Tag Archives: David Haldane

OiNK! #67: FiSHY RUBBiSH

This is a really stinky, smelly, rubbish issue of OiNK. However, as pig pals will attest that doesn’t mean it’s bad. Instead, it’s rubbish with a capital ‘R’ because David Haldane’s Rubbish Man is back after a long hiatus. Originally appearing in every comic, special and book, Rubbish Man disappeared when OiNK when weekly with #45, however David continued to contribute to every issue with his uniquely bizarre sense of humour.

Not intending to do things by halves, Jimmy Bung (our hero’s alter ego) takes up a whopping ten pages of this issue, his adventure split up into five double-page spreads and as you can see by the cover it has a rather famous guest star in the shape of then American President, Ronald Reagan. And a slime monster. Naturally. I love the ‘Reagan In Arms Trouble’ headline, mimicking the newspapers of the day. Interestingly (or coincidentally) the three characters who’d be making the transition to Buster comic in a month are all mentioned on the cover, and watch out for a special blog post next week about that top corner announcement!

We kick things off right at the top of page two with Kev F Sutherland’s Here Comes Rhymin’ Simon, a one-off character whose name suggests the joke will be based solely on how he speaks. However, we should know by now never to predict a strip by Kev. My point is proven when the story actually takes a dig at the push for ‘Made in Britain’ in the press at the time, something Spitting Image also masterfully took the hand out of. Even at my young age (back then, not now) I can remember my friends and I making jokes about those little stickers.

A strong satirical start that this kid definitely appreciated at the time and a few pages later Marc Riley’s Harry the Head returns to top form too. Harry’s strips were always at their best when they were full pages and individual stories. The lengthy adventure serial he had for a few months in the fortnightlies didn’t really work for me and, while his mini-strips in recent issues have been funny, reading this next page reminded me of how strong his entries were right back at the beginning of OiNK.

While having Harry stitched up inside Barney could have made for some (possibly rather disturbing) fun, the end made me chortle. As if Harry being a disembodied head wasn’t a dead giveaway, slapping on a joke shop disguise is just so ridiculous with an already ridiculous character I couldn’t help but laugh. It’s nice to see Marc back to writing for Harry too.

After what felt like a Lew Stringer special last month, the prolific cartoonist returns to a more regular workload. There’s a one-page Tom Thug which rings true, in which we see Tom taking on the true persona of all bullies including the online troll variety. Then Pete and his Pimple’s three-page strip starts off with this imaginative photo collage as he travels into the far-flung future to seek out a pimple cure after a suggestion from reader Matthew Browning of Kent.

A nice little 2000AD reference there too.

The story is a good ‘un if you can track down the issue, with Pete arrested in a world where anyone with spots is jailed for everything that’s wrong with the world, after the government has run out of other minorities to blame. Just to nail the point home, when a robotic claw grabs him it’s named ‘Claws 28’ after Margaret Thatcher’s draconian anti-LGBTQ+ Clause 28 from the late 80s. It’s yet another example of Lew’s social commentary that’s both very funny and unfortunately still very relevant.

Time to see what that front cover was all about and in a distant galaxy we meet the crazy baddie (aren’t they all?) Dr. Blip, the last of his race, and his two henchmen The Glove Puppets From Hell. In order to hold all of planet Earth to ransom for fifty squillion, zillion pounds and a copy of Dire Straits’ latest album he’s kidnapped Reagan and sent the largest monster Rubbish Man has ever faced. How large? Well…

Jings, Rubbish Man! I do believe you’re right! That would’ve been one helluva cliffhanger had the original idea for this strip as a weekly serial been realised. Hinted at back in #52, the plan was for this to be a five-part story but it’s clear David ended up creating it for the monthly format; there are no titles at the beginning of each part (unlike The Street-Hogs in #65 which had been partially drawn before the shift to monthlies) and it all feels very spaced out, like it was created for a larger format.

Below is the page where Reagan is kidnapped by one of Dr. Blip’s hideous monsters just as he’s on the telephone to our smelly hero. The panels are huge and every double-page spread feels like one page of David’s usually packed pages stretched out. The art is gorgeously coloured (a rare thing for Haldane in OiNK) and the grotesque creature is suitably (comically) horrific and very random as per David’s humour, but there’s just not as much to read as we’ve come to expect.

There’s something else missing too. Where’s the mouldy custard squirting out of Rubbish Man’s nostrils? Or the mushy peas spraying out from his fingertips? Or his super garlic breath? While it’s a funny and imaginative strip, apart from one solitary smelly foot none of his powers are present. They were the whole point of the character and why he was so beloved by the children reading the comic.

Instead, all of the gross out humour is reserved for the stomach of the planet devouring beast and hordes of undigested carrots. Or rather, a “hungry horde of psychopathic, semi-digested, blood-crazed diced carrots”. It may not feel like a classic Rubbish Man story but I can’t fault the imagination on show and where else would you find a superhero not only swimming through a swamp of ear wax, but also commenting on how this isn’t his first time.

The story comes to its conclusion when Reagan utters some magical Presidential words told to him by his wife Nancy earlier that day (“Jumpin’ Jellybeans!”) and turns into President of the United States Man. Yes, really. With a simple, single superhero punch Dr. Blip (himself modelled on a certain 80s English politician) is defeated and Rubbish Man takes care of the Glove Puppets from Hell he’d been forced to wear in equally easy fashion. Of course there’s just one more issue to mop up.

Or not, as it turns out.

With the new target audience of teens and students it’s strange to see the absence of the smelly and unhygienic nature of the character. (Surely they’re an even more perfect group of readers for him!) As it stands it’s a fun strip which I think needed about half the space it took up here and I can only imagine the extra laughs it could’ve contained had it been written as five individual strips in the weekly OiNK. As an epic adventure for this particular character it could’ve been so much more.

This was his penultimate strip, with a similarly lengthy story to come in the OiNK Winter Special next year, then there’s a reprint in the OiNK Summer Collection the year after. He doesn’t even pop up in the forthcoming OiNK! Book 1989 (see further below). It’s such a shame because he was a real highlight of those early issues, my favourites to this day still being the colourful Kentucky Fried adventure from the very first issue and the multiple laughs to be had in #9’s bonkers entry. Farewell for now Jimmy, it’s been a whiffy blast. Meanwhile…

This Meanwhile… from Kev F reminds me of a smaller strip by Vaughan Brunt and Mike Green from #31 and just like Vaughan’s debut this was also repeated umpteen times in the school playground to anyone who’d listen. Nice little cameo by one of Kev’s Three Scientists from last month’s highlights, too. From a spoof of one classic comics superhero to a spoof of another classic comic’s adventure strip, this time of the British variety.


Danny and Penny Cretin were overjoyed when their uncle built them an amazing mechanical fish

The Iron Salmon, Lew Stringer

Back in the 60s Beano would have a couple of adventure strips in amongst the silliness and OiNK cartoonist Lew Stringer’s favourite was The Iron Fish, a tale of two young children who owned a fantastic metal submersible in the shape of a giant, dynamic-looking fish in which they’d have various adventures. A couple of decades later and Lew teamed up with artist Andy Roper to bring life to The Iron Salmon, a rather more cumbersome and sorrowful-looking vehicle.

The two children may have the same forenames as their Beano originals but their surname was changed to one Lew felt better suited the rather wet personalities of Beano’s pair. While the adventure strip had them poke their noses into things to save the day, here their nosey nature causes disaster after disaster, neither of them having the intelligence or self-awareness to know they’re the ones causing all of the problems to begin with. This is great fun.

Andy’s art is perfect for spoofing classic comics. He did so with OiNK’S take on Rover‘s and Victor’s Tough of the Track and of course let’s not forget his main contribution to our comic, the phenomenal Spectacles of Doom. The fact the original Iron Fish’s headlights looked like ferocious eyes is brilliantly transformed into big cute ones instead, with a further set of headlights making it look even more gormless. Sadly no longer with us, you can see more highlights from Andy’s time on OiNK including his Scruff of the Track, in his obituary.

You can also check out Lew’s posts about The Iron Fish on his old Blimey! blog, including some of the earliest ones he read as a child, its reinvention for Buddy comic and even a real-life version, The Seabreacher!

As a kid this was the first monthly I spotted strips (as opposed to the posters, which I’d missed the first time) I’d originally read a year or two earlier. This disappointed me but was by no means a deal breaker. Including those posters there are eight pages of reprint material here, more than the previous issues but on the back page came news of something glossy and new! The OiNK! Book 1988 had been so incredible the previous Christmas I’d eagerly awaited its sequel. Now, word finally reached pig pals of the 1989 volume.

It was great to see the old logo again. As a kid I hadn’t realised I’d actually missed it until I saw this superb J.T. Dogg cover. His illustration made up for the disappointing news it contained 16 less pages than the previous book, especially disappointing given the regular comic now had 48! As a result, the book having only 16 more pages than the comic it was advertised in felt rather stingy when I originally saw this advert. I could only hope it wouldn’t disappoint on Christmas Morning. We’ll find out in a few short months.

We’ve missed you Mary, and we’ll miss everyone very soon

There’s a surprise return to strip form for one more character before I sign off this review. I’ll end on that but first the Next Issue page (which you’ll see in its own post on Friday 20th October 2023) contains a gorgeous Frank Sidebottom cover which sadly adorns what would be the last issue of OiNK. I can’t believe we’ve come this far already. Don’t worry though, there’s a ton of OiNK content still to come, both in the immediate future and for years yet on the blog.

For example coming next week is that post promised above, on Sunday 15th October you’ll see how Buster comic announced the merge to come the following week, then on Sunday 22nd October you’ll have two reviews to read, one for OiNK #68 and another for the first four Busters starring three of our favourite characters. Then it’ll feel like no time at all until The OiNK! Book 1989 is reviewed on Christmas Day. For now, as we approach the end it feels fitting to have Mary Lighthouse (critic) back in the pages again, here written by F. Jayne Rodgers (co-editor Mark’s sister), her sole contribution and drawn as ever by the irreplaceable Ian Jackson. We’ve missed you Mary, and we’ll miss everyone very soon.

iSSUE 66 < > iSSUE 68

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KNOW YOUR OiNK!: CARTOONiSTS’ PROFiLES

This is a nice little bonus post even if I do say so myself. Although I can’t take any of the credit, that must go to ten of OiNK’s top contributors who each decided to tell us a little bit about themselves in the second Holiday Special, released in March 1988. Sprinkled throughout the issue were fun little quarter-page profiles containing a self-portrait of some sort and a description of the cartoonist or editor in their own words.

The last part of that sentence is key. Don’t be expecting any actual real information here. This is OiNK after all. If you chose ten of its talented team and asked them to tell the readers something interesting about themselves do you really think they’d waste that opportunity with actual facts? Or would you prefer they took the chance to use their unique senses of humour to have a laugh instead? It’s a no brainer. Let’s kick things off with the three people responsible for OiNK in the first place, shall we? Here are the comic’s creators and editors. These were the people in charge!

I particularly like Patrick Gallagher’s pen name and his unique way of presenting his age, and it’s hilarious to have the incredibly talented Mark Rodgers’ profile presented as so amateurish. Tony Husband’s artistic depiction of himself is so funny but poor Paul Husband! If you take a look at the very first OiNK, the special preview issue, you’ll see he doesn’t actually look like Horace (Ugly Face) Watkins. If readers had wanted to see what all three of these individuals really looked like they would’ve had to check out the article in Crash magazine from the previous year.

As a kid I never knew of Crash (or the unique free edition of our comic tucked away inside that issue), so as far as I was concerned these profiles were the closest I was going to get to really knowing those who made us laugh so much. As a kid I had no idea it was Patrick and Mark who had appeared in photo stories such as Castaway and Star Truck previously. The latter also starred Tony albeit behind an evil alien (chicken) mask,  but we never knew who they were in those strips. That’s what makes these silly not-so-fact files so funny of course; this is how readers would imagine the amazing talent behind the comic. It’s just a shame we didn’t get more!

Ian Jackson is synonymous with OiNK and did appear in a photo story alongside Mark way back in the Valentines issue but, like Tony, he was behind expensive (not really) alien special effects. In fact it was only two years ago, not long after I started this website, when John Freeman‘s Down the Tubes website published a spotlight article about Ian that I finally found out what the person behind Uncle Pigg, Mary Lighthouse and Hadrian Vile looks like.

This imaginative profile not only sums up his wacky sense of humour with far-fetched nonsense, he also manages to highlight the truth about being a cartoonist

Marc Riley appeared as another anonymous kind-of-actor in Star Truck but was probably best known for portraying Snatcher Sam during the first year of the comic and The OiNK! Book 1988. The grisly world of punk rock he refers to is The Fall, the band he was a part of for four years between 1978 and 1982 before forming The Creepers. Of course, Frank Sidebottom needs no introduction or indeed a silly drawing! We all knew him from countless children’s television appearances already and the man behind the papier-mâché, Chris Sievey, was always so brilliant with his fans that of course he’d take any opportunity to give them a chance to get in touch directly.

Below is David Haldane’s profile, he of Hugo the Hungry Hippo, Rubbish Man and Torture Twins fame and this imaginative profile not only sums up his wacky sense of humour with far-fetched nonsense, he also manages to highlight the truth about being a cartoonist! Then Steve Gibson, who’d go on to produce a range of very adult comics after OiNK brings us a depiction of himself that’s really rather disturbing and perfectly illustrates (no pun intended) his art style. If you’re interested in a full-page strip of that Judge Pigg he’s drawing then check out the review for #58.

Quite a few years ago now, perhaps about a decade back I had the pleasure of meeting Davy Francis a few weeks before Christmas and had the chance to purchase some of his original OiNK artwork which currently takes pride of place on my wall. I didn’t even know he lived in Belfast like me until I was at a film festival earlier that year, and while chatting about comics to someone and mentioning OiNK they told me they knew Davy. An absolute gent with a brilliant sense of humour and an incredible caricaturist his contribution here keeps to the theme of telling us absolutely nothing about him and instead giving us a good chuckle.

Like Ian and David, Davy works his usual signature into his profile so readers can instantly recognise who this is and then we finish the Holiday Special off with Davy’s good friend Ed McHenry. The drawing in Ed’s is in my mind probably the most accurate, based on my completely unknowledgeable assumptions about cartoonists’ work areas. I really like how he’s tried to incorporate as many of the little random details from his description into the drawing too, it’s packed full of little sight gags and details. Absolutely classic Ed.

A few months after the special one more profile appeared in one of the monthly issues, OiNK #66. While it got my hopes up there’d be more in future issues this was sadly the last but it’s a nice little bonus. Especially since it’s by one of my favourite cartoonists of all time and was in an issue where he contributed almost a third of the contents! Lew Stringer is very much a child of the 60s and plays up to that here, beginning with the profile number being made up of three key 60s movie/TV/comic series. I just wish I’d thought of his excuse for why I sucked at school sports!

There we go. Don’t you feel completely informed about who made the funniest comic of all time? Me neither. Or maybe we should. The details may not be entirely accurate but they portray the sense of humour OiNK encapsulated, the craziness and imagination that captivated us and the combination of comic talent that was like no other. These great profiles inside the second OiNK Holiday Special may not have been an introduction to these cartoonists, but they could very well be the perfect introduction to OiNK itself.

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OiNK! #65: POLiTiCAL PORK

What we have here is the final Ian Jackson cover for OiNK, which is a sad moment. In fact by this stage Ian had finished his work for OiNK, with a page or two held back for publication in the issues to come. Not to take away from anyone else’s hard work of course but Ian was synonymous with the comic, as a child he was OiNK and his Uncle Pigg, Mary Lighthouse, Hadrian Vile, Golden Trough Awards and everything in between were highlights of every issue they were in.

Speaking of those characters, it’s also sad to see our editor Uncle Pigg permanently relegated to the letters page with no sign of Mary anywhere. On the cover of the first monthly there was a cheeky reference to two monthly humour magazines and it does feel like OiNK is trying to fit into that part of the market, instead of leading the way with something completely original for children’s humour comics like it had done for its first two years.

I remember thinking there was something different about OiNK now

Don’t get me wrong, it’s still got those regular characters and a unique line up of contributors who make me laugh like no other comic. As a kid it was still ‘OiNK’ to me, however I remember thinking there was something different about it now, other than the logo and frequency. Now I feel it was trying to be something different. I understand the change was well intentioned, but sometimes I wish IPC Magazines had never sold it to Fleetway Publications and that it had stayed as the themed 32-page fortnightly. But let’s concentrate on the fun!

Peter Porter, Post Office Sorter by Kev F Sutherland only appeared in three issues (this being the middle of the trio) and that’s a shame, although with only three regular issues left I guess there just wasn’t a chance to make more. From the three we did get I always got the feeling he was a new regular character. After he hunted down a customer to threaten them over not including a postcode last issue, this month’s is somewhat different but no less funny, showing how Kev could get great mileage out of just about any concept he came up with.

On to our cover star, although do I mean Nostrahamus or Ian Jackson? A little bit of both. For the cover character to only get two pages inside a 48-page comic feels a bit underwhelming but I think it may have originally been intended for the 24-page weekly OiNK where it would have been more of a headline act. Most likely written by co-editor Mark Rodgers it’s very funny and has lots of little moments you could easily miss, so take your time and you’ll find some real gems in here, such as the change to King Louie XIV’s name (sound it out).

That first page in particular feels very apt in this post-Brexit world we find ourselves, showing up the kind of people you just know voted for it without a hint of irony. I think this reads much funnier to me nowadays as a result. Nice little cameo from Tintin there too. Although, Ian’s art doesn’t feel as considered as normal, the people in the crowds not as detailed as they’d usually be for example. Perhaps it was one of his final pieces and had to be completed a little quicker than normal, but it’s still great to see his work regardless and of course there’s that wonderful cover.

David Haldane’s Incredible Amazing Bizarre World was a new addition to OiNK when it became weekly and has been an increasingly bizarre (it’s in the name after all) and random part of the comic with a handful of usually unconnected examples of David’s wild imagination. This issue the title is shrunk and on this half-page there’s just the one example of the crazy nature of our world, it needs the space all to itself to really get across the gag.

In fact there are three instalments this issue, although two of them are for competition winning entries from readers who wrote in and told David what they saw outside their window after he asked them to do so way back at the start of the year. Below, Richard Howard of Dublin’s entry was a particularly crazy entry, which David then had to draw of course! Another reader highlight can be found on the letters page with a particularly classic OiNK-like joke from Allan Maxwell of Cardross, perfect for Nasty Laffs and Specs.

Marc Riley brings us a rather morbid instalment for one of his long-running characters called Less than 101 Uses for a Dead Harry the Head! No, really. I mean, just look at that shoe! Lew Stringer’s Pete and his Pimple and Tom Thug both enjoy double-page spreads and will be able to stretch out further in the months ahead. Pete’s strip has an amusing opening that plays against the expectations of readers when a magical cure is suggested by a pig pal and Tom does something a humour comics character never did before.

I remember those final panels and reciting Tom’s chant for years when school holidays rolled around, but little did I know how ground-breaking this strip was. Tom actually left school here, an idea Lew tells me was originally Mark Rodgers’. Humour comics characters are usually stuck in time, rarely developing beyond their original premise. OiNK had already played against type by having Hadrian Vile age along with the comic and seeing his mum’s pregnancy play out over months, but this was on another level. Next month Tom even signs on! I’ll definitely be including that as a highlight.


“Punk rock saved our bacon!”

Dirty Harry

We’re on to our final strip for the issue already and the reason has nothing to do with a lack of quality content, it’s because this final strip takes up no less than 13 pages. Originally created as a six-part serial for the weekly, The Street-Hogs’ return is included in its entirety in this one issue, spread out throughout in its requisite parts. (They really should’ve been the cover stars.)

Their previous serial ended way back in #35 and told us Emma Pig, Dirty Harry and Hi-Fat would return in Malice in Underland and finally that story is here. While the title is the one mentioned almost a year ago I wonder how much the story was developed in that time because this is very much a political satire and seems more suited for the older teen audience the comic was now trying to attract. As an adult it’s much funnier than I found it at the time and makes this issue worth tracking down on eBay if you can. It kicks off with the first ‘mixed school’, something that would’ve been very topical for my fellow Northern Ireland readers back then.

The name of the giant butcher is a bit risqué for a comic I was buying at ten-years-of-age.

While not as long as their original 12-part story it’s longer than their first sequel but there’s a certain something missing. Or rather I should say someone. There’s no sign of Hoggy Bear who, given the fact he was a spoof of the pimp character from Starsky & Hutch I thought would’ve been perfect for OiNK’s new older target audience. The tone of the story certainly is. I can remember J.T. Dogg‘s beautiful, vivid artwork as a kid and loving certain aspects of it, even the renderings of politicians who I only knew from Spitting Image rather than the news.

However, having read OiNK all the way through in real time to this point it seems a bit out of place, despite the reboot with #63. The comedic references to the names and characteristics of 80s politicians seem ill-suited to the comic we’ve come to know and love and I doubt they had much of an impact on my funny bone at the time. Thank goodness for our three heroes and their special brand of silliness (see Harry’s secret body language below) and the return of their arch-nemesis Don Poloney the mafia butcher!

Despite The Street-Hogs strips usually being just plain silly randomness I love the fact there’s actually a bit of continuation from the previous serial here, with Poloney’s appearance explained as being linked to one of the Triffics who ate him last year. The seeds of that particular plant were brushed down a drain and into the sewers, his brain living on in one of the seeds, from which he grew himself a new body. This could only have come from the mind of writer Mark Rodgers! Discovering underground caves with primitive creatures he brainwashed them with stolen videos from the surface of news and the aforementioned puppet show.

Moments like these remind us this is still very much an OiNK strip at its heart, even with the sometimes overbearing references to the politics of the day. As an adult reading this I find it all very amusing but I can’t help remembering my disappointment in it as a ten-year-old boy when so much of it flew over my head. Back to the story and the crazed god-like leader grabs the ‘Hogs with his vines and decides there’ll be no fancy schemes or death traps, just simple strangulation! That’s the cliffhanger leading into our three-page climax.

These final parts don’t have that big bold logo, just a photocopied name in the corner, but what the finale does have is a cameo from some former OiNK stars and it suits the comic perfectly that punk is the answer. It’s an enjoyable strip and funny today even if it doesn’t seem as wild as the Street-Hogs’ previous stories, lacking the wonderfully ridiculous cliffhanger solutions and basically having the one joke to play with (the political lookalikes) until Poloney shows up. But once he does it becomes classic Street-Hogs again. The back page of the whole comic was certainly memorable too. Such a shame that named fourth instalment never materialised.

There are no OiNK Superstar Poster reprints this month but there are half a dozen other repeated pages from earlier issues, albeit absolute classics. Seeing #6’s Fish Theatre with its page overloaded with puns always brings a smile to my face no matter how many times I read it. This issue was originally the first time I read these particular strips so they actually added a lot to the issue for the young version of me and even now, as a little selection of ‘Best of’ strips, their older (as in original, younger target audience) OiNK humour helps make this issue a great overall package.

The Next Month promo promises the return of a certain mechanical porker and from memory it’s a huge multipage strip, another originally meant as a serial but which actually ended up created specifically for the new format. That should be an exciting enough prospect to lure any pig pal, so make sure you come back on Sunday 20th August 2023. OiNK Monthly was released on the third Saturday of each month so we’ve five weeks to wait this time instead of four. Boo!

CRACKLiNG TALES BOOKS < > iSSUE 66

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UNCLE PiGG’S CRACKLiNG TALES: VOLUMES OF FUN

In the issue of OiNK on sale now (at the time of writing) back in 1988 a special competition was published in which pig pals could win a set of two new books called From the Pages of OiNK!: Uncle Pigg’s Crackling Tales, new entries in publisher Knockabout’s Jester range. These were novel-sized collections of strips from the first couple of dozen issues of our favourite comic. The competition in #64 also acted as the only advert they’d ever receive. They passed me by as a kid and I only found out about them again a handful of years ago.

I’ve read online from certain quarters that apparently they were of very low quality, that all the reprints were very badly reproduced and that they felt like cheap cash-ins, but nothing could be farther from the truth! So today, at the point in OiNK’s real time read through when they were first announced to the readers I’ve decided to take a closer look at both books, while showing you just how good they actually are.

Given the rough matt quality of paper used for novels these feel like OiNK has been given the Big Comic Book treatment. Novel-sized and with 100 pages each, volume one contains a whopping 53 strips and the second has even more, with 63 classic funnies. They both come with new introductions, the first from Uncle Pigg and both books finish with a little promotion to buy OiNK every week using the design from the OiNK 45 record (the comic was still weekly when these were put together but monthly by the time they were released).

Uncle Pigg’s introduction is full of his usual boasts and I like what the initials after his name really stand for. Rhyming off the achievements of the comic up to this stage makes it all the more saddening to know that at the time of their release we were only a handful of issues away from the end! Also, while he tells the reader to watch out for her, unfortunately Mary Lighthouse (and Uncle Pigg himself) is nowhere to be seen in strip form.

But it’s the person who wrote the introduction to the second book that’s a real surprise. It’s none other than Alan Moore himself (Watchmen, V for Vendetta, Batman: The Killing Joke). Yes, that Alan Moore has written his own personal introduction for this OiNK collection. While it’s great to find out such a legendary comics writer was a fan, initially I thought it was a shame he seemed to get some facts wrong and didn’t seem to have gotten the point about a character. Thankfully Lew Stringer has clarified the latter.

It did read like Alan had missed the point about Tom Thug somewhat in his comparison to Dennis the Menace, which would be completely wrong; Tom was just a bully and always the loser and butt of the jokes. “Alan Moore’s comment about Tom Thug is tonue in cheek of course,” Lew has says in his comment below this post. “He certainly gets what Tom’s about as he compares him to a fascist movement.”

Mad Magazine’s satire and the wish to make something relevant to kids of the 80s inspired OiNK

While some did liken OiNK to Viz after it was released, its three creators certainly did not take their lead from Viz, a myth that particularly irks me as it takes away from its (and their) originality. Viz had no influence on the team’s creation whatsoever. Mad Magazine’s satire and the wish to make something relevant to kids of the 80s inspired creators Patrick Gallagher, Tony Husband and Mark Rodgers. That last important point Alan correctly points out.

I asked Patrick about the books and Alan’s inclusion. “From what I remember, when we were working on the Crackling Tales books, we were also really busy dealing with the early stages of the TV side of things, which, initially, was to produce OiNK! for TV,” he told me. “I think we allowed [publishers] Knockabout to produce the Crackling Tales covers to our specifications but we provided everything else. I also think that Knockabout was the contact for Alan Moore.”

These are excellent additions to anyone’s OiNK collection

So what makes up both books? There’s a star strip in each, with 12 Burp strips by Jeremy Banx in the first volume and a ten-part Horace (Ugly Face) Watkins story by Tony Husband in the other. Things kick off with the very first Burp strip in fact and after reading his misadventures all the way through to the final weekly by now, these early editions feel so different. That’s not to say they’re any less funny than they were originally of course. Both characters are perfect ways to highlight OiNK’s uniqueness.

As you can see the strips are printed sideways which makes more sense when you think about how much smaller these pages are than the comic’s; if they’d been printed normally they’d be far too small to enjoy properly. With 100 pages the books aren’t thick enough for this to get in the way of the strips and their middle panels are still easily read, even spaced out a little more when the art allows. This makes for a decidedly different reading experience, which let’s face it suits the OiNK perfectly.

Alongside Burp and Horace you’ll find a selection of other regulars such as Tom Thug, Weedy Willy, Cowpat County, Zootown, Hugo the Hungry Hippo, even the likes of Lashy the Wonder Pig and a Butcher Watch are included. Also here are some others who never made it past the first year of the comic, like Maggie Pie, Pete’s Pup and Kid Gangster. There are also a selection of one-offs like Jeremy’s excellent Curse of the Mummy and Mrs Warsaw-Pact which I found so funny back in #13 and #10 respectively. Absolute classics!

As you can see from these photos of one-off Scruff of the Track and a Cowpat County the reproduction is superb even on this very different paper, all of the intricate details of Andy Roper’s and Davy Francis’ artwork still as crisp as they were on OiNK’s much larger glossy pages. It’s great to see things like Scruff here too, especially for readers who had come to OiNK much later and could use these books to catch up on some of what they missed. I expected these to be made up solely of the regulars still in the comic at the time of publication, so I’m glad to see I was wrong.

Below you can see the smaller strips look just as good with anything between two and four of them fitting in when spread across this format. Some of my favourites from the whole run are here too such as Henry the Wonder Dog by Davey Jones and Ian Knox’s Roger Rental He’s Completely Mental, who I’ve been really missing from the comic for a while now. The regulars also have a chance to share this space, their half-page entries sitting alongside their larger strips elsewhere, as you can see in two from Lew Stringer here.

When OiNK was printed on gloss paper (up to #35) greyscale colouring was something unique for us to enjoy, with other humour comics printed on newsprint of much lesser quality they were unable to produce the same result. Even when it changed to matt paper initially it was of a good enough stock for artists such as Lew to continue with this style (although it did stop when the comic went weekly for a while due to the paper). Pete and his Pimple above may not look quite as good as they did originally but I don’t think it looks bad at all for this paper.

So where did all those criticisms of the reproductions come from? There are some examples of strips losing detail in the transition to these books, although across the combined total of 116 only three strips suffer from this. One is below and unfortunately it’s a really rather good Burp strip. I’m not sure how this was okay for the publishers, maybe it just slipped through by accident, but to write off these books because of three such instances is just silly.

It’s great to see Willy here too in some of his earliest adventures back when he was guaranteed to pop up in every issue. His earliest pages were definitely among his strongest (not an adjective Willy was used to) and it’s been great to see him back on form these past few months in the read through ever since the second Holiday Special. Reading those and his starring role in these books, it’s clear he was a good choice to make the transfer to Buster later in the year.

Some other pages I was very happy to see reprinted were an early Tom Paterson contribution when it was still a possibility he could’ve been a regular cartoonist for Uncle Pigg, there are a few Christmassy strips which made me very happy indeed including a classic entry from The Sekret Diary ov Hadrian Vile, it was great to see Pete’s Pup again from the late Jim Needle, a character who really should’ve stayed around, and the first appearance of Tom’s Toe poking fun at conventional comics still grabs your attention thanks to his cartoonist being none other than John Geering!

These books appear on eBay quite regularly for a few quid each and for anyone who wants to relive some of their favourite childhood comics but doesn’t know which issues to choose from, or who likes the fact they can do so while storing them easily on a book shelf, these are a must. Unfortunately, there would be no more volumes in the series. “I don’t think we had any concrete plans to produce any more Crackling Tales books,” Patrick says. “That would have been dependent on how the first couple sold. But by the time that information might have come through, OiNK was probably history!”

Sadly that was most likely the case. I doubt these got much of a promotional push by Fleetway by this late stage in OiNK’s lifetime, especially seeing as how it had basically been rebooted as a monthly ‘magazine’ for teenagers by now. As it stands though, these are excellent additions to anyone’s OiNK collection, or even for your book collection as a great round up of OiNK’s crackling sense of humour.

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COMiNG UP: OiNK! #64

This Sunday on the blog OiNK returns at last after what feels like a small lifetime since the last issue. As a child it did take some time getting used to only having one issue every four or five weeks but when the big, fat comics arrived they made the wait worth it. Another 48 pages of prime pork awaits, but what does it contain?

The Next issue promo would have you believe there’d be a starring role for David Haldane‘s Torture Twins, but in actual fact this was just a funny promotional piece (the twins would have their usual half-page strip). What we do get is the return of Police Vet who was first seen in The OiNK! Book 1988 and a couple of memorable OiNK additions in the shape of a John McCrea pencilled strip and a page that would go on to be read out in the House of Commons! Check back anytime from Sunday 18th June 2023 to see that one.

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