PRESS-iNG PORK: OiNK’S PRESS CLiPPiNGS

Throughout OiNK’s run Uncle Pigg liked to show off how well received his comic was with the public (and even on one occasion how badly received it was, but more on that later in the year). As well as the kids telling him how awesome he was, he’d print newspaper and magazine articles that highlighted his piggy publication. The cover of one issue was even devoted to quotes like some kind of blockbuster movie.

For this post I’ve collected together all of the press clippings from throughout the run, beginning with #22. This was in the pre-internet days when a comic had to be on the shelf for a while to get noticed, then by the time the piece about OiNK was written, printed, noticed by the comic and then reprinted there (and remembering publishers work issues ahead at a time) it was months before they starting showing up on the Grunts page.

“A global platform for emerging talent in fashion, music, art and culture”, back in the 80s i-D obviously weren’t too happy with the amount of licenced comics on the shelves, but they took the time to highlight original publications for the kids and ours was included. This fleeting mention was just the beginning of OiNK’s impact with the British press, the next example being just three issues later in #25.

Obviously The Guardian needs no introduction and this clipping comes via another Irish reader. Again, it’s a brief mention but comics rarely got any positive light in the press at the time, so any mention at all was a big win. Then below, by #37 Fleetway Publications may have just taken over the printing of the comic but they were more than happy to share the feedback about what had been IPC Magazines’ OiNK.

The Sunday Times piece was the first we’d hear about W.H. Smith’s stupid decision (although a previous newsagent reservation coupon did allude to it), and the so-called ‘reason’ behind this will be the topic of a blog post in a few months. ‘Zzap!’ is actually Zzap! 64, the Commodore 64 computer gaming magazine and you can read the full article, which was a preview of the OiNK game in a post already up on the blog.

According to OiNK’s co-editor Patrick Gallagher, Mary Whitehouse was aware of OiNK and its spoof portrayal of her, and her team were watching the comic closely for libel although no action was ever taken. The image of Mary Lighthouse used by the News on Sunday is a perfect caricature of the conservative activist, almost like they chose the image that most closely resembled her!

The celebratory 50th issue had two clippings to show off the comic’s growing status in the press and it describes OiNK as a “new fortnightly”, although it does mention the change to weekly. Obviously 40-odd issues of a fortnightly was still deemed ‘new’. OiNK should’ve still been in the early years of its life, reminding us of how the comic was ultimately robbed! We’ll return to that Sunday Times piece further down this post.

The second clipping from #50 is from none other than NME (New Musical Express), and only in describing OiNK could “snot nosed cousin” be seen as a compliment. The magazine obviously focussed on OiNK’s musical parodies and when you see them all written out like this you realise just how many there had been! You can check out The Mekons on the blog in their photo story in #29 and the Ian Astbury interview with Janice Pong (in reality Tony Husband) in #16’s review.

In #52 a clipping from Escape magazine saw OiNK listed in their Hip Parade where readers voted on their favourite publications, and it included a little sample of the Uncle Pigg and Mary Lighthouse strips we loved so much during the comic’s fortnightly days. This won’t be the last we see of Escape’s chart either. But first, I mentioned a blockbuster movie-like cover, didn’t I?

For #54 OiNK gave us just a sample of all of the press coverage it had been gathering. Working our way down this impressive list, the Fantasy Advertiser quote came from an article written by Lew Stringer marking OiNK’s release, we’ve seen The Sunday Times and The Guardian already and as for The Press Council (of all people!) just keep an eye on the blog for that one (which I’ve already hinted at a couple of times in this post).

Sounds was a music newspaper along the lines of NME but sadly we never got to see the actual article this quote was taken from, and I love what the comic has decided to highlight from NME’s piece. How very OiNK! The News on Sunday obviously hadn’t made it far beyond its OiNK article in #37 above, and Escape brings up the rear.

Moving on to the monthlies we now find ourselves with the first of the bumper issues, #63. Relaunched for a new target audience, a plethora of press clippings were included on the Grunts page (or OiNK’s Piggin’ Crazy Readers as it was now known) with the tagline “New readers start here”.

Mainly they’re different bits of the articles we’ve seen already, however it’s nice to see more of that Sunday Times piece that was unceremoniously cut off in #50 just as it started talking about the eco-message in Jeremy Banx’s Burp strips. At the bottom you’ll see a clipping from The Sunday World, a tabloid rag available this side of the Irish Sea that likes to preach morality while sowing lies, hatred and division. So kudos to OiNK for proudly proclaiming how it reported on the comic’s existence.

Oh, and if you’re interested in the issue they’re criticising it’s #47, which was on sale at the same time as OiNK’s Smokebuster Special was distributed free to schools in England, but that would be seen as a positive so obviously the tabloid wouldn’t mention it. You can see the OiNK calendar with the offending football match and as for the “walrus with an alien coming out of its mouth”? Really, Sunday World? That would be horrible! It’s actually Burp the Smelly Alien’s sentient stomach spitting out a live oyster. Get it right! (Just goes to show you how closely these critics paid attention to what they were criticising.)

The final press clipping is from #64 and it updates us on OiNK’s standing with the readers of Escape magazine, whose votes saw our piggy pink publication skyrocket from 28th position to 17th since just three photos ago. From everything included throughout this post OiNK seemed destined to last and last, to soar ever higher in Escape’s charts and give us many more years of prime pork.

Unfortunately, just four issues later it would all come to an end. But OiNK’s legacy is still intact. It’s a legacy which some lesser informed commentators dismiss as one that caused complaints and controversy, but as you can see the reality was very different and so much better!

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THE OiNK BLOG COMPETiTiON: FEBRUARY 2025

Well here’s something new for the blog to mark the 400th post! Collecting complete runs of classic comics isn’t easy (or cheap) and when it comes to those last, elusive issues it’s inevitable those I need to buy will be bundled in with doubles of issues already purchased. Unlike those Panini sticker albums we had as kids there’s no one I can swap these doubles with, but instead of trying to sell them back on to eBay I’ve decided on something different for my readers.

For the rest of this year I’m going to run a monthly competition with some of these extra issues. Think of it as a thank you to everyone for your continued support. On the 1st of each month a new competition will begin and you’ll have 14 days to send me your answer to a question relating to the comic I’m giving away. Then the winner will get to show off their luck the following month! So which comic am I giving away first?

During February we’ll reach the halfway point in the real time read through for Transformers Generation 2. In order to get a full set I ended up with a few copies of #1. You’ll see in the review that two versions were available. There was a regular issue and one with a lovely, shiny gatefold front cover. I have two copies of this latter special edition and you could get your trotters on one of them this month. (In fact, after taking that photo I’ve decided I’ll throw in the few random doubles I have from the rest of the run too!) The question is:

Q) I read the original Marvel UK Transformers in real time for over seven years on the blog’s Instagram. How many posts did I end up making on the social media app to cover the whole run?

I’ll be trying to make sure the questions aren’t easily searched online, so if you don’t know the answer you’d better dig into the blog, you’ll find the answer in here somewhere! When you’ve got the answer you can either email it to me at oink.blog@icloud.com (All emails will be deleted after the winner has been selected, I’m not fancy enough to have a newsletter or stuff like that), or use the contact form on the right-hand side of your desktop screen or scroll down under this post to the very bottom on mobile. Your entry must be with me by midnight on Friday 14th February 2025.

I’ll then reach out to the winner on the 15th to ask for their postal address. Unfortunately, due to rising postage costs the competitions are only open to UK and Ireland readers. If you win I’ll ask if you could take a photo of you with your prize for inclusion in the next month’s competition post. You don’t have to, but you do get to show off if you do.

I have a pile of doubles from various comics titles covered on the blog sitting next to my desk, so make sure you check back on the 1st of each month to see what’s next and good luck if you’re entering this month.

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LEW STRiNGER’S COMiC SAMPLER: S-AMPLE LAUGHS

Originally created for the 2024 London Comic Con, Lew Stringer’s Comic Sampler does exactly as you’d expect with a title like that. Inside its card sleeve is an abundance of Lew’s characters in a seemingly random selection of reprints that shows off the wide variety of funny strips he’s produced over his career. Beginning with a small introduction and a sample of his earliest work from Marvel UK’s The Daredevils, it’s a smorgasbord of delights for fans.

Transformers fans are well catered for with Robo-Capers and a couple of Combat Colin strips, the first of which features not only the debut appearance of his archenemy The Brain, but also a blink-and-you’ll-miss-him cameo from none other than OiNK’s brainless bully, Tom Thug. Tom also appears in a small cover strip from his time in Buster comic and Lew’s perennial superhero Brickman is also here.

Above is a sample of the second Combat Colin strip printed in digital anthology comic, Aces Weekly. So for any Transformers UK readers out there it’s a new adventure for you to enjoy. Alongside this new (for me) Colin strip there was another duo I’d never read anything of before, namely Tough Guy and Scruffy from the pages of Triffik! comic, a two-page story from the front and back cover of that publication. Here’s the first page.

Triffik! was a very short-lived comic, lasting only 12 weeks in the early 90s, a time when I’d moved on from humour comics as a child (hey, we all make mistakes). Lew’s Tough Guy strip is fun and at the end there’s a small advert for a free digital comic collecting together his misadventures over those 12 issues, so watch out for a review of it soon on the blog. (Or, you know, go and download it now from Lew’s site, what’s stopping you?)

The whole comic is printed in monochrome which adds a lovely retro, homemade fanzine kind of feel to it. On Lew’s blog he elaborates on why even the cover itself is in black-and-white when his reprint collections usually have a colour front page. “Why is the cover monochrome?,” says Lew. “Mostly to keep the costs down for this one-off special, but also I wanted to go ‘back to basics’ and do an entirely black and white comic like I used to many years ago.” And now, Daleks!

Haha, I have to admit I did chuckle at the “Oops, too late” bit of that Christmas with the Daleks strip. Lew’s comical killers pop up every month in Doctor Who Magazine, a publication I personally only buy irregularly so it was nice to get a glimpse of Lew’s work I usually miss out on. Similarly, the back page has another I hadn’t read before, namely a Sgt. Shouty strip from The 77.

Robo-Capers, two Brickman strips, two Combat Colin strips, Tom Thug, Tough Guy and Scruffy, Derek the Troll’s hilarious spoof role-playing game, the Daleks and Sgt. Shouty, packaged together on high quality A5 paper (with card cover) and all for only £3.50. If you’re a fan of any one of the aforementioned characters then you really can’t miss out on Lew Stringer’s Sampler Comic.

When I decided to include this in a future OiNK Contributor Releases review it was available on Lew’s eBay page. However, as is the way with small press comics, at the time of writing the comic has currently sold out but that doesn’t mean it won’t make a return at some point as other titles of Lew’s have, so go to his shop and see what you fancy. *

In the meantime, make sure you also check out the Contributor Releases page of the OiNK Blog for more of Lew’s comics (link at the bottom of this post) and Lew’s own blog to keep up to date on his latest published work as well as news of future comic releases, such as the fact there’s brand new Brickman coming this year as mentioned in this comic! So bookmark his site now, pig pals!

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(* Due to some ridiculous changes eBay are introducing, Lew will no longer be selling his comics on it. His original artwork will remain, but he’s currently considering options for where to sell his comics. As soon as he decides I’ll update all blog links.)

TRANSFORMERS GENERATiON 2 #5: HEAD MASTER

My heart sank a little with this Derek Yaniger cover. Don’t get me wrong, it’s another superb piece by him, we’ve come to expect nothing less these past few months (unfortunately his only contribution to this issue). The problem for me is that Bludgeon is my favourite leader of the Decepticons! He may only have come to the fore over the last year or two of the original Marvel UK run but he made a huge impact on me.

That’s for our backup strip though and first we’ve got the next chapter in our main story, which begins by setting the tone in a familiar way to long term readers, describing Cybertron in a way we’ve seen a few times before, and drawn by Manny Galan, inked by Jim Amash, lettered by Richard Starkings and John Gaushell, and we welcome Chia-Chi Wang (The Punisher, Venom, G.I. Joe) on colours. This familiarity isn’t a complaint, it’s evocative and usually comes before some epic moment or storyline so the levels of anticipation are high. Plus I love the word “bio-chanic”!

But there’s a twist. Optimus Prime is beginning to doubt all of this. Hooked up to a new machine in a vast resonating cavern to allow connection between him and the small part of the Matrix in his mind. No, it doesn’t make sense but it’s a comic about giant alien robots that transform into cars, it only has to sound like it does. The story plays on the psychic nature of the Matrix, which the UK comic did quite a bit. So did the live-action films, again proving some “fans” who complained about such things need to go back and read the original comics.

Meanwhile, on a beautiful, natural, green world somewhere writer Simon Furman doesn’t hold back with his eco message for young readers. This isn’t new to Transformers, their own world was dying and the Decepticons wanted to strip Earth of its natural resources way back at the very beginning of the original comic. Simon also wrote more environmental messages into the UK comic like the wonderful Christmas tale, The Greatest Gift of All.

However, Jhiaxus is more concerned about an attack from the Autobots. Interestingly, it’s the fact they haven’t attacked that concerns him. It must mean Prime is up to something much bigger if this wanton destruction is being ignored. Back with Prime and what’s consuming his thoughts, and we actually get to see Primus create the first ever Transformer life. This is cool, even if the comic always struggled to produce original designs anywhere near as good as the toys.

So what are these disturbing visions trying to tell him? For us, it’s a rewriting of Transformers history as we know it, when Prime realises that they weren’t just created and left to use the Matrix to create new Transformers like all who had come before. For a long, long period of their history they too evolved just like organic life on other planets.

Primus couldn’t just create the life needed to destroy Unicron, his creations had to learn and grow and evolve until they were ready. But they were programmed to stop doing so. Somehow, Jhiaxus unlocked this genetic code, he and his fellow Transformers continuing to evolve into something… else. I have to say, this is a neat way of getting ‘Generation 2’ into the actual story of the comic rather than just being the name of the toy line. It’s quite wonderful, in fact.

Angry, Prime rips himself out of the machine. His race was already at the edge of what it was created to be: a force for good. Megatron and the Decpeticons crossed that line, but what have the Transformers become under Jhiaxus, without a conscience? But as Prime leaves, we readers get to see what the machine would’ve shown him next.

It’s Jhiaxus’ evolutionary process, repeating and repeating until the darkness within transforms into something else and makes its way out into the cosmos. Is this what Prime’s visions in previous months were all about? Is it linked to the vast powers from the time of Primus and Unicron, the reason their evolution was programmed to stop? The story is going very big, very quickly and I like the messages and questions it’s bringing to what would’ve been younger readers at the time. My anticipation for the rest of the run is sky high!

The six-page Tales of Earth: Part Two is also written by Simon and is drawn by the same team, however I’m glad to see Sarra Mossoff back on colours. According to Bludgeon modern day Earth has been completely subjugated by the Decepticons. This is a strange route to take, seeing as how kids could look outside and go, “No it hasn’t.” Personally, setting it just a year or two later as a possible future would’ve made it more dramatic.

Why has Starscream got what looks like a snake’s tongue all-of-a-sudden? Anyway, the story is basically a fight between the two leaders, the outcome of which we already know thanks to the cover and Megatron easily rips off Bludgeon’s head. He’s a Pretender though, so while we know any pain felt by a Pretender shell is also felt by the occupier, Bludgeon battles through, throwing himself out of his shell and straight into his tank mode. Behind all of this we get a funny moment showing the newly restored Starscream is still the same Starscream he’s always been.

At one point Megatron blows up one of Bludgeon’s Decepticons and calls the now-deceased jet ‘Darkwing’, but the colour scheme is that of Dreadwind, a fan favourite among Marvel UK readers as he was one of our letter answerers. I hope it was just a colouring error! In the end things are finished quite easily, with Megatron simply turning into his new tank mode and destroying Bludgeon. A shame, because I always preferred him over Megatron or Galavatron.

On the letters page, Vincent Grisanti may have (unbelievably) preferred Nel Yomtov’s colouring over Sarra’s and he may not like Richard’s word balloons, but he does bring up one good point. Namely, he questions the continuity between the end of the old series and the sequel, in particular the Nucleon storylines which resulted in some Transformers gaining great strength but losing their ability to transform, something they can all do again in Generation 2.

I hate the answer given here. The Action Masters toys may have been criticised at the time (these days non-transforming Transformers seem to sell well) but Simon crafted a wonderful storyline to explain them. This is thrown out with a pithy one-sentence response that I feel mocks all of those dramatic stories (particularly for Grimlock), stopping just short of ignoring them completely.

Of course, here in the UK the final Transformers Annual had a wonderful, character-driven prose story which opened up the doors to those Autobots transforming again. But who cares, right? Just chuck all of that wonderful work away! If the comic carried on beyond its first year I’d loved to have seen this addressed but clearly it wasn’t going to be. I feel cheated. Anyway, before we finish off two adverts from this issue caught my eye from the perspective of cost!

$70 for Sonic the Hedgehog 3?! A game even I could finish in an afternoon? I remember the prices of Sega’s and Nintendo’s cartridges being on the news at the time. No wonder! The Screen Posters are desktop wallpapers. When we now can take any image from the internet or any of our own personal photos and make them our wallpapers with a few clicks, it’s so quaint to remember a time when companies could sell them to us. But without that offer they’re $30! The fact the prices from these adverts are from the early 90s makes them even more shocking!

The best issue so far in this series comes to an end. As the two strips appear to be coming closer together, and as the main one becomes more complex, I can see why this run has been held in such high regard. I can’t believe this is a comic series that would ultimately be cut short. Next month we’re only half way through though, so there’s still plenty to get stuck into yet. The sixth issue of Transformers Generation 2 will be here on Sunday 23rd February 2025. It can’t come bloody soon enough!

iSSUE FOUR < > iSSUE SiX

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G.i. JOE COMPENDiUM BOX SET: iT’S ARRiVED!

(This post was due yesterday but Storm Éowyn had other
ideas and knocked out my electricity and internet!)

In May 2024 I told you all about a fantastic new Kickstarter project from Skybound Entertainment and Image Comics. With the rights to produce G.I. Joe (and Transformers) comics now in their more than capable hands they were not only carrying on the G.I. Joe A Real American Hero comic from #301 onwards, still written by Larry Hama no less, they’d also be reprinting ALL of the original Marvel run in what promised to be a quite awesome compendium box set.

You can check out the blog post from last year to read about how I became a fan of the comics, about my pledge and the Kickstarter campaign itself. It went on to break all records to become the most funded comics Kickstarter ever, raising over $3.7million (almost £3million). It was a thrill to be a part of that! They promised they’d start delivering the sets to American customers in December and the rest of the world in “early 2025”, so I naturally assumed anytime up until the spring.

You can imagine my surprise when I received word on New Year’s Eve that mine had arrived in the UK, and how ecstatic I was when I got a knock on my door and was handed a (very) heavy parcel on 3rd January! After the awful year 2024 had been it was like 2025 was telling me things were going to be okay after all. In this post I’m going to show you all of the cool things that came in that parcel so be prepared to feel jealous. (I can’t even say I’m sorry about that, it’s just that awesome.)

The box itself is huge and has a lovely glossy finish, with artwork on either side drawn by Andy Kubert (Batman, X-Men, Thor) and coloured by Brad Anderson (Action Comics, Batman Three Jokers, Ghost Machine). The gatefold lid opens up to reveal the huge spines of four hardback volumes inside. I mean, I knew these were going to be big but it still surprised me just how huge they were when I first opened it.

Reading about their design and seeing mock ups of them on Kickstarter never prepared me for how gorgeous they’d look and feel in real life. I love how they’re embossed and that the star on the front and spine matches each volume’s fancy gilded-edged pages. Aren’t they glorious? At over 620 pages each there’s plenty to get stuck into as well. In fact, inside the four tomes are 155 issues of the original comic, three Yearbooks, 28 issues of Special Missions, four issues of the Transformers crossover, four issues of Order of Battle and one G.I. Joe Special.

In total that’s 195 issues! So even though I spent £235 on this and that may sound like a lot (it was), it’s really only £1.20 per issue, which in itself is a bargain considering how much they can go for on eBay, never mind the fact they’re wrapped up in such high quality presentation! While I’d have preferred the original dotted colouring just for that extra retro feel, the strips do look lovely. It’s a sympathetic updating, each colour and tone replicated perfectly as solid blocks of colour. There’s no gaudy updating or errors and the linework remains crystal clear and detailed, unlike some collections I’ve had in the past (I’m looking at you, Batman: The Golden Age).

Also included inside the books are lots of extras I never saw in the few IDW collections I had, such as profiles and even extra stories. Oh, and the option I went for includes a bookplate signed by Larry himself. On top of all that reading there are also physical copies of the Special, #21 (the famous silent issue) and the first Yearbook, the latter of which isn’t in the hardbacks because it was all reprint material.

But that isn’t all. As the Kickstarter rocketed past stretch goals a whole bunch of extras were added, all of which are included here. There’s a pack of G.I. Joe trading cards, then nine more cards exclusive to this set, an additional exclusive Storm Shadow card, a double-sided bookmark, a sticker, pin badge, patch, prints and four posters showing the sides of both the G.I. Joe set and the red Cobra set that was also available.

Phew!

Having a flick through the first book I think I’ll be reading new stories for me by the end of that volume alone! I’d previously read some in the pages of Transformers and tried collecting the earlier stories when IDW had the licence but I failed miserably (more on that here), so to finally have the full set and be able to read the whole story in order for the first time is incredibly exciting.

I’ve begun collecting Skybound/Images continuation but they’ll be sitting on the shelf for now. With the phenomenal success of this set (originally they only aimed to raise $50,000) I’m hoping for a similar box for IDW’s 145 issues and specials to bring me fully up to date before I begin reading the new stories. Yes, that means the new monthlies will be on my shelf for a while but I’m used to collecting comics and waiting a long time to read them with this blog. Besides, this set is going to take a minute to get through and if they do a second set it’ll be worth the wait to avoid spoilers.

Okay, I’m off to make a massive pot of coffee, cut several slices of Christmas cake, put on some appropriate background music (I’m thinking James Horner’s Aliens and Steve Jablonsky’s Transformers scores) and I might even slip into my comedy shark onesie a friend got me for Christmas and get stuck into this. You might hear back from me by the summer…

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