Category Archives: Christmas

CHRiSTMAS COVERS: FESTiVE FUN

When I was a kid most of my comics were fortnightly so their Christmas editions arrived very close to the Big Day itself, complete with snowy logos and cheery happenings on the cover. It always felt like extra effort went into the creation of these special editions, and reading them just days before the annuals arrived from Santa was guaranteed to raise already high levels of excitement even further.

The classic Christmas comics covered so far had that same effect on me even as an adult. So I decided I wanted to do something a bit special this year with all of the seasonal covers in my collection, and to do it right at the beginning of December to kick off the excitement on the blog this year. Below you’ll find a smorgasbord of festive fun from four comics titles I’ve already covered, one I’ve been reading for the blog’s Instagram for seven years(!), another I’m reading annually, a popular title I’m still in the collecting stage of and, for the first time, I’ll reveal one of the new real time read throughs beginning in 2024 by showing you its two Christmas covers!

That’s 21 covers altogether. “Holidays Are Coming!”

Of course we have to kick things off with the blog’s namesake, don’t we? My very favourite comic had two special issues for my very favourite time of the year. A great spoof of our family’s traditional Christmas TV magazine (which I still buy in December) or a hilarious Ian Jackson cover, which is the best? The second of these issues is my favourite regular issue of OiNK out of its whole 68-issue run, so that particular cover always makes me smile the most.

With the New Year holiday named HOGmanay in Scotland it’d be rude not to do a themed issue in a comic called OiNK for that part of the season. Both of these celebratory issues are also some of the best the team ever produced, with covers by the legendary John Geering and Les ‘Lezz’ Barton respectively. In fact, #43 and #44 form the final two issues of what I personally saw as OiNK’s Golden Age, a run of pretty perfect comics which also included The OiNK! Book 1988.

Super Naturals’ Christmas issue is one of my favourites from this whole blog experience

There’s nothing quite like a good Christmas ghost story. So, when I began collecting Fleetway’s Super Naturals comic for the blog (after only having owned the first and last issues as a kid) I was thrilled to not only see #5 was a special Christmas issue but that it also had a simply joyous, painted Ian Kennedy cover. Inside, the team really went for the spirit of the season, with even the ongoing serials containing themes and plots centred around Christmas. My favourite issue of the run and one of my favourite issues from this whole blog experience.

By coincidence, a year later it was also #5 of Super Naturals editor Barrie Tomlinson’s Wildcat that fell at the right time, with a somewhat memorable front page! With its ongoing serials set upon the surface of a distant world as we searched for a new home planet it was left up to the complete anthology story to tell a tale on board the Wildcat spacecraft itself which, yes, did include that image from the cover. Even more surprisingly it actually explained it!

At the time of writing this post those are all of the Christmas comics I’ve covered as part of real time read throughs on the blog so far. However, over on the Instagram account for over seven years I’ve been patiently reading Marvel UK’s superlative Transformers comic. I’m actually reaching its conclusion very soon, in January 2024. In its last December the issue on sale over Christmas was the penultimate edition so it didn’t take a break from the ongoing story for a Christmas special, meaning I’ve read all of its seasonal issues.


It’s Christmas!
“So what?”

Starscream

In fact, it was a particularly Christmassy Winter Special that began my lifelong love of the Cybertronians. By 1988 I’d enjoyed many episodes of the cartoon and owned a few of the videos so when I fell ill my mum bought me a comic to cheer me up. That comic was Transformers Collected Comics 11. It contained three reprinted Christmas stories and I loved every page! It was a revelation compared to the cartoon. Within a few days I had a regular order at the newsagent and 35 years later I’m first in line at the cinema every few years and have been enjoying Image Comic’s brand new series (which began just a few months ago).

That earliest issue from the comic’s first year may only pay lip service to the festivities on the cover but as you can see from then on they celebrated with some of the most fun issues they ever produced. There’s snow or holly on a couple of the logos and even Optimus Prime dressed as Santa which, much like Wildcat, is actually explained in the story and isn’t just a cover image. Although they play up to that with the next year’s Christmas card image of Galvatron, who wasn’t inside.

The issue with all the snow was actually one of my first issues back at the time. It was doubly exciting for me because it was a special issue for Christmas and had one of the toys I received that year on the cover (Slapdash, the one on the left). The celebratory 250th issue fell on just the right date and as the comic surpassed an incredible 300 editions former letter answerer Dreadwind hilariously had to answer to the ghosts of the past, present and future Transformers to hold that post.

Thirty-five years ago I very gratefully received The Book Comic Book 1988 for Christmas (reviewed just three days ago) and was thrilled to suddenly see a new fortnightly baring the same ‘Big Comic’ brand during the following summer. I just had to track down this fondly remembered issue for this post. Of course, the cover was a reprint too, reworked from #35 of Jackpot. Big Comic never felt like a random selection of reprints but rather a properly curated collection that made each issue unique. It even had a special Leo Baxendale issue. Its Christmas specials were similarly packed with related material.

Next to it is the second Christmas edition of Marvel UK’s Thomas the Tank Engine & Friends, one of two issues I’ve kept all these years and for a very personal reason. Namely, it was the first time young me saw his name in print when my drawing of Thomas, Gordon and Percy with Santa hats was published inside. I can still remember that moment of excitement upon turning the page that year. If you want to see it, you can check out the Thomas retrospective (marking an incredible 800 issues), the link to it and all of the issues featured here can be found at the bottom of this post.

I’ve also written a five-part series about my top Christmas comics for former Marvel UK editor John Freeman’s Down the Tubes website

Moving on to a comic I wrote about for the 33rd anniversary of its first issue. I enjoyed that so much I committed to covering the comic in some fashion in the future. However, with over 190 issues to collect first it’s going to take a while. (Remember, these cost money!) What I can show you now are the first three years of festive fun. Taking advantage of its weekly schedule, The Real Ghostbusters had two celebratory issues every year, one for Christmas and one for the New Year, as you can see below.

With at least three stories (two strip and one prose) every issue we were treated to a couple of themed stories and of course Slimer’s humour strip would also join in. One of the New Year issues also contained the results of a reader survey told in comic strip form, complete with the winners at Marvel UK meeting the characters on stage!

I promised at the top of this post I’d be introducing one of 2024’s brand new real time read throughs with a preview of its two Christmas covers. It’s time to reveal the title that will finally be keeping Jurassic Park company in the Dark Horse International drop-down menu. It’s not one you’d expect to have a nice, cheerful Christmassy cover… and you’d be right. They’re not exactly the usual fluffy fare.

With the strips all being imports from the US, split into ongoing serials, I doubt there are any stories inside to match the covers but this is one of those rare occasions when covers not correlating to the contents doesn’t annoy me. The fact Aliens of all things marked the season at all (and with funny headlines to boot) is brilliant as far as I’m concerned. All of the Aliens issues I’m covering have arrived and I’m eager to start reading them next year. Listen out for the motion tracker bleeps in May 2024.

There we go, my look at all of the Christmas covers currently residing in my classic comics collection. Writing this has me wanting to read them all over again. Well, the ones I’ve already featured anyway, the last two titles will have to wait until it’s their time, that’s the rule of the blog after all.

I’ve also written a five-part series about my top Christmas comics for former Marvel UK editor John Freeman’s Down the Tubes for this festive season. Below you can see the banner John created for the series (Smudge the cat is becoming very famous these days) and links to the five individual posts from fifth place to my top Christmas comic.

No.5 – No.4 – No.3 – No.2 – No.1

If you’d like to share any of your own favourite Christmas comic memories I’ll eagerly await your stories on Instagram, Threads and Facebook.

THE COMICS

ON THE BLOG:

OiNK 17

OiNK 18

OiNK 43

OiNK 44

SUPER NATURALS 5

WiLDCAT 5

TRANSFORMERS 7

ALiENS 7

ALiENS 18

BiG COMiC BOOKS

THE REAL GHOSTBUSTERS RETROSPECTiVE

THOMAS THE TANK ENGiNE & FRiENDS
RETROSPECTiVE

ON INSTAGRAM:

TRANSFORMERS 41

TRANSFORMERS 93

TRANSFORMERS 145

TRANSFORMERS COLLECTED COMiCS 11

TRANSFORMERS 198

TRANSFORMERS 250

TRANSFORMERS 302


RETROSPECTiVES

CHRiSTMAS 2023

BiG COMiC BOOK 1988: TOME FOR CHRiSTMAS

I may have covered the first in this series of giant tomes last Christmas but as a kid this volume was the first time I discovered Big Comic. This book would also lead to the release of Big Comic Fortnightly in June 1988 which I also collected for a couple of years. Christmas 1987 was the first year I received my own comic annuals and I’ll admit it was a while before I read this that festive season because I’d also received The OiNK! Book 1988! Eventually I sat down with what felt like a humongous read at that age and got stuck in.

Once again it sticks to IPC Magazine‘s (taken over by Fleetway Publications) Buster, Whizzer and Chips and Whoopee comics but it was all brand new to me. I’d been collecting OiNK for over a year by this point, a title that often took the hand out of these older comics. However, Big Comic Book 1988 contained a feast of goodies and plenty were still hitting the mark, producing enough smiles for me to see it all the way to the end over the New Year. There’s definitely a marked improvement over the choice of strips compared to last year’s book. With the hindsight of reading this in 2023 more of it holds up to the passage of time too.

I’d say let’s dive right in but that might be too on the nose given my first highlight. Yes, it’s the same as last year and probably will be again next year. Gums was always a favourite in these books and the fortnightly comic, so chances were John Geering‘s strip from Monster Fun and Buster was always going to get included here. Like last year (and as with other characters) he’s in the book several times but this one stood out for me. As obsessed with sharks as I am I’m used to documentaries, books or even Instagram accounts detailing how preparations are made behind the camera when filming these wonderful creatures, but we humans aren’t the only ones who have preparations to make.

What a fun start! Another character I always enjoyed was Toy Boy from the late, great Terry Bave. Appearing originally in Whoopee then Buster from 1985 onwards, it surprises me to find out we never knew his name. Obsessed with playthings of any kind whatsoever he’d often frustrate his well-meaning parents when toys got in the way of their day-to-day lives, or his playing about stopped him from doing something important. Sometimes the toys would help though, so we never knew how the strip was going to go.

OiNK writer Graham Exton wasn’t exactly a big fan of “that bloody snake”

Such is the case with this next highlight. Terry’s art style is just lovely and instantly recognisable from the round faces of all his characters. It’s sad to think he’s no longer with us. He was also one of the few whose signature appeared in these comics at a time when this was frowned upon by the publishers.

OiNK writer Graham Exton wasn’t exactly a big fan of writing for this next character (“That bloody snake”). According to Graham and others I’ve spoken to, Sid’s Snake was often used by the Whizzer & Chips editors as a testing ground for new writers. It was assigned to them to prove their capabilities and hone their skills before moving on to other characters or comics. Drawn by the renowned Mike Lacey, whose work I particularly loved from the covers of each issue of Funny Fortnightly (reprints of his Krazy covers), Sid’s Snake could be very hit and miss.

This could be because the writer kept changing, or maybe it’s simply a difficult idea to get a consistent gag out of. What it always was though, was simple, inoffensive fun and at least in this instance very definitely smile-worthy. I can remember very little from the character in the pages of Big Comic Fortnightly, so this one stood out as something a bit more memorable and funnier than usual.

Another Mike Lacey highlight is up next in the form of Shiner, also from the pages of Whizzer & Chips, first appearing way back in the second issue. However, even being the leader of the Chip-ites (the characters from the inner ‘Chips’ part of the comic) wasn’t enough to see him move to the pages of Buster when his comic folded in 1990. Shiner was an amateur boxer whose mother disapproved of his interest and she was constantly trying to stop her son from getting injured.

That doesn’t sound like a bad thing and it’s why I particularly liked this entry in the series. In this story he would’ve gotten away with it but ends up in a rather worse state than he was in the first place, and all thanks to his mum! Elsewhere on the blog make sure you check out a clever and very funny Buster strip written by Mark Bennington and drawn by Mike in one of the first issues after the OiNK merge.

X-Ray Specs used to be a favourite of mine in the regular reprint comic. He stood out for a couple of reasons. The first was the most obvious: those glasses. These were the unique selling point for the character; a pair of super-powered glasses which could see through anything, although somehow used to various levels of strength. For example, sometimes he used them to see through whole walls, sometimes just the contents of a person’s pockets.

These were paired up with a character who could use them for feel good endings like catching burglars and cheats etc. but also for his own selfish reasons, which was always funny. In the hands of a lesser creative team it could easily have become a very predictable strip but Ray could often surprise us. Below is a good example of what drew me to his pages before many others in these books. Once more we’ve got some Mike Lacey art to enjoy too.

My next choice is a character who appeared in the very first edition of Cheeky Weekly, later making the move to Whoopee! She was drawn by a favourite OiNK contributor, fellow Northern Ireland native Ian Knox (Roger Rental, He’s Completely Mental). Robot Granny was a state-of-the-art mechanical person originally crafted in top secret by a mysterious team of inventors. However, people were quite scared of how it looked, so in order to keep it secret and fit in with humans it was disguised as a little old lady.  The strip started life as ‘Six Million Dollar Gran‘ so no prizes for guessing the influence here.

It was later renamed again as Gran’s Gang, however here the reprints are from the middle years of the strip and tell the tales of how this seemingly innocent and quiet retiree is just trying to fit in with her much younger friends. I’ve yet to read any of her stories that don’t raise a big smile. That might be because she somehow reminds me of my own late nanny, who always seemed to have so much more energy than all of us kids when we were younger. The strip may be far-fetched but it rekindled some lovely personal memories and that’s another reason I’m including her here.

Granny’s stablemate from Cheeky Weekly and Whoopee! comics, Mustapha Mi££ion also has a handful of strips in this book. He made a further transition to Whizzer & Chips too when Whoopee! folded, such was his popularity.  Having discovered oil, making him and his father extremely wealthy, his dad sent him to the UK for his education and supplied him with a mansion, land and staff to keep him occupied. Originally drawn by the legendary Reg Partlett, the early stories had him desperately trying to fit in and often misinterpreting the needs of others, going far beyond what was actually needed because he had the wealth to do so.

Joe McCaffrey soon took over and his strips are reprinted here. In these stories Mustapha was the opposite of all the filthy rich kids we’d normally find in our comics; he was kind hearted, playful and would do anything for his friends. I do mean anything. Nothing was too much for this young boy as far as treating his friends was concerned. Most importantly, it never felt like they were taking advantage of him; they were always shown enjoying his company whether he was being extravagant or not. But of course the strip had to have the indulgence, that was the whole point and in the McCaffrey years it was all about Mustapha simply having fun.

After he moved to Whizzer & Chips, Frank McDiarmid took over and apparently (I’ve never read them) there wasn’t always a happy ending. From what I’ve found out, sometimes Mustapha would do things with his wealth that would annoy his friends at the end of the stories, but for me the boy in the strip above is the one I know and love to this day.

The final selection from the 1988 book I have for you took two strips with two main characters each and merged them together into the mouthful of (deep breath) Ivor Lott and Tony Broke with Milly O’Naire and Penny Less. The two male characters started off in the pages of Cor! comic, eventually making the shift into Buster (everyone seemed to at some stage), while the two young ladies ended up in the same comic after making the transition from Jackpot in 1982.  The girls may have left again in 1987 but Ivor and Tony stayed put and would cling on all the way through to the final Buster in the year 2000. Despite the final years being all reprint material, that’s still an incredible 30 year lifespan for their strip.

It looks the part on any book shelf rather than a pile of comics in a cupboard somewhere

Originally brought to the page by Reg Partlett, it was Sid Burgon who nurtured them throughout the years and it’s his work you can see below. When reading up on these characters I was surprised to find out they started off very differently. Originally Tony Broke was a very bitter young boy and Ivor Lott would get away with all manner of mischief simply thanks to having lots of money. That doesn’t feel right to me so I’m happy they changed into the characters we have here, where Ivor would come a cropper from showing off his spoilt lifestyle, while upbeat and lovable Tony would always show us that money can’t buy happiness. 

This particular strip of theirs stood out for inclusion on this blog. I’ll leave it up to you to figure out why.

I know there are an awful lot of characters I haven’t featured but there’s simply not enough space to show them all. I was able to pick up this huge book on eBay for about a fiver and that can only be described as a bargain. The 1988 book seems to pop up the most so you shouldn’t really have any difficulties in tracking it down. While last year’s book was really enjoyable I’d opt for this one over it. It feels like a more considered selection, the strips complimenting each other that little bit better. Or it could be because I’ve a personal fondness for this volume.

Whatever the reason for my recommendation it’s a great book and reads well even today. For a ‘Best Of’ collection of some classic comics you can’t do better than this one. 256 pages with an impressive hardback cover, it also looks the part on any book shelf rather than a pile of comics in a cupboard somewhere. Whether it’s for yourself or as a perfect surprise gift for a comics fan in your life, you really should check out The Big Comic Book 1988.

1987 BOOK < > 1989 BOOK

ANNUALS MENU

CHRiSTMAS 2023

WELCOME TO CHRiSTMAS 2023!

It feels like it’s been a long time coming this year, but finally the very best season of all has arrived. Welcome to Christmas 2023 on the OiNK Blog! So what have I in store for you this year?

This is the third festive period on the blog since its relaunch and I think this is the best selection of content yet. Obviously our main event will be the second annual for our title comic, The OiNK! Book 1989. Just like last year’s the review will be published on Christmas Day as a special treat for pig pals, from me to you. That memorable J.T. Dogg cover is only the tip of the trough in terms of the crackers inside, so I’m looking forward to digging in again after all this time.

We’ve also got the second parts of two of our annual read throughs, namely The Big Comic Book 1988 on 28th November and Knight Rider Annual #2 on 19th December. The former was my introduction to that lengthy series as a kid and the many characters it contained, however I never owned more than Michael and K.I.T.T.’s first book so the latter will be all new to me. Joining the souped up car is the souped up helicopter and another fave show of mine. We’ll be taking a deep dive into the Airwolf Annual 1986 on 16th December!

This was the only Airwolf annual produced and alongside it is the only book produced for another 80s TV series I have very fond memories of. Before dedicated children’s channels there were various Saturday morning magazine shows full of comedy, cartoons, games, celebrities and in the case of one of them a certain Frank Sidebottom! That was ITV’s No.73, of course. Who remembers this one? Did you know it had its own book in amongst the children’s annuals? Well you do now and it’ll be up for review on 9th December.

Last Christmas I very grateful received The Tom Patterson Collection, published by The Treasury of British Comics. It’s been a bit of a crazy year so it’s only now, almost a year later that I’ve finally been able to lie down in front of the (electric) fire with its crackling logs (supplied by my HomePod) and have a gut-busting laugh. Tom contributed to some early editions of OiNK, and Buster too of course, and you can check out a full review with hilarious highlights this Christmas on 12th December.

Our two current regular read throughs continue with the seventh and second issues of Dragon’s Claws and Death’s Head respectively, both on 3rd December. They may not have snowy logos and tales of goodwill inside but they’re always special. Over on the blog’s Instagram we’ll be reaching the end of a truly epic read through. After over seven years the journey through Marvel UK’s Transformers comes to an end with the final Transformers Annual on Christmas Day and then on 4th January (a couple of days before my tree comes back down again) we’ll bid farewell with the final issue itself, Transformers #332!

That’s not all. On the very first day of December I’ll be taking a look at all of the wonderful Christmas comics covers in my collection. Not only will we revisit the editions already reviewed, it’ll also include issues of The Real Ghostbusters not seen before on the blog, all of the Transformers Christmas covers from the last seven years, a Big Comic Fortnightly AND… two covers from a brand new read through that’ll begin in 2024, which I’ll be announcing for the first time!

Finally, how about a little retro videogaming? (Regular readers of the blog may know where I’m going with this.) The Jurassic Park GameBoy game was featured in that comic’s read through thanks to the best advertising tagline for a game ever and a competition page. Well, thanks to reading that comic again I wanted to track down the game (and a Nintendo GameBoy to play it on) and you can join me for a close look at it when we lose track of our days between Christmas and New Year.

Finally, I’ve also written a special five-part series for former Marvel UK editor John Freeman’s wonderful Down the Tubes comics news site, counting down my Top Five Classic Christmas Comics. From comics that remain favourites to this day, to those that bring back very happy memories and newly discovered tinselly treasures from doing this blog, you can check it out on Down the Tubes by clicking on the individual numbers in the countdown below.

No.5No.4No.3No.2No.1

So there we go, Christmas 2023 is here and I’m excited to share all of these with you. I’ve a wonderful feeling about this Christmas and I hope my enthusiasm and passion for it will come across in every word over the next six weeks. Wishing you all an equally fantastic holiday season and hopefully I’ll see you across the OiNK Blog‘s socials (Threads, Instagram and Facebook) so we can share in the festivities together. Merry Christmas you filthy animals.

CHRiSTMAS MESSAGE

NEW YEAR MESSAGE

2022 < > 2024

CHRiSTMAS MENU

ANNUALS: iN REAL TiME

Classic comics in real time. It’s what this blog is all about, it’s right there under the title at the top of the screen. Each issue of the various comics are reviewed on the dates we originally would’ve got our hands on them. Normally that means on the date they were released, but applying the rule to this section of the blog poses a bit of a problem. So we’re going to do things a little differently here. Just a little.

As anyone who collected books like these as a kid will know, they went on sale around the time we’d return to school after the summer holidays, usually mid-September. But we didn’t get our trotters on them until Christmas Day when the jolly man himself would bring them down our chimneys. So when do I review them? On their release dates or when we got them? Those aren’t the same dates for annuals.

I’ve fond memories of looking endlessly at the huge variety of annuals on the shelves of my old hometown’s newsagent’s, or their large table displays set out at just the right eye level for kids. But as tempted as I was I never looked inside any of them, believe it or not. I didn’t want to ruin the surprise of finding out what they contained during my very favourite time of the year. Instead, I’d let the anticipation build over those few months until I was looking forward to them just as much as the toys and games (and the food)!

So I’ve decided to review these during the festive season. They were always a Christmas treat, many of them including themed content and even if they didn’t they were still very clearly marketed for that time of the year. So this is where I bend the rule a little. As much as I love you all I’m not going to be spending my Christmas Day every year writing a handful of reviews, not even for Knight Rider (my favourite thing in the universe)! Many of the reviews will be spread over the month of December, with any relating to an ongoing comic series published on The Big Day itself (so they’re in the right position in their own read throughs elsewhere on the blog).

A section of the blog I have a particular fondness for

Patience will be a virtue with this particular section. The books were released once per year (the clue is in their name) so depending on the amount of books in a series they could take quite a while to cover. Also, the overall collection of reviews won’t be listed in the order in which they’re written for obvious reasons (they’re essentially all different read throughs).

Instead they’ll be listed in original release order, meaning you’ll be able to take a trip right through the years covered. Perhaps you’ll remember those holidays when you received these books, or check out ones you recall from those newsagents’ tables, or discover ones you never knew existed. (For example, a lot of people contacted me about the Visionaries Annual after the review asking if I had a spare, having seemingly slipped under the radar of many fans in 1988.)

All these years later I’m still just as much a fan of Christmas as I ever was, perhaps more so. As such, this is a section of the blog I have a particular fondness for and the fact I have to wait so long between new additions just makes it even more exciting when the time comes around again. So, even though it’s a once-a-year thing you can expect just as much attention paid to these as anything else, including the occasional special feature.

As you’ll see it won’t just be annuals based on comics, although those based on other properties such as televisions series will have comics content. You can expect a nice mixture of the books I collected at the time and those I wished I had. This is going to be a really fun section of the blog. I’ve a shelf full of content just waiting for each year to roll around (the will power is strong with this one, it has to be) and more on the horizon.

I hope you’ll enjoy this section of the blog as much as I am.

ANNUALS MENU

OiNK/TRANSFORMERS CROSSOVERS?

“What?!”, I hear you exclaim. “Why didn’t I hear of this before now?” Indeed, a crossover between two comics is always a big deal, but between an action and a humour comic belonging to two different publishers? That’s unheard of. However, this did actually happened. Twice! Well, sort of. Both times were thanks to the same person, Tom Thug’s creator Lew Stringer.

Back in the 80s it seemed like nearly every comic I picked up had a Lew humour strip inside. Whether in funny comics themselves or in the likes of Transformers, Action Force (G.I. Joe), Marvel Secret Wars or early issues of The Real Ghostbusters. In Transformers, Lew’s work first appeared in #15 in April 1995 and he’d end up contributing to every single issue until the very end, #332 in January 1992!

First up was Robo Capers and, while there were some regular characters, for the most part it was made up of random little gags about the future of automation and robotics, a hot topic in the 80s. (Early issues of The Transformers even had news articles about the topic.) While pig pals were enjoying OiNK’s first Hogmanay issue from IPC Magazines at the end of ’86 (#18), Marvel UK‘s The Transformers #94 was hitting shelves. In this issue a suitably New Year-themed strip quite literally rang in 1987 to finish off the issue. Here it is to enjoy, but take your time and savour the little details.

Did you spot him? In the last panel below the big reveal, on top of the letterbox. Have a look. Yep, that’s Satan the Cat, none other than Tom Thug’s little kitty! So does this mean the strip was set in OiNKtown to keep it canon? No, it’s just a daft comic strip, you silly person. You didn’t really expect a full blown crossover with the Robots in Disguise, did you? This is OiNK. You should know better by now.

Lew has shared this post on his own blog and adds, “Making an unofficial guest appearance in the strip is Tom Thug’s cat Satan from IPC’s OiNK comic (sitting on the postbox) and in the corner, it’s Loose Brayne, Brickman himself holding the sign. All part of the Lewniverse! The shop sign refers to Marvel editors Richard Starkings and John Tomlinson who sometimes did the colour separations for the strip. (All of my Marvel strips were coloured by the staff.) I’ve forgotten who ‘Hindmarsh’ was, so apologies for that.”

No less than two OiNK guest stars hidden away within the pages of another publisher’s comic

When Action Force was cancelled after 50 weekly issues it merged into Transformers and brought Combat Colin with it, where he stayed right to the finale. In recent years Lew has started to publish collected editions of Colin’s misadventures (look out for reviews of them soon) and they’re just as funny as they ever were, and in a later edition of Transformers and Action Force (#228) there’s a blink-and-you’ll-miss-him cameo from a certain member of Satan’s family.

I must’ve missed him in that second panel at the time (I began collecting Transformers from #192 originally so I never saw Satan) because it was only while reading this epic comic for the blog’s Instagram in real time over more than seven years that I spotted him. I don’t know how I didn’t see him as a kid but as an adult I jumped and pointed at him, laughing at how Lew likes to link together all of his characters with cameos like this.

Well there you go, no less than two OiNK guest stars hidden away within the pages of another publisher’s action comic. I think that would make Uncle Pigg very happy indeed, OiNK’s influence reaching out beyond its own boundaries even after it was gone in the case of Tom, who of course was a regular in Buster by that stage. (Although, our esteemed editor will probably be looking to collect fees for these appearances!)

OiNK COMiC CROSSOVERS MENU

THE ‘MORE OiNK’ MENU

MAiN OiNK MENU

CHRiSTMAS 2022

HAPPY 2023 PiG PALS!

Happy New Year everyone, I hope 2023 brings you much joy, love and kindness. I know for some people tomorrow is just another day but I’m a firm believer that each day is what you want to make it, so if some want to make the 1st January a new beginning I’m all for it. 2022 has been something of a transitional year for me in my personal life, so I’ve got my sights set on 2023 to be something special. Time to celebrate then! So let’s join David Haldane‘s Rubbish Man’s New Year Party, shall we?

Taken from #44 of OiNK (the image at the top of the post is part of its cover), the comic turns weekly from its next issue so buckle up for more of pretty much everything for the next while. This year on the blog will also see the addition of not one but two new real time read throughs of Marvel UK fan favourites that many have requested (but which I always planned on covering anyway), there’ll be a sequel to one of the blog’s most popular comics and plenty more!

Big year ahead then. Thanks to everyone for your continued support, December has been the second most popular month on the site so far and the average stats are increasing all the time. I can’t begin to tell you how appreciative I am of every single one of you and I hope I can continue to write stuff you all want to read! Thanks again, and Happy HOGmanay!

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CHRiSTMAS 2022

CHRiSTMAS ON CYBERTRON: TRANSFORMERS

So you’ve opened all your presents, eaten your own weight in food and want to relax on the sofa with a good book this Christmas season. The holidays aren’t over yet and this week, which some refer to as ‘Void Week’ when we lose track of what day it even is, was always the time I’d start getting stuck into my annuals when I was a kid. You can carry on this fine tradition, not only here on the blog itself with the review of The OiNK! Book 1988 but also on Instagram where the real time read through of Marvel UK‘s Transformers has reached its seventh (yes, seventh) Christmas!

This post is just to let everyone know of that other read through, one that’s been carrying on since the days of the original blog. For over six years I’ve been reading this wonderful comic in real time, never reading ahead, always waiting for each Thursday to roll around (the dates corresponding to Saturdays at the time) to read the next chapter in the ongoing saga of the Autobots and the Decepticons, now at over 300 issues! As you’d expect, the issues are a bit extra special this time of the year and sit alongside the hardback book Santa would’ve brought us.

At this stage in its life the comic really is the best its ever been in my honest opinion, and from memory this final year (the read through will come to an end in January 2024) has some of the best stories, the most incredible art, the greatest characters and the biggest epics imaginable. It goes fortnightly soon which will make the wait between issues even more of a test of will power but each one will be worth the wait, I’m positive of that.

So come on over to the OiNK Blog‘s Instagram and follow along for some of the very best comics, licenced or otherwise, I’ve ever read! The Christmas and New Year issues and the annual from 1990 are the latest additions. The covers alone these next 12 months are worth the price of admission (which is nothing). The profile is public so if you don’t have an Instagram account and don’t want to sign up you won’t have to, just bookmark this page: https://www.instagram.com/oink_blog/

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OiNK! #44: END OF AN ERA

Happy New Year to one and all from David Haldane‘s Zootown! Wait, what? That can’t be right, it’s still Boxing Day! Actually, this second Hogmanay issue of OiNK was released even earlier, before Santa came to visit all of us pig pals. Boxing Day was the official date on the cover but with publishers closed for the holidays (and the shops themselves closing their doors for more than one day back then) comics and magazines are released earlier than normal over the festive period. I received my subscriber copy of Edge’s January issue weeks ago!

As such, this OiNK came out during the week before Christmas. I’ve no way of telling which day I received it in 1987 and I’m just going to stick with the cover date on this occasion, so while you recover from a day of eating and prepare for another, put your feet up, pop the paper hat back on your head and have a giggle with some highlights from OiNK #44, our last fortnightly issue.

I personally didn’t read this until Boxing Day as a child, although The Slugs finally making the cover (drawn as ever chaotically by Les ‘Lezz’ Barton) was very tempting. But even back then I wanted to wait until I’d read my OiNK! Book 1988 first. In fact, Boxing Day that year brings back many happy memories of sitting down and reading the annual cover-to-cover after dipping in and out over the course of Christmas Day, then in bed that night finally grabbing this issue.

For young me the highlight wasn’t the theme, the festivities and the crazy parties our characters got involved in, instead it was all about the future of the comic, the big change I eluded to in #39’s review after Nipper, the last comic in OiNK’s sales group was cancelled. Given publisher Fleetway’s rule that if a whole group’s total sales weren’t up to par then every title in it would be cancelled, would OiNK’s own impressive sales possibly save it from cancellation? Uncle Pigg had some news for Mary Lighthouse (critic) on this front, as written by Mark Rodgers and drawn by Ian Jackson.

So while the other titles had been canned, and OiNK’s own sales may not have been in the same league as Buster or Whizzer and Chips, as an independently produced comic fortnightly sales of 100,000 weren’t to be sniffed at. But Fleetway (and retailers) wanted more. Doubling the amount of issues equals doubling the sales, right? Much hype had been made of the comic’s transition to a weekly in recent issues and I’ve included a couple of examples in the posts for #41 and #43.

I can remember the excitement of this moment after enjoying the Christmas issue and the book, the fact it was now going to come out every single week was almost too much for my young mind to handle! The price decreasing by 5p softened the blow for parents somewhat too. We were unaware of certain changes to be made to the physical comic and its contents but for now let’s enjoy the final issue in my own Golden Age of OiNK and the return of the increasingly shocking Butcher Watch.

Given what would come from Jeremy Banx in a new mini-series in the weekly OiNK this dark strip acts almost like a precursor, reminding us just how twisted the evil butcher Jimmy ‘The Cleaver’ Smith really was. Have to give him points for imagination though. This would come to the fore with Jimmy as a regular character for at least some of the weekly issues. I was engrossed as a kid and now as an adult I find it all deliciously funny in a most ridiculous way.

Let’s take a look at some other highlights of our last 32-page issue, shall we? After joining OiNK in #15 Psycho Gran has racked up quite the list of examples of being a sweet but naughty (to say the least) old dear. Surely she couldn’t have been that bad? David Leach sets the record straight this issue. The Tale of Wee Jimmy Riddle tells us a horror story about a phantom haggis and on the Grunts page an old random line in a Diary ov Hadrian Vile from #12 gets picked up on by a reader following recent events.

Tom Thug and Pete and his Pimple were two of the comic’s strips that would make their way into the pages of Buster by the end of 1988 and when OiNK goes weekly they’d permanently be full-page stories, rather than surprising us every issue with strips of various lengths which I have preferred. With the more random nature we were sometimes treated to lengthy stories with a great pay off, sometimes a quick gag. This next one falls somewhere in between.

So long Mr Big Nose, it’s been funny, surreal, confusing and memorable in equal measure

Now that I’ve read this I have clear memories of giggling away at it on at least one of the many occasions I read and reread my OiNKs back then. Lew Stringer always said the whole point of Tom was for there to be a strip where a bully (and the usual intelligence level of a bully) was the butt of the joke every single issue. I don’t think there’s any better example than this one right here.

Another character who would pop up in strips of various length was Barrington Bosh, He’s Incredibly Posh who was always drawn by Ian Knox and scripted by a variety of writers. This time it’s Keith Forrest who uses Barrington’s posh accent to great effect here. Small, simple but brilliantly crafted, the teeny tiny small strips were always a joy in OiNK and pretty much guaranteed to raise a laugh, as well as breaking up the larger contributions to each issue.

Moving on, he’s entertained us ever since #3, introduced us to surreal humour, was never predictable and of course brought us the dolphin named Keith. Jeremy Banx’s Mr Big Nose was about as unique as you could ever get in a children’s comic and is one of the most fondly remembered characters from OiNK as a whole. I’ve always said a collection of his strips would make for one of the funniest books you could read, even now 35 years later. That makes the fact this is his final issue all the more sad.

He wouldn’t even pop up in any special or annual, this is it, the final Mr Big Nose. The weekly comic would have fewer pages and Jeremy would continue with Burp and that aforementioned mini-series featuring Jimmy. I originally thought perhaps the weekly comic was aiming at a younger audience (there’d be promotional crossover strips in Buster and Whizzer and Chips) and the surreal humour of Mr Big Nose wouldn’t be a good fit, but that Cleaver series is very dark indeed so it can’t have been that. 

But at least he goes out in style.

Explain that one! Of course, the best of his strips defied explanation and, while I’m saddened to know I won’t be reading any more of his wonderful surrealism, this is the perfect example to end on. That final line could almost be taken as a little sign off. With space at a premium in the weekly and Jeremy already committed to two full pages it just boiled down to something having to give and Mr Big Nose stepping aside to make way for other strips. So long dear friend, it’s been funny, surreal, confusing and memorable in equal measure.

To end on, a little nursery rhyme. Innocent little stories for kids. Nothing could possibly be twisted with these, surely? The Rotten Rhymes series periodically popped up throughout OiNK’s run and proved nothing was sacred. Many of these quick little rhymes (often ending by tossing away the need to rhyme at all) have proven surprisingly memorable. How many have pig pals recited in the years since? Here’s the latest in the series and the first one by Charlie Brooker.

Well that’s it. Not only is this the end of the issue, it’s also the end of the only year in which we had regular OiNKs from beginning to end, it’s the end of it in its original form and it’s the end of what I called OiNK’s Golden Age. That’s not to say what’s to come isn’t great of course! It takes a while for the comic to settle into the new weekly version of itself (same when it turns monthly later next year) but when it did it was easily the best weekly out there.

It’s just that this period of time, between #36 and this one and including The OiNK! Book 1988, were just so good they could each be listed as examples of the very best OiNK had to offer. If all issues were ranked I think these would all be at the top of that list, and we got to enjoy them in one glorious chunk, one after the other. I’ve had a fantastic time reliving these and, while there are changes ahead, we’re still going to be getting weekly OiNK reviews for the first five months of the new year.

More OiNK is always good, right? Of course it is, as illustrated by co-editor Patrick Gallagher‘s back page here.

The review of OiNK! Weekly #45 will be up on the blog on Saturday (yes, a change of day) 7th January 2023, just 12 days from now.

THE OiNK! BOOK 1988 < > iSSUE 45

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CHRiSTMAS 2022

THE OiNK! BOOK 1988: PiGGiN’ PERFECTiON!

How many of you can remember coming downstairs on Christmas morning and seeing this cheery face staring back at you? I’d been giddy at getting my hands on this ever since I saw it in my local newsagents a few months previous. It really stood out with its glossy soft cover in the sea of cardboard hardbacks. Inside, all 80 interior pages are made of a thick, high quality stock, giving the book a heavy, expensive feel. Co-editor Patrick Gallagher tells me, “The higher-quality paper stock of the book was the idea of Bob Paynter at Fleetway. Bob was completely on our wavelength and knew it would appeal. The floppy glossy cover and back also seemed to really suit the enlarged shots of the plasticine pig face and bottom models Ian Jackson made by capturing the detail so well.”

UPDATE: I’ve since spoken with Ian (some three years later) and the cover wasn’t made by him! You can read more about this and see the original rear cover in a special post of when I chatted to photographer Ian Tilton.

Before this I’d read some of my brother’s Beano annuals but to my young mind they felt just like regular stories but with bigger panels to fill more pages. But The OiNK! Book 1988 was, as ever, different. This first book packed in as much as it possibly could to every single page. As a result, it may have had roughly 30 pages less than its contemporaries but it had so much more in there to read and enjoy. It all began with that famous cover, especially when you flipped it over but we’ll get to that later. While it didn’t really sink in as a kid, that claim on the bottom right is bold and of course completely correct. Inside, a special bookend of Uncle Pigg and Mary Lighthouse introduced that team to readers.

This was innovative for a time when signatures in humour comics were rare, but OiNK’s young readers knew the names of their favourite cartoonists thanks to its creators Patrick Gallagher, Mark Rodgers and Tony Husband and their wish to shakes things up. As an adult I can’t help but look at this page in wonderment at the list of talent involved. It really was a selection of Britain’s best and it was all for us kids. We were spoiled. I also love how the chiselled words work their way around the characters and speech balloons, which makes zero sense to the chiseler!

It’s a wonderfully varied read, containing strips from our favourite regulars, some returning stars of early issues, spoofs of those other annuals I mentioned, puzzles (not filler here but typical OiNK-style funnies) and even letters and drawings from readers, something annuals just never included. So how on Earth am I going to choose a few highlights? There’s just too much brilliance on offer. It’s been painstaking but I hope I can do it justice with this selection.

This is one of my most memorable pages, with Marc Riley as the not-at-all inconspicuous burglar, Snatcher Sam in GBH’s Book Club, a take on those book and video clubs that were so popular in the 80s and 90s. Magazines and comics were filled with them, promising cheap titles to begin with as you sign yourself up to buying a certain amount at full price over a year. I was a member of the Britannia Video Club, remember them? That’s why I loved this so much, along with the usual over-the-top nature of the GBH madverts and just look at all those book covers they’ve created for the photograph. Now, 35 years later it’s the effort put into these daft pages that I really appreciate.

Released for Christmas 1987, this was the year I would turn ten-years-old in the festive season and I was hearing a lot of rumours in the playground about Santa Claus. Thankfully I soon found out they were just rumours when he left my book under my parents’ wardrobe before Christmas because demand for it was so high and he didn’t want to disappoint me. The rumours of his existence were conclusively put to bed with a script by Lew Stringer that’s spectacularly brought to the page by 2000AD stalwart Kevin O’Neill, who we sadly said goodbye to earlier this year. There’s more to The Truth About Santa than we probably wanted to know as ten-year-olds.

There’s an image that’ll stay with you. Or haunt you. I remember this being the strip any friends who read this book at the time seemed to laugh at the most. I may have been the only one of my closest friends who collected OiNK but they all enjoyed reading my issues and in particular this book. In fact, in the year 2000 when I decided to return to college at the age of 23 the book ended up shared around that class too. I can’t remember how it came up in conversation originally, but I dug it out from my cupboard and it made its way around most of my fellow media students, each one of which found it just as hilarious as I had.

To this day it’s still one of my favourite books (of any type) of all time and definitely my favourite from childhood. In fact this is my original copy from back then, only one of three OiNKs that survived various clear-outs (by my dad) and moving out years later. Its timeless comedy is a testament to the talent it boasted about on the cover. Just like the regular comic it sets itself apart from other annuals. While they’d have had huge multi-page versions of their regular strips, here for the most part OiNK kept them to the size they’d normally be, meaning there was a hell of a lot more of them packed in.

Annuals are created far in advance of their release dates so when this one was being put together the ever fantastic Tom Paterson was still a contributor to the comic. Written by the pun-tastic Graham Exton, Eric Knicker the Whacky Vicar may only have been a tiny quarter-page strip but it left a lasting impression on little me during Christmas 1987 as I tittered and giggled and shared the joke with friends and family. A lot better than any cracker joke.

So yes, the annual kept to the format of the comic, only more so. It’s a delight to see the creative team took the opportunity to simply cram much more in of what made OiNK so great in the first place. For a child of ten there was just so much to enjoy. We even got a short Ham Dare strip. His two-page story is a hoot and is followed by this even funnier, wonderful cutaway of his and Pigby’s ship.

Written by Lew Stringer and drawn by the incredible talent that was J.T. Dogg (Malcolm Douglas) it’s chock full of little details that my young eyes really enjoyed pouring over. My favourite parts are the comfy chair and its very dangerous sidestool, and the middle of the spacecraft showing the difference between our heroes, with Ham’s gym next door to Pigby’s very full pantry.

A quick note about the title box at the top of the spread. It makes a great point! My Transformers and Real Ghostbusters annuals would have had “pin-ups” and “mini posters” and I always wondered if anyone actually cut up their fantastic annuals, losing whatever was on the backs of those pages to the walls of their room. I’m glad I wasn’t the only one at the time who thought this was a ridiculous idea.

Hadrian Vile’s usual diary entries take a back seat to a selection of pages chronicling his Interleckshual guide toe Nacheral Histry

A quick glance over some other highlights now. Ron Dibney’s Dumb Ol’ Duck reveals another side to himself, Police Vet makes his debut (he’d return in the monthlies the following year) many years before Jim Carrey took on a similar role and Star Truck makes a very welcome return. Just as in #3 the crew make their presence felt throughout the book in between chapters of their own strip. Here, Mark Rodgers literally pops up as Captain Slog in one of Horace (Ugly Face) Watkins‘ pages.

Pigswilla only appeared in seven issues of OiNK altogether but he was still a firm fan favourite, so naturally he had to appear in the annual, with Specky Hector Comics Collector (with added surname) making a funny cameo I’d forgotten all about. Early in the book Frank Sidebottom found out Little Frank had used up all his felt tips and gave him until page 69 to fix the situation, which he does, sort of. It appears young me at least started to lend them both a hand.

Hadrian Vile’s usual diary entries take a back seat to a selection of pages chronicling his Interleckshual guide toe Nacheral Histry, although he does take some short cuts to get from the evolution of life to the 1980s. His usual know-it-all persona is, as always, hilariously wrong in almost every way. In his fortnightly diary he was the most intelligent person in any room. Well, in his own mind anyway and here his guide to everything from dinosaurs (the hilarious looking Tyrannosaurus rex above is a highlight) to Ford Sierras.

In fact, after spending the first two parts of his guide covering prehistoric Earth he only has one page left to finish up and so this third page makes the leap from the ice age to the aforementioned car in the blink of an eye, clearly skipping millions of years as completely uninteresting. It’s all as hilarious as you’d expect from Mark Rodgers, made all the more special with full colour Ian Jackson art. In fact, so good is it that when the weekly comic itself gets going the diary will eventually be replaced with a series of similar guides.

1987 also saw the 50th anniversary of The Dandy (with Beano’s to come in 1988) hence why OiNK took aim at DC Thomson’s comics with regular digs about how old the characters would really be, such as #38’s Deano. In fact, I received the commemorative 50th anniversary book alongside my OiNK! Book (and The Big Comic Book 1988), although in hindsight I think it was originally for my brother but he stopped reading comics not long before Christmas. Oh well, his loss was my gain.

Returning to that spoof comic name, here the OiNK team take it to even greater heights (although this was probably created first) with a mini-comic inside the annual featuring such characters as Dennis the Pensioner and his dog Flasher, Desperate Old Man and the The Lash St. Old People. All are very funny and then we get a double-page spread of no less than five spoof strips which as a kid were funny, but as an adult are hugely surprising because four are drawn by none other than John Geering!

John was a regular artist for DC Thomson, in fact that’s the publisher he’s most closely associated with, most famously for Bananaman and Puss’n’Boots. To see him take on some of DCT’s characters in OiNK just makes these even funnier than they already were in my opinion. I do remember showing these to my friends who were huge fans of The Beano at the time. Can you blame me?

Unfortunately, I simply don’t know who ‘Philip’ is at the time of writing. His work only appeared in two OiNKs (this and #9), here with Boffo the Bore and two other like-minded strips called Georgie & Zip’s Party and Postman Fat and his Slightly Flat Cat. He’s not mentioned on the intro page either, but needless to say I’m always on the hunt for more information on OiNK’s creation so when I find out I’ll let you know. After The Deano and a ‘Fun-Hour’ pre-school comic we get another special section for adventure fans.

Eagle-eyed blog readers may recognise the brilliant caricature of Roger Moore on the first page from a previous issue (although I didn’t spot this first time around). If you go and take a look at the TV listings page in OiNK #17 you’ll see a tiny part of this image was used the previous Christmas. In it you can even see the OiNK logo behind Roger’s face so it just goes to show how far in advance this was created. This is something that continues to this day. If you follow the likes of Lew Stringer on social media or his own blog he’ll often show us snippets of annuals he’s working on over a year before their release, for example.

I’ve been a huge James Bond fan since all the Goldeneye hype hooked me in the mid-90s and I started renting out whatever films I could from the local video shop. It was discovering Timothy Dalton as Bond that sold me on the whole franchise, whose first film had only just been released the same year as this book, so the previous 007 (and his films) was still the target of this fun, frantic strip written by Mark Rodgers and drawn by Tim Thackery.

This was Tim’s sole contribution to OiNK. An illustrator and graphic designer he actually went on to work on CBBC animated series Minuscule Milton with Ian Jackson. Tim told me how he sees this James Bong strip now looking back: “A long time ago, but yes, that was me. Not my best work, but I was a bit pushed for time on it and had to knock it out at a fairly rough level.” Personally I love the art style here as it matches the nature of the strip and brings a real sense of pacing and chaos to the proceedings. You can check out Tim’s official website here.


“She eats pickled herrings in bed and I saw her kissing the window cleaner!”

Keith Disease

The Adventure Section also contains that Police Vet strip I mentioned above, a GBH madvertisement for their ‘Personal Hand-Glider’ capable of speeds of up to 100mph (downwards) and another strip, Ena Blighty’s Five Go Adventuring Yet Again. An annual will never have a theme in the same way as the regular comic did at the time, although the festive season does come up a lot for obvious reasons. These dedicated sections feel like mini themes, three for the price of one in fact, and are some of the best pages in the whole book.

One character (or rather two) I always found incredibly funny were Hector Vector and his Talking T-shirt. Unfortunately, Jeremy Banx’s strip made its last appearance in #35, disappearing when the comic changed publishers and gave itself a bit of a face lift. With new characters and cartoonists and the very best issues the team ever produced, I hadn’t even noticed these two weren’t in amongst the madness until they popped up here in this brilliant, larger strip.

As pig pals knew, this wasn’t a strip where the brat got his comeuppance at the end of each story; we never knew who’d come out on top between the pair. For their very final appearance I have to admit I was happy to see it was Keith Disease (the t-shirt) who had the last laugh as those stories were the best examples of Jeremy’s creation. There were plenty of laughs to be had in this particular strip but it was always that very final panel that had me in creases. It still does.

It’s with a heavy heart but a smile on my face that we come to the end (almost) of the review of the very best edition of OiNK the team created. This has been both the most fun and yet hardest thing to write so far on this whole blog. It’s been great fun to finally get the chance to reread this book and to tell you all about it, but incredibly difficult to pluck out just a few highlights to try and sum it up. I hope I’ve been able to do that. Two more chuckles to go though. First up, the opposite page to that great opener drawn by Ian Jackson.

A couple of puns, funny art and a grinning Uncle Pigg reminding us (and telling those who were introduced to OiNK with the book) of his fortnightly comic, even if it wouldn’t be fortnightly for much longer. It’s a perfect end to a perfect book. It’s such a treasured item for me these days that it came with me to a comic con where Lew Stringer and Davy Francis signed it for me, and when Patrick Gallagher visited me at my home a few years back he added his. I intend to get the inside covers covered with as many squiggles as possible.

With that, I’m going to close the back page over now and here’s why ten-year-old me pestered my parents, my siblings and any visitors to our house over the holidays that year to have a look at my new book.

The plasticine cover was a step up from Ian’s already brilliant one for the first OiNK! Holiday Special and is probably the most iconic OiNK cover of all, with a story to match. “When we sent in the transparencies of the pig face and bottom with the artwork for the printer to process, Bob Paynter at IPC didn’t spot that the pig’s star-shaped bum was partly exposed and not completely hidden by the pig’s curly tail,” explains Patrick. “It was only when the proofs came back from the printer that Bob spotted it and deemed it too rude to be published. So we had to get photographer Ian Tilton to retake the shot with the pig’s tail completely obscuring the star-shaped bottom.” (You can read all about that and actually see those original transparencies in my chat with Ian.)

It’s still a cheeky cover and perfectly encapsulates OiNK’s unique, naughty yet innocent sense of humour.

From showing off its covers and hearing the raucous laughter of anyone I could grab over that festive season, to rereading it in my 20s, 30s and now 40s, and lending it to friends many years after OiNK was a distant memory… this book will never, ever get old. It’s OiNK in its purest, most concentrated form. Every page feels fresh and new, like it was written this year, not 35 of them ago. Receiving my favourite issue of the regular comic, the Christmassy #43 and this back-to-back made my Christmas in 1987, and reliving them has done it again in 2022. If you’re reading this post on the day of publication I hope you have a wonderful day and a very Merry Christmas!

iSSUE 43 < > iSSUE 44

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CHRiSTMAS 2022

MERRY CHRiSTMAS!

Are we all set? Ready for the man with the bag? (Yes, I know I’ve described Santa that way a few times already this festive season, that’s because I’ve just discovered Seth MacFarlane‘s version of that song.) David Leach‘s Psycho Gran is certainly ready as you can see from the back page of our recent issue of OiNK. Although I’m not sure he’s ready for her.

I just wanted to pop on here before going to bed this Christmas Eve to wish all pig pals, and fans of all the other comics covered here on the blog of course, a very Merry Christmas. I hope you all have a wonderful holiday season and keep an eye on the blog for some festive treats in the reviews department over the next couple of days. Have a great one!

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