Tag Archives: Ian Jackson


Tomorrow sees the 35th anniversary of OiNK‘s sophomore release and again the previous issue (the review of which you can catch up on here) concentrated fully on the free gift for its promotional back page. This time it would be a selection of stickers to make your own badges. The front cover of the next issue would provide some of the funniest examples, but if you can’t remember them you’ll just have to wait for the review.

Some come back for #2 of OiNK for more highlights, more character introductions and definitely a lot more laughs from the pages of the greatest comic ever created. See you then.


Here’s something I never even knew existed until a few years ago. If you have a look back at the marketing leaflets distributed to newsagents across the UK before OiNK‘s launch, you’ll find reference is made to ‘Major Publicity’ in the shape of four-page ‘Blockbuster Advertisements’. Well, I’ve finally been able to get my hands on one and can show it off for you now.

These adverts took the form of four extra pages within Buster, Eagle, Whizzer and Chips, Roy of the Rovers, Battle and 2000AD comics, specifically the issues that went on sale on 3rd May 1986, the day issue one of OiNK hit the shelves. Since we’ve already seen examples of Buster and Whizzer and Chips in the marketing for OiNK, I thought I’d use an issue of 2000AD this time.

What’s strange is the lack of any promotion on the cover for the additional content which took the comic up to 36 pages that week. But then again, it’s not like it was easily missed when readers turned the page.

It all kicks off with an introduction drawn by Ian Jackson. It may only be four panels long, but in taking up a full page it makes a big impact, just as Ian’s work did with both the preview issue and #1. Unlike 2000AD, some of the comics had given away the free edition as well as including this a week later. Few IPC comics fans would’ve been unaware of OiNK’s arrival.

The advert opens up into the following double page spread, which lays out exactly what readers could expect from the new, mad fortnightly.

Of course, with this being printed on newsprint the wonderful colour and grayscale shading of OiNK’s glossy paper are missing, but there’s still plenty to show off with the array of new characters and strips. The art is miles apart from the restrained feel of humour comics of the time and it must’ve been exciting to see such original contents.

Tom Thug, The Street-Hogs, Horace (Ugly Face) Watkins and Burp the Smelly Alien are among those included here, even if Burp is out of view. Although, I think the panel included is even funnier when used out of context here!

It’s a loud, proud announcement indeed.

The back page concentrates on the free gifts in the first two issues, in particular that flexidisc, surely the most surprising free gift to be given away with a comic. Also nice to see the ongoing joke about Uncle Pigg doing everything for his readers when in actual fact he’s raking in the dough, even at this early stage.

It’s a little strange to promote the posters like they’re free gifts. The OiNK Superstar Posters were absolutely incredible pieces by J.T. Dogg but they were very much part of the comic, taking up the middle pages every issue for the first few months. Oh well, it’s something a lot of comics did at the time to promote such things.

IPC may have decided not to go down the TV advertising route with OiNK, but I think this past month or so has shown just how much better the promotional push for it was as a result. If you’ve missed out on any of it, just navigate your way to the ‘Pre-Release’ section of the ‘OiNK’ menu to find all the goodies.


While OiNK‘s creators Tony Husband, Patrick Gallagher and Mark Rodgers assembled an insanely great mixture of various art styles from the best cartoonists and illustrators around, many would agree Ian Jackson‘s work is considered the seminal OiNK look. His main strips were Uncle Pigg, Mary Lighthouse and The Sekret Diary ov Hadrian Vile and his covers always elicited an excited reaction when I picked up the latest issue.

As well as his jagged, animated and highly original drawings he was also the person behind the covers which featured actual model work. Who can ever forget the famous OiNK Book 1988‘s pig face (and tail) and the first Holiday Special of plasticine and cardboard, which you should be able to see at the top of this post.

To mark OiNK’s 35th anniversary, John Freeman has written a fascinating post all about Ian for his Down the Tubes website. When I was writing the previous version of the blog Ian was one contributor to the comic who remained an enigma, so I’m very happy to see this could be rectified this time around, starting with John’s research.

Above, you can see Ian with his brother, John Jackson a family law barrister in Leeds, who shared on Twitter this photo and a recent piece by Ian of the Sandsend valley where his shop, Wild Hart resides. It’s a gorgeous illustration and it reminded me of a certain other map of Ian’s I remember enjoying somewhat.

John’s post goes into more depth on Ian’s catalogue of work, such as his work for Punch magazine, which fellow OiNK cartoonist Jeremy Banx also contributed to. I wasn’t aware of a children’s cartoon co-created by Ian called Minuscule Milton, the art style of which is clearly recognisable and it’s a lovely looking thing indeed.

Created for CBBC and broadcast between 1997 and 1999 it tells the tale of a very, very tiny little boy who lives in a clock on a mantlepiece, with only his canine friend aware of his existence.

John has plenty of information on Ian’s further work in illustration, model building, cartoons and more on the Down the Tubes post. For any fans of OiNK it’s an essential read and you can even watch an episode of Milton’s show while you’re there.