Lew Stringer is synonymous with OiNK thanks to his creations Tom Thug, Pete and his Pimple and Pigswilla alongside a multitude of one-off strips and the scripts for Ham Dare, Pig of the Future. I remember Lew being everywhere back in the 80s, popping up in my Transformers and The Real Ghostbusters comics as well as a slew of other titles. But before all this he’d created a certain smelly little troll by the name of Derek whose comic collection is available to buy again thanks to a second printing.
Derek the Troll was originally created in 1984 for a competition in the role-playing magazine Warlock. He may not have been the winning entry but the editors liked him so much he became a regular strip in every issue. When it folded Derek made the transition to White Dwarf for a few issues before he was retired in 1987. He made a return for the book You Are the Hero in 2013 and then most recently in digital comic Goof, the last issue of which was never released so hopefully we’ll get to see the conclusion to that story in the future.
So who is Derek? Well, in the world of role-playing games the trolls are a breed of character generally overlooked as grunts in bigger battles, cannon fodder for the enemy. Think vile, smelly, disgusting versions of pawns in chess. To quote Lew, Derek is “a likeable troll with obnoxious habits”, which sounds like a character OiNK fans can get behind. The strips are highly imaginative, given the almost limitless scope of the tabletop games universes he’s meant to be set in.
Sometimes Derek is downtrodden, sometimes he gets the upper hand, so you never know where each tale is headed. There are more fun monster designs, plenty of puns, a rhyming strip, a make-your-own-adventure strip and loads of genuine laughs. Included are all of Derek’s stories from the aforementioned magazines, the 2013 book and even the original story sent in as part of that competition, which sees print here for the first time.
But that’s not all. As noted on the cover, the complete run of a character called Rock Solid is alsoincluded and right at the back of the comic you’ll even find a little bit of Combat Colin.
Rock Solid is an egotistical, self-centred space hero whose ego is a lot more evident than any actual talent. Lew explains how Rock was difficult to write as he was deliberately created to be unlikeable, yet the readers had to enjoy the strip and want to see more. It’s a delicate balance and I think it works, even if by the end you’re hoping he’ll get his comeuppance. Does he? You’ll have to buy the comic to find out.
Rock Solid was created for early 80s independent comic Swift Sure and all five chapters of the story are present here, fifteen pages in total. Just as we’d later see with Combat Colin every week in the pages of Transformers, Lew’s ability to create enjoyable villains has always been strong. The gross Lucas Mucus is the highlight here and you can see him channelling his inner Tom Thug above. He’s a mutated human ruling over the gross alien race, the Grots. On this following page we’re introduced to their very alien language and the need for reader translations.
Rounding off the package are two half-page Combat Colin strips. This was originally released before Colin’s own series began, four issues of which have been published at the time of writing. Unfortunately, the website host of Lew’s online shop closed down a while back and his comics have been unavailable. But he’s now selling again through his own eBay seller’s page, starting with Derek’s comic.
Derek the Troll has 32 pages in total on very high quality paper with card covers and two pictures cards of Derek and Colin are also included. There’s an interesting editorial and under each strip you’ll find the original dates of publication and little snippets of information from Lew about each. All of this is only £6.50 including postage at the time of writing. It comes bagged and boarded, posted in a card-backed envelope to keep it safe in the post and every issue will be signed on the inside. So if you haven’t bought any of Lew’s independent comic releases yet make sure you start now with your own copy of Derek the Troll, then keep an eye on the blog for reviews of the other titles as they become available again.
To finish with, here’s a brilliant little sequence from the top of Derek’s final appearance in White Dwarf magazine. The magazine’s editors loved him but apparently opinion amongst readers was divided, so Lew decided to concentrate on his OiNK and Transformers work instead. I think this is a hilarious response!
It was 1984, two years before the launch of OiNK and Lew Stringer was asked by IPC Magazine‘s Group Editor of HumourBob Paynter if he’d like to contribute to the new comic. At this point Bob hadn’t yet asked for it to be renamed from its original moniker of ‘Rrassp!’ (after seeing several pig related items in it), but the first draft of a dummy issue had been produced and it was slowly coming together.
Bob was looking for more cartoonists who could bring their own unique style of humour and art to the mix. OiNK was to be very different in every conceivable way to IPC’s other comics and they were putting a lot of money and resources behind its launch. As such, it was the perfect launching pad for those trying to break into the mainstream.
“Brand new characters often take a while to get right and Tom looked more like Frankenstein’s monster in this concept than a school bully!”
Lew Stringer
At this point in his career Lew had produced some strips for Marvel UK and in 1985 would begin contributing Robo-Capers for The Transformers. By the time OiNK launched he’d be a well known name to fans of those comics, but this wasn’t yet the case.
A “dim skinhead bully character” was suggested to Bob and according to Lew he suggested in return, “Perhaps his dad could be pushing him to be a bully to follow the family tradition, to inherit his boots”. This will sound familiar to anyone who has read the review of the preview issue.
Thus began Lew’s development of what would eventually become Tom Thug (What a Mug!) in OiNK. “I knew IPC liked puns on existing concepts and it sounded a bit like Tom Thumb,” he explains.
Previously on Lew’s personal comics blog he shared his very first rough sketches of Tom from 1984 and with his kind permission I’m able to share them with you here now on the OiNK Blog as we look forward to the review of #1.
You’ll see how the original idea was somewhat different to the character we all came to know and love in the regular comic. As Lew explains, “Brand new characters often take a while to get right and Tom looked more like Frankenstein’s monster in this concept than a school bully!
“Anyway, after a few more sketches, I eventually gave Tom a rounder look and something I felt comfortable submitting. Bob only wanted to see the strip in a pencil stage at this point, and here’s the actual artwork I sent him.”
This is the original rough page which showed Bob what Lew’s first story idea would be, setting the foundations for what would hopefully become a regular strip. Bob decided to rewrite the script a little, which Lew says tightened things up and created a better build-up to the punchline.
A lot of the content of this dummy comic made its way into the free preview issue. Remember as well, when Lew and Bob originally spoke an earlier version of the issue had already been created, so this gives an idea of just how long new comics could take to be developed, approved and finally given the green light for publication. Below is the completed Tom Thug strip as published in the preview.
Tom proved incredibly popular with OiNK readers (including this one) and regularly made it into reader’s lists of favourites. When the comic finished he was one of only three characters to make the transition to Buster alongside Lew’s Pete and his Pimple and Mark Rodger’s/Mike Green‘s Weedy Willy. Incidentally, Tom crossed over with both in the pages of OiNK, but he was the only one to last beyond six months in the merged comic. (You can see the crossover with Weedy Willy here and with Pete here.)
He quickly became one of Buster’s most popular characters too, something editor Allen Cummings acknowledged in a letter to Lew in 1990. The “Brats” mentioned here is a reference to The Vampire Brats, another Buster strip Lew was drawing, written by OiNK co-creator/co-editor Mark Rodgers and later Roy Davis.
In fact, across both comics Lew ended up creating an incredible 440 strips for the “dim skinhead bully character”.
At the time some parental groups felt OiNK’s contents were a bad influence on children and even these days I read the occasional comment online from someone who is confused at having a school bully as the main “hero” of a strip. But they’ve spectacularly missed the point. He was never the hero.
As Lew put it himself on his blog, “The intention of making him the villain of the story was to act as some contrast to all the goody-goody characters in IPC comics. The idea being that the reader would be laughing AT the character, rather than with him, and more importantly to act as some form of catharsis for readers who had been bullied in real life.”
It’s been 35 years to the day of writing this since readers of IPC‘s Whizzer and Chips, Eagle and Tiger and Buster received their comics inside a plastic bag with a piggy pink pig emblazoned on the front. Inside, tucked in behind their newsprint comic was a big, bold, brash and glossy new comic called OiNK!
This was the preview issue of OiNK and, unlike preview issues in the years to come, this was a full-sized 32-page comic. It must’ve been quite the revelation for readers to hold these large, bright pages in their hands, especially with that Ian Jackson cover. This was the first time young readers would’ve been introduced to his unique style; the jagged lines of editor Uncle Pigg and the gag of a medieval torture rack setting the stage for something truly original and anarchic.
One of the three co-creators/co-editors Patrick Gallagher created the bright pink logo which immediately stood out. The impact of that first page was carried on to page two with Ian showing us the inner workings of our editor’s office. This is complete with staff, OiNK’s take on infamous campaigner Mary Whitehouse and even an embattled accountant who can’t quite fathom how they’re going to pull off such a high quality comic, the first issue of which would go on sale just seven days later.
Next to this is our very first OiNK strip, Cowpat County from fellow Northern Ireland local DavyFrancis, written by famed comics writer and another OiNK co-creator/co-editor Mark Rodgers. This first appearance sees 80s environmentalist and television presenter David Bellamy pop up, only to come a cropper in Farmer Giles‘ (whose name we wouldn’t know until #14) world. If all this could happen to him when placed into the real, unfettered countryside, what about those used only to city life? We’d get plenty of chances to find out, and all very accurate of course.
The preview issue throws everything at the reader
The preview was mainly made up of strips from a dummy issue previously put together to sell the concept to IPC. As such, some of our favourite characters may look a little different here because they’re earlier versions of the ones we’d become used to; we’ll see them evolve and change as we make our way through the regular comics. Below is the very first Burp the Smelly Alien From Outer Space from Jeremy Bank for example, his first strip for a children’s comic.
What a great introduction. Burp would be present in almost every issue of OiNK and we’d start with a near-constant series of attempts to ingratiate himself to the human race, all failing in spectacular fashion. In later issues we’d see vacations in space, a surreal and rather dark humour develop and we’d even become acquainted with the lives of his internal organs. These would culminate in an epic story that originally came at just the right point in my life to teach me about puberty! No, really. You’ll have to wait until Christmas 2023 for that review though.
Even simple things like Ian’s and Jeremy’s unruled, freehand panels would’ve set the comic apart. Strips are of varying lengths, some even tucked in beneath (or down the side of) others and in a huge variety of styles. The fresh appeal is very apparent, especially after reading the issues of the established comics it was packaged with. Here’s a quick glance at a selection of what the young readers were suddenly being exposed to, starting with Patrick and Mark’s co-creator/co-editing partner-in-laughs Tony Husband‘s iconic hero, Horace (Ugly Face) Watkins.
Horace (Ugly Face) Watkins by Tony Husband Weedy Willy written by Graham Exton, drawn by Mike Green Harry the Head by Marc Riley who also stars as Snatcher Sam Rubbish Man by David Haldane
OiNK definitely couldn’t be accused of having any kind of ‘house style’, unlike other comics which expected cartoonists to draw within certain parameters. It’s also chock full of content and the format of cramming as much into each page as possible provides a satisfyingly meaty read. An animal-free meaty ready, obviously.
Showing how the aim was to rip up the rule book, throw out tradition and create a comic that was genuinely very funny, the preview issue throws everything at the reader and a surprisingly high amount sticks. One such idea was the pig-ifying of popular culture. Nothing was safe. From celebrities, television shows and musical artists, to movies, cartoons and literature, if a pig-themed pun could be made of a name you could bet OiNK would take advantage.
This Hambo poster from J.T. Dogg (real name Malcolm Douglas) wasn’t even the first such piggy pun. By the time readers got to this stunning centre-page spread they’d have already been treated to the delights ofWillyHAM ShakesPIG and Terry WogHAM, along with mentions of Ian BotHAM, Lester PIGgott and PIG Country. But let’s take a moment to appreciate that poster.
J.T. Dogg’s work is simply stunning. As well as this series of OiNK Superstar Posters he’d provide the artwork for The Street-Hogs and Ham Dare: Pig of the Future amongst others. What’s even more incredible is how he worked. At the time cartoonists would draw their strips at twice the size of the published comic, the finished page reduced at the printing stage. But not Malcolm. He’d complete all of his work at 1:1 scale! Sadly no longer with us, you can check out some more of his extraordinary work in his obituary.
Now it’s time for a commercial break.
The first of many Madvertisements to come, they went big to begin with, didn’t they? I mean, sausages made of minced up butchers isn’t exactly subtle. This is the perfect example of how they could push the boundaries of good taste and we kids loved it. It was just good, cheeky fun. On the top half of the page you can see Tony’s son, Paul Husband who would go on to appear in the occasional photo story. Nowadays Paul is an amazing professional photographer whose work you can check out on his website and Instagram.
“Rock’n’roll madness!”
Tony Husband describes working on OiNK
On more than one occasion working on OiNK has been likened to being in a punk band, especially by Tony. He describes those OiNK Manchester offices as “rock’n’roll madness”. Located in the same office building as the Happy Mondays‘ manager, next door to Haçienda nightclub DJ Dave Haslam and, while the city was at the height of its MADchester music and culture scene, the comic’s team even included former The Fall band member (and future BBC Radio 6 Music presenter) Marc Riley.
The rock’n’roll madness led to some hilarious scenarios, such as when Tony and Patrick were invited to London to appear on a breakfast TV show. They were given the impression they were appearing to discuss their new comic appealing to a new audience of young readers. However, the true intent was soon clear when the first question referred specifically to the following Madvert.
Asked if they felt joking about smashing up friends’ bicycles was the “right message to send”, the presenters spectacularly missed the point of OiNK. But according to Tony it was worth it in the end because his and Patrick’s expenses were all paid for, including travel and a night in a 5-star hotel. Then on the return train journey Tony brought out a few of the small bottles of booze he’d sneaked out from his hotel room, thinking they’d have a tipple on the way home, only for Patrick to empty out a plastic bag full of every single bottle from his room. By the time they hit Manchester they could hardly walk off the train.
In among the wealth of talent who had never contributed to children’s comics before were some more familiar names. However, they were now given free rein to produce strips they simply couldn’t elsewhere and let’s face it, if you could give such freedom to anyone, it would been Tom Paterson.
Pigg Tales would be the general name used on and off for some of the bigger one-off stories, written and drawn by a variety of people. The Revenge Squad showed what Tom could bring to OiNK but unfortunately he’d only show up in five editions of the comic throughout the course of its whole run. According to OiNK writer Graham Exton they really wanted him on board but he was just too busy to be able to contribute more. Such a shame because he was a perfect fit.
Finally, right at the back of the comic a certain character is introduced for the very first time. He’d go on to appear in all but one regular issue and then carry on for many more years in Buster after OiNK folded. A school bully may sound like a strange creation for a strip, even for such a wacky new venture, but by the end of his first story it’s clear that while he may be the star, he’s certainly never going to be the hero.
Lew Stringer‘s Tom Thug remains one of my very favourite comic creations of all time and I’m really looking forward to reliving his misadventures all over again. It’d take a while before he’d be able to tie those laces, he’d cross over with other characters like Lew’s own Pete and his Pimple and Mike Green‘s Weedy Willy, even leave school and sign on for unemployment which was definitely a first in comics history. The original designs for Tom and the first draft of this very strip can also be seen in a special blog post.
So there you have it, a little look into how potential new pig pals (as regular readers were referred to by Uncle Pigg) were first introduced to the world of pigs, plops, puns and parody. Then, as if the promise of more of this insanity wasn’t enough there was news of a free flexidisc record with #1, surely a free gift as unique as the comic it would be attached to. I hope you’ve enjoyed this look at the preview issue. There are also other posts on the site detailing the countdown to the release of the comic to keep you busy until Monday 3rd May and the review of the first issue of OiNK. So off you trot on your trotters and I’ll see you then.
As we approach Monday 26th April 2021, the 35th anniversary of the preview issue of OiNK, let’s take a look at an article from the time written by Tom Thug and Pete and his Pimple creator Lew Stringer for Fantasy Advertiser. An introduction to the new comic just before its release, it was the first time readers of the fanzine heard about OiNK.
Fantasy Advertiser was the creation of Frank Dobson and had been printed since 1965 as an “Ad Zine”, being handed off to a series of editors over time. It featured listings of British and American comics for sale in the UK long before the internet made this a lot easier, alongside features like the one you’ll see below. Lew was a regular contributor with a column in every issue.
Lew would cover news of new comics, discuss classic titles and interview creators such as Mike Higgs, Kevin O’Neill etc. It sounds very much like his later Blimey! blog which, while it’s been closed, is still a treasure trove of British comics information.
The OiNK article featured in #96 of Fantasy Advertiser, dated May 1986 and you can read it in full below. I think the first paragraph perfectly sums up why Mark Rodgers, Tony Husband and Patrick Gallagher created OiNK in the first place. There’s also an interesting reference to the specific things other children’s comics required of their cartoonists and the rules they had to follow, which this new team would gleefully abandon. There are some details about the two dummy issues created to sell the concept to IPC Magazines, their positive reaction and how it was Bob Paynter, the Group Editor of Humour who approached Lew to join the comic. (When I’ve spoken with Patrick and Tony over the years they’ve often referred to Bob as “OiNK’s champion at IPC”.)
“The humour is the kind we like. Violent, anarchic, weird, generally lunatic and very modern.”
Mark Rodgers, OiNK co-creator/co-editor
There’s a great description of Lew’s Tom Thug and how he was a new, different kind of comics character, an interesting look at the independent nature of OiNK and how it was put together in a way unlike any other children’s title of the time. You’ll also see a few select panels from the early issues, including Tom Paterson‘s excellent Wet Blanket who is returning to print in a special collected book later this year.
Thanks to Lew for the kind permission to share this with you all. Just click on it below and have a read for yourselves.
Also note the correct influences for OiNK here and the absence of any mention of Viz. OiNK was never a children’s version of that (admittedly very funny) comic and was never intended to be, despite what is usually erroneously mentioned elsewhere online or in magazines.
David Hathaway-Price has, with permission, archived many of those Fantasy Advertiser issues digitally, at his Classic UK ComicsZines website, including the issue featured here. The fanzine continued until #115 in 1991, eventually relaunching as an online resource in 2010 by one of its previous editors, Martin Skidmore.
Don’t forgot to come back on Monday 26th April for the review of that preview issue of the world’s funniest comic, the whole reason this website exists. An amazing two-and-a-half years is about to begin. Not to be missed, pig pals.
The latest issue of Spaceship Away includes a feature which will appeal to fans of a certain OiNK sci-fi spoof strip. Writer of Ham Dare: Pig of the Future, Lew Stringer talks about the creation of the strip and the stellar (pun intended) artwork of J.T. Dogg that brought his creation to life.
On his own blog, Lew states, “The interview is part of a six page feature called The Fake Dan Dare Syndrome by Andrew Darlington which also includes other Dan Dare spoofs and related strips such as Danny Dare from Wham!. The article mentions that my Ham Dare plot bears a passing resemblance to the 1957 novel Wolfbane by Frederik Pohl…. which came as a surprise to me because I’d never even heard of that book until now!”
Lew discusses his working relationship with Malcolm, how they only met once at the OiNK launch party and communicated mainly by phone. Full scripts were sent to Malcolm and it was co-editor Mark Rodgers‘ idea to have him as the artist, lending a more direct homage to Dan Dare to the strip than the cartoonish art Lew had envisioned. He also talks about that dinosaur extinction scene and the emotions he felt writing it, which many pig pals felt when reading the surprisingly touching moment.
If you haven’t heard of Spaceship Away, it’s a fanzine concentrating on publishing brand new Dan Dare strips and new science fiction illustrated tales and prose stories, alongside factual articles on everything from the classic Eagle comic of the 1950s to modern day space exploration and science news.
This issue is #53 and is available for £8.95 or you can take out a year’s subscription for £25.50 (prices for Europe and worldwide readers are £11.50 and £31.00 respectively) and you can order it through their website now.
You can also read more information about the interview on Lew’s own personal blog, Lew Stringer Comics.
OiNK Blog 