Coming up on Monday is my very favourite regular issue of my very favourite comic of all time. How’s that for hype? After a year-and-a-half of covering OiNK the best issue the team produced is here at last! Of course, as regular blog readers will attest I am a huge nut for Christmas and that might have something to do with it. That’s right, #43 is our second (and unfortunately final) Christmas issue and it’s stuffed with goodies.
Promo drawn by Ian Jackson
We’ve got a traditional (sort of) Christmas perfume advert from Burp the Smelly Alien, the comic’s take on the most popular toys of the time (Transformers) and Channel Four‘s yearly broadcast of The Snowman, plus OiNK’s Nasty Christmas Carols! This one isn’t to be missed so make sure to click that ‘Follow’ button or do so over on the blog’s socials and I’ll see you here, eggnog and a mince pie in trotter, on Monday 12th December 2022.
As a child one of my regular orders at the newsagents was for Fleetway’s Big Comic Fortnightly, which I collected from #1 for a couple of years after receiving a giant book the previous Christmas (the 1988 volume). Only when deciding to collect the books for the blog did I discover there’d actually been another the year before; when it had hit the shelves originally I hadn’t even discovered OiNK (my first comic) yet. Now I’ve been able to complete the collection of eight huge tomes that make up the Big Comic Book series, released between 1986 and 1993.
While they’d have been available since the end of the summer, it was Christmas Day when most of us would’ve received these so I’m going to cover one each festive season. (At least you know the blog will be about for a bit now.) While OiNK was more in tune with my sense of humour than more traditional humour comics, that doesn’t mean there aren’t plenty of smiles and a few chortles to be had here. With 256 pages it’s a cliché to say it but there’s something for everyone. Here are a few of my own highlights.
I can’t remember these first characters from the fortnightly or books as a kid, but that’s probably more a lack of memory on my part. Happy Families is drawn here by Dick Millington and I’m sure it can resonate with many of us around this time of year. The Happies are made up of Mum, Dad, Grandad, Sharon and the twins Vicki and Dicky and the scenario is much like the rest of the book’s comic strips, a simple but effective one; a small disagreement over something very unimportant would escalate until the whole family was at war with each other.
As with much of the contents in the book this is only one of several Happy Families strips, although most of the others end up so rowdy the police get involved. The stories can vary from them all being at each others’ throats by the end, all of them being punished in some way, or one or two of them getting sweet revenge on the rest of the family. Yet at the start of each new strip they’re back to loving one another again. Families, eh? These strips may even have been somewhat cathartic for some readers’ parents or older siblings on Christmas Day.
Regular blog readers will know I’m a sucker for a comical shark in the pages of OiNK due to my obsession with the creatures. This stems from my favourite movie of all time, Jaws, which inspired teenage me to read up on the real fish and decades later I’m still fascinated. In fact, my favourite ever page of OiNK was a parody of Jaws in #4 but even the top comic of all time has to take a bow to the following star of Monster Fun.
When I started collecting Big Comic it would still be a couple of years before I’d see the best film ever made but I always loved Gums. I was reading this funny strip very obviously inspired by that movie before I saw it. After I did eventually watch Jaws I just enjoyed this toothless version even more so as a result. Gums was originally created by writer Roy Davis and artist Robert Nixon. The above strip is taken from Buster after Monster Fun folded and is drawn by John Geering (who also contributed to a handful of OiNKs).
To me he was always a Geering character. John gives such fantastic, expressive gestures to Gums who thought he was a terrifying monster of the deep, but the cast of recurring characters who lived with him weren’t exactly quaking in the depths. The best thing was that Gums would sometimes triumph in his schemes which kept things fresh. With quite a few strips in this one book, it’s clear he was a fan favourite. Our next character also originated in Monster Fun.
Kid Kong’s original artist was also Robert Nixon, although this Buster strip is drawn by Rob Lee and alongside Gums he lives on today in Rebellion’s new Monster Fun in new stories by new artists. Originally an escapee from a zoo and much larger, he was shrunk down to make it easier to write stories in a family home setting, although still having to stoop down to fit inside Granny Smith’s house. Granny was chronically short-sighted and hard of hearing, mistaking Kong as her own.
As enjoyable as these have been so far, not all of the contents hit the spot as much as these examples. Some haven’t aged well, in fact some hadn’t even aged well by the late 80s. But whether it was the latest book or the fortnightly comic there was enough content to ensure plenty of enjoyment and the odd chortle from a favourite character. The sheer size of Big Comic meant every reader would have some favourites and get a lot from each volume. Just don’t be expecting OiNK levels of guffaws. Unless you’re reading Gums, of course.
In recent years Ken Reid’s Faceache has had something of a resurgence, from a gorgeous hardback collection to new strips alongside the two stars above. Created for Jet comic but (yet again) a later star of Buster, Ken’s style is instantly recognisable and upon first glance may seem very traditional, very DC Thomson-esque to the uninitiated. But you soon realise these are very different to pretty much everything else in this book.
Ken’s work really pops, really stands out, which is no small feat in such a huge book
The humour has a different feel to it, not least thanks to the creative ‘scrunges’ Faceache pulls off. This juxtaposition works, the strips feel fresh even today with a unique art style. Ken’s work really pops, really stands out, which is no small feat in such a huge book where everything is black and white on cheap paper stock. However, if you’re scanning through a Big Comic Book these really do stop you in your tracks.
I’ve happy memories of the following family from my time with the fortnightly comic and they’d often be the first strip I’d read, the endings almost always guaranteed to raise a laugh. The Bumpkin Billionaires originated in Whoopee and told the tale of a family of Beverly Hillbilly types who had won billions of pounds on the pools (the family-friendly weekly sports betting which predated the lottery, kids – Phil) but who hated the lifestyle changes the money brought. Every story would show us another hare-brained scheme of Ma, Pa, Billy and Daisy‘s to get rid of all their cash, much to the disgruntlement of their bank manager.
Mike Lacey brought these loveable rogues to life and the physical comedy of the main characters was always funny. Most of the time the family’s plan would fall apart in the final frame or two and they’d somehow end up with even more money than they started with. I’ve included the one above because it was one of those rare occasions when things actually worked out in their favour. Well, I’m assuming these were rare occasions, I certainly can’t remember this happening regularly and I’ve fond memories of trying to work out what was about to go wrong for them.
Do you remember CBBC programme Grange Hill? My siblings watched it but I never did, although the theme tune is still seared into my mind. Whizzer & Chips came along with its own interpretation, Strange Hill, which as a name I absolutely love. Teech was the poor sap trying to educate the wee monsters who in this case actually were little monsters; a class full of spooks, ghouls and tiny versions of famous Hollywood creatures. I thought this particular example would be a good one to include on this blog, can you tell why?
Tom Paterson, who brought us a few ingenious early OiNK strips is the perfect choice for these manic pages with such a varied ensemble cast and his trademark smelly socks, little squigly creatures and descriptive word bombs are all evident by the bucketload. These little extras always made his strips classics for me and his were the only ones I read in my brother’s Beanos. I’ve always said it’s unfortunate he was too busy to contribute more to OiNK where surely his work was a perfect fit.
Drawn by Sid Burgon, Lolly Pop was an entrepreneur with an endless range of businesses and an equally endless supply of money. However, while his businesses thrived the same couldn’t be said of his relationship with his son Archie, who was a regular kid after a regular life, who just wanted to play and spend time with his dad. With his dad being so preoccupied with his factories, Archie’s unsupervised attempts of leading a normal life and wanting to win his father’s attention would inevitably lead to a variety of disasters.
It also didn’t help that despite being an obvious millionaire Lolly Pop was rather miserly to say the least, preoccupied with saving his wealth, leading to Archie being somewhat neglected. Although to be fair it was only attention that Archie felt starved of. Originally in Whoopee, Lolly Pop is one of the stronger series in this book and there are stories involving Lolly Pop Toffees Ltd, Lolly Pop Movie Studios, Lolly Pop’s Garage, Pop’s Tyres, Lolly Pop Wood Products and Lolly Pop’s Record Company over five 2-page strips.
“Ha! No playpen can hold Sweeny!”
Sweeny Toddler
To finish the review there’s one perennial favourite surely everyone loves no matter which generation they’re from. Another character appearing in new strips today, even illustrated by one of his original artists, Sweeny Toddler was the tearaway baby who would cause havoc in not only his own home but all across town, with his ever faithful canine friend Henry by his side. Sweeney was originally created for Shiver and Shake comic and drawn by Leo Baxendale, then through mergers he’d go on to star in Whoopee, Whizzer and Chips and (of course) Buster.
There’s a reason Sweeney lasted as long as he did. Quite early on the brilliant Tom Paterson took over drawing duties and OiNK’s very own Graham Exton became Sweeney’s writer in the early 80s. They made the perfect team and during that time the strip rose to ever greater heights. The strip below is drawn by Tom but is before Graham’s time with the character. When Graham joined Tom’s style had developed to include all those lovely little sight gags he became synonymous with, like those in Strange Hill.
Overall, the first Big Comic Book is a success. Financially it was a huge success! It (and its fortnightly spin-off) cost next to nothing to produce since Fleetway owned the rights to all of the contents (we would never have seen any OiNK material as a result since most of it was creator-owned) and used cheaper paper stock, enabling the books to be much thicker with a retail price similar to a regular annual.
While some of the strips haven’t stood the test of time as well as others, there’s not really any that won’t at least raise a smile, making it a very pleasant reading experience. Needless to say, if you see this on eBay or in a second-hand charity store snap it up. With this amount of silly comics stuffed inside you should find plenty to keep you amused no matter your tastes.
Have a close look at this photograph. Spot anyone familiar?
Links to all of this year’s festive posts are in piggy pink below
I love Christmas. To be honest that’s a bit of an understatement. It really is the most wonderful time of the year. Christmas is all about feasting, friends and fun, lighting up the darkest days of the year, warming us during the freezing winter. To me it’s for thanking all my loved ones for the year just gone, and this year I’d also like to thank all of you fantastic blog readers for your support. Since this OiNK Blog was launched in the Spring of 2021 you’ve been amazing with your feedback and I hope this Christmas I can thank you with the best month yet!
So, did you spot who was on top of my tree?
The biggest blog highlight for me will be OiNK reaching its second Christmas Day, the day most of us pig pals got our trotters on The OiNK Book 1988, my favourite OiNK of all and my favourite childhood book to this day. It’s backed up with the best regular issue which just happens to be this year’s festive edition, and there’s the Hogmanay issue as well. There’s the start of two new, albeit very slow real time read throughs with the first in both the Big Comic Book and Knight Rider Annual series.
The former of those two I went on to collect the fortnightly comic spin-off as a kid and the latter I’m particularly looking forward to because the show it’s based on is (with no exaggeration) my favourite thing in the whole universe. I had this first Knight Rider Annual when it was first released, but what I never realised until recently was that the interior art was by David ‘V for Vendetta’ Lloyd! This will be a real treat for comics (and talking car) fans.
Not only that, David agreed to have a chat with me about his time on the books so watch out for that exclusive interview over Christmas, and an interview with a retro toy enthusiast who gives us an insight into collecting blog stars the Ring Raiders from Matchbox. There’s a review of Ring Raiders comic editor Barrie Tomlinson’s book Comic Book Hero just in time for you to throw a Christmas gift hint to someone, and a look at a fantastic gift I received a few Christmases ago when I took a trip to Beanotown in a personalised Beano comic!
I think it’s about time we started to cover the unique range of OiNK merchandise on the blog too, don’t you? The OiNK 45 record was about as unique as you could get and I’ve permission from OiNK’s editors to publish all three songs here on the blog. That’s a nice Christmas bonus! We’re not done though. Finally, over on the blog’s Instagram our Robots in Disguise reach the seventh holiday season in their read through! So watch out for the Christmas issue and the latest annual over on social media (plus #300!). Also, how about a Transformers/OiNK crossover you probably never knew happened?
I’m really looking forward to sharing all of these with you and remember you can leave any comments you wish under each and every post, or on the blog’s social media on Instagram and Facebook. Things are shaping up for a good Christmas on the blog, beginning of course with the OiNK decorations! Not only is Tom up on my tree as is tradition in my house, check out these Christmas cards above from Davy Francis I’ve received over the years.
No need to look on enviously though, below is Tom Thug’s page from #43 of OiNK by Lew Stringer. Just print it out, stick it to some thin card (I used a mince pie box appropriately enough), cut him out and soon he can be scowling at you from atop your tree too. Thanks to Lew for allowing me to grab this from his own blog since the page doesn’t actually exist in my issue anymore!
It all kicks off tomorrow with TheBig Comic Book 1987 review (and of course the suitably icy new logo at the top of the blog if you’re reading this at the time) so get the mince pies warmed, the rum and raisin ice cream scooped, the Schloer poured and the Tayto Turkey and Stuffing flavour crisps in a bowl (that’s just for the Ireland readers that one) and settle down for the OiNK Blog at Christmas.
Merry Christmas to all for the next month-and-a-bit and watch out for extra bits of OiNK content on both Christmas Eve and New Year’s Eve!
What better way to kick off the New Year than with some brand new strips featuring one of OiNK‘s most beloved characters. From the pen of David Leach comes two corking new stories for Psycho Gran, once more in the digital pages of Aces Weekly. One was published in issue six of the current volume on 27th December and was billed by the comic as a Christmas horror story (albeit with the usual Psycho humour), the second on 3rd January so both are available right now. I’ll tell you how you can get your trotters on them below, but first here’s a quick preview of both.
The Confessions of Psycho Gran has our former OiNK star head to the confessional in her local church. I think a whole issue of Aces Weekly could be taken up with her confessions but here the focus is on the poor priest who is there to listen and forgive. As you can see from this first page (of three) she’s taken her toll on him. Just a little bit. It’s a darker story than usual, even by Psycho Gran standards, but as always it’s laugh-out-loud funny.
The second, four-page strip is called Still Waters and takes place at the local swimming pool where Gran is enjoying a paddle in the swim lane. None of the other swimmers want to share it with her but one man isn’t having it, he’s paid for his swim time and so pushes through, jumping the entire queue and into the water. I’m not even going to hint at what comes next but it’s a brilliant final page which I personally found particularly funny, and it includes a nice nod to a classic comic star.
Aces Weekly was created by David Lloyd and Bambos Georgiou and is a digital anthology comic full of a huge variety of content from a wonderful array of talent, covering many genres in every issue. Each volume is seven weekly issues in length and you can either subscribe and have each one delivered to your inbox, or buy any volume in one go for just £6.99 (that’s only £1 per issue). The latest volume containing Psycho Gran is now complete so you too can dip your feet in the waters if you dare!
This isn’t the first time David’s creation has appeared in the comic, in fact last year both she and Lew Stringer‘s Combat Colin had further new strips appear in the landmark 50th volume, as you can read about in this previous blog post.
Get to it. Seriously, you won’t regret it pig pals!
What a year it’s been. Actually, what a couple of years it’s been! For a lot of us it’s been a tough one, I’m sure. For me personally I was unemployed for a lot of the year, obviously couldn’t see friends as much and have found the whole situation stressful at times. But hardest of all was losing someone very dear to me. This wasn’t related to the pandemic, but because of it I was only able to see her a couple of times in the last year of her life. However, that same person gave me the best advice anyone has ever given me in my wanting to build some form of writing career:
“Just do it.”
So I took that advice and the first step was relaunching this blog on its own domain and I’ve loved every second of it. Your feedback has been amazing, the socials have lit up and I’ve really enjoyed writing it all year, with material for several more (you’ll either be happy or indifferent to hear). With this first stage of many now settled and the blog coming along nicely, I have plans for the next one.
So even though it’s clichéd to talk about New Year plans and stuff like that, for me it’s quite accurate for once. I’m not going to go into details yet for fear of jinxing things, but if things work out then 2021 will be a year I look back on with sadness, but thanks to that dear friend it’ll also be one I’m grateful for.
So yes, I have very mixed feelings as we wrap up the year. However, with enthusiasm for the one ahead I hope we can all have a Happy New Year together. I’ll see you back here very soon.
OiNK Blog 