Unfortunately, he can’t remember who wrote the scripts he drew, which included one of the few highlights in here, called Tightarse.

Also contributing (although not anywhere near as much as Lew) are Davy Francis, J.T. Dogg and Jim Eldridge, who drew some of the Knight Rider Annuals in the 80s and who I’ve interviewed for a special post about the books this Christmas (2026). Much like UT this was intended for a particular audience. Pretty much the same audience, actually.

While volume two’s back issues page warns that “Volume 1 issues are not suitable for children”, it’s not like the later ones are! However, the earlier editions contain much more Sunday Sport-type content with photographs of naked (and nearly naked) women and they have a sleazy tabloid Page 3 feeling about them. There was even a free gift (thankfully lost) of postcards featuring bikini-clad women that required the reader to lick them to remove their clothes!

Add in the fact the title is all about football and this really isn’t my cup of tea at all. So apologies if footie fans want to see more highlights than the three I’ve plucked out, but with every single strip focussing on the game all of the joke references are pretty much lost on me. I’m not the ideal person to choose the best examples of Sweet FA’s contents. This series of posts isn’t about that though, it’s about showing some new content from OiNK’s cartoonists and I can do that okay.

Flicking passed atrocities such as Sporting Lesbians, Football Bimbo and a ‘joke’ headline that asks, “Should birds be allowed to play football?”, while reminding myself of how far we’ve come since then I discovered Jimmy Armchair by Davy. At the time not everyone had access to satellite or cable television, with many stuck with the five terrestrial channels. Jimmy was one of those people who’d take advantage not only of owning such a device, but also of his friends’ eagerness to watch the game.

J.T. Dogg draws Sweet FA’s take on Ripley’s Believe It or Not, now named after a contemporary footballer and very much skewed towards the “Not” in the title. These feel like a spoof version of fellow OiNK cartoonist Steve McGarry’s football fact-files, and even I was able to crack a smile and have a giggle with this one despite not knowing who these people were. Plus it’s always nice to see some artwork from Malcolm, his detailed style coming across nicely even in black and white here.

There’s just the one part left in this series and I’m hopeful it’ll be a Gas! Quite literally. While I haven’t peered inside its pages yet, I’ve heard good things about Gas comic and the amount of content in it from OiNK contributors, so here’s hoping for more humour along the lines of our favourite comic next time. We’ll wrap up Davy’s shoebox in shiny gift wrap in a couple of months during Christmas 2026.

BACK TO PART TWO

DAVY’S SHOEBOX MENU

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SHAKESPEARE COMiC: KEV F’S MASTERCLASSiCS

So OiNK cartoonist Kev F Sutherland’s Kickstarter was a success and now his Shakespeare Comic is out there in the wild. A large-format, 32-page colour comic with samples of seven adaptations of some of William Shakespeare’s most-loved works. First impressions are good. It’s bright, it’s colourful, looks like a lot of fun and all printed on great quality paper, belying the fact it’ll only cost you four quid. The cover certainly catches the attention, right?

The cynical reviewer or social media commentator might see this as a marketing ploy, each strip a sample of one of Kev’s graphic novels. They’re only a few pages long and will suddenly just stop, but Kev has been very clear all along that this comic was going to be a sampler. Instead of trying to decide which one of his Shakespeare books you’ll buy first, you can spend a little less and try them all out in one neat little package. So did I come away wanting to read more?

“The story so far: Punk rocker Joe Hamlet learns his dad was killed by his Uncle Claud, he’s just mistakenly stabbed Ophelia’s dad, Polonius,
and no one’s taking it well…”

Hamlet Prince of Denmark Street

The first thing I noticed was that the art style is looser than Kev’s more detailed work in OiNK, in the full-colour strips anyway. There are two that were originally published in black and white (now coloured) which are a bit more like what I was expecting. That’s not to say his other strips aren’t fun. They took a bit of getting used to but once I did I appreciated how the style lent itself more to the fast and frenetic retellings of these classic tales. The amount of story he can fit into four pages testament to this.

For example, I really enjoyed Romeo and Juliet. Kev takes some of the well known lines from the play, ones that’ll be easily understood by kids and intersperses them with modern language for a laugh. These also sum up bigger chunks of the classic text, speeding up the story. I’ll admit I’ve not read much Shakespeare so a lot of this is new to me, so I think any child who might be reading these in school will get a bigger kick out of them. That’s not to say I didn’t enjoy them, I really did, I just know those familiar with the plays will get more of the knowing nods and spoof moments than I did. 

I particularly chuckled at Midsummer Night’s Dream Team, which sets the play in a heist movie. The four-page sample here doesn’t really reflect that aspect of the graphic novel but it does have a classic movie nightclub vibe to it which I loved. The back and forth between the characters using classic prose and those that don’t is the best use of this comedic style in the whole comic. The way Boots pharmacy and a “nookie room” are slipped in here really did make me laugh!

The way some of the Shakespearean-type characters’ facial expressions react to these modern interpretations are fantastic and it’s also one of the best-looking strips (it’s one of those more detailed black and white ones with new punchy colour). The use of the nightclub setting also allows Kev to have people singing along to songs, the lyrics of which are classic verses from the play. Put all of this together and it’s probably the best example of what Kev is doing with this series of graphic novels and it’d be top of my list to purchase as a result.

Two brand new books are also sampled, namely King Lear and Twelfth Thing, which retells Twefth Night as another movie trope, the monster flick. Although, the sample used doesn’t actually include any monsters, strangely enough. This does make for a funny line at the end though, when it plugs the book so that you can “read the bits with monsters in”. Rounding things off are comic versions of Hamlet, Macbeth and Richard The Third, a funny character who you’d swear was an original Kev F creation! 

I have to say it was a bit of a shock to see the word “pished” and a couple of characters smoking in a children’s comic. Saying that, given the original material this is based on I doubt it would appeal to primary school kids. But for those young teens beginning to read Shakespeare in English class this could be just the tonic they need to make it through the sometimes heavy text. It could also help them more easily understand the original stories, so they could end up enjoying the plays more than they otherwise would have.

One lovely addition here is actually an advert. Kev teaches comics masterclasses across the UK and Ireland, something you’ll often see him promoting on his socials. The advert he’s produced for these is a funny strip in its own right (and looks a lot more like Kev’s OiNK work into the bargain), but more than that it shows you just how fantastic these classes could be for the kids at your own child’s school. I wish I’d had something like these when I was young. I’ve included the page here because I think they sound wonderful.

Shakespeare Comic is available now from Kev’s online shop for only £4 plus postage. It’s just about as original a comic as you’re likely to read and I’m positive that if any of your children are reading Shakespeare at school they’ll find a lot to love in Kev’s books, never mind the positive effect they could have on their learning. This way, they can also try them all out first.

To finish on, a personal highlight from the comic. On the inside back cover (and also included as an A3 poster) is a map of the UK showing where each of the main characters from the plays were based. Also included (in roughly the right spots) are Kev’s illustrations of the Kickstarter backers and, well…

OiNK CONTRiBUTORS’ RELEASES MENU

OiNK CONTRiBUTORS MENU

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OiNK’S COMiCS CUTS: OiNK ON KEV F’S PODCAST

Five years ago, almost to the day, I told you about OiNK cartoonist Kev F Sutherland’s brand new podcast, Comic Cuts. Known around the sty for his hilarious Meanwhile… series and two of my own personal favourites from OiNK’s entire run (The Three Scientists and The March of the Killer Breakfasts), Kev’s podcast was full of enthusiasm for the comics medium and provided plenty of entertainment to boot.

In recent months his current batch of episodes have been dropping and the latest one at the time of writing should be of particular interest to pig pals. For the uninitiated, you’ll probably want to know the set up of the series first. To quote the man himself from the beginning of the episode, “We’re looking at a panel, and we comprise a panel, there’s a few of us. So the panel sees a panel, and we talk about the comics from the panel we discuss.”

Simple, right? Basically, Kev invites on two guests with ties to the comics industry. Each brings with them a panel (or a series of panels) from a favourite comic. The other guest then has to describe it to the listener (although the image is also in the promo art for the episode and shown on the YouTube version) and guess the comic it came from. Previous guests have included Psycho Gran’s very own David Leach and OiNK fan and Beano artist Laura Howell. The current episode doesn’t feature anyone from OiNK, instead it features the comic itself.

Is that image a spoiler? Well, as soon as any pig pal sees the cover image for the episode they’ll instantly recognise Ian Jackson’s handiwork and maybe even the strip itself. Children’s book illustrator Liz Million is the OiNK fan who has provided for the podcast the full page (four panels) of #14’s The Hold Up written by Mark Rodgers and drawn by Ian, and it’s up to comics writer and artist Rich Johnston to work out where it’s from. I’m not going to give anything away, you’ll have to listen to it for yourselves to find out if he’s successful or not.

In amongst the gameplay is plenty of reminiscing about OiNK and some lovely insights from Kev about working on the comic. In particular, I like the little bit about Meanwhile at the Ball from the final issue, #68. As long as you can grit your teeth through the two guests (but NOT Kev, to be fair) stating OiNK was a kid’s version of a certain adult comic (grrrr!) there’s plenty to enjoy here. You can either watch the episode on YouTube on your next train journey or even take Kev into the shower with the audio version. (Just don’t tell him you did that.)

To find out more about the series in general, and the man himself, you can read my original post from June 2021 when Comic Cuts had just been launched.

KEV F’S COMiCS CUTS

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SHAKESPEARE COMiC: KEV F KiCKSTARTER CAMPAiGN

UPDATE: Comic review now up.

Kev F Sutherland contributed so many great gags to the second half of OiNK’s run. Hugely prolific, he even had his name attached to ten pages of the final issue! His Meanwhile… series was a personal favourite of mine and, alongside such brilliant contributions as the pun-packed March of the Killer Breakfasts and the hilarious Three Scientists, OiNK kickstarted his comics career which has spanned titles as varied as Beano, Red Dwarf Smegazine and Ghost Rider 2099! Now, he’s kickstarting something else. (See what I did there?)

Kev has released five Shakespeare graphic novels in recent years and now he’s raising funds to publish the first ever Shakespeare Comic! This will contain a selection of strips from the graphic novels already out in the wild, as well as two brand new strips from upcoming books based on Twelfth Night and King Lear, the former changed into a monster movie called Twelfth Thing… you get the drift.

Those reprints aren’t just straight copies either. Any that were originally printed in black and white have now received a full coating of colour, and they’re resized. Kev explains this means each page of the comic will contain the same amount of strip as two from the books. Bargain. Seeing as how his books were mainly only available from him directly at cons, festivals and his school art masterclasses, this is a great way for fans far and wide to get hold of them.

The 32-page full-colour comic also comes with a large poster of Shakespeare’s Britain. Not only does this contain ol’ William’s characters in the places where their stories are set, Kev is also giving readers the chance to have their caricature drawn on the map where they live! Sounds good, doesn’t it?

£10 will bag you the comic itself, signed by Kev, and the poster. The next level up is the one where your face could be drawn (in a very Kev F way, obviously) on the map and that’ll cost £30. Finally, there’s a £60 option for anyone who’d like their company name and logo (or, again, their caricature) on the map poster.

Kev only needs £250 to reach his goal and at the time of writing this, just a few hours after it was launched, he’s already at £218. Oh, no, hang on, wait… £248! That’s me on the map, then. Obviously it’s going to reach its target (and then some) so it’s guaranteed to be published and I’ve a feeling you’ll want to bag a copy of this one for yourself. Whether you’re familiar with the works of Shakespeare or not, this is by one of OiNK’s most consistently funny cartoonists so you know it’ll be a great laugh either way!

Head on over to the Kickstarter campaign before 12:41 on the afternoon of Saturday 13th June 2026 to grab yourself a copy. I’ll be telling everyone all about it right here on the OiNK Blog when it arrives, so you won’t want to be left feeling you missed out!

WELL WOULD YOU LOOK AT THIS: I was just about to hit ‘Publish’ on this post and the Shakespeare Comic has hit its goal! Wonderful news!

SHAKESPEARE COMiC REViEW

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OiNK iNTERViEW SERiES: PART FOUR

It’s my birthday today! I can’t think of anything I’d rather post today than the final part of what has been a really enjoyable series focussing on OiNK’s wonderful creative team and their memories of producing one of my very favourite things in my whole life. It’s been a wonderful experience to put this together and get to ask these questions to some of my childhood (and let’s face it, adulthood) heroes.

Despite what the critics thought of it from the outside looking in, in reality OiNK gave us many great messages along the way. From anti-smoking to anti-bigotry, from never judging someone by their looks to being proud of who we are no matter what, all packaged up in comedy gold of course. So to wrap things up I was curious what messages the team had for us.

QUESTION FOUR

Finally, if pig pals could take one thing away
from your work on OiNK, what would it be?


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“No idea how to answer this. There were a couple of strips in the later issues which I had to draw in a bit of a rush, and some of the drawing was very ropey. So if everyone would be kind enough to overlook the ropey drawings, it’d be much appreciated.”


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“The friends I met, my fellow artists, the readers who are artists and writers themselves who say OiNK was such an influence on their work. I loved every minute I worked for OiNK, I would have done it for nothing!” (“What?!” – Uncle Pigg)


IAN JACKSON
Artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

“It was great having fun with my mates on the project. Uncle Pigg was a tough bugger though.”


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“I hope they enjoyed the irreverent style of fun and lunacy I tried to put into my work. We were allowed to be more edgy than other kids’ comics of the time. Little did we know how much children’s comics would be toned down in the years that followed.”


DAVID LEACH
Psycho Gran, Dudley DJ

“Don’t underestimate the elderly.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

“Just that I was proud to be a part of such an influential team. The current Beano owes a lot to OiNK.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“If any of the readers liked my stuff in the way I enjoyed certain artists in all the comics I read as a lad that would be nice.”


KEV F SUTHERLAND
Meanwhile…, The Three Scientists,
March of the Killer Breakfasts

“I’m just honoured to have been a part of such a landmark comic, so when they’re writing about it, I hope I get remembered occasionally, alongside the real stars.”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

“The joy and reward of working with Tony and Mark.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“I just want anyone who remembers OiNK (and I have met lots of fans who grew up reading it) to know that we had fun and I hope that a little bit of the cheeky anarchy that we intended stuck with all our readers to this day.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“Never trust your liver.”


I can’t thank everyone enough for taking part in this series! Everyone I reached out to couldn’t have been more helpful and it’s a testimony to how fondly OiNK is remembered by all that everyone was happy to take part and keen to reminisce. On a purely selfish basis it’s a brilliant birthday present to be able to present the now completed series of posts, too.

I hope pig pals have enjoyed this, and to everyone above I hope you’ve enjoyed reading what your fellow OiNKers (to quote Jeremy) have said too. I’ve waxed lyrical about how much OiNK has meant to me and the memories it’s brought back. It’s been a delight to see the same applies to those who worked so hard to entertain us for those few fantastic years.

BACK TO QUESTiON THREE

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CHRiSTMAS 2024

OiNK iNTERViEW SERiES: PART THREE

I hope you’ve all been enjoying this fascinating look into the creation of OiNK from some of its incredible creative team. In case you’re stumbling upon this series for the first time, I sent four questions to some of OiNK’s greatest talent and every Saturday during the build up to Christmas I’m publishing all of their responses, one set at a time.

The third question is the most personal. Working on a funny comic isn’t easy. We were laughing with the turn of every page but it must’ve been exhausting to come up with all of that comedy gold week after week. We’ve established they all loved their time on OiNK and each other’s work, but is there anything of their own that they’re particularly proud of?

QUESTION THREE

What’s your personal favourite piece
you contributed to OiNK?


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“I suppose it’d be a half page strip called Henry the Wonder Dog, because that was the first one I’d got accepted, and my first bit of paid cartooning work. When I finished my A-Levels in the summer of 1986 I started bombarding OiNK with ideas, and at the beginning of August got a note from Mark saying “Success at last, can you draw this one up and send it to Patrick.” I was chuffed to bits, and remember that evening going down The Barrels (still my favourite pub in Hereford) to show off.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“Personal fave: Judge Pigg. I wanted to do more 2000AD parodies (Strontium Pigg, Rogue Porker, ABC Piglets) but alas we were too busy and the guys at 2000AD don’t like us mere cartoonists taking the pee-eye-double-ess out of their serious characters.”


IAN JACKSON
artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

“Various covers plus a black and white two-page school story.”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

“Chaotic issue eight cover with the skeleton staff member.”


DAVID LEACH
Psycho Gran, Dudley DJ

“It’s either my fully painted poster of Psycho Gran in the annual, The Good, The Bad and The Very Old. Or it’s the one pager where PG is waiting for a bus.”


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“My favourite piece of work is the Cowpat County page with Cyril the Sheep. A lot of my workmates at the time were put into the strip (including Cyril). We had a real laugh when it was printed. It was one of those strips that nearly writes and draws itself.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

“The All- Vegetable Theatre Company, which became Tatertown on Facebook. Herbert Bowes is a close second.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“I was very pleased with the two double-page spreads I did, one for the 50th birthday party and the other for the anniversary portrait, both these featured all of OiNK’s regular cast of characters.”


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“Another question that’s hard to answer but I was very pleased with the Pete and His Pimple pull-out comic I put together. It was nice to do a longer story. Another favourite was the one-off half pager Thick As Thieves about the bungling crooks. I was inspired by the old time British comedy movies for that one.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“That might be the Burp one when he had to fight for those round squishy ball things;  thus ensuring his puberty and subsequent transition to manhood. I think it was in a special?  A reader messaged me a few years back to tell me it had helped get him through the whole painful process when he was a boy. The mind boggles.”

Ahem… I then admitted to Jeremy that reader had been me! To which he replied, “Oh excellent. I seem to remember you saying it had some sort of beneficial effect. I hope you weren’t just being polite.” Not at all , Jeremy! To any of you out there who may be a bit confused by this, check out the review for The OiNK Book 1989!


KEV F SUTHERLAND
Meanwhile…, The Three Scientists,
March of the Killer Breakfasts

“I did a couple of short stories I was really proud of. That one with the Three Scientists who travel back in time, then compare watches, but because they’ve all travelled the same amount their watches don’t show any difference. I still don’t think I’ve seen that gag being done (cue a dozen people telling me they’ve seen it in everything from Futurama to Rick & Morty. Well I haven’t seen it, and dammit I did it first!) I was also proud to have coined the phrase, “Would you Adam and believe it?” in one of my strips, which went on to be used a lot by Marc and Lard.”


The pages mentioned here really are the crème de la crème of what OiNK had to offer, and where possible I’ve included links to those specific issues so you can relive some personal giggles this Christmas. Just one more question to go, so don’t miss out on the answer to this on Saturday, 21st December 2024:

Finally, if pig pals could take one thing away
from your work on OiNK, what would that be?

QUESTiON TWO < > QUESTiON FOUR

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CHRiSTMAS 2024

OiNK iNTERViEW SERiES: PART TWO

Welcome to the second of four parts to this OiNK Interview Series, in which I sent the same four questions to some of OiNK’s greatest talent and I’m publishing their answers all together, one question at a time. The response to last week’s post has been phenomenal and the blog’s stats have been skyrocketing. Every time this happens it’s always great to know I’m not alone in keeping this wonderful comic close to my heart all these years later.

Last week I asked the team what their fondest memory of their time on OiNK was and many of them mentioned working as part of this particular team. Suitably then (even though I sent all of the questions at once) this second question digs down into those previous answers a little. It seems those creating OiNK enjoyed reading it just as much as we did!

QUESTION TWO

Whose work did you admire the most in OiNK?


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“Difficult question because with so many different styles everyone brought something fresh and exciting to the comic. Jeremy Banx was always one to watch because he pushed the envelope with what he could get away with. J.T. Dogg did spectacular work of course and I was pleased with our collaboration on Ham Dare, Pig of the Future. It was also good to see David Leach’s style develop. Psycho Gran is such a great character and I’m pleased he still creates new stories for her today.”


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“There were so many artists I admired on OiNK but my absolute favourite is Ed McHenry. He introduced me to dip nibs and they were a real game changer in how my style looked. I’m very lucky I met Ed, he is a true gentleman who loves his work. Fun fact: He was a drummer for Roy Orbison in the sixties. Fun fact 2: I hitched a lift in Roy Orbison’s white Rolls Royce.”


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“There were loads of really good artists working on OiNK, Lew Stringer and Ian Jackson spring to mind. I think it was Jeremy Banx’s stuff that struck me the most. It was very funny, and unlike anything I’d seen in British kids’ comics before. There was one Burp strip about him going on holiday to a secluded planet, and he’s inadvertently brought along a wasp in his spaceship which escapes onto the planet, and he knows then that he can never return – the presence of the wasp has ruined his paradise. I don’t know why that has stuck in my head all these years.”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

“Ian Jackson’s.”


KEV F SUTHERLAND
Meanwhile…, The Three Scientists,
March of the Killer Breakfasts

“I loved Frank Sidebottom‘s stuff, and was also a fan of his music, so being in the same comic as him was a thrill. I thought Jeremy Banx and Lew Stringer‘s stuff were the funniest. Lew is the deserved star of the comic and it’s no surprise that his was the work that carried on into Buster.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

“This is tough, as there were so many great writers and artists. I was very partial to Ian Jackson‘s covers and Hadrian Vile strip, and I always found Jeremy‘s nose-related strips hilarious.”


IAN JACKSON
artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

“Jeremy Bank‘s Burp.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“Awkward question. Let me explain. When each new copy of OiNK appeared, I would clip out my stuff, this was then placed in my safe deposit box at my bank, the rest of the issue was then used to line the bottom of our budgerigar’s cage. So tell me, did I miss anything good?”


DAVID LEACH
Psycho Gran, Dudley DJ

“I admired them all. I felt humble to be in the same comic, it was a comic that made me laugh. I loved the different styles, I genuinely don’t think I had a favourite, although the three artists I felt symbolised OiNK were Husband, Stringer and Banx.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“Favourite OiNK artist? Banx. No question. Funny, witty and a great writer/cartoonist. I loved getting to see his original art. Only met him once in London for about 4 seconds as I had to dash back for a train.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“So much good stuff to choose from. So many talented artists and writers. Mark Riley‘s Harry the Head always sticks in my mind. Loved the simplicity of his drawings and his daft ideas.”


Can I just say I agree with every single answer here? I’d have been useless if someone asked me this question. My answer would’ve been as long as this whole post. Our next question is one I’ve been particularly looking forward to. After reading about them admiring each other’s pages we ask about their own creations. It should be an interesting one (again). Come back next Saturday, 14th December 2024 for the responses to this:

What’s your personal favourite piece
you contributed to OiNK?

QUESTiON ONE < > QUESTiON THREE

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CHRiSTMAS 2024

OiNK iNTERViEW SERiES: PART ONE

Welcome to first post in what should be a fascinating four-part OiNK series this festive season. I came up with some general questions about our favourite comic and handed them over to no less than 11 of OiNK’s finest contributors. Every Saturday between now and Christmas Day I’ll publish all of the responses for each question in turn, so we can get an insight into what it was really like to be a part of the world’s greatest comic.

The OiNK team have always been so forthcoming with information ever since the blog began and their enthusiasm for the comic hasn’t diminished one iota in the decades since they first tickled our funny bones. It’s been a joy to put these posts together and reach out to some of my comics heroes. So what’s the first question?

QUESTION ONE

What’s the fondest memory that comes to mind
when you think back to OiNK?


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“Fondest memory was meeting all the artists and writers at the OiNK launch party. It’s a bit of a lonely profession drawing cartoons and comics so it was great to meet up and yack about drawing and comics.”


DAVID LEACH
Psycho Gran, Dudley DJ

“That first UKCAC show in 1988, I think, when I got to meet other cartoonists for the first time. I met Davy Francis, Lew Stringer, Davey Jones, Ed McHenry and Banx. It was wonderful. I felt I’d found my people.”


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“Probably just that sense of open-mindedness you got from the editors. My main point of contact was Mark Rodgers and I’d send him script ideas which he’d either approve or turn down. But you always felt that he’d be open to any kind of silly ideas. I remember buying a volume of Spike Milligan’s Goon Show scripts from a jumble sale, and for a while after that the stuff I was submitting was a bit Goon-ish. So you felt you could sort of muck about and try out different things.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“Memory? I remember meeting Mark and Tony (Husband) and Pat (Gallagher) as they were cobbling the first few issues together. They were working from inside a cupboard in Manchester back then. It was hard to tell them apart because we all had hair then, including Pat. It felt like an exciting time to draw comics, and I could always meet a deadline because I learned to draw in my sleep thanks to Pat nagging me. Hey Pat! How are you?”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

“Meeting up with Tony and Mark immediately after we received the news that OiNK had been formally commissioned.”


IAN JACKSON
artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

“Photo story shoot with Mark Rodgers dressed as aliens, and his girlfriend Helen as someone we were trying to abduct from a local park.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“Printed on quality paper with excellent colour reproduction, everybody could sign their work or get a printer credit, well paid and all your artwork returned. What’s not to like as they say.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

“Visiting Tony‘s house with Mark was brilliant because Tony was such a nice chap. I noticed his stack of Peter Hammill albums in a corner – we bonded over music. We also had a fun time discussing Uncle Pigg‘s helpers, the Plops.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“A lot of fond memories. Getting the ideas and drawing them up against the clock was hard work but fun. Meeting up with the other OiNKers at conventions and stuff was a highlight. I remember, with great fondness, the process of getting the idea that Burp‘s organs should be independent living beings with their own ecology. Also when I realised that his liver should be Dr Devious, the notorious super villain. The nice thing about that was it felt like the character was revealing himself and it almost wasn’t me doing the work at all.”


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“There are lots of happy memories but I think just having regular work in an IPC comic for the first time felt like a major achievement, even though I’d been contributing to Marvel UK for a few years by then.”


KEV F SUTHERLAND
Meanwhile, The Three Scientists,
March of the Killer Breakfasts

“It was my big break, so the best thing was being a proper professional comics creator at last. I was holding down a day job and doing my OiNK work at night, and it had taken a whole year of sending something off every single week before I got in. I would send something to 2000AD who’d say ‘you’re too cartoony, you should send it to OiNK’, and to OiNK who’d say ‘you’re too action-y, you should send it to 2000AD’. OiNK broke first.”


And so it begins! Even though very few of the OiNK team ever worked from their Manchester offices, you’d never think it from these replies. They were clearly a fantastic team, whether they ever met each other or not, and admiring of everyone else’s creations. It pleases me no end that it seems OiNK was such a great comic to work on. Make sure you come back next week, Saturday 7th December 2024 for question two, which will be:

Whose work did you admire the most in OiNK?

See you then.

GO TO QUESTiON TWO

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CHRiSTMAS 2024

YOU CAN QUOTE ME… WELL, THEM!

A few years back I wrote an article about OiNK for a fan-produced magazine called Comic Scene. It’s a magazine that has been cancelled, returned in a different format and cancelled again more times than Uncle Pigg has had hot swill. The article was for their ambitious but ultimately factual-error-filled (and also cancelled) partwork series History of Comics. To accompany it I also wrote about my top six issues of OiNK and was able to get some fantastic quotes from some of the comic’s team to use as a box out.

For whatever reason neither of these were used. I thought not including the quotes from these incredibly talented cartoonists (who had all happily got back to me with their thoughts) was particularly surprising. Well, to mark the 1986 release date of OiNK’s preview issue (and the first OiNK review on the blog) here are the quotes I was able to muster in time for the article’s original deadline but which never saw print for whatever reason. They’re a nice little insight into the making of OiNK and I’d like to thank everyone for contributing at the time.


STEVE McGARRY

“It was more than an honour to be asked to contribute to those first few issues of OiNK, it was a damned inconvenience.”

DAVID LEACH

“Working on OiNK was a fantastic experience, it featured my first professional cartoon character and it marked the start of my professional career as a freelance cartoonist.

“I got to meet life-long friends and it got my foot in the door. As such it holds a soft spot in my dangerously enlarged, erratically beating heart. OiNK was the start of my professional career as a cartoonist. I had seen a preview copy of the comic and just knew I had to be in it. I contacted Bob Paynter, Group Editor of Humour Comics at IPC at the time and he offered to send my work sample to OiNK if I did a job for Whizzer and Chips. I ended up drawing a four issue pull-out strip called Phil Fitt and Brad Habit, which got published and in return my sample strip for Psycho Gran got sent off to OiNK and that was that!”

JEREMY BANX

“Working on OiNK was hard work and great fun. I’d never expected to work in comics so it was a strange adventure for me. I learnt a huge amount and it certainly changed the general direction of my travel.”

LEW STRINGER

“OiNK came along at just the right time for those of us who were still new to the comics business. We were full of ideas and still young enough to be able to relate with what the readership wanted. It gave us the perfect opportunities to develop our craft and come up with strips that wouldn’t fit in with the more pedestrian formularised comics. It was such a fun time to work in comics. We all had a great time and I think that shows in how fondly OiNK is still remembered all these years later.”

DAVEY JONES

“Thinking of OiNK, I reckon the main thing I remember is how open they were to stuff which wasn’t necessarily in the traditional British comic format. They liked the more familiar style of Buster/Whizzer and Chips style strips as well of course, but were also happy to look at stuff that was a bit different. I really liked the things that Jeremy Banx was doing with Burp the alien, which were sometimes these short, funny science fiction stories, and I hadn’t really seen anything quite like it in comics. So you felt like you didn’t need to follow any particular formula when submitting scripts, just think of daft stuff that they might find funny.

“The other thing that occurs to me is how encouraging [co-editor] Mark Rodgers was. I’d send him the scripts first, and quite often he’d turn them down, but he went to some trouble to explain where I was going wrong (the stories were too complicated, or I was trying to fit too much in etc.) which I appreciated a lot, because he could have just stamped the word REJECTED on them.”

KEV F SUTHERLAND

“In 1986 I was desperately trying to break into comics so I was sending something, at least every week, to both 2000AD and OiNK. OiNK would reply saying my stuff was too superheroey or dramatic and that I ought to send it to 2000AD, and 2000AD would reply saying my stuff was too funny or cartoony and I should send it to OiNK. It took a year until, finally, it was OiNK that broke under the pressure and let me in with, I think, a Rotten Rhymes script which they let me draw.

“I then got increasing amounts into the comic, especially my Meanwhile… strips which ran to a page each, reaching a climax with #68, a third of which was written and drawn by me (including The Plop Factory, a parody of Stock Aitken & Waterman in the style of an EC Comics horror story). That was the final issue of OiNK, and I was back where I started, desperate to break into comics.”

GRAHAM EXTON

“By an eerie coincidence, all of us who contributed material for Rrrassp! comic (as OiNK was first called) wrote strips featuring pigs. So Bob Paynter suggested making pigs the main theme. I’m not sure if it was my idea, but Mark and I both liked the Tharg and Stan Lee characters who communicated on the 2000AD and Marvel letters pages, hence Uncle Pigg. I think the Plops were my idea, but given the theme of pigs they were pretty well inevitable. They were based on Leo Baxendale‘s squelchies who were Grimly Fiendish‘s minions years before Despicable Me.

“Mark and I met with Tony [Husband, co-editor] in his home and I was struck by his lovely paintings and impressive collection of Peter Hammill LPs. I have not met Patrick [Gallagher, co-editor] in person though we are Facebook buddies. I was impressed with his ability to mimic other artists’ styles. Mark and I did a few fumetti [photo stories] when he and wife Helen came to visit me in South Andros, Bahamas. We roped in our neighbours too.

“The funniest strips I was involved with were the two Herbert Bowes ones. He had a lot of things up his nose. Jeremy Banks’ art made them super funny. The third one involved the Starship Enterprise (up his nose), but I couldn’t make it work, so never finished it. My all-vegetable theatre strip (with fab Ian Knox art) festered in my brain for many years before emerging, butterfly-like, as Tatertown, a strip I give away on Facebook. I did it mostly to learn how to use Photoshop, but it now has a life of its own.”

DAVY FRANCIS

“I loved working for OiNK. As well as scripted stories, I was allowed to use my own jokes, so I would send off scripts – thumbnails, really – and if I got a yea, then I’d draw it and send it off. I was doing Ciderman at the same time, and working in the Housing Executive full time, so it was a very busy time. However, I loved it. One mystery remains: what happened to the German version of OiNK? It ran for 3 issues, but I’ve never seen a copy.”

PATRICK GALLAGHER

“From my earliest recollections of OiNK, going way back to its development stage when Tony, Mark and I had never produced a comic before, or suffered the logistical nightmare such a dream job brings, it all felt excitingly experimental and risqué. Those feelings became the form and the norm that remained right up until the final issue, which I think gave OiNK a certain sense of unpredictability and edge throughout its life, with room for error and genius in varying measures.

“Yes, some things worked better than others; OiNK was never perfect but what carried it through was its ‘voice’, which never faltered. That was the combined comedic soul of Tony, Mark and me. That is what I am most proud of and what our brilliant contributors latched onto to make OiNK something special.”


These were from a few years ago, before this version of the blog was even launched and since then more of OiNK’s creative team have reached out to me for the blog and other reasons, hence the non-appearance of some key names above. It actually gives me an idea for the future but I won’t say anything yet in case I jinx anything. Thanks again to everyone above and to everyone who has been such a great source of information, OiNK and otherwise!

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OiNK! #68: HiNDMOST HOG

The following post was originally written for Sunday 22nd but was held back after the sad news of Tony Husband’s passing

Co-editor Patrick Gallagher has a vague recollection of OiNK #68 being held back a bit to better coincide with the publication of the first merged Buster comic. It was definitely a week late when this issue arrived in my local shop in Northern Ireland. Now on rare occasions a comic could be a day or two later getting over here (or up to the farthest areas of Scotland). According to some in England I’ve spoken to in research for this post they recall receiving their #68s on the Thursday or Friday so this seems to track. When it finally did arrive few of us were prepared for what it contained (unless you had read the previous week’s Buster.)

I certainly wasn’t aware of the merge at the time so, in the early evening of Saturday 22nd October 1988 as the cold, dark night drew in I ran to the newsagent just before dinner for the umpteenth time that week to (hopefully) buy what I thought would be the latest issue. As always, before going to the counter to ask for my reserved copy, I scanned my eyes over the comics shelves. I saw the piggy pink logo… twice. I could see Pete, Tom and Willy peering out at me from behind the new issue of OiNK! What was this?

For a second I thought it was some kind of promotional thing. After all, this and the other comics I’d begun collecting by this stage were all still going strong and those my brother or friends read seemed to last forever, such as Beano, Transformers, Roy of the Rovers etc. I’d never seen a comic cancelled before and after two very happy years I just assumed OiNK would go on and on too. It was my first comic, so I didn’t know this kind of thing happened!

I picked up a copy of OiNK from the shelf, its gorgeous Frank Sidebottom cover (one of my favourites of the whole run) in all its glory and I noticed the banner across the top which soon gave the game away. Surely this couldn’t mean what I was beginning to think it meant? I began flicking through it to see if there was any indication inside and lo-and-behold on page four where the letters page would normally be was a message from Uncle Pigg, drawn by Michael Peek.

My heart sank. Our esteemed editor may have been cheery at the prospect of an early retirement and he tried to keep his loyal readers chirper with the news of the Buster merge, the already-released second annual and the promise of a holiday special the following year (a lifetime away for a ten-year-old), but that wasn’t enough as far as I was concerned. So as I went to ask for my last reserved OiNK I also picked up a Buster, hoping for the best. You can read all about what happened with that in its own post also published on the blog today.

Now, 35 years later as an adult this message is all the more heartbreaking because this is actually the best of the monthly OiNKs by far. There’s not a single reprint in sight, the team using up what they could of the leftover material they’d have kept for the following issues. Plus we had our 12th free gift! Stapled to the middle pages was a tiny 16-page preview of Wildcat, so I really came back from the shop with three different comics. The gift was a welcome surprise actually, as the cancellation had distracted me from the news of it on the cover.

OiNK began with IPC Magazine’s first preview comic, so now 68 issues later it felt like things had come full circle. In fact, I’ve described before how this felt like OiNK passing the baton which, after I read this superb freebie, I was more than willing to let Wildcat take up. This was particularly welcome after Buster disappointed me, so something good had come out of this after all, just not in the way I’d initially hoped. Wildcat was a superb comic and I’ve already covered it on the blog, where you’ll find a full review of this freebie.

On page two was a small note that the regular Wildcat comic would have pages the same size as OiNK’s, even though this was mentioned on the back of the preview. Alongside it our final issue starts off strong with some cracker (no pun intended, really) mini-strips such as Kev F Sutherland’s take on another Rotten Rhyme and the first of this issue’s Wally of the West strips by the always funny Ed McHenry.

Only a few of the contributions mention the fact this is the final issue, while a couple more don’t reference it directly but clearly knew it was the end. For example, Chris Sievey’s Frank Sidebottom doesn’t say anything about it but does sign off with details of where readers could see him on TV, listen to him on the radio or meet him in person before saying thanks and that he’ll see everyone soon. Which he did, as he never seemed to be off children’s television at the time.

Taking over a double-page spread Frank really does squeeze in as much as he possibly can into a strip about his school days. There are no less than 33 individual panels across just two pages! Not only that, look at the amount he draws into each of these tiny little rectangles, such as his mum’s kitchen floor, cooker and sink when all he needed to show us was him running out the door. Also, before you read this if you have a pair of old fashioned 3D glasses please do try them on at a certain point here and let me know how you get on! Haha.

We all knew that despite Frank being a superstar he still lived at home with his mum so I love the ending which, intentionally or not, is a callback to an earlier episode of Frank’s which referred to him going to bed at 9 despite being an adult. Having the final caption as a never-ending cycle back to the beginning feels like the perfect way for him to wrap up the final regular contribution to OiNK he crafted.

From one OiNK star to two at once. Two cartoonists decided to create something similar to each other’s, a visual gag only achievable in this medium and one where OiNK was the perfect place to try it. So Charlie Brooker’s Freddie Flop and Brian Luck return for their final appearances and, suitably for the last issue, the randomly-appearing Mr Plinge returns for one last time and with a twin sister in tow alongside (or rather above) a one-off Mr Girth.

Placed nowhere near each other in the issue, the joyous surprise at seeing the same gag played out after enjoying it so much the first time is a delight. It reminds me of my embarrassing moment in the hospital waiting room when I discovered a second Herbert Bowes strip in the first OiNK Holiday Special! Thankfully this time I was reading alone.

For their final regular attempt to extort as much money as possible from people the gangsters at GBH pulled out all the stops with a middle-page spread of the ultimate luxury in holiday travel, on a cruise. Thomas Crook was a name used already by Simon Thorp in previous Madvertisements but this is surely the funniest of the lot. I love the sheer audacity to list off all of the gags! This kept me giggling for a good while in both 1988 and 2023 and is one of my favourite GBH entries from the entire series. Please take your time and savour every little bit of this one.

My favourite parts of this have to be the lifeboat drill, the scales, the ship’s “washing machines”, where the food is served, the stabilisers(!) and best of all the fact that this isn’t a cutaway, it’s noted that the ship itself actually has a huge hole along its side. Simon’s Madverts were always so packed with little sight gags for us to find and I love how his last one labels them all, making sure no one misses a single one. Still a regular Viz contributor to this day, I’m really going to miss his OiNK pages.

#68 is a fitting, funny and fantastic send off

Fittingly, one of the pages that mentions this is the final issue is co-editor Tony Husband’s Horace (Ugly Face) Watkins in which he laments the end of the comic (as do watching aliens) before he and Mandy decide to cheer up by getting married. Tom Thug’s strip begins with him telling us he’s received some terrible news and we think it’s about OiNK, but actually he’s just been offered a job. A job he ultimately fails at on day one, naturally.

Children’s television presenter and artist Tony Hart and his plasticine pal Morph are the subject of a spoof in the shape of The Amazing Adventures of Murph and in a three-page Pete and his Pimple strip he’s daydreaming about being a superhero called Zit Man. Thankfully his arch nemesis Mister Squeeze trips over his own words, quite literally, in the nick of time and falls into his own death trap. Ingenious stuff.

Of course it wasn’t the end for two of these characters, however it’s rather strange there’s no Weedy Willy strip in this final issue when he’d join Pete and Tom in Buster.

Meanwhile, Kev F Sutherland must’ve created a lot of content for forthcoming issues because it appears it’s all been collected together here. Just like Ian Jackson and Jeremy Banx before him, Kev’s work is synonymous with OiNK in my eyes and here he has eight strips in total to his name across a whopping ten pages. His Meanwhile… series was always a highlight so I couldn’t let this issue go without including at least one, and it’s one which got a memorable roar of laughter out of me at ten-years-of-age.

It seems if OiNK were to continue one of Kev’s Three Scientists from #66 was going to be making an Alfred Hitchcock-esque cameo in every issue. Did you spot him above? In this issue Kev brings us not only this and the Rotten Rhyme above but also his take on Jack & Jill and Who Killed Cock Robin?, spoofs of 80s car commercials and weather forecasts, and last but by no means least the brilliantly titled The Plop Factory – The Studios of Britain’s top record producers Sock, Bacon and Waterworks.

The final strip I’m going to show you (although not the final image) from all 68 regular OiNKs should really be a large, multi-page affair, shouldn’t it? Some big, grand gesture to round things off with. Nope. One of the biggest laughs in this issue comes from a tiny little quarter-page strip of Ed McHenry‘s Wally of the West. A simply perfect example of the mini-strips crammed into each issue and how OiNK could generate a ton of laughs from content of all shapes and sizes.

With a lack of Uncle Pigg or the plops and very few pig-themed strips and spoofs, would new readers to OiNK Monthly have been confused as to why the comic had the name it did? However, for seasoned pig pals such as myself these final six issues have each been mammoth specials crammed full of content, with the bonus of some bigger than usual entries for a handful of our favourites. So if you ever hear a pig pal rubbish these monthlies, I say they should really reconsider them, especially #68 which is a fitting, funny and fantastic send off.

There’s a ton of OiNK content to come on the blog over the next few years at least, I promise

But unfortunately a send off it is. Fleetway’s well-intentioned reboot hadn’t had the effect they’d wished for, but by no means were OiNK’s sales plummeting as much as some have commented. As co-editor Patrick Gallagher recently told me sales were down across the board and OiNK’s were by no means the worst. But with Fleetway having now forced two revamps they called time on the comic, although it wouldn’t be the last to fall as they continued to chip away at the titles they’d purchased from IPC.

If OiNK had continued in its best format as a fortnightly under IPC, who were very happy with the sales figures and the press coverage it was creating for them as a publisher, could it have lasted longer? Perhaps. We’ll never know. For now this final issue wraps up with the first of a new series. Judging by the old OiNK logo this was created by Michael Peek when it was still a weekly and, with this being the last page (save for a Fleetway Annuals advert on the back) Patrick added a little sign-off gag with the speech balloon.

This is by no means the end of OiNK on its own blog! There’s a wealth of extra features for our favourite comic already on here and a ton of OiNK content to come over the next few years at least, I promise. Actually, the read through itself isn’t even finished yet with four more editions to come over the next two years and yes, I’m going to make you wait for each of them, just as I have to wait until their real time release dates to read them. The first of these will be The OiNK! Book 1989’s review which will be published on Christmas Day 2023. Perfect anarchic post-dinner laughs, I think.

Now, I wonder what happened to Uncle Pigg on that tropical island…

iSSUE 67 < > BUSTER MERGE

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