YOUNG ME iN STUFF!

It was 10th December 1988 and my mum, dad and I had just returned from a local Christmas jumble sale and I’d sat down on the sofa to read the comics we’d picked up from the newsagent on the way home, beginning with Marvel UK’s Thomas the Tank Engine & Friends. I may technically have been a few years older than the target audience even at that young age but I still loved the show and my Hornby train sets, so I was still collecting the comic too.

It was only the second Christmas edition (of a comic that still continues to this day) and I remember my parents were in the kitchen unpacking whatever we’d bought at the community centre and making cups of tea. I’d only been reading comics for a couple of years but I’d already fallen in love with the issues published this time of year. Tim Marwood’s cover may have been missing snow on the logo but I don’t think we can accuse him of holding back on the Christmassy feel.

Inside, the editorial made mention of a page of drawings sent in by readers a few months previous and I’d completely forgotten I’d sent one off. So, I sat there and continued to flick through the issue to see what was ahead of me, as I would do with all the comics I got that day before deciding which one to read first. A few seconds later my parents had the fright of their lives when I screamed at the top of my voice and came running towards them!

I can clearly remember my mum’s panic dissipating into laughter and a huge smile as I showed off the Thomas comic in my hand where my drawing had been chosen to be printed! I’m not sure why I’d never sent anything to OiNK over the previous two years (it had been cancelled two months before this), given the excitement I felt that day knowing thousands upon thousands of kids would see my Gordon, Thomas and Percy (the three Hornby engines I owned) in their Santa hats.

On the 36th anniversary (blimey!) of that moment I thought I’d share the few occasions as a child that I saw my name in print in some of my favourite publications of the time. I began writing in to many comics with letters or drawings but I wasn’t successful until four years later. By that time I was in high school and in the middle of a different big craze amongst my friends, the Teenage Mutant HERO Turtles.

Any international readers might be a bit confused by the title there. Our turtles were called “heroes” rather than “ninjas” in the cartoon, its song and any merchandise, all because stuffy Brits thought “ninja” was too strong a word. Even all of Michelangelo’s nunchakus moments were edited out of the cartoon and the movie was sliced apart upon release. All this even though the comic and toys would show those weapons. So strange to think back to those times!

Anyway, as I babysat my niece one night I drew a picture of said mutant turtle for no real reason. So chuffed was I with the end result that I added a quick background and sent it off to the comic, once again forgetting I had done so. The thing is, I cancelled my reservation for it not long after, some time before issue 50. Almost a year later, knowing we had some classes in school that our teachers wouldn’t be there for (I can’t remember why) I decided to buy a comic on the way and the best option on the shelves was #67 of Teenage Mutant Hero Turtles Adventures.

Talk about a lucky coincidence. I’d flicked through the comic on the bus but only during one of those classes did I sit down to read it properly and discovered I was in it! It had taken them long enough to print it and to this day I still find it quite unbelievable this was the only issue I ever bought after I’d stopped collecting it. It was the last drawing I sent to a comic but my letters continued, for example inside an issue of a new, futuristic magazine.

After seeing the new 3DO machines on an episode of Channel 4’s Equinox I was sold! It was to be the new standard for interactive entertainment much like radio or VHS and I wanted in on the ground floor. The story of the 3DO is for another time but I became an early subscriber to Future Publishing’s Edge and in the days before widespread internet in all our homes this was the only way to get my queries answered before I spent (my parents’) money on the system.

Why I thought Edge would know anything about Jaws I have no idea and I was heartbroken that Equinox had lied to us. As you can see I was by no means the only person hyped by 3DO and while I adored my Panasonic model, I still covet that Sanyo machine on the other page to this day. I also collected the bi-monthly 3DO Magazine around this time and got another set of queries answered in its final issue. Unfortunately, I never kept them and they go for silly money on eBay these days, but eventually I’ll track down what other not-as-important-as-I-thought-at-the-time questions I had and add that magazine to this post.

There was one publication I appeared in quite frequently and I’m currently tracking down all of its issues to complete my collection. It was a computing magazine that’s already featured on the blog for its coverage of the OiNK computer game and the fact it was the very first magazine I ever bought, beginning a few years before Edge. That superb magazine was Commodore Format, also from Future.

Yep, that’s me in my school uniform with my friend’s fluffy duck. (I know, you have questions.) We really thought that would make a good promotional photo. The story of Commodore Format and how formative it was for me and my friend Colin is worthy of a post all of its own, so that’ll be something I’ll dive deeper into in 2025 and I might even be able to get Colin involved. So if you want to find out what the hyper-intelligent duck forced us into then keep an eye on the blog over the next year sometime.

Did you ever see yourself in print as a kid? Friends of mine found their way into the pages of Transformers, 2000AD and even other issues of the Turtles. Maybe you were a lucky pig pal and impressed Uncle Pigg enough to get published in the blog’s namesake and received a piggy prize? If so, feel free to reach out to me on the blog’s socials (Instagram, Threads, Bluesky, Facebook), I’d love to hear your stories too.

PERSONAL POSTS

CHRiSTMAS 2024

OiNK iNTERViEW SERiES: PART TWO

Welcome to the second of four parts to this OiNK Interview Series, in which I sent the same four questions to some of OiNK’s greatest talent and I’m publishing their answers all together, one question at a time. The response to last week’s post has been phenomenal and the blog’s stats have been skyrocketing. Every time this happens it’s always great to know I’m not alone in keeping this wonderful comic close to my heart all these years later.

Last week I asked the team what their fondest memory of their time on OiNK was and many of them mentioned working as part of this particular team. Suitably then (even though I sent all of the questions at once) this second question digs down into those previous answers a little. It seems those creating OiNK enjoyed reading it just as much as we did!

QUESTION TWO

Whose work did you admire the most in OiNK?


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“Difficult question because with so many different styles everyone brought something fresh and exciting to the comic. Jeremy Banx was always one to watch because he pushed the envelope with what he could get away with. J.T. Dogg did spectacular work of course and I was pleased with our collaboration on Ham Dare, Pig of the Future. It was also good to see David Leach’s style develop. Psycho Gran is such a great character and I’m pleased he still creates new stories for her today.”


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“There were so many artists I admired on OiNK but my absolute favourite is Ed McHenry. He introduced me to dip nibs and they were a real game changer in how my style looked. I’m very lucky I met Ed, he is a true gentleman who loves his work. Fun fact: He was a drummer for Roy Orbison in the sixties. Fun fact 2: I hitched a lift in Roy Orbison’s white Rolls Royce.”


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“There were loads of really good artists working on OiNK, Lew Stringer and Ian Jackson spring to mind. I think it was Jeremy Banx’s stuff that struck me the most. It was very funny, and unlike anything I’d seen in British kids’ comics before. There was one Burp strip about him going on holiday to a secluded planet, and he’s inadvertently brought along a wasp in his spaceship which escapes onto the planet, and he knows then that he can never return – the presence of the wasp has ruined his paradise. I don’t know why that has stuck in my head all these years.”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

Ian Jackson’s.”


KEV F SUTHERLAND
Meanwhile…, The Three Scientists,
March of the Killer Breakfasts

“I loved Frank Sidebottom‘s stuff, and was also a fan of his music, so being in the same comic as him was a thrill. I thought Jeremy Banx and Lew Stringer‘s stuff were the funniest. Lew is the deserved star of the comic and it’s no surprise that his was the work that carried on into Buster.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

“This is tough, as there were so many great writers and artists. I was very partial to Ian Jackson‘s covers and Hadrian Vile strip, and I always found Jeremy‘s nose-related strips hilarious.”


IAN JACKSON
artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

Jeremy Bank‘s Burp.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“Awkward question. Let me explain. When each new copy of OiNK appeared, I would clip out my stuff, this was then placed in my safe deposit box at my bank, the rest of the issue was then used to line the bottom of our budgerigar’s cage. So tell me, did I miss anything good?”


DAVID LEACH
Psycho Gran, Dudley DJ

“I admired them all. I felt humble to be in the same comic, it was a comic that made me laugh. I loved the different styles, I genuinely don’t think I had a favourite, although the three artists I felt symbolised OiNK were Husband, Stringer and Banx.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“Favourite OiNK artist? Banx. No question. Funny, witty and a great writer/cartoonist. I loved getting to see his original art. Only met him once in London for about 4 seconds as I had to dash back for a train.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“So much good stuff to choose from. So many talented artists and writers. Mark Riley‘s Harry the Head always sticks in my mind. Loved the simplicity of his drawings and his daft ideas.”


Can I just say I agree with every single answer here? I’d have been useless if someone asked me this question. My answer would’ve been as long as this whole post. Our next question is one I’ve been particularly looking forward to. After reading about them admiring each other’s pages we ask about their own creations. It should be an interesting one (again). Come back next Saturday, 14th December 2024 for the responses to this:

What’s your personal favourite piece
you contributed to OiNK?

QUESTiON ONE < > QUESTiON THREE

OiNK iNTERViEW SERiES

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CHRiSTMAS 2024

CLASSiC GUMS: BiTiNG COMEDY

In 1975 the greatest movie ever created was released across the world, becoming the first blockbuster and entering the public consciousness, making it ripe for official sequels and the obligatory spoofs. Out of the latter, the best by far was a UK comic strip which first appeared in Monster Fun in 1976, making the transition to Buster the year after and remaining there until 1984. It’s been an absolute joy to get reacquainted with Gums.

When he appeared on the cover of Monster Fun #35 he was an instant hit. In fact, I was surprised to find out he didn’t last even longer in Buster. I discovered him in the Big Comic Book series (and its fortnightly comic) in the late 80s and even though I hadn’t seen Jaws by that stage I was aware of it, and got the joke of a great white shark with dentures straight away, including the tagline ‘A Shark Worse Than Its Bite’ and the comic’s version of the famous Jaws theatrical poster.

I was thrilled to receive this first collection of Gums strips last Christmas. Released by Rebellion, within its 132 pages is the character’s entire run from Monster Fun, made up of 39 strips from the regular issues and a further 12 from the annuals which continued through to 1985. It’s such a shame OiNK’s annuals didn’t continue after the comic was cancelled.

There are actually a few links with our piggy publication here. One of OiNK’s original writers, Graham Exton has written the introduction to the book, the character was co-created by IPC Magazine’s Bob Paynter who championed the idea of OiNK from the off, of course there are a few strips by John Geering who contributed some fantastic pages for Uncle Pigg and there’s even one strip drawn by Roger Rental’s very own Ian Knox, and another by The Slug’s Lezz!

He wouldn’t exactly be a threat to Richard Dreyfus, would he?

While I’ve fond memories of Gums from Big Comic, I don’t recall many strips featuring Bluey, the Australian surfer who ends up in a back and forth with Gums over the false teeth. Often, whoever wins at the end of one week’s strip would still be in possession of the dentures the next, these small story arcs of a sort adding to the addictive nature of the book.

All of the strips here are written by Roy Davis (Faceache, Joker, Vampire Brats) and while the strip might sound like it could be one-dimensional, the end result is anything but! Think of the best Looney Tunes cartoons, specifically Roadrunner and Wile E Coyote which never stopped being original and hilarious despite the simple premise, and you’ll get the drift. Yes, it’s that funny! Unlike those cartoons though, you never know who’s going to win from one strip to the next.

Because of the way I was introduced to the character through reprints of John Geering’s Buster strips, I was initially a bit disappointed he doesn’t feature much, but I very quickly grew to love original artist Robert Nixon’s (Rodger the Dodger, Korky the Cat, Frankie Stein) work. Alf Saporito (Gus Gorilla, Nosey, Master Spy) takes over after a fashion, ghosting Robert’s art somewhat but then developing a more detailed style, with Les Barton (The Slugs, I Spy, Knight School) drawing one when Alf must’ve been on a break, although it’s deliberately ghosted so you’d never recognise that it’s Lezz. 

Here’s one of John’s strips from the book for you to enjoy.

For being a shark, Gums is wonderfully expressive as you can see from the highlights I’ve chosen. Below, he gets so paranoid that any food is just bait thrown in by Bluey that he almost wastes away. Then there’s a scene that actually had me laughing out loud. During an on-the-water carnival full of people wearing large cartoon character heads, he steals a hat from a clown and puts it on his snout, then steals ketchup from a picnic on the beach and smears it over his mouth. Bobbing up and down alongside a boat, he tricks the police into thinking he’s a passenger in fancy dress!

It’s completely insane! It’s brilliant! He may think he’s the most terrifying creature in the ocean but he’s completely inept, yet he’s so inventive with his crazy schemes he ends up very loveable. He never actually catches any people or any of the sea creatures he chases, and he’s just as partial to a pork pie or a creamy dessert than he is to actual fish or people.

Later strips taken from the Monster Fun annuals point to how things had developed in the pages of Buster, with less Bluey and the introduction of Cap’n Mayhem and an ensemble cast of underwater characters (such as Olly the octopus), giving it an underwater sitcom kind of feel. These are more in line with that I remember enjoying as a kid but I’ve loved every single moment of discovering his earlier escapades. From foretelling Jaws’ many sequels by exclaiming “Revenge! Revenge!” in the early pages to becoming a bobbing clown, this is an unmissable collection of classic comedy that hasn’t lost any of its ability to make the reader laugh.

There’s a reason a Gums strip will always appear in each Big Comic Book review. Even out of so many pages he’s always the funniest. You can pick up his own excellent book at any good comics store or book shop, or you can order it directly from Rebellion’s online shop. To finish, since I’m covering this during the festive season (so you can throw unsubtle hints at your loved ones), here’s a rare moment of unity between the great white and the young surfer to mark the occasion.

BACK TO ANNUALS PAGE

CHRiSTMAS 2024

COMiNG UP: CHRiSTMAS TRANSFORMERS YEAR ONE

This must’ve been an exciting cover for fans of the new Transformers comic from Marvel UK, with that crossover event splashed across it, taken from the American comic and drawn by Mike Zeck. But that’s not why it’s being featured on the blog. Inside, this issue contained information on the first of the seven Christmas issues for the Cybertronians produced between 1984 and 1990.

At this early stage the comic was a very different beast to what most will remember. In its first year it was a 32-page fortnightly comic filled with lots of extra features beyond the two comic strips, all of which were given equal billing to the Transformers themselves. Hence why the Next Issue promo has a preview image for Machine Man and our lead characters are nowhere to be seen!

As regular blog readers will know I’ve read all 332 issues (plus annuals, specials etc.) of this series in real time over on the blog’s Instagram and there’s now a blog post enabling you to check it all out in whatever order you wish. The American Transformers Generation 2 monthly is also in the middle of a full read through on the blog at the time of writing. Now, I’m kicking off a special yearly series of posts for the 40th anniversaries of original comic’s Christmassy editions and books.

Beginning in 14 days and continuing over the next several years, every Christmas I’ll be taking those special issues and annuals already covered briefly on Instagram and giving them the full blown OiNK Blog treatment on each of their 40th birthdays. Some of them are amongst my very favourite issues of the comic’s run and the hardback annuals were festive feasts, often including elements of lore that continue to this day in the likes of the recent Transformers One!

The first Transformers Annual wasn’t released until the comic’s second year so in 2024 we’ve just got #7 of the original fortnightly to have a gander at. It’s got a lowkey Christmas vibe compared to what came later but it’s still a fascinating look at how these yearly treats kicked off, and an interesting look at just how different Transformers was in those first 12 months. So come back on Sunday 15th December 2024 for the latest Cybertronian addition to the blog.

GO TO iSSUE SEVEN

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CHRiSTMAS 2024

OiNK iNTERViEW SERiES: PART ONE

Welcome to first post in what should be a fascinating four-part OiNK series this festive season. I came up with some general questions about our favourite comic and handed them over to no less than 11 of OiNK’s finest contributors. Every Saturday between now and Christmas Day I’ll publish all of the responses for each question in turn, so we can get an insight into what it was really like to be a part of the world’s greatest comic.

The OiNK team have always been so forthcoming with information ever since the blog began and their enthusiasm for the comic hasn’t diminished one iota in the decades since they first tickled our funny bones. It’s been a joy to put these posts together and reach out to some of my comics heroes. So what’s the first question?

QUESTION ONE

What’s the fondest memory that comes to mind
when you think back to OiNK?


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“Fondest memory was meeting all the artists and writers at the OiNK launch party. It’s a bit of a lonely profession drawing cartoons and comics so it was great to meet up and yack about drawing and comics.”


DAVID LEACH
Psycho Gran, Dudley DJ

“That first UKCAC show in 1988, I think, when I got to meet other cartoonists for the first time. I met Davy Francis, Lew Stringer, Davey Jones, Ed McHenry and Banx. It was wonderful. I felt I’d found my people.”


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“Probably just that sense of open-mindedness you got from the editors. My main point of contact was Mark Rodgers and I’d send him script ideas which he’d either approve or turn down. But you always felt that he’d be open to any kind of silly ideas. I remember buying a volume of Spike Milligan’s Goon Show scripts from a jumble sale, and for a while after that the stuff I was submitting was a bit Goon-ish. So you felt you could sort of muck about and try out different things.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“Memory? I remember meeting Mark and Tony (Husband) and Pat (Gallagher) as they were cobbling the first few issues together. They were working from inside a cupboard in Manchester back then. It was hard to tell them apart because we all had hair then, including Pat. It felt like an exciting time to draw comics, and I could always meet a deadline because I learned to draw in my sleep thanks to Pat nagging me. Hey Pat! How are you?”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

“Meeting up with Tony and Mark immediately after we received the news that OiNK had been formally commissioned.”


IAN JACKSON
artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

“Photo story shoot with Mark Rodgers dressed as aliens, and his girlfriend Helen as someone we were trying to abduct from a local park.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“Printed on quality paper with excellent colour reproduction, everybody could sign their work or get a printer credit, well paid and all your artwork returned. What’s not to like as they say.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

“Visiting Tony‘s house with Mark was brilliant because Tony was such a nice chap. I noticed his stack of Peter Hammill albums in a corner – we bonded over music. We also had a fun time discussing Uncle Pigg‘s helpers, the Plops.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“A lot of fond memories. Getting the ideas and drawing them up against the clock was hard work but fun. Meeting up with the other OiNKers at conventions and stuff was a highlight. I remember, with great fondness, the process of getting the idea that Burp‘s organs should be independent living beings with their own ecology. Also when I realised that his liver should be Dr Devious, the notorious super villain. The nice thing about that was it felt like the character was revealing himself and it almost wasn’t me doing the work at all.”


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“There are lots of happy memories but I think just having regular work in an IPC comic for the first time felt like a major achievement, even though I’d been contributing to Marvel UK for a few years by then.”


KEV F SUTHERLAND
Meanwhile, The Three Scientists,
March of the Killer Breakfasts

“It was my big break, so the best thing was being a proper professional comics creator at last. I was holding down a day job and doing my OiNK work at night, and it had taken a whole year of sending something off every single week before I got in. I would send something to 2000AD who’d say ‘you’re too cartoony, you should send it to OiNK’, and to OiNK who’d say ‘you’re too action-y, you should send it to 2000AD’. OiNK broke first.”


And so it begins! Even though very few of the OiNK team ever worked from their Manchester offices, you’d never think it from these replies. They were clearly a fantastic team, whether they ever met each other or not, and admiring of everyone else’s creations. It pleases me no end that it seems OiNK was such a great comic to work on. Make sure you come back next week, Saturday 7th December 2024 for question two, which will be:

Whose work did you admire the most in OiNK?

See you then.

GO TO QUESTiON TWO

OiNK iNTERViEW SERiES

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CHRiSTMAS 2024

Classic Comics in Real Time