Tag Archives: Ian Jackson

OiNK! #4: WORLD CUP COMiC

Full disclosure: I am not a football fan in any shape or form. But that hasn’t dampened my enthusiasm for this fourth issue of OiNK, released during the 1986 World Cup in Mexico. It kicks things off with this Steve McGarry cover of Harry the Head being on the receiving end of said kick, however there’s not an awful lot of football-themed content inside, especially compared to issue three or those to come. This is fine by me.

Anyone who grew up around the time of OiNK should be aware of the Sue Townsend books The Secret Diary of Adrian Mole Aged 13 3/4 and the subsequent TV adaptation. Pig pals should also know where I’m going with this. It’s finally time to welcome a favourite character of many readers and one who would appear in a whopping 64 out of the 77 OiNKs published. With Mark Rodgers writing and Ian Jackson illustrating, this was the tale of a young boy intellectual. Or so he liked to think. Fascinated by bogies and creepy crawlies, disgusted by girls, he detested school and thought he was smarter than everyone else, although the most atrocious spelling ever to grace a children’s comic belied this. It is of course The Sekret Diary ov Hadrian Vile – Aged 7 5/8 (yearƨ).

Before the days of desktop publishing this must’ve been very fiddly to put together but the end result is hilarious and was appreciated by all who read and enjoyed his strips. As the comic progressed so did his age, which you’ll see gradually creep up over the next couple of years. This real time nature was unique and at one stage his mum even became pregnant, actually remaining so for a period of time instead of having the sudden appearance of a baby sister to shake things up.

Alongside the diary Hadrian would write guides to a variety of subjects like “Tellyvision” and the “Orkistra” to share his apparent superior knowledge about everything. He’s one of the characters who pops into many people’s heads when they think back to OiNK and rightly so. Watch out for more from him as we go along.


“Each story is guaranteed to end with a bang. Billy Bang is pure dynamite! This is an explosive character.”

Mike Knowles, creator of Billy Bang

One character I only saw a couple of times in my youth was Pete’s Pup. Remembered by many as a regular, he starred in half a dozen of these early issues before initially disappearing and it’s surprising to find out he only appeared in nine issues altogether, including one reprint. The monstrous shaggy mutt must have made quite the impact on young minds. Physically, he definitely did so for the family he lived with.

Pete’s Pup was brought to life by late cartoonist Jim Needle and was his sole contribution to the comic. A resident of Jericho in Oxford, Jim was a regular newspaper cartoonist and graphic artist, working in many local publications. His signature style was energetic and larger-than-life, much like his canine creation. Jim sadly passed away in May of 1997.

This issue also sees the introduction of another iconic character, even if he was just another star’s pet. Satan the Cat would sometimes get his own mini-strip under Tom Thug‘s but most often would be seen in the background of the main story. The Street-Hogs‘ informant Hoggy Bear is under attack from the butcher mafia boss’ plastic bags, Harry the Head‘s star turn on the cover comes at a price and in The Golden Trough Awards: Vengeance of the Gnome-Men we have possibly the creepiest set of garden ornaments ever, courtesy of Ian Jackson. Just a few of this issue’s highlights.

Billy Bang is another of those characters rhymed off by former readers when they reminisce about OiNK, but unlike Pete’s Pup he became a mainstay of the comic and appeared in almost half of the issues, sprinkled through the run. Originally created by Mike Knowles but killed by a variety of other writers, he’d later be drawn by Eric ‘Wilkie’ Wilkinson.

However, in these early editions he was brought to life (and destroyed and brought back to life and destroyed and brought back to life) by Shiloe aka Simon Donald, co-creator and later co-editor of Viz and the man behind such characters as Sid the Sexist. The name he used to sign his work came from a band he was a member of called Johnny Shiloe’s Movement Machine.

In every issue something would make Billy angry. This anger would build and he’d eventually explode. Sometimes this would result in a pun, sometimes the aftermath of his blowing up would be the gag, as in the strip above. Inconceivably he’d somehow be whole again the next issue, just in time for the same thing to happen all over again. In lesser hands the fact this was the sum of his strip would’ve resulted in a short run, but somehow the writers kept coming up with new jokes for this simplest of premises.

Mike himself seemed surprised at the longevity of his creation when he waxed lyrical about Billy in a short piece for the Comics Bulletin website in 2015. UPDATE: Since writing this review the site has been closed down. Above is a quote from Mike from that interview.

On the inside back cover is possibly my favourite page of OiNK, period

Tom Thug fans were in for a treat this issue. Not only did he have his usual full-page strip (complete with the first appearance of Satan), he also popped up again in a half-page section called Play Football the Tom Thug Way! Using his usual powers of persuasion and his excellent football skills, Tom shows us how to guarantee success at the game. We all know that’s not really the case, but it’s always fun to see it all fall apart for a bully.

This marks the only occasion Tom was written by someone other than his creator Lew Stringer. Obviously Lew would bring it to the page but in this instance the script itself was written by co-editor Mark Rodgers.

On the inside back cover is possibly my favourite page of OiNK, period. I’m a little obsessed with sharks and their preservation, thanks mainly to Steven Spielberg‘s seminal summer blockbuster (and its 3D sequel) and the effect it had on me as a teen. To this day it’s still the perfect blockbuster movie, inspiring so many copycats and, more importantly for us, spoofs and jokes on the subject.

While I can hold up several characters as perfect examples of this favourite comic of mine, if someone were to ask for just one strip, one single cartoon to sum up OiNK’s humour it would be this glorious full-page, four-panel silent offering. Written by Mark Rodgers and drawn by Ian Jackson, keep an eye on all the little details, especially that seagull.

I don’t know how many times I’ve looked at this over the years but it’s no exaggeration to say it still makes me laugh. It’s just the perfect example, isn’t it? All the incidental details like the fish blowing up its own beach ball, the noise made when it’s let go, the innocent-looking seagull circling in the water, the running starfish and the fact a giant white shark pops out of such shallow waters. The facial expressions, the jagged lines, the colours, all combine into something that’s so perfectly ‘OiNK’.

For the subject of this issue being something I’m not a fan of this has been an excellent read. Indeed, if this had been the first issue I’d spotted on the newsagent’s shelves when I was a child I might not have picked it up because of that subject! That would’ve been criminal, because I’d have missed out on some genuine laugh-out-loud moments here. On that note, it’s time to close this issue and impatiently await the next, which centres itself around a spooky Make-Your-Own-Adventure game involving Barry the Butcher and The Unfair Funfair.

That next issue is up for review on Monday 28th June 2021.

iSSUE THREE < > iSSUE FiVE

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OiNK! #3: ACE SPACE iSSUE

I have a little personal story about this issue I’d like to share. I started collecting OiNK with #14 and some time after that I was at my cousin’s house when he gave me a couple of his back issues. One of these was #3. I remember coming back downstairs from his bedroom and sitting next to my late nanny, who looked at the cover. I didn’t know how she would react and was delightfully surprised when she giggled and gave me a little wink.

It’s just one very happy memory I associate with this comic and I’ll share more as we go along. My nanny’s giggle was completely justified with Tony Husband‘s cover and its bare piggy bottoms, which actually wraps around to the back page and its explanation for the image. I always loved a good wraparound cover on a comic. Marvel UK were very good at them and while this one isn’t advertised as such (the poster mentioned on the cover refers to a Star Wars spoof inside) it would make for a funny addition to the wall.

This is the first of the themed editions, which over the course of the majority of the fortnightly issues would include everything from traditional Hallowe’en and Christmas themes to music, health, families, war, revenge, love… the list goes on. It added another original element to OiNK and made each individual issue a unique experience. In the early issues editor Uncle Pigg and critic Mary Lighthouse would often introduce the theme, mostly written by Mark Rodgers and drawn by Ian Jackson.

I wonder if Colin Baker ever saw himself drawn in Ian’s style?  This wouldn’t be the last time The Sixth Doctor would influence Uncle Pigg but that’s a story for a future issue so you’ll just have to be patient. Mary’s TARDIS pops up on the Grunts page as she desperately tries to phone the operator before reappearing in her own strip near the end of the comic. But she wasn’t the only character to materialise throughout the issue.

Next up is undoubtedly the star strip of the issue. Boldly going where no photo story had gone before, the OiNK team were really pushing the boundaries of what they could achieve with the format, the characters literally bursting out of the panels and running amok throughout the comic. My original exposure to Star Truck was with the sequel story in the first OiNK Book, which was even more chaotic! Here, in only the third issue, the imagination of the OiNK team is on full display.

Our cast is made up of Mark Rodgers as Captain Slog, Patrick Gallagher as Sock, Marc Riley as Jock and Tony Husband under the chicken mask as the alien, Jerm. Can you imagine the fun these guys had creating this? Imagine this being part of your job! Jerm would make his escape and pop up in various other strips, a few examples of which I’ve included below.

First though, prolific IPC Magazines comics writer Graham Exton was also part of the creative team behind OiNK and contributed many stories and countless amounts of puns. The first full strip of his I’m showing is the first appearance of regular nutball Roger Rental, He’s Completely Mental, as drawn by local Northern Ireland artist Ian Knox.

Roger was always a favourite of mine. Most of the time he’d appear in quarter-page strips like this one, each with an innocuous beginning, only for Roger to take the meaning of something completely the wrong way. Roger would appear in most of the fortnightly issues before disappearing when the comic turned weekly. But that’s still a lot of short, sharp gags and he would never disappoint.

Turning the page and discovering an OiNK version of your favourite cartoon or toy was always a thrill

There are so many highlights within the pages of this issue it’s been difficult to select just a few for review purposes. They include Billy’s Brain, a story about a young boy who inherits his genius uncle Vincent’s sentient brain and together they outwit the thieves wishing to use his knowledge for their own nefarious needs. Burp the Smelly Alien‘s page makes a bold impact with its use of one colour (and check out that final panel gag), the Star Truck crew pop up in Horace (Ugly Face) Watkins, Ian Jackson‘s depiction of penguins is a highlight of The Golden Trough Awards and Maggie Pie, Collector of Weird Things goes on a wig collecting spree.

The comic never shied away from spoofing all the things its readers loved. Ghostbusters, He-Man, James Bond and more would all end up getting the OiNK treatment. Turning the page to an OiNK version of your favourite cartoon or toy was always a thrill, a bit like seeing your favourite celebrities on Spitting Image. One franchise they were quick to latch on to was Hasbro‘s Transformers.

Central to this particular take was the simple idea these robots could disguise themselves as anything, and I do mean anything. Everyone remembers the toys transforming into cars and airplanes but there were also guns, stereo systems, cassettes and all manner of original ideas. OiNK took this concept and ran with it.

The Transformoids is gloriously illustrated by Ralph Shephard whose style I distinctly remember, mainly because he’d give the same treatment to Thomas the Tank Engine & Friends which I was a fan of at the time. So it’s surprising to discover he only contributed to nine issues in total. But such was the impact of his work he was still a highlight of the entire run.

The Transformers would also be the subject of a Madvertisement much later in the run but this is my favourite take on the Robots in Disguise. The ludicrously giant robots appearing out of the flimsiest of objects reminds me of being puzzled, even as a kid, as to how Decepticon leader Megatron could transform from giant robot into a gun held by his comrades in the cartoon. It never made sense to me, but it ended up giving us this delightful, genuinely hilarious spoof so I’ll forgive it.

The inhabitants keep their animal instincts, insights and best of all their appetites

Time to take a trip to a town that sounds just lovely but in reality is one you may wish to avoid. First though, just above it is a quick pun from Tony Husband in the ongoing Star Truck chase sequence.

Zootown sounds innocent enough and on the surface this looks like a strip you could find in any other comic; a town where the residents go about their daily lives and who just so happen to be animals. But this is OiNK, so of course there’s going to be a twist in the tale. Here, the inhabitants keep their animal instincts, insights and best of all their appetites.

The creatures were never given names as far as I remember so every issue we were seeing different random inhabitants, but each species would act in specific ways with each other. The carnivores would often get the upper paw, terrifying the little docile animals, but thankfully I don’t think they were ever on the buffet menu. Of course, I could be wrong but there always seemed to be some kind of strange friendship there.


“We knew you’d come this way, so we took a shortcut through the staples!”

Captain Slog, Star Truck

This episode may not have that particular aspect of the ongoing series but it’s still the perfect example of the daft humour we’d enjoy every time. Zootown felt like such a richly populated place even though we saw so little of it each issue, such was the talent of its creator David Haldane.

Before we finish off with the final part of our space saga we’re joined by Albert Einswine and his fascinating Science Facts for Simpletons.

Any excuse for some more Ian Jackson artwork, right? I’ve included it for more than just the art, obviously. It’s a genuinely funny read and sums up how unpredictable the humour in OiNK could be, in particular in these little one-off additions to every issue. Ludicrous stuff.

Speaking of which, we’ve made it to the last page so it’s time to rein in Jerm once and for all as we conclude the first outing for the crew of the Enterpies with Star Truck: The Final Chapter. What I love the most here is the fact they’re self-aware of being inside the pages of a comic. From the reference to it being on page 31, to the shortcut through the staples taken by the Captain and his men, the daftness doesn’t let up for one panel. Check out the cardboard tube/tennis racquet gun, elaborated upon with some quick hand drawn lines.

A brilliant, genuinely very funny strip the likes of which you just wouldn’t have seen anywhere else. As the comic continues the photo stories become more elaborate but never losing their cheap and cheerful feel, never forgetting they’re taking the hand out of those in other comics and magazines which were trying (often failing) to look serious and professional.

Star Truck would return in The Oink! Book 1988 and that’s when I first met the crew. Somehow the sequel is even funnier, again taking place across several other pages but in the much bigger book format there was more scope for what they could do with the idea.

That’s us all done for another fortnight, at least as far as OiNK reviews go anyway. There’s always more going on here on the OiNK Blog so make sure you keep up to date on the latest additions by subscribing or by keeping an eye on the social media feeds. OiNK #4, the World Cup ’86 issue will be here Monday 14th June 2021.

iSSUE TWO < > iSSUE FOUR

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OiNK! #2: STiCKiNG iT TO THE ROYALS

it’s time for the second issue of the world’s funniest comic and the cover sets the ball rolling in typical OiNK fashion. Using the same design as the preview issue, of an artist’s illustration framed above Patrick Gallagher‘s Uncle Pigg and Mary Lighthouse, this has proved to be very memorable over the years amongst fans.

Let’s try to forget about how old the image of those two boys makes us feel and instead concentrate on the funny picture by Steve McGarry. This was all to promote another free gift, a set of blank sticky badges with letters, numbers and images which could be rubbed on to create anything the young readers wanted. They’re a bit like those old pretend tattoo rub-on transfers we had as kids, which never transferred in one piece and would look a right mess on our arms.

Of course there were other cheeky examples of what could be created inside the issue and a request for pig pals to send in their ideas. As we open the issue it’s again up to critic Mary and editor Pigg to introduce the comic, this time by following on directly from Mary’s quite startled discovery on the front page.

It’s not often you’ll see a Royal fart joke. Again, Ian Jackson‘s artwork is the star here and he really does epitomise everything OiNK was about. I’d call it a breath of fresh air but that might not be the best phrase to use given the subject of Mark Rodgers‘ script. Mary’s face in the final panel brings out a childish grin on my own face every time I see it.

It’s time to meet another regular star of the comic. Weedy Willy was introduced in the preview issue as “So Pathetic It’s Embarrassing”. Cowardly, insanely weak and lacking any kind of social skills, Willy’s continued optimism led to us cheering him on through mishap after mishap. Most of these would involve his unrequited love of local girl Mandy, who’d often fall foul of his misplaced affections.

While Willy’s weediness (expertly rendered by Mike Green) was the subject of the humour, he was never portrayed as a victim. Yes, we could laugh at his inability to lift the lightest of objects or his fears of the cutest, cuddliest babies, but whenever the strip put him up against a bully he’d always come out on top, even if it was inadvertently. He even started to date Mandy later in the run. His positivity was infectious and the moral was clear, albeit delivered in an original OiNK fashion.

Harry the Head paid tribute to the Dambusters, believe it or not

The comic had an anarchic feel to it which I always loved, not only in its humour and artwork but also in how it was organised. Other humour comics would have certain strips on the same pages every issue, always taking up the same amount of space. OiNK mixed it up, placing its regulars on different pages, sometimes even giving them varying amounts of space from issue-to-issue. Co-editor Mark Rodgers said strip length was one of the rules they no longer wished to be confined by.

This variation carried over to the one-off strips, which could be anything from a quick three-panel gag to a detailed multipage story. This strip, which takes up two-thirds of a page, is one such example and a definite highlight of this issue.

Burp and Mr Big Nose creator Jeremy Banx‘s Kangaroo Kid leaps (sorry, I couldn’t resist) off the bright yellow page, ending with the reader actually taken by surprise with the blatantly obvious fact he hadn’t exited the phone booth yet. A brilliant piece of misdirection and comic timing.

How could I not show off this masterpiece?

Compared to the newsprint comics of the day, OiNK’s shiny paper was a revelation. While action comics such as Transformers were mostly printed on full colour glossy paper, OiNK’s was much bigger and of a higher grade, meaning even these one-colour pages feel more vibrant when held. Its printing process also meant black and white strips didn’t have to be quite so simple anymore and shades of grey could be used to really bring them to life in a way we hadn’t seen before in humour comics, which artists like Lew Stringer used to their benefit.

But of course, OiNK also had more striking full colour pages than any other funny comic and none would use this to greater effect than J.T. Dogg, so while we’re on the subject here’s his latest Superstar Poster, Frankenswine!

I know I’ve included one of these before but how could I not show off this masterpiece? I hadn’t discovered OiNK at this stage but I remember having these up on my wall back in the late 80s, from a mix of issues given to me by my cousin and reprints from much later in the run. I have a couple up on the walls of my home office now!

Other highlights of this issue include The Street-Hogs as they continue to fight Don Poloney, not-so-subtle in-jokes in Cowpat County, a wonderful full colour Burp and a Rocky-inspired Golden Trough Awards, complete with catchy musical monologue. Be warned, you may not get the original tune out of your head after you read this.

One of the main contributors to OiNK had never worked in comics before, but was the lead singer of the band that received a little promo above in Cowpat County. Marc Riley is better known today as a BBC Radio 6 Music presenter, previously of Mark and Lard fame on Radio 1. Just for the record, our Marc was ‘Lard’.


“With Marc all hunched over dressed like this, passers-by and car drivers were stunned and puzzled.”

Tony Husband

An old friend of Patrick’s (still good friends with both him and fellow co-editor Tony Husband to this day) Marc could be heard singing on the free flexidisc from #1 and would star as Snatcher Sam in many photo stories, often appearing alongside Frank Sidebottom. Later stories are set outside or on makeshift sets, but in these early days Marc would be pasted onto hastily drawn backgrounds.

The Bully Who Went Bald is one such story. It also features Tony’s son Paul (previously seen in the preview issue) as Sam’s intended target and Patrick as an innocent airplane pilot who just happens to be passing by. The rough sketches and cut-and-paste nature adds to the amateurish look, which in itself highlights the fact these were spoofs of photo stories found in the likes of Eagle and women’s weeklies of the 80s.

This behind-the-scenes photo has been shared by Tony, who said that after the shoot Paul walked down the lane holding Marc’s hand. “With Marc all hunched over dressed like this, passers-by and car drivers were stunned and puzzled”, says Tony. Also, according to Paul himself the photographer was none other than Ian Tilton, who has worked with legends such as Iggy Pop, The Stone Roses and whose Kurt Cobain photographs were hailed by Q Magazine as among the best rock photographs ever taken.

Who would’ve thought this crazy comic could be educational too

We stick with Marc for the back page and our final highlight. Probably Marc’s most fondly remembered creation after Snatcher Sam was Harry the Head, the tale of an ordinary boy who just happened to be a disembodied head. In the preview issue Harry’s parents were also just heads but a later strip would change this to involve a genie, a greedy young boy and a lesson learnt.

Quite a severe lesson to learn! But Harry did just that and ended up kinder and less selfish, earning himself a good friend in Barney (who would diligently carry Harry around by the hair) and decided to live life to the full. Later he would go off on an adventure around the world over multiple issues but his best strips were the self-contained ones where he’d use his predicament to his advantage, such as in this one which paid tribute to the Dambusters, believe it or not.

Who would’ve thought this crazy comic could be educational too. Well okay, I’m pushing it but this strip actually saw publication on the 43rd anniversary of the Dambusters raid, which occurred on the night of 16th-17th May 1943.

With that we come to the end of our second review (third if you count the preview) of OiNK in this real-time 35th anniversary read through. The next issue is the first of the themed editions. These were another example of how OiNK stood out from the crowd and another reason it was a favourite among so many. The first subject is space, so watch out for chicken aliens, pigs behind the moon and even a cameo from The Doctor. Issue three takes off on Monday 31st May.

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COMiNG UP: OiNK! #2

Tomorrow sees the 35th anniversary of OiNK‘s sophomore release and just like the previous issue’s promo in the preview comic, the advert for #2 (on the back cover of #1) concentrated on the free gift. This time it would be a selection of stickers to make your own badges. The front cover of the next issue would provide some of the funniest examples, but if you can’t remember them you’ll just have to wait for the review.

So come back for #2 of OiNK any time from Monday 17th May 2021 onwards, for more highlights, more character introductions and definitely a lot more laughs from the pages of the greatest comic ever created. See you then.

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CAN i HAVE A P(iG) PLEASE BOB: BLOCKBUSTER ADVERT

Here’s something I never even knew existed until a few years ago. If you have a look back at the marketing leaflets distributed to newsagents across the UK before OiNK‘s launch, you’ll find reference is made to ‘Major Publicity’ in the shape of four-page ‘Blockbuster Advertisements’, whatever they were. Well, I’ve finally been able to get my hands on one and can now show it off for you.

These adverts took the form of four extra pages within Buster, Eagle, Whizzer and Chips, Roy of the Rovers, Battle and 2000AD comics, specifically the issues that went on sale on 3rd May 1986, the day #1 of OiNK hit the shelves. Since we’ve already seen examples of Buster and Whizzer and Chips in the marketing for OiNK, I thought I’d use an issue of 2000AD this time.

What’s strange is the lack of any promotion on the cover for the additional content which took the comic up to 36 pages that week. But then again, it’s not like it was easily missed when readers turned the page.

It all kicks off with an introduction drawn by Ian Jackson. It may only be four panels long, but in taking up a full page it makes a big impact, just as Ian’s work had in the preview issue. Unlike 2000AD, some of the comics had given away the free edition as well as including this a week later. Few IPC comics fans would’ve been unaware of OiNK’s arrival.

The advert opens up into the following double page spread, which lays out exactly what readers could expect from the mad new fortnightly.

Of course, with this being printed on newsprint the wonderful colour and grayscale shading of OiNK’s glossy paper are missing, but there’s still plenty to show off with the array of new characters and strips. The art is miles apart from the restrained feel of humour comics of the time and it must’ve been exciting to see such original content.

Tom Thug, The Street-Hogs, Horace (Ugly Face) Watkins and Burp the Smelly Alien are among those included here, even if Burp is out of view. Although, I think the panel included is even funnier when used out of context here.

It’s a loud, proud announcement indeed.

The back page concentrates on the free gifts in the first two issues, in particular that flexidisc, surely the most surprising free gift to be given away with a comic. Also nice to see the beginning of the ongoing joke about Uncle Pigg doing everything for his readers when in actual fact he’s raking in the dough, even at this early stage.

It’s a little strange to promote the posters like they’re free gifts though. The OiNK Superstar Posters were absolutely incredible pieces by J.T. Dogg but they were very much part of the comic, taking up the middle pages every issue for the first few months. Oh well, it’s something a lot of comics did at the time to promote such things.

IPC may have decided not to go down the TV advertising route with OiNK, but I think this past month or so has shown just how much better the promotional push for it was as a result. You can check out several posts all about that on the blog already in the OiNK Pre-Release section, link below.

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