Category Archives: Annuals

Annuals, Christmas, Transformers

TRANSFORMERS AT CHRiSTMAS: 1985 ANNUAL

Leave a comment

This post is coming to you during the afternoon of Christmas Day 2025, so with all of the turkey, ham, roasties, stuffing, sprouts and chorizo, maple carrots, roasted parsnips, bacon wrapped cocktail sausages, mushy peas, apple sauce, cranberry sauce and gravy in your stomachs (just me?) you’re not going to be able to move for a while. That means it’s the perfect time to lie down with our latest Christmas annual and it’s the first in a new series. In 1985 there was something of a momentous book sliding down chimneys across the country with the rotund fella, all wrapped up in a simply gorgeous piece of John Higgins art.

Well, it would become momentous with the gift of hindsight at least. This is the first ever Transformers Annual from Marvel UK, co-produced by Grandreams. Basically, Marvel provided the editorial content while Grandreams handled the publishing side of things. Their offices were in the same building and after a few years Marvel would handle everything themselves. This first Transformers Annual was released in the autumn of 1985 for the Christmas market. Ian Rimmer had taken over as editor of the comic a few months before its release but this book had already been completed and edited by the comic’s launch editor, Sheila Cranna.

While it contains some silly fillers the likes of which we’ve seen in other licenced annuals it’s the stories that really stand out. They are superb! In fact, this series of annuals became known for having some of the best stories Marvel UK produced. The strips packed a lot into their smaller page counts and the prose stories were often the best parts of the books, even establishing key parts of Transformers lore. But let’s not get ahead of ourselves, does this first annual ease us into the greatness to come?

Nope, it goes full throttle right from the off with some lovely atmospheric scenes of the army meeting the Autobots for the first time, and even the appearance of Ronald Reagan doesn’t dampen proceedings. Plague of the Insecticons is written by Transformers mainstay Simon Furman (Death’s Head, Dragon’s Claws, To the Death) with art by Mike Collins (Doctor Who, Darkstars, American Gothic) and Jeff Anderson (Judge Dredd, Swiftsure, Zoids), and the gorgeous colours are by Gina Hart (Rogue Trooper, Rupert Bear, Doctor Who).

In much the same way as the live-action movies have integrated the governments of the world into the Transformers universe, here their involvement also makes sense. However, the Insecticons have infiltrated proceedings due to their diminutive size in insect form (prepare for ludicrous mass shifting into huge robot modes). Optimus Prime thinks back to how the secret could’ve gotten out and it boils down to human error, one unscrambled call while Soundwave was monitoring. As they emerge they scream that they’re Autobots and attack the troops, who then turn against Prime.

This was the debut of the Insecticons here in the UK before they appeared in the American comic. They make quite the impact, announcing how they’ll obey their great leader Optimus and destroy the neighbouring city! But as the otherr Autobots chase after them, Prime heads off in another direction. His gut tells him the Insecticons feel restrained (half destroying a city is restraint?), guessing that as new warriors they must be being controlled by a third-party until they master their abilities.

This doesn’t stop him from joining the fight. For the only time in the comic he sends Roller (the small vehicle that resided inside his trailer in the toy) to help out even if it means he has to split his concentration (here Roller is a remote device, not an autonomous vehicle). He finds Ravage with a remote device and ends up tricking one of the Insecticons, Bombshell into planting a cerebral shell on Ravage’s body. These devices made it possible for Bombshell to control the mind of whoever he wished, but here his own mind was being controlled by Ravage, and thus a vicious cycle plays out in the final pages. Wonderful stuff.

The second, shorter strip is And There Shall Come… a Leader! with writer and colourist remaining, joined by John Stokes (Fishboy, L.E.G.I.O.N., The Invisibles) on art and Richard Starkings (The Sleeze Brothers, The Real Ghostbusters, Transformers: Generation 2) lettering. This tale takes us back millions of years and across space to Cybertron and Prime’s first battle as Autobot Commander. Most of the story is taken up with him awaiting the nod from the grand council of Autobot elders, led by Emirate Xaaron (an original UK comic creation who would eventually become a toy), to okay a strike against Megatron.

Up until this point it would seem the Autobots had been holding a defending position, their dedication to peace forbidding them from leading an attack. They’ve engaged in battles but only in response to the Decepticons and under the auspices of the outdated, elderly council. I love how it all comes down to politics in a kid’s book. It’s initially strange to see the toys so accurately drawn instead of the modified comic/cartoon versions but in the end it makes it feel lovingly quaint. With lots of the readers no doubt receiving Transformers for Christmas in 1985 I’m sure it made them happy to see their toys in action this way.

As the Transformers annuals continued, the prose stories would soon become the stand outs, giving us more in-depth characterisations; taking their time to delve into each with their inner thoughts, more intricate or dare I say intimate/personal storylines and even important new pieces of Transformers character lore that would become canon throughout the various incarnations of the franchise for decades to come. This book’s stories may be smaller in scope but they’re no less fun and produce some great images in the mind as you read. Most likely written by Simon, the art is by John Ridgway and coloured by Gina, their illustrations used to highlight key moments. They’re gorgeous and add a great deal to each tale.

Missing in Action sees Tracks incapacitated and left for dead in his car mode, only to be stolen by two small-time bank robbers who see this abandoned Corvette Stingray as the perfect getaway car. The story culminates in a small alien robot-obsessed boy stumbling upon him and getting entangled in a bank robbery that goes horribly wrong, the building exploding in flames and partially collapsing. The rescue scene with Inferno (who looks even better when drawn toy-accurate like this), Grapple and Hoist is a thrill to read.

Hunted! starts off well with one of my favourite Deceptions, Ravage stalking a human expedition leader in the jungles of South America (gloriously illustrated by John, too) and there’s some nice chemistry between Prowl and Bumblebee, as well as some genuine comic timing in the narration. In the end though, it all comes to a sudden end with a resolution that’s far too easy, almost like the writer had suddenly realised they were running out of their word count. But it’s still fun.

There are some corners of the internet that take these tales of transforming sentient alien robots far too seriously, who complain about where the annual stories fit into the overall story arcs. Given how each comic tale could last a month or two in real life but in the fictional world take place over a couple of days, that leaves an awful lot of time in-between in which anything could happen with the characters before returning to the status quo for the next exciting instalment. So I say just go with the flow and you’ll really enjoy this book.

Stories aside, this first of seven annuals also includes the usual kind of filler material we’d find in most other Grandreams annual. There are basic profiles, mazes, word searches and the obligatory dice board game. Given the quality of the strips and prose these basic pages seem out of place. The stories have depth and didn’t talk down to the young readers, so don’t let the fillers put you off.

Then, just to add one more surprise to this children’s comic book, it has a downbeat ending. The Insecticons story has an Epilogue right at the back of the annual in which it’s clear Optimus Prime and the President are on the same side, but have misunderstood each other. The resulting endgame could have dire consequences. If anything, all those silly filler pages only make moments like this all the more powerful.

There’s something special about reading a comics annual at Christmas and I’m thrilled at the prospect of reliving these every December for the next six years. While the toy-like images and the puzzle pages do age it, it’s storytelling and gorgeous art belie the fact it was 40 visits from Santa ago that this slid down the chimney to eager children across the UK. It’s a superb start. It’s a cliché to say it, but there’s definitely more to this book than meets the eye.

BACK TO iSSUE 41

BACK TO PROMO

TRANSFORMERS AT CHRiSTMAS MENU

MAiN TRANSFORMERS MENU

ANNUALS MENU

CHRiSTMAS 2025

Annuals, Christmas, Knight Rider

KNiGHT RiDER ANNUAL #4: OLD TiME FUN

Leave a comment

Okay, let’s deal with the elephant/panther in the room. No, I’ve no idea what the deal is with this cover. The copyright notice inside shows they used a promotional image for David Hasselhoff’s music rather than Knight Rider (with K.I.T.T. in his new season four Super Pursuit Mode copied and pasted over the top). But let’s not get hung up on that, it’s time for our fourth Knight Rider Annual from 1986. I’ve really looked forward to these every year, given how the show is My Favourite Thing in the Universe and the books have been fun so far. It’s the usual 64-page hardback from Grandreams with two comic strips and what first appears to be three text stories.

On further inspection these are actually three parts of the same tale. So, a meatier prose story this time around? Let’s find out. World Stealers begins with Michael Knight and K.I.T.T. surveilling a hi-tech computer lab. As a huge Knight Rider geek I spotted a mention of K.I.T.T. having two monitors on his dashboard. As fellow fans will know the two small screens were replaced with one large display in the third season. The characters’ usual witty back-and-forth that had developed over the course of the series is certainly there, especially when Michael asks K.I.T.T. to scan the building and tell him what’s happening inside.

However, there are things like the monitors, the limited abilities the car has and Devon Miles’ name still being spelt incorrectly that lead me to believe the writer was still working from an earlier series bible. It reads much like a season one book. Yet again. After all the research David Lloyd told me was put into those first books it’s rather disappointing.

The main guest character is Mary-Evangeline Pedroza who runs a computer security company. Her work force is mainly female, because she needed the smartest people and they just happened to end up all being women. (Can you imagine the online snowflakes today?) The codes they’re supplying to clients are instantly hacked, so Michael plans to cut off the next target from the phone lines and force the thieves to physically enter the building. Little clues laid out along the way for the younger readers are blatantly obvious to the adult one. Is this going to be yet another industrial espionage inside job?

The first strip is called KITTnapped and given how an early season four episode was called KITTnap this kind of confirms the writer wasn’t watching the show they were writing about. It’s a silly story involving a disgruntled former F.L.A.G. (Foundation for Law and Government) employee who overrides K.I.T.T.’s systems far too easily to pull off a bank heist. He ends up captured because he’s too lazy to leave his house to park the car in his garage, instead using K.I.T.T.’s unique and easily traceable radio frequency to control it remotely.

The annual contains the usual mix of puzzles and games that aren’t related to the series at all other than a small picture of a character or a title that tangentially links it to the premise. For example, ‘Bonnie’s American States of USA’ and ‘Bonnie’s US Presidents’ word games. At least in the middle of the book the clichéd board game actually relates to the subject, complete with more art by Jim Eldridge who illustrates the whole book.

In part two of World Stealers, Michael and K.I.T.T. find where the thieves’ jet landed and are told by workers at the airport it was flown by women who then took off in a helicopter. It’s not subtle, is it? The best part happens while the pair are tracking the helicopter. They find themselves on a narrow road in a small village, trapped between two lorries. The one in front is a large articulated lorry with a ramp leading up inside it. (Gee, I wonder if that’s important?) It’s when the lorry behind them starts pushing K.I.T.T. towards the ramp that the really fun moment occurs.

Michael quickly asks K.I.T.T. about the composition of the metal in the truck they’re being pushed towards, as well as the dimensions of the trailer and cab. He then takes a big risk, speeding forward and hitting turbo boost just as they go up the ramp, crashing through the front part of the trailer and over the cab. I’m not sure how the show could’ve done this other than with models so it’s a perfect little action scene for a book to fire the imaginations of the young readers.

After being arrested and then freed by K.I.T.T. in a copycat scene from the original pilot movie they hide out under thick trees all night to spot the helicopter, which leads them to a jungle. The text tells of the struggles of trying to get the Trans-Am through the undergrowth but there’s no dialogue! We all know K.I.T.T. would’ve been hilarious throughout this. In the end they do something else the show just couldn’t have afforded. They find a river that’s just a little deeper than the car is tall and they drive down under the surface (unforgivably not illustrated) to a James Bond villain-esque hideout and find Mary beckoning Michael to a table outside the complex where she’s poured him a drink. Again, very Bond-like.

The four-page K.I.T.T. Fact-file pales in comparison to the features from the previous annuals. Gone are the in-depth looks at K.I.T.T.’s developing personality, the stunt work or the interviews with producers and cast. Instead we get a selection of photos and some random pieces of information, not all of which are reliable. For example, there was never any such stunt planned. The “need to ground K.I.T.T.” was actually something they did with season three a couple of years prior, because it was felt K.I.T.T.’s powers were getting too outlandish and the human characters had taken a back seat. Season three corrected this and produced probably my favourite year of the show’s four.

Part three of our prose story reveals the plot was always to capture K.I.T.T. and hack into him. He’s hoisted up by a crane and dangled in mid-air as it’s (unsurprisingly) revealed it was all another inside job, just like in the previous books. This time, Mary’s plan involves being able to control the world’s computers via K.I.T.T.’s systems and hold governments to ransom. She believes men have screwed up the world and it’s time for women to fix everything. Fair enough, to be honest.

Still no chastising lines from K.I.T.T. while in his predicament but the story soon makes up for that. Scanning the building he tells Michael the room he’s locked in is directly below Mary’s (and even that she’s currently taking a shower) and a plan is formed. Michael will burst in on her while K.I.T.T. uses his turbo boost to free himself. Michael can’t see K.I.T.T. from his window but he can see the crane swinging back and forth as his computerised partner times his boosts to swing further and further until it all collapses and he’s freed. This is fun!

As you can see, K.I.T.T. finally finds his voice! From here on the banter back and forth between them is spot on. (Where has it been?) My favourite moment comes when Michael is literally about to kick down Mary’s door to capture the villain when he suddenly stops to ask K.I.T.T. to scan and see if she’s decent first. I did laugh at that! It ends with a physical fight scene between them, something we’d never have seen between a man and woman on TV at the time. In fact, the show does have a scene where Michael jumps out of the driver’s seat window to land on top of a runaway woman, but in the 90s when Knight Rider was repeated ITV cut the stunt out. (It’s always there in repeats today.)

Anyway, while World Stealers may have been rather predictable in its plotting, the action scenes were imaginative and well written. Also, when the writer took the time with the dialogue between man and computer it really worked. So whoever wrote this was obviously capable. (Although, they did have Michael use the word “babe” at one stage, which is not him!)  It’s also felt more like a full episode, rather than the fourth act of previous stories, so there’s definitely good and bad points. If I’d read it at the time I think I’d have been thrilled by it.

We finish off with another simple strip. In Rallying Cry the World Rally Champions are under investigation for cheating. Michael, (regular character and cyber technician) Bonnie Barstow and K.I.T.T. enter the race, with Devon telling them they’re not allowed to win (possibly a nice nod to them accidentally winning during such missions in the show). Once neck-and-neck with the lead car they’re run off the road and over a cliff. Of course the villains didn’t reckon on a Trans-Am capable of jumping back up again. Soon our heroes track them to where they’ve hidden their car and taken a helicopter to an identical car further along the race. Ridiculous, isn’t it?

Michael, Bonnie and K.I.T.T. easily catch up with the helicopter and with all the proof recorded they just need to stop the men from winning again. The strip is really just an excuse to have K.I.T.T. use his most popular physical abilities, such as ski mode to drive on two wheels to overtake someone on a tight stretch of road, and of course the turbo boost! This is used to jump over the cheaters’ before K.I.T.T. comes to a dead stop, the other car crushing up against him. As a nine-year-old I’m sure I would’ve loved this.

Finally for this year’s review, we can’t have a Knight Rider Annual without some 80s pin ups, can we?

Here we have Michael (David Hasselhoff), Bonnie (Patricia McPherson) and Devon (Edward Mulhare) posing with the new convertible version of K.I.T.T., David alongside one of the computerised design images of K.I.T.T.’s new Super Pursuit Mode and on the inside back cover the full season four cast, including new addition Peter Parros as RCIII. Because no stories were written with the newest season (or apparently anything beyond the first season) in mind, this is the only time we see RC in the whole book!

In conclusion then, if I’d collected these in the 80s when I was a child in awe of the show (let’s face it, I still am) I’d have read and read and read this until it was falling apart. Nowadays, after the first three superb annuals it’s lacking in certain areas, while in others it’s just as much fun, so I can forgive it. Get past that front cover and fans will have lots to enjoy here and, if you’re like me, reading it at this time of year will really bring out the kid in you.

I can’t believe we’ve only one more book to go. The time has Super Pursuit Mode’d in! (That really doesn’t work, does it?)

BACK TO KNiGHT RiDER ANNUAL 3

ANNUALS MENU

CHRiSTMAS 2025

Annuals, Christmas, Comic Promos, Transformers

COMiNG UP: CHRiSTMAS TRANSFORMERS YEAR TWO

Leave a comment

It’s been a long time coming but finally it’s time for the next instalment of Transformers at Christmas, my yearly look at the Yuletide issues of Marvel UK’s epic G1 comic on their 40th anniversaries. Well, it’s almost time. There are still seven days to go but first let’s take a look at how 1985’s special issue was promoted in the previous issue. In fact, this issue includes its own holiday highlights on the editorial page too.

Jeff Anderson’s exciting cover leads to a bit of a damp squib inside, the build up over the weeks to this confrontation led to an anti-climactic one-page fight where Optimus Prime simply tosses Shockwave into a deep swamp. There’s a neat double meaning on the cover though; for a few weeks Shockwave had had Prime’s head separated from his body, so the headline made me chuckle. The Christmas fun kicks off with an early celebratory Robo-Capers by Lew Stringer and a quick Hasbro Q&A for the kids before Santa brought them their latest (or first) Robots in Disguise.

There’s nothing else marking the season until we get to the final pages and that all-important Next Issue Promo with a very jolly-looking, fully costumed Optimus promoting the very first Transformers Christmas strip. Plus the return of Circuit Breaker! PLUS the Iron Man of 2020! Then there’s Prime dressed up as Santa Claus! What’s not to look forward to?

When I read this as part of the blog’s real time read through over on Instagram this promo really had me hyped as it took me right back to discovering the comic myself as a kid via this story, albeit a few years later in a Winter Special reprint. Even Prime’s choice of costume, while seemingly silly to begin with, adds a surprising amount of depth to the character. I’ll explain all next week.

But that’s not all this year. There’s something else coming this Christmas as part of these special anniversary reviews, namely the first Transformers Annual. Not appearing until the comic’s second festive season, the exciting arrival of the comic’s first annual was met with zero advertisements and only one mention in #37’s editorial at the end of November.

Soundwave was the letter answerer at the time and he’d written the announcement for the book, sounding suitably unimpressed. For fans though, the introduction of the Insecticons and just the news of the book existing would’ve been more than enough! Although I’m sure they’d have known about it long before then. With the way our newsagents would’ve had tables or shelves crammed with annuals every year, the lack of promos wouldn’t have had much of an impact on such a hit property. You can actually check out the adverts for all of the Transformers annuals in a special post from earlier this holiday season.

That’s us ready for Christmas 1985 in the world of The Transformers. So #41 will be right here in just seven days on Sunday 21st December 2025, my 48th birthday! (It originally went on sale on my 8th. Eek!) Then just four days later on Christmas Day itself the first in-depth review of a classic Transformers Annual. Don’t miss either. They’re both fantastic!

iSSUE SEVEN < > iSSUE 41

TRANSFORMERS AT CHRiSTMAS MENU

MAiN TRANSFORMERS MENU

CHRiSTMAS 2025

Annuals, Buster, Christmas

BUSTER BOOK 1991: PiGGiNG OUT?

6 Comments

Buster is back on the OiNK Blog. It makes a change seeing this comic’s characters guest star in something OiNK-related rather than the other way around. Just like last year this is another hardback volume of 112 pages, made up of a mix between regular matte and higher quality stock, this time alternating between the two. It means we’ve a bit more colour but only a bit, a lot of these pages are still black and white or two-tone and there’s no change to the length of the strips.

It still feels like several issues bound together but at least more of them have been printed on better paper. Our first OiNK star (of which we’re now down to two) is Lew Stringer’s Pete Throb in the shorter-titled Pete’s Pimple. Pete had already said goodbye to regular Buster readers by the time this annual was released so it’s strange to see it’s more of an introductory strip than anything. In fact some elements are very similar to his first Buster strip.

These annuals could be brought by Santa for kids who weren’t regular readers so it wasn’t unusual for some strips to read this way. There’s a nice little cameo from Tom too but I can’t help feel a little underwhelmed by him in the last panel. I’m so used to these characters in OiNK, Tom should be covered in pus and discombobulated on the floor, not mildly upset in the corner of the panel. Regular blog readers will be familiar with the reasons behind this though when I covered the initial merge. Lew also informs me the colouring job was done in-house by someone at Fleetway, hence the somewhat subdued colours in comparison to his previous OiNK work.

Weedy Willy is no longer with us. He just didn’t click with the readers of Buster and so Mark Rodgers’ and Mike Green’s strip didn’t last long. However, the stand out star was back. A huge hit with Buster fans, Lew’s Tom Thug would sometimes even get a colour page in the weekly, which was at a premium in Buster as opposed to OiNK. However, while his Skooldayz strip may be on one of the higher quality pages like Pete’s, he remains in black and white here.

Did you ever play conkers as a child? I could never get on with it. For someone who loves their videogames today I must’ve had rubbish hand-eye coordination back then and I could never hit anything… apart from the occasional friend’s hand. Kids in comics always seemed crazy for them and those in Tom’s class were no exception. Maybe if this had been an OiNK strip we’d have seen Tom inflict the cricket ball on himself after trying to harm someone else, but the strip still raises a smile.

These aren’t all from Lew in this annual. In fact, OiNK’s co-editor Mark Rodgers created and initially wrote the following characters. Unfortunately, by this stage his illness precluded him from doing so anymore. Lew then took over sole responsibility for The Vampire Brats. First appearing in June 1989 they enjoyed nearly two-and-a-half years in Buster and from comments on social media and Lew’s blog they’re very fondly remembered. I’ve read the occasional strip on Lew’s blog before now but this is the first time I’ve owned anything with them in it.

They were Vampires of the same age as the readers, so despite being undead they still had to learn. In their own unique way, of course. While they may not have a strip in the annual, they do get pride of place with their version of a school’s ‘ABC’ wall chart as the double-page spread that rounds off the entire book. It’s a fun and imaginative entry and in particular I laughed at U, V and W and really any that follow on from the previous letter. With this little sampling I do hope I can get to read some of their actual strips next year.

Next up is another character who (much like Gums) continued on in the pages of the Buster Books long after they’d disappeared from the weekly. Despite winning a Cartoonist Club of Great Britain award, Wonder Wellies only lasted two years in the long-running comic, ending in 1985. According to Lew and John Freeman, these Fleetway annuals could sometimes use reprints to fill out their pages so there’s always the possibility that’s the case here but I can’t confirm. Written by Roy Davis this stood out to me because it was drawn by OiNK cartoonist Dave Follows.

Accidentally created by Professor Krankpot, the wellies belong to Willie (of course) and they’ve called themselves Lefty and Righty, names which could probably mean something rather different today. They were stubborn and had the power to walk by themselves, morph and fly, sometimes taking Willie along with them without his say-so, with enough autonomy that they’d not always do as he wanted or come to his rescue.

Young Arfur is back and seeing as he’s drawn by fellow OiNK cartoonist Pete Dredge I had to include him again. UPDATE: Not only that but OiNK co-editor Patrick Gallagher helpfully left a comment (below) on this post to let us know he wrote it! It was a hard choice between his strips but this one just pips the others with its neat twist on the usual formula; instead of talking his way out of something he gets his teacher to do it for him. Arfur disappeared from the pages of Buster in 1987 so either he continued with new yearly strips for fans or this could be another reprint. My money is on the former because he has pride of place on the higher quality pages in the book.

He’s a lovable rogue, a phrase which could be used to describe certain brothers in a BBC sitcom that starred David Jason and Nicholas Lyndhurst, characters that were definitely not inspiration for the next strip. Nope, not at all. Actually, I think the word “inspiration” is being rather kind and that’s why it stood out. A Buster original drawn by Gordon Hill, Rodney and Dez lasted only one year in the comic around the time of this annual’s release.

Perhaps it was too on-the-nose even for the young ‘uns!

They bring this year’s look at the Buster Book 1991 to a close. Chances are there’ll be no Pete and his Pimple… sorry, Pete’s Pimple next year so fingers crossed Tom Thug’s superstardom has kicked in with the readers and he’s afforded more space next time. Until then, this annual can sit proudly on my shelf with last year’s while I await the Buster Book 1992 and continue to stretch out the OiNK love just that little bit more.

BACK TO 1990 BOOK

ANNUALS

CHRiSTMAS 2025

Annuals, Christmas, The Real Ghostbusters

THE REAL GHOSTBUSTERS ANNUAL #1: PHUNNY PHANTOMS

Leave a comment

While many comics of the 80s such as The Transformers and our very own OiNK would have to wait until their second year for their first annual, with The Real Ghostbusters Marvel UK went all-in and produced a book for its very first Christmas season, meaning work had to have started on it before the comic itself was even released. For me, holding this cover by Anthony Williams (Transformers, PJ Maybe, Fate) and John Burns (Judge Dredd, Look-in, Eagle) in my hands again brings back so many fond festive memories.

Sticking with the usual 64-page hardback format of Marvel’s yearly offerings and edited by Richard Starkings (Death’s Head, The Sleeze Brothers, Dragon’s Claws), inside is chock full of content making for a meaty, very funny read for the younger readers, and one that holds up well today. This has been great fun to relive. I’ve had a ball! Things kick off with an HQ page very much like the weekly’s and you can see the amount of stories and features they’ve crammed in here.

Then there’s Marvel UK’s one-page strip advert introducing Peter Venkman, Winston Zeddmore, Egon Spengler and Ray Stanz that had been running in other comics that year and which took its wording directly from the movie. This was written by Richard (under a pseudonym), drawn by Brian Williamson (Hook Jaw, Doctor Who, Warhammer) and Tim Perkins (Transformers, Chopper, Thor Losers), lettered by Richard and coloured by Chris Matthews (Thundercats, Action Force, Mugshots).

Ian Rimmer’s (editor on Scream, Doctor Who Magazine and Transformers) Sarah Sangster’s Spectre is the perfect scene setter for the book. An attractive young woman has called the team to catch the ghost of a little old lady haunting the halls of her home and straight away Peter is smitten. In the end, she’s the spook who has tried to trick the guys into killing the wee pensioner! Dark? Not at all, it’s all played for laughs and the plot is exposed by Peter’s selfie. 

The artists here are regular Ghostbusters contributors Andy Lanning (The Punisher: Year One, Judge Anderson, co-creator of The Sleeze Brothers) and Dave Harwood (Action Force, Swift Sure, 2000AD) with colours by Helen Stone (Knights of Pendragon, Dark Angel, Sleeze Brothers). Probably more than anything else in here, this strip takes me right back to reading (and rereading) this book over the holidays in 1988, wrapped up in bed late at night during that enjoyable Void Week between Christmas and New Year.

The comic never did multi-issue stories from the UK team. Later, lengthy imported strips would get serialised but the closest our homegrown stories got would be those split in two across one issue. This happens here with The Spook from Outer Space, again written by Ian, with art by Phil Gascoine (Battle Action, Commando, Knight Rider in Look-in) and Dave Hine (Death’s Head, Azrael, Dark Angel), with colours by Stuart Place (Captain Britain, Transformers, Action Force).

The Ghostbusters are watching a UFO being excavated from disused land in New York on telly when suddenly the excavation equipment starts floating in mid-air. They deduce the alien must’ve died upon crashing and has been haunting the UFO ever since. So off they go to bust it but as normal the case is not all it seems. The alien is hugely powerful, feeding off their proton packs instead of being contained by them, and of course the military are on hand to fire more weapons at it while ignoring the warnings.

In the end we find out the alien has been psychically moving all of the heavy machinery in order to spell out a message on the ground that it just wants to be sent home, so the Ghostbusters commandeer one of the army’s rockets, trap the alien (with their permission) and fire it off into space. It’s a fun tale that includes a good bit of witty banter between the four men and would end up being one of a few strips from this annual we’d “get another chance to read” in the weekly a couple of years later.

Moving on to our prose stories and Jaws of the Beast is written by artist Nick Abadzis (Death’s Head, Vector 13, The Big Book of Death) and colourist/editor Steve White (Xenozoic Tales in the UK’s Jurassic Park, The Sleeze Brothers, Dragon’s Claws).It’s a tale about a small winged beast who invades a boy’s wishes. This particular boy wished he could see a real Tyrannosaurus rex, so obviously this leads to the team eventually being chased by said dinosaur through the streets of New York.

“It’s a loony lady who says her nephew has raised a dinosaur from the dead. You wanna speak to her?”

Janine Melnitz

What’s great about the story is the dynamic of the team. The prose stories allow the writers to explore the characters that little bit more and in particular we’re treated to some hilarious scenes between Peter and Egon in the firehouse, and later when Peter is used as bait for the beast. At this juncture Peter’s inner thoughts are punctuated by radio communications from Egon, making for great dialogue and genuinely laugh out loud moments.

The best story of the whole book is written by friend of the blog John Freeman (editor of Doctor Who Magazine, Babylon 5 Magazine, Star Trek Magazine), who brings back the iconic Stay Puft Marshmallow Man for a story set in London. The art is pencilled by Mike Collins (Transformers, Doctor Who, Tharg’s Future Shocks) and inked by OiNK’s very own Lew Stringer (Tom Thug, Combat Colin, Sonic the Comic). Lew and Mike are good friends and started in the business around the same time but this remains the only time they’ve ever worked together on the same story.

A mist has descended over London and it’s feeding on the fears of the citizens, sending everyone running for their lives and leaving the city with no one for the mist to scare. Growing weaker, the Ghostbusters start to look for the source in order to eliminate it, but all it takes is for Egon to explain that in order to keep the mist at bay they have to think of nice things. Cue Ray! If you’ve seen the original movie you’ll know what this is in reference to and it makes for some great back and forth between the four.

There’s one more text story called Ghostbusters Busted! about a so-called rival team and towards the end of the annual the uncredited Who, What, When & Why? which acts like a catch-up for new readers. It explains how the Ghostbusters were formed, why they’ve got a pet ghost and takes a closer look at their HQ and all those gadgets they use in their day-to-day job. Also included are reprints of the fact-files from the weekly for Peter, Egon, Winston, Ray and Janine Melnitz. Oh, and Slimer of course!

In case you’re wondering how that whole “Ghostbusters body” thing worked out, Peter would be the mouth, Egon the brains, Ray the hands, Winston the heart, Janine the central nervous system and Slimer would naturally be the stomach. As I’ve mentioned before in the retrospective for #1 of the comic, I remember drawing this Frankenstein-esque combination of all the characters with the intention of sending it in but never did.

Not all of the main characters feature in every story in the comic and the same applies here. Given their short length the writers would often concentrate on pairing up different characters with each other for interesting dynamics. For example, three of the guys starred in our first strip, then the missing ‘buster, Egon appeared with Janine in another. The final strip of the annual brings everyone together though, including Miss Melnitz and the green one.

Written by John Freeman, drawn by Anthony Williams and Dave Harwood and coloured by Helen Stone, Spooked Out! sees the team battling against a gaggle of ghouls and try as they might they can’t help but get more and more overwhelmed by them. It seems this could be the first failed job but when Peter chases after Slimer to bust him you know something’s up.

Sure enough, it’s just a training exercise. Needing to keep themselves in fine form Slimer has recruited a bunch of his good ghost pals, with payment being everything they can eat at a local diner if they win. Given how they’re all good friends with Slimer (and we know what his appetite is like) this is a particularly funny ending to not only this short strip but the book as a whole.

I found Ghostbusters Answer the Call’s sense of humour reminded me a lot of both The Real Ghostbusters cartoon and the UK comic, so if you’re a fan of that movie like I am you’ll want to snap up some issues and this first annual is the perfect jumping on point. Our annuals were always that little bit more special than the regular comic and upon finishing this it really did feel like all the stops were pulled out to produce a fantastic debut book that’s genuinely very funny.

Andy Lanning’s, Dave Harwood’s and John Burns’ inner cover spread rounds off what has been a great slice of Marvel UK history from a comic that set itself apart from the rest of their titles from the get-go. Sometimes certain things from our childhood hold a special place in our hearts that we’ve completely forgotten about until we experience them again. In that regard, the 1988 annual for The Real Ghostbusters has felt like a very personal trip down memory lane and I can’t wait to see if subsequent volumes have the same effect. Roll on Christmas 2026!

THE REAL GHOSTBUSTERS RETROSPECTiVE

THE REAL GHOSTBUSTERS iSSUE ONE

ANNUALS MENU

CHRiSTMAS 2025

Annuals, Big Comic Book, Christmas

BiG COMiC BOOK 1990: NOW WiTH ADDED iNGREDiENTS

4 Comments

How can I be four books deep into this read through already? That’s over 1,000 pages and half of my collection. Fleetway’s Big Comic Book 1990 strode into a new decade by visiting the past once more with 256 pages of classic strips from the pages of classic IPC comics. The cover no longer carries the logos of Buster, Whizzer and Chips and Whoopee because just like its fortnightly counterpart the books now also contained reprints from Cor!!, Cheeky, Wow!, Jackpot, Monster Fun and Krazy.

Of course, these comics all merged into one another and eventually into Buster at some stage, so don’t be expecting a completely new cast. But still, there was a wider selection of strips to pull from. The book as a whole is probably the most enjoyable one yet, but I wonder if that’s more to do with how much I’m enjoying coming back to favourite characters year-on-year, so each one feels better than the last. The cover is the one that usually comes to mind when recollecting the series, that Frankie Stein panel in the middle standing out from the crowd.

Regular readers won’t be surprised to see the star of our first highlight. Again taking the Gums strips from his later John Geering era, I have to say I did let out a laugh when I saw the penultimate panel. There’s something very ‘Wile E Coyote‘ about the sheepish great white in that one. It perfectly sums up the character and why I love him so much and as such it’s the perfect introductory strip for new readers.

With John behind the pen I thought this would’ve been written by OiNK’s Graham Exton again but he’s confirmed it wasn’t. The real culprit is most likely Gums’ original writer Roy Davis who, after pulling back on Bluey and the other humans, introduced the more soap opera-like elements of the undersea cast I’m much more familiar with. We’ll have to assume it was Roy though because we can’t confirm. 

While gambling isn’t exactly something you’d expect to see in a children’s comic, Jack Pott’s compulsion to bet on anything and everything became so ludicrous, and the winner’s rewards so child-friendly, he might just be the only one to get away with it. Drawn by Jim Crocker, Jack originated in Cor!! before (fittingly) moving to Jackpot and then survived the inevitable merge into Buster where he stayed until 1988.

While this example doesn’t include any of his trademark gambling, I’ve chosen this particular strip because it reminds me of my dad. I don’t mean his father, I’m referring to Jack himself. I remember as a young boy my dad showing me how to do the household chores badly so as not to be asked to do them again! A perfect example of his sense of humour and reading this page made me chortle as I remembered times like that, so it’s a very personal choice.

Creepy Comix was surprisingly not a stablemate of Gums from Monster Fun but rather a later addition to the IPC lot in the short-lived Wow! which launched in 1982 and lasted just one year. Davey Doom owns all the editions of his favourite Creepy Comix, the large variety of characters in which can come to life to help their friend before disappearing back into their pages once more. Horror comics have frequently been frowned upon by the usual anti-comics brigade so it’s nice to see one of them get its own back in a way.

Drawn by Reg Partlett, the strip made the migration to Whoopee, then to Whizzer and Chips, then it joined the fun in (you guessed it) Buster, only succumbing in 1997 when Buster itself went all reprint material. Easily the most popular of all of Wow!’s strips, the page I’ve photographed for you spoke to many of the young readers I’m sure. It certainly would’ve raised a smile with me after years of horrible school uniform shopping.

The Winners is one of those strip series that’s stayed in the deep recesses of my ever decreasing memory all these years. The second I saw the faces of the characters in the title banner I could remember enjoying them in the pages of either these books or the fortnightly comic, so they must’ve been a highlight for me back then. Judging by this example I can see why. Of course, Mike Lacey’s always-funny collection of facial expressions could be a key reason.

This lucky family won every competition they ever entered. You’d think that’d make us dislike them if they got everything handed to them on a platter, right? Nope, not at all. For example, there could be a ton of fun to be had watching them practicing something they weren’t good at for their next competition. However, the best stories were always the ones when, despite all their preparations, they’d win only via some accident or mistake, such as here. Continuing with new strips all the way to the mid-90s in Buster, The Winners was by far the longest-running Jackpot strip of all.

Big Comic never had much in the way of small, quick gags. Unlike the variety in OiNK, the comics these books pulled from were all pretty stringent in their strip sizes. So when a page of Silent Funnies popped up it drew the attention when initially flicking through the book. Drawn by Jim Crocker I’ve no idea which comic it was pulled from although my sources (that’s Lew Stringer to you and me) suggested it could’ve been a good fit for Krazy.

As a kid I loved to draw. I drew all the time and on any thing. I was always bought drawing pads and yet the school books that had to be returned at the end of the year would still end up covered in tiny diagrams of things I loved from cartoons, comics and movies. I saw it as a service. I was cheering up the next poor soul who had to wade their way through them. Naturally then, Chalky always spoke to me when I collected Big Comic Fortnightly, even if the idea of using huge chalks already felt outdated to me. Although what else could he have used here?

Chalky first appeared three years before I was even born (and at my age I take that as a small win) in the pages of Cor!! in 1971 before transferring to Buster three years later. Some erroneous information online has Terry Bave credited as creating Chalky although “more regularly drawn by Dick Millington or Gordon Hill“. He was actually first drawn by Arthur Martin and, while we can’t be completely certain about this particular page, it was most likely drawn by Gordon.

The S.O.S Squad were a four man elite anti-terrorist task force originally comprised of Captain John West (don’t laugh), Sgt Thomas Mackenzie, Corporal Danny Lloyd and Henry ‘Fingers’ Malone, and later by the icy lady officer Captain J. W. Ironstead… oh hang on, wait. No, that’d be the Eagle strip of the same name from the second volume of that legendary comic. Instead, our S.O.S Squad is led by a kid in a box called Zed and stars others with such names as Skypole, Baby Boffin and the delightfully named Effel.

Drawn by Jimmy Hensen this spread is a perfect example of the high octane chaos that runs through all of their strips. So I was surprised to find out they didn’t last very long in the pages of Buster, just over a year as a matter of fact right at the beginning of the 1980s. There’s no accounting for taste, I guess. It’s a shame though, as their entries in this book are among the best this volume contains.

When I was young I was always encouraged to read. This began by collecting The Railway Series which my favourite early childhood TV show was based on. Then my parents bought me the Story Teller magazine and cassette partwork for two years. Soon, I discovered comics via OiNK and in later life my mum admitted she liked the fact I always asked for comics instead of sweets in the shop because they encouraged me to read more and improved my school work as a result. In contrast, our next character’s parents constantly wanted him to ditch the books in favour of what they saw as more “boyish” hobbies, which never made sense to me.

It wasn’t just me. All of my friends loved to read. So yes, it was always confusing why Bookworm was mocked by some of his peers for reading. Anyway, this particular favourite first appeared in Whoopee in 1978 and made the move to Whizzer and Chips in 1986. A bibliophile, Book Worm always has a book under his arm, normally one which just so happens to give him the right knowledge for whatever situation he finds himself in.

Here though, in this story drawn by Sid Burgon his peers appreciate his obsession and it’s also an example of how some strips could be edited for Big Comic’s audience. The year of the annuals has been changed, you can see a title has been erased from the one he’s holding in the shop and ‘Cor!!’ has been unceremoniously scribbled out in the last panel. I don’t think this was necessary, we all knew these were reprints, but I can understand why they did it.

What can I say? I couldn’t decide between two of John Geering’s Gums strips so I went with them both. There are more but this one stood out. Now we know where Bruce in Jaws learned his trick that took Brody and Quint by surprise! With our shark friend high and dry it’s time to close over another massive tome in the Big Comic Book series for another whole year. Next Christmas you can expect double the amount of classic humour strips.

That’s because in 2026 alongside The Big Comic Book 1991 we’ll also have our first annual for its companion title, Funny Fortnightly. Does that mean even more Gums? We’ll find out in a year. In the meantime, there are plenty more annuals to enjoy this season and of particular interest to fans of these characters and creative teams will be the Buster Book 1991. You can read all about it from Monday 8th December 2025. It’s certainly a Big Christmas this year!

BACK TO BiG COMiC BOOK 1989

ANNUALS MENU

CHRiSTMAS 2025

Annuals, Christmas, Comic Promos

YULETiDE YEARNiNGS: ADVERTiSiNG ANNUALS

Leave a comment

Around September time back in the 80s my local newsagent would bring out a huge table to began displaying that year’s annuals. I remember this being really exciting and I’d flick through the ones I’d already asked Santa for, impatiently waiting to get my hands on them on the morning of 25th December. For those three months I’d drool over that table (figuratively speaking only, don’t worry) and we couldn’t escape them at home either, with a plethora of adverts appearing in our comics. The Christmas hype had begun. With the Annuals section of the blog well under way now, I’ve decided to take a look at all of the adverts relating to them I could find in my collection.

1984

As a kid I only started buying comics toward the end of 1986, so any adverts before then are from my now complete Transformers Marvel UK collection and I’m surprised to see only one amongst the issues from 1984. The heading may be awkwardly placed but it’s a wide range from the publisher, including everything from Culture Club (“Karma, karma, karma, karma, Karma chameleon”) to The Fall Guy (“It’s only hay, A-hey-hey!”) via the BMX craze, the short-lived Manimal and, erm, the S.A.S.?

I do remember watching Fraggle Rock early Saturday mornings and my vocal impression of Roland Rat was always awful but that never stopped me from annoying people with it. For blog readers the obvious point of interest here is the Knight Rider Annual, the second in a series of five. It was reviewed a couple of years back and I’ve even interviewed its artist, David ‘V for Vendetta‘ Lloyd on the blog too. In fact, the fourth edition will be here a fortnight from today, on Friday 19th December.

1985

Speaking of coming up on the blog this year, in 1985 the first Transformers Annual appeared in shops exactly one year after the debut of the comic. Strangely, this momentous occasion wasn’t marked by any adverts at all, just one brief mention in #37 on 23rd November. It doesn’t say much either, however it does mention the first story to feature the Insecticons, which would’ve been enough for young fans to get frothing at the mouth.

The Transformers at Christmas 40th anniversary posts return this year for their second outing and in fact that’s the very reason for the post you’re reading now. Marvel UK’s Transformers had seven annuals altogether and they’re very fondly remembered. They’ll be taking prime position on Christmas Day every year with a full review. This post marks the occasion of these books joining us, they feature predominantly and many of these ads have been taken from the pages of said comic.

1986

Moving on to 1986 and Marvel finally began to take the importance of advertising these books to their young readers seriously. With other successful comics to plunder for the Christmas market the Transformers weren’t alone anymore,  joined as they were with legendary Marvel stalward Spider-Man, his co-stars the Zoids (Spider-Man and Zoids was the oddest combination comic yet somehow it worked) and newest hot toy and cartoon franchise, those Thundercats.

These ads were also broken up into half-pagers to be squeezed in wherever they could across the publisher’s range. It was a huge step up from previous years. Although, I must admit when I was reading Transformers for the blog’s real time Instagram read through and I came across this advert I did a bit of a double-take and had to check if this was the right image, it’s not that much different than the previous year’s Transformers Annual.

1987

All Transformers Annuals after that would have very different, stand out covers but surely no annual stood out as much during 1987’s final months as OiNK’s first book. I can remember the teases of that fantastic image all summer during 1987 and the final reveal was hilarious, never mind seeing it in its shiny glory in the shop for the first time. There’ll be a special post on Thursday 8th December featuring that cover, when I’ll be speaking with photographer Ian Tilton about the original back cover and what happened when he went to get the photos developed.

On the Fleetway Publications side there was nothing of comparison cover-wise, although the Big Comic Book’s shear size made up for that. More impressive were the covers for Marvel’s lot, with Action Force (G.I. Joe) joining Thundercats and their top-seller, Transformers. However, it’s only now I realise they were quite a bit more expensive (for the time) than the Fleetway books, despite having fewer pages (Fleetway’s had 112 pages, with 84 for OiNK and 256 for BCB, Marvel’s had 64). Well, they were licenced I suppose, and as kids we never felt short-changed with the amount of stuff crammed into them.

1988

This was the biggie. 1988 was a huge year for comics in the UK, even if a lot of the new titles released didn’t last that long. Nevertheless, it still meant a bumper crop of annuals were produced for that holiday season and the vast array of advertisements, particularly across Marvel UK’s range, reflected this. But we’ll begin with Fleetway again and the second (and sadly final) OiNK Book. A fantastic J.T. Dogg cover almost made up for the reduction in pages to 64, which was all the more disappointing when the comic had 48 pages in every monthly issue by that time.

Their group advertisement from the back page of the last OiNK is a rather different mix of books compared to the previous year’s. Buster is conspicuous by its absence and then there’s the addition of annuals you’d assume would’ve been more Marvel UK’s bag (such as SuperTed and Maple Town).

This was the year Marvel really went to town on their promotions. In 1988 group advertisements were accompanied with full-page promos for individual annuals and I’ll begin with the two that bring back the most memories for me, The Transformers and The Real Ghostbusters. Having only just started collecting the former with its Christmassy Winter Special in mid-November this was my very first Transformers Annual, and as for Dr. Venkmen etc. 1988 was the year they arrived in the UK and I had been swept up in it all.

I have so many fond memories of that Real Ghostbusters Annual. You ever own something that just takes you right back to your childhood when you see it in front of you? I was obsessed with the cartoon, comic and toys for a few years and I remember this book surprising me with just how fantastic it was. Would it live up to that now or is it best to reminisce? We’ll find out on Thursday 4th December when The Real Ghostbusters join us for an annual read through for four Christmases. I’ll admit I’m excited at the prospect of this one!

Another book that brings back plenty of childhood memories is the Visionaries Annual. The comic had already been cancelled by this stage so it didn’t get its own advert but it was a part of a group ad and a special page in The Transformers, featuring the annuals relating to it and the two comics that had merged into it at different points. The main strip in the Visionaries book may have been a reprint but as I hadn’t known there’d been a comic it was all new to me and a huge surprise to receive that Christmas (and the next, because my newsagent also sold it the following year and my parents bought me it again thinking it was a new book).

The Real Ghostbusters were grouped in with the lighter-hearted annuals such as Count Duckula. The Marvel Super Heroes didn’t have their own comic in the UK but there were always various  Spider-Man and Hulk comics now and again. Finally, The Flintstones comic must’ve been more popular than I gave it credit for because its annual got its own promo too.

1989

In contrast, the following year Marvel only ran one advert for their entire range, which is a shame because that Transformers book was superb and there are some fantastic covers here that should’ve been shown much bigger (although the Indiana Jones cover seems to be phoning it in). I never knew there was a Dino-Riders annual! I only had one or two of the toys but I did see some episodes of the cartoon (I think one was packaged with a toy?) and enjoyed it. They joined a league of potential obsessions for me that never played out because they weren’t around for long.

1990

In 1990 a whopping 22 annuals graced the shelves from Marvel UK, featuring a mix of ongoing comics, cancelled titles, original nursery books, licences and a few characters who appeared in anthology comics given room to breathe in their own publications. It was also the first time G.I. Joe’s annual was given the proper international name after Hasbro’s relaunch of the brand, and a few years after their TV show was cancelled I was surprised to see Hannibal, Face, B.A. and  Murdock make a reappearance.

Spider-Man fans were in for a treat too with his usual appearance in the Marvel Super Heroes Annual and his own book. Over the next year or two he’d also get his own UK comic again after a lengthy hiatus. Transformers and G.I. Joe also got their own joint ad which had a good idea behind it but not exactly the most exciting of executions. Oh well, at least they got something this year I suppose.

1991

We move into our final year. Not necessarily the last for annual adverts but it’s the last for those in my comics collection (after this year it’s all Dark Horse International comics on my shelves who didn’t publish annuals) and Marvel UK came up with an overall look for a handful of adverts of various sizes. With a few ads to fill they could’ve made each genre-specific but decided not to. The first one is fine and G.I.Joe got to enjoy some space with annuals its readers could also have been interested in. I can’t say the same for Transformers, The Real Ghostbusters and Thundercats though, who seem to have been given something of a raw deal.

Perhaps the person responsible for the adverts weren’t au fait with the titles they were being asked to market? These were the last annuals for some of these licences (definitely for those covered on the blog) so it’s a bit of an ignominious end for a few, but for those already reading the comics these ads were always going to be exciting; we easily ignored the books we weren’t interested in and concentrated on those Dinobots!

There we go, a trip down not one but eight Christmas memory lanes all in one post. I’m so glad I decided to do these yearly (re: slow) read throughs and these adverts have me hyped for the years to come. There’s more love for comics annuals/books on the blog this Christmas too, with no less than six up for review, including on Christmas Day and Boxing Day! Keep an eye on the Annuals menu, the Christmas 2025 introduction, or the blog’s socials for updates on when they’re published. 

ANNUALS MENU

CHRiSTMAS 2025

Annuals, Buster, Christmas

BUSTER BOOK 1990: COMiC BOOK OR BOOK COMiC?

Leave a comment

This is the first Buster Book I’ve ever read and it’s surprised me straight away, but not in the way you may think. The Buster Book series has been added to the blog because of OiNK star Tom Thug. He continued in the pages of Buster weekly all the way to its end over a decade after OiNK’s cancellation. I thought buying the remaining annuals in the series from the moment Tom appeared would be a fun addition to the blog every Christmas. New Tom Thug is always a treat after all!

Knowing Weedy Willy and Pete and his Pimple were also in this edition I was looking forward to large multi-page strips or special stories of some sort, the likes of which we’d have seen in the OiNK books or the Beano and Dandy annuals every year. Surprisingly however, apart from a few exceptions this book feels more like several editions of the weekly wrapped in a cardboard cover.

The first and last 14 pages are of a lovely and smooth, higher quality paper stock, with some of the strips in full colour, but the rest of the 112 pages in total are the same matt paper as the Big Comic Books, mostly in black and white with the occasional two-colour strip. Also, apart from 2-page Buster, Ricky Rainbow and Chalky stories in those outer pages, and a 4-page BeastEnders inside, all the strips are the same length as they would be in the weekly comic.

Once you hit those inner matt pages it just doesn’t feel as special anymore. So yes, I was surprised when I compared it to its contemporaries but the main reason we’re here is for the OiNK strips (and perhaps a couple of other little treats too). The first of our piggy publication’s characters we bump into is Weedy Willy, as ever written by Mark Rodgers and drawn by Mike Green.

This wouldn’t feel out of place in OiNK itself. The simplest of tasks were always an epic struggle for Willy and going to see a slushy movie was no different, complete with the obligatory snow for the Christmas annual, albeit five snowflakes. It still counts. Surprisingly, it’s Pete and his Pimple who gets the full colour treatment on the deluxe paper rather than our next star.

The yearly annuals are written and drawn so far in advance of publication (and publication is a few months before Christmas, although they were always Christmas presents), Lew Stringer’s strips for this particular book – released in 1989 – would’ve been created soon after OiNK’s cancellation in 1988. While both characters were fan favourites, Pete was probably the more popular of the two in OiNK and Buster’s editor may have thought that would be the same in Buster.

You see? More snow and ice. Of course these books were for Christmas! I’d loved to have seen the impact into that tree, though. Maybe we would have in his original comic, but it’s still a fun strip. As the months rolled on Tom’s popularity soared in Buster while Willy was quickly dropped and poor Pete went the same way a few months later. In the years that followed Tom became one of the comic’s standout stars, getting full colour pages to himself and he even appeared on the cover. But for now, a single black and white page must suffice.

Pete, on the other hand, is in glorious full colour (coloured by John Michael Burns – thanks to Lew for the info). Alas, this doesn’t mean readers could be made even more squeamish with some technicolour pimple bursting. As I’ve mentioned before when the comics merged, given the younger audience it was decided the pus had to remain put. But that doesn’t mean the fun is kept bottled up. Here, that old OiNK classic of dressing up the pimple is taken to a hilariously Christmassy conclusion.

Unlike a lot of the Buster regulars, these three only get one strip each this time around and I did hunt down their pages within the book first for obvious reasons. It’s going to be an agonising wait for next Christmas before I can read any more from them (most likely just Tom), so I made the most of my purchase on eBay and read through the rest of the book for more highlights to show you.

The first comes courtesy of Ricky Rainbow and he’s on the final two pages of the book. When Pete crossed over into an issue of Buster to promote the then-weekly OiNK back in March 1988, it hadn’t been too long since Nipper comic had merged into it, bringing Ricky along. I’d particularly liked that strip, even though he only turned see-through in it. Usually he could change colour on a whim or based on his mood and I said at the time I’d like to see more of him. It had the potential to be really funny.

Drawn by James Hansen, here we see him unwittingly change colour because of his temperature for the most part, and it’s really enjoyable. It’s also made something of a theme out of very funny letterbox moments this Christmas on the blog. (See Kids’ Court in the Big Comic Book 1989 review.) It’s madcap fun, bouncing between different predicaments for Ricky with Bruiser always on his tail. I know Nipper was a comic aimed at a younger audience than Buster but Ricky Rainbow fits in perfectly here. He’s one of the best parts in this whole book.

OiNK boasted of Pete Dredge winning the Provincial Cartoonist of the Year award from the Cartoonists’ Club of Great Britain

Finally, another OiNK artist pops up with his Young Arfur strip, namely Pete Dredge. Pete contributed to a handful of OiNKs randomly throughout its run including strips like spoof movie anthology The Golden Trough Awards, Master T and Dimbo, his take on Sly Stallone’s 80s action hero. OiNK also boasted of Pete winning the Provincial Cartoonist of the Year award from the Cartoonists’ Club of Great Britain in #49.

Young Arfur started out in School Fun comic before making the transition to Buster in 1984. (School Fun was actually conceived by OiNK writer Graham Exton.) Arfur is basically a young version of Arthur Daley from the hit TV show Minder, a minor con man who used the gift of the gab to earn money through various dodgy schemes. Young Arfur has that same gift but instead uses it to get him and his pals out of doing anything they don’t want to do.

As you can see his reputation precedes him. Not that this knowledge helped the teacher any. You could see him as a more charming (albeit that’s part of the con) and chatty, streetwise version of the Roger the Dodger strips in Beano at the time. He’s a fun character and must’ve been enjoyed by Buster readers as he was part of the comic until 1987, five times longer than School Fun’s whole run.

With that, we round off our look at the first Buster Book to co-star some of our old OiNK pals. I don’t need any will power to not look at the next volume because I haven’t bought it yet, but if you have these yourself (or can remember them) don’t tell me what’s to come, I look forward to finding out for myself each Christmas. One final surprise is on the back cover. Instead of a repeat of the front cover image by Tom Paterson, or a funny reverse cover like OiNK’s books, it’s an advert. But it’s one I’m sure anyone around my age will remember (fondly or otherwise) from a lot of our comics back then.

It’s strange to see an advert in an annual but the Big Comic Book also had it this year, as did the OiNK Winter Special released in November 1989. Anyway, that’s enough waffle from me. Pete may have been given top billing out of our three pig pals here, but it’s Tom Thug who has a few more Christmassy mishaps to come, so I look forward to our next festive feast of new OiNK-type material in twelve months!

GO TO 1991 BOOK

BACK TO ANNUALS MENU

CHRiSTMAS 2024

Annuals, Christmas, Knight Rider

KNiGHT RiDER ANNUAL #3: NEW ART, OLD LOOK

Leave a comment

As I sit down to write this review it strikes me I’ve only watched one Knight Rider this year, and that was my mum’s favourite episode (‘Ring of Fire‘) as a tribute to her memory during the spring. There’ll be one more time with Michael Knight and K.I.T.T. in my yearly viewing of the show’s one Christmas episode (‘Silent Knight’) but first it’s time to get reacquainted with the duo on paper in the third Knight Rider Annual, published in 1985.

There’s a famous (and funny) episode of Babylon 5 in which Security Chief Michael Garibaldi spends a small sub-plot looking for someone to share his “Favourite Thing In The Universe” with, which ends up being an old Daffy Duck ‘Duck Dodgers’ cartoon. Every December I get to do the same and share a book all about my own Favourite Thing In The Universe with you lot. So now that this publication knows the pressure it’s under to deliver, does it?

The first thing I notice is that the legendary David Lloyd is no longer the artist. If this is the first Knight Rider Annual review you’re reading you need to check out the first two books (and the exclusive blog interview) to see his incredible painted work in those. The new artist for this year’s volume is Jim Eldridge (Roy of the Rovers, Bunty, TV Comic) who brings a more traditional comic style. His version of K.I.T.T.’s front end may be a lot more angular than the smooth, customised Trans-Am on the show but all the other little details are correct.

Speaking of which, the dashboard gives away just how far in advance these books were created. In America season four had started in the Autumn, just a month after this book would’ve went on sale over here, while on our UK TV screens season three was still being broadcast. However, the dashboard here is clearly that from seasons one and two, before K.I.T.T. had his big makeover. Clearly, Jim’s reference material wasn’t up-to-date.

The first story is called Crash Dive and while on a stakeout Michael and K.I.T.T. end up forced off a seaside cliff by the baddies, from where they catch sight of an underwater entry point to a secret compound and the answer to how a band of thieves’ were going undetected by police. It’s a distracting piece of fun, an excuse to get our heroes underwater and taking down a small submarine instead of yet another car. Not sure why K.I.T.T.’s scanner looks like monstrous teeth though. Maybe he was dressed as Christine for Halloween.

As ever, the prose stories have a bit more depth to their characterisations and a lot more humour between our two leads. Not too far removed from the previous book’s stories, Fire-Bug is another case of industrial espionage by an unknown arsonist. Well, I say unknown but the mystery isn’t very mysterious. But then again, the show dealt with industrial espionage via a company ‘insider’ on a few occasions too. At least here after the unsurprising reveal is made there’s one more piece of misdirection just when you think it’s all over.

The other text story is Rustlers, in which a cattle ranch owner is facing intimidation tactics from a wealthy landowner who wants her out. Again, if you’re a fan this might sound a lot like season one’s brilliant ‘Not A Drop To Drink‘ or season three’s iffy ‘The Rotten Apples‘, and you wouldn’t be wrong. I’d say inspiration has definitely been taken from the former. However, the story does go off on a tangent somewhat (dead cattle mysteriously found on the sides of mountains) and involves lots of stealthy teamwork from Michael and K.I.T.T..

It also ends with a climax I’d loved to have seen on the TV. On the show K.I.T.T. could often be found using his Microwave Jammer to stall a helicopter’s engines, forcing it to land. In Rustlers, he instead uses his grappling hook and the car’s sheer strength to physically pull one out of the sky. At ten pages this is the longest story in the book and with all of these good points it’s a shame the bad guy’s M.O. is essentially the same as the one in Fire-Bug.

While the banter between Michael and K.I.T.T. is funny, especially on the long stakeout where their personalities rub off on each other, their partnership doesn’t feel as developed as last year. Elsewhere in the book Michael and “Deven”’s (Devon’s name is still spelt incorrectly) relationship is quite confrontational, like it was at the beginning of season one when these two very different people were still getting to know each other.

Through certain stories these clashes softened and by the end of the season they were firm friends. This book’s writer seems to be working from earlier series notes compared to last year, leading me to believe it’s no longer Steve Moore from the first two books. Why would he take his characters backwards after all? K.I.T.T.’s abilities in the stories are also restricted to those from the earliest episodes. There are no credits in these annuals (other than Jim’s signature) so I can’t confirm anything but it must’ve been a complete change in editorial team and they haven’t considered these points. I probably wouldn’t cared as a child to be fair, I’d have been too excited about the book in the first place.

“Beneath the ramp is an air compressor. As I hit the ramp at speed, the air pushes the car upwards and provides much more lift than I’d normally be able to achieve.”

Jack Gill, Stunt Co-ordinator

The features this year include a few more interviews, this time with Stunt Coordinator Jack Gill, producer Gino Grimaldi and Patricia McPherson who had returned to her role as Bonnie Barstow in season three (which makes it all the more frustrating the stories don’t acknowledge the show was in its third year). Jack not only met his wife on Knight Rider, he also walked away with multiple injuries from making K.I.T.T. look so incredible on the screen.

Jack talks at one stage about lying on the floor with a hole in front of him so he could see where he was driving at high speeds. However, this was used only sparingly a few times (in one episode we clearly see him lying on the floor). For the vast majority of the high-speed stunts a hollowed out driver’s seat and a special stunt steering wheel were hidden from view. Famously, David Hasselhoff has talked about scenes where he’d have to jump into the self-driving K.I.T.T. and take over, he and “K.I.T.T.” often jokingly wrestling for control as they sped off!

Interestingly, Jack talks about how they made K.I.T.T. swim. In the show it’s a pretty (re: very) poor model but they actually did spend a lot of money on getting the real Trans Am on a floating platform and dragging it through the water. As you watch, when the camera is inside the car with David you can clearly see he’s actually on the water and there’s spray coming in through the open window. Apparently it never looked right, so they switched to models for the exteriors and wrote in April Curtis removing the ability from K.I.T.T. at the end of the episode.

Jack and his team were instrumental to the show’s success and in any interview I’ve read with him over the years he always comes across as a very likeable and modest chap. According to interviews with others that’s exactly the kind of person he was, despite the high stresses and dangers of his job. The interview with Gino is interesting too, covering everything from the writing and rewriting of scripts to how they scored the show and selected the perfect 80s pop songs for each scene.

Unfortunately the interview with Patricia is a very brief chat rather than the full interview Rebecca Holden had last year. In fact, it’s a bit of a fluff piece, which is a shame as it could’ve been a fantastic exclusive, not just given her role on the show and her much celebrated return, but also because of her activism and environmentalism in real life, something that wasn’t as prevalent in the 80s as it is now.

What would an 80s annual be without some pin ups to fill out the contents? I never knew of anyone who went to the bother of actually pinning up pages from any of our annuals, but publishers persisted. Other space fillers here aren’t as good as in previous books, in fact some of the puzzles seem to have been knocked together in minutes. For example, a simple maze page doesn’t even have any pictures of the characters, just a few lines of text asking the reader to help K.I.T.T. escape.

The book does have a second strip that’s fun though. Wise Guys sees Michael and K.I.T.T. stumble upon two bank-robbing rednecks in a souped-up car making light work of a police chase. There’s nothing original here, it could’ve been written straight after the pilot movie, but it’s light-hearted fun with K.I.T.T. at the centre of things saving the day. For the kids who could only see such things when the show was broadcast this would’ve been great fun and that’s who these book were for, after all.

Michael catches up with the bad guys in his car and one use of the oil slick later the men have careened off the road, their car damaged beyond repair. But they take a woman hostage in a nearby house and demand a clean getaway. Of course, they want the Pontiac Trans-Am that can outrun the police, and the rest writes itself. It’s the only colour strip and despite K.I.T.T.’s boxy configuration there’s a lovely retro Christmas Annual feel about the whole thing.

The following year, Marvel UK would release a special Transformers softcover book for Christmas which reprinted stories and features from the previous year’s annual and it appears Grandreams had the same idea. The year after this annual they’d strip it of the pin ups and the awful filler material and rerelease it as the Knight Rider Special, a 52-page softback with a glossy card cover (minus the annoying ‘Knight 2000’ branding superimposed on K.I.T.T.). Keeping all the best parts and getting rid of the rest it reads better than the annual itself, although it doesn’t have that hardback, childhood Christmassy feel to it.

Back to the book and with some tweaks this could’ve been the perfect third Knight Rider Annual. As it stands the stories are great fun, there’s some interesting behind-the-scenes nuggets and at a time when we couldn’t search the internet the photography from the show was always keenly perused over and over. It’s still a great nostalgia trip and, speaking of which, here’s an old photo I found last month from around the same time with a present from Santa that was my pride and joy!

Michael and K.I.T.T. (and me) will be back next year.

(Special thanks to my friend Vicki who gave me the Super Pursuit Mode K.I.T.T. featured in the book photos in my Christmas stocking last year!)

ANNUAL 2 < > ANNUAL 4

ANNUALS MENU

CHRiSTMAS 2024

Annuals, Big Comic Book, Christmas

BiG COMiC BOOK 1989: REPRiNTiNG LiKE A BOSS

5 Comments

As is traditional on the blog the first festive post after the Christmas introduction is the next volume in the Big Comic Book series from Fleetway, collecting together more classic strips from their flagship title Buster, as well as Whizzer and Chips and Whoopee, the latter of which had already ceased publication by the time this series began. This hardback 256-page whopper pretty much keeps to the same formula as before, which is no bad thing.

With all eight books on the shelf behind me as I read, it feels like a real event to finally be able to crack open another and see what’s been included this time. Of course, I grin from ear-to-ear as I flick through it and spot a certain toothless great white shark on several pages, once again drawn by John Geering from the pages of Buster. He may not have been the original artist but for me he was the first whose undersea world I saw and this strip is written by OiNK’s very own Graham Exton.

I just laugh so hard at how expressive John’s version of the character is. Despite a shark being somewhat limited in details, John’s expert way with Gums’ eyes can convey everything from sadistic humour to intrigued, self-importance or even fear! I adore his drawing of the white whale too. As for what appears to be some kind of distant, abandoned underwater city and a briefcase or petrol can in the first panel, I’ve no idea. I’ve even asked some experts and we’re none the wiser. It just seems too specifically drawn to be some random background detail. Perhaps it refers to something from a previous Gums strip.

This isn’t the last you’ll hear of Gums or the only highlight of his you’ll see this Christmas. If you’re a fan of the Jaws wannabe you’ll want to come back here on Wednesday 4th December 2024 to read a full review of Rebellion’s first Gums book! It collects together all of the original Monster Fun strips and I’m hoping it’ll prove to be one of the highlights of the holiday season on the blog this year (I haven’t read it yet).

This is the first I’ve seen Boy Boss., written by OiNK co-editor Mark Rodgers. According to Graham, “His experience of Big Business were working in a betting ship in Whitby, tending bar at his dad’s British Legion in Redcar, and packing tampons for the Christmas rush at Lewis’s department store in Leeds. So he was very much winging it.” (Thanks for commenting on the post with this, Graham!)

Originating in Wow! and merging into Whoopee, Boy Boss is the owner of a huge multi-national corporation but he’d rather be out playing with his mates. That’s the basic premise. He also has a put-upon assistant by the name of Jasper who tries to keep him on the straight and narrow and ultimately boring life that would serve the company’s bottom line the best. While there are funny moments, I can’t help but notice two of his strips make jokes of things we rightly scorn today, namely getting employees to work through the breaks and insisting they’re reachable on days off or even on holiday (which at the time of writing is a hot topic on social media).

I’m not for one moment suggesting artist Frank Diarmid (Roger the Dodger, Kid Kong, Frankie Stein) would’ve supported such things, it’s just a silly comic strip and they’re genuinely funny, especially the endings of both where Boy Boss is actually on the receiving end of his own ideas. I’m just making the point that these are examples of some the contents of these books showing their age a bit.

They were already classic strips from older editions of the three weeklies when this was published in 1988, never mind now. However, having read three of these mammoth books so far it’s comforting that they still read so well decades later. Although, there may be one character who could be seen as somewhat problematic today, who I’ll get to further on.

Just how big does a VCR need to be?!

I had to check on the artists for the next two strips with those friends of the blog, Lew Stringer and John Freeman. For (deep breath) Ivor Lott and Tony Broke with Milly O’Naire and Penny Less (phew!) I was quick to assume it was Sid Burgon but there’s no signature. While it was rare for cartoonists to be allowed to do so back then (OiNK very much broke that mould), Sid always did and his strips elsewhere in this book have his name written on them.

Originally appearing in Cor!, the original strip with just the two boys continued all the way through to Buster’s final issue. The girls had been stars of Jackpot and when it too merged with Buster they came along and the strips also joined together, although the girls’ names were dropped from 1985 despite continuing to appear.

[Speaking about a friend of mine], the similarities to Benny Bones couldn’t be ignored

Every week Ivor and Milly would boast about some material possessions they owned, usually things that were bigger and grander than those owned or coveted by Tony and Penny. Inevitably, in the end their boastful ways would land them in trouble and the two “poor” characters would have the last laugh. There’s a not-very-subtle lesson in there for us all, and I enjoyed seeing the imaginative ways the strip would lead to its predictable conclusion. Although, just how big does a VCR need to be?! Surely more expensive technology is meant to be smaller and sleeker, even in the 70s and 80s?

I haven’t forgotten about the issue of the artist responsible and below is the other strip I wanted to bring up. Whizzer and Chips star, Benny Bones was the ultimate in lazy children and would often put more mental effort into how to get out of doing something than it would take to do it, often falling asleep in the process.

On the day I read this strip my friend Vicki and I were watching the same TV show in our two separate houses. Over a text she asked me what time it was over at and I told her she could just press the button on her remote to find out. Her response was that she was watching it in bed and was too lazy to do that… despite the effort it took to ask me via text! The similarities to Benny couldn’t be ignored, but the fact this very strip contains a similar moment was such a coincidence it had to be included in this review!

So anyway, I found out Colin Whittock drew Lazy Bones until 1986 but there’s no information on who took over. This strip is likely to have been drawn before then but it’s somewhat looser in style than normal. As for Ivor et all, the same conclusion was drawn by the experts. Perhaps Sid was on holiday, for example, and someone had to ghost his style. We’ve no way of finding out so for now I’ll say they’re most likely by Sid and Colin respectively, but there’s a chance some unknown cartoonists were responsible.

Originally in Cheeky Weekly then Whoopee, the Paddywack mini-strips by Jack Clayton were basically about an idiot who made stupid mistakes. While it was never confirmed, there was an assumption he was Irish, back at a time when Irish people could be the butt of jokes in the playground. In these more enlightened times we simply wouldn’t do that anymore. Name aside, there’s nothing in any of the strips of his I’ve read that I’d have a problem with, and I live in Belfast.

I do remember as a teenager telling one of those Englishman, Irishman and Scotsman jokes to an English friend who had told many of them to us. But of course we changed it so the Englishman was the butt of the joke. He was greatly offended! He completely missed the point we were trying to make and continued telling us there was nothing wrong with the way he told those jokes, but ours was wrong. Take from that what you will.

Drawn by the always brilliant Mike Lacey, Kids’ Court only ran for a few years in Whoopee in the 1970s, but it was so memorable when I originally read it in these books and Big Comic Fortnightly. At its core it’s a basic role reversal strip but it’s done so brilliantly and so chaotically it feels highly original. In this world the kids are the cops, the judges and the juries punishing misbehaving adults. I particularly like the way the captured park warden is still in the letterbox when he gets his court date! That made me laugh.

On the very next page from Kids’ Court comes one of the double-page spreads for Jim Watson’s Store Wars, a strip of two halves for me. Originally in Whizzer and Chips, it was basically another version of Ivor Lott and Tony Broke, with Mr. Superstore and his mega-store constantly trying to put the tiny, local Bloggs and Son shop out of business but constantly failing to do so, often spending huge amounts of cash in the attempt.

Having deleted my Amazon account last year I’m enjoying using smaller businesses online and across Belfast so this strip felt particularly relevant upon reading it, if in a highly exaggerated way of course. Why is it a strip of two halves? Because in every example in this book there’s a very funny outcome but there’s always a somewhat patronising statement from Mr. Superstore explaining the joke. They’d be much funnier without these.

Every year I’m trying to show you different strips than those I’ve shown you in previous Big Comic Books (apart from Gums, of course) and lastly for this year is a character I have no recollection of whatsoever from childhood, which is a shame because his pages are great. I did enjoy his inclusion in The Tom Paterson Collection though. From the pages of Whizzer and Chips and drawn by the hilarious Tom, here’s Guy Gorilla.

Transforming into a giant gorilla whenever he eats peanuts, he retains a modicum of awareness of who he is and doesn’t cause any real harm, just a lot of panic and mess. I think it’s a really fun set up and the more episodes I read in this book the funnier it got that no one knows it’s him! Everyone is very aware that there’s a random gorilla hanging around somewhere and Guy’s excuses about why he’s never there at the same time can be so silly, but they take his word for it every time. A great little strip that unfortunately only ran for about a year in total.

And that’s us for another year, folks! As you can see below there’s still a ways to go. With five more Big Comic Books (and two Funny Fortnightly/Monthly volumes) you can expect more classic highlights from some of the most renowned UK cartoonists of all time up until Christmas 2029 at least! That’s if you don’t all get bored of me in the meantime.

This year you can also expect reviews of Rebellion’s Gums collection on Wednesday 4th December and the Buster Book 1990 (released in 1989), the first to feature fan favourite OiNK characters after the merge, which you can check out from Thursday 19th December. It’s already shaping up to be the best Christmas on the OiNK Blog yet!

1988 BOOK < > 1990 BOOK

ANNUALS MENU

CHRiSTMAS 2024