Tag Archives: David Law

BEANO #954: A GiFT OF AN iSSUE

Seven months later I’m finally back reading a classic issue of The Beano, this time from 1960. First up though, let me address something. This issue has a cover date of 29th October with a scheduled release day of every Thursday, despite the 29th having been a Friday. But if I told you the actual release date was Wednesday 26th October 1960 you might think I was wrong. Given the amount of people who tried to “correct” me about the previous three issues on socials I have to take a moment to explain.

British weekly humour comics were often dated for the Saturday after publication day and would be available the working day before the day written on the cover. Don’t believe me? Well, this comes straight from Lew Stringer, a bigger authority on British humour comics you’d be hard pressed to find. Of course, it doesn’t help that publishers (including DC Thomson) often celebrate anniversaries on the cover dates. But yep, all of my dates are correct, and with that let’s get stuck in.

I was never a fan of Biffo the Bear, drawn above by Dudley D. Watkins. I never really understood the appeal. He never did anything bear-like, he was just an ordinary, rather bland character to my young eyes and I ended up avoiding his strips in my friends’ Beano Books. The cover to #954 doesn’t change my opinion. Thankfully, David Law’s Dennis the Menace is on the very next page. However, what about that ending! For the most part the strip is fun old-fashioned Dennis fare, but he gets the slipper because his dad misheard him?! Beating your son when he did nothing wrong and you just weren’t listening? Wow, okay then!

Sadly, there’s no Halloween content in this issue despite us being so close to the holiday but it still marked an important part in Beano’s life. Harry Crammond had recently come on board as editor and the look and style of the comic was freshened up, becoming much more like that which my friends grew up with in the 80s. For example, the logo now has the famous Beano colours. There’s more familiarity with The Three Bears on the next page.

Drawn by the incredible Leo Baxendale I remember these characters well, even though I never personally bought the comic as a kid. They started out in Little Plum, their popularity leading to their own strip. Little Plum is in here too but its stereotypes are quite painful to read today so I’ve included the bears instead. Besides, their page is also much funnier! Always looking for their next Slap-Up Feed™, this is the perfect example of the lengths they’d go to every week. Still, the art is the star.

The comic had only recently increased to 16 pages after the war so a price hike was necessary and to ease the pain free gifts returned for the first time in several years. Normally used as a way of increasing slowing winter sales (thanks to the expense of Christmas), it’s the reason this issue was chosen for the box set. Strangely, there’s no indication of what the gift actually was, either in the comic or the bookazine. One thorough search online later and I found out it was one of a series of Clickitty Clickers.

Basically, they were bits of metal with drawings of characters on them that made an annoying clicking sound when pressed together. I could see plenty of these being purposely misplaced by many parents. You can check out the others available with other copies of this issue at the British Comics & Story Paper Index (where the images of the gifts above are from).

Another character we meet for the first time in this blog series is a favourite of mine in the modern Beano, Minnie the Minx. The undisputed (in my eyes anyway) star of the Christmas Specials given her history with Santa, here she’s also drawn by Leo. The story could be seen as somewhat Halloween’y I guess, even if the wonderfully drawn monstrous faces are awkwardly squeezed into the story in ways that don’t really make a lot of sense.

Speaking of Minnie and Santa, this year’s Christmas Special has already plopped through my letterbox and I’m using all of my will power to leave it be! I’m sure neither Minnie nor the comic will let us down this year. Back to our classic issue for now and Beano still had some adventure stories within its pages, albeit in picture-panel format rather than prose. Although, they seem to be showing their age more than ever.

The Ting-A-Ling Taylors is essentially a White Saviour tale of a British family (and their fire engine, weirdly) rescuing African wildlife when the locals prove unable to do so for some reason, despite having lived there for generations. It’s also telling that everyone in the family is given a name in this episode except for Mrs Taylor, who is only known as “his wife”. Next up, The Danger Man is such a clichéd 60s square-jawed hero I initially thought it was a spoof, but the Martian and his kids risk life and limb to rescue a cat from a burning skyscraper so you can call me a fan.

The Great Flood of London tells the tale of a family living inside the famous clock tower beside the Big Ben bell, scavenging for food in half-sunken ships and shops beneath the surface. It’s difficult to judge it by one chapter of an ongoing adventure, but while it’s interesting it doesn’t do much apart from detail their everyday lives. Not the most adventurous of adventures, this one.

Lord Snooty and his pals are still here and this issue’s strip is notable for including Professor Screwtop, who modern kids might recognise as the father of Rubi, another highlight of my yearly Christmas reads. The issue also contains The Bash Street Kids, Wonder Boy and Colonel Crackpot’s Circus, but my final highlight couldn’t be anything other than the strip on the back page.

The instantly recognisable art of Ken Reid (who OiNK Blog readers will know from Faceache in The Big Comic Book) is behind the chaotic Jonah. His lifelong dream is to be a bonafide sailor but, in a career where symbols of bad luck were treated very seriously, having every ship sink after he stepped on board is nothing short of a curse. Here, he sees a way around this by playing a role in a film that just happens to be filmed on a boat.

At the very end you can just about make out Jonah being thrown back on board and the next issue saw his attempts to integrate himself with the same crew as the strip often ran scenarios over several weeks rather than resetting each time. I remember Jonah from the 80s so I’m assuming he’ll be in the following issues in this set, but whether he’ll still be drawn by Ken… well, I can only hope. (Please, no spoilers, I want to find out for myself, that’s the whole point of the blog after all.)

Deciding to cover these eight issues on their original release dates means we’ve eight months to wait until the next one, #1768. It marked the creation of the Dennis and Gnasher Fan Club. So make sure you come back on Wednesday 2nd June 2027 as we relive 1976, the year of the first supercomputer, the release of Breakout in arcades and Carrie in cinemas, Jimmy Carter, the first craft to land on Mars, the discovery of the megamouth shark, Mrs. Warsaw-pact’s (from OiNK #10) namesake and that heat wave the news kept banging on about this summer.

BACK TO iSSUE iSSUE 452

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BEANO #452: AN iCON iS BORN

Three months and six years after our last entry comes our third edition of Beano (or, THE Beano as it was called) from DC Thomson’s 80th Anniversary Box Set. It’s another lovely reproduction, the paper feels authentic and the printing once again could easily fool us into thinking we’re reading an original. There was also a big improvement on the title banner by this stage in the comic’s life; there was no need to be disgusted by Big Eggo as the new mascot. He wasn’t inside though. So who was?

It’s another 12-page issue (the World War II paper shortages still in effect) and as a result the overall make up of the issue feels vey different, even compared to the classic issues we’ve seen so far. There are less than five pages of comic strip here, the rest are made up of picture-panel and prose stories. This meant the kids still had plenty to read inside such a small comic and it was back to a weekly schedule after alternating with The Dandy during the war.

Dudley D. Watkins’ Biffo the Bear kicks things off and I’ll admit I can take him or leave him. Reading friends’ Beano books or issues as a kid I was never that enamoured with him, so I don’t have any particular memories of his strips. They must’ve been a bit forgettable for young me despite being one of the comic’s mainstays. He was the cover star from his introduction in #327 in 1948 all the way until #1677 in 1974 when he was dethroned by a certain character who makes his debut in this very issue.

Yep, this was the week readers were introduced to Dennis the Menace, drawn by David Law and developed by him and the comic’s chief sub-editor Ian Chisholm, in this fun little strip I originally read in the 50th anniversary book. While I do prefer the modern Dennis and the more sophisticated humour (obviously such things change over time) I did laugh at the quick transition between the 4th and 5th panels above! Of course, we now know this Dennis is our modern day Dennis’ dad in the current Beano, which is a nice touch. A quaint start for a true comics megastar.

The Granny Green story (now drawn by Gordon Ramsbottom) yet again reintroduces the whole premise as if this was Jimmy’s first time dressing up as his fictional relative, while confusingly also acknowledging he’d done so loads. It’s probably meant to play out as a repetitive gag the children reading are in on, knowing full well what’s going to eventually happen. I can imagine the kids of the day cheering him on to dress up, but today it reads like the exact same story from #1 dragged out over a page-and-a-half.

Noel Fielding’s hilarious TV series The Completely Made Up Adventures of Dick Turpin may have spoiled me somewhat for comical tales about that particular historical figure, but in 1951 I’m sure Fred Sturrock’s The Hungry Little Goodwins provided plenty of smiles. Strangely, the picture-panel stories of this series that ran throughout 1951 were adaptations of earlier prose stories from just a couple of years previous.

Always hungry, the kids’ appetites were insatiable and it was always up to Turpin to get them out of whatever situation their rumbly tummies got them into. It does go rather dark in this issue with its workhouse and all that but it’s still fun and as unique a serial as you’re ever likely to find. On the back cover is a character I remember from reading friends’ copies back at school, and from about three months ago in #272.

This was Pansy Potter’s second series in The Beano, running from 1949 to 1955, with “in Wonderland” replacing “the Strong-Man’s Daughter” as the sub-title. She was now taking up the whole rear cover on her own, such was her popularity. Somehow stepping into a wishing well into Wonderland, Pansy found herself surround by characters from nursery rhymes. Bit random.

Pansy Potter was the first series to be printed in full colour on the back page

Drawn by James Clark by this stage, it might sound like a rather random set up but it hit all the right notes for the readers. All the proof you need of how well received it was is the fact this was the series the comic decided would be the first strip to be printed in full colour on the back page, as mentioned when we last met Pansy.

Elsewhere, Lord Snooty and His Pals are still in the same format (and still on the same page) and Tommy’s Clockwork Town is the unbelievable prose serial of a boy with a full clockwork town and its residents flat-packed in a lorry ready to be deployed in minutes. Jimmy and his Magic Patch picture-panel stories came to an end and the details of that exciting news on the cover amounts to no more than two separate sentences accompanying two stories inside.

Pansy may have finished the issue but I want to finish the review by nipping back to page two and Bill Holroyd’s Have-A-Go Joe. Judging by this one strip alone, Joe seems like someone who was up for anything and the more ridiculous and dangerous the better. There’s got to be an easier why to make a living. That guy he’s working for could also do with some heath and safety in the workplace training if this is how he tests bullet-proof vests. Joe would last for just over 100 issues before disappearing, then appear briefly in The Beano Cinema before returning much later in 1997!

Next time, we’ll jump forward to the ‘Year of Africa’, 1960 and the time of the first laser, the 50th star on the American flag, Cassius Clay winning gold at the Olympics, the iconic photo of Che Guevara, the Civil Rights Act, the opening of the Bluebell Railway and the premiere of The Flintstones. The inclusion of the next issue in the box set celebrates free gifts and, finally, there’s an increase in page count. So, more to read, review and (hopefully) laugh at in The Beano #954 on Monday 26th October 2026.

iSSUE 272 < > iSSUE 954

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