Tag Archives: Lew Stringer

BUSTER BOOK 1990: COMiC BOOK OR BOOK COMiC?

This is the first Buster Book I’ve ever read and it’s surprised me straight away, but not in the way you may think. The Buster Book series has been added to the blog because of OiNK star Tom Thug. He continued in the pages of Buster weekly all the way to its end over a decade after OiNK’s cancellation. I thought buying the remaining annuals in the series from the moment Tom appeared would be a fun addition to the blog every Christmas. New Tom Thug is always a treat after all!

Knowing Weedy Willy and Pete and his Pimple were also in this edition I was looking forward to large multi-page strips or special stories of some sort, the likes of which we’d have seen in the OiNK books or the Beano and Dandy annuals every year. Surprisingly however, apart from a few exceptions this book feels more like several editions of the weekly wrapped in a cardboard cover.

The first and last 14 pages are of a lovely and smooth, higher quality paper stock, with some of the strips in full colour, but the rest of the 112 pages in total are the same matt paper as the Big Comic Books, mostly in black and white with the occasional two-colour strip. Also, apart from 2-page Buster, Ricky Rainbow and Chalky stories in those outer pages, and a 4-page BeastEnders inside, all the strips are the same length as they would be in the weekly comic.

Once you hit those inner matt pages it just doesn’t feel as special anymore. So yes, I was surprised when I compared it to its contemporaries but the main reason we’re here is for the OiNK strips (and perhaps a couple of other little treats too). The first of our piggy publication’s characters we bump into is Weedy Willy, as ever written by Mark Rodgers and drawn by Mike Green.

This wouldn’t feel out of place in OiNK itself. The simplest of tasks were always an epic struggle for Willy and going to see a slushy movie was no different, complete with the obligatory snow for the Christmas annual, albeit five snowflakes. It still counts. Surprisingly, it’s Pete and his Pimple who gets the full colour treatment on the deluxe paper rather than our next star.

The yearly annuals are written and drawn so far in advance of publication (and publication is a few months before Christmas, although they were always Christmas presents), Lew Stringer’s strips for this particular book – released in 1989 – would’ve been created soon after OiNK’s cancellation in 1988. While both characters were fan favourites, Pete was probably the more popular of the two in OiNK and Buster’s editor may have thought that would be the same in Buster.

You see? More snow and ice. Of course these books were for Christmas! I’d loved to have seen the impact into that tree, though. Maybe we would have in his original comic, but it’s still a fun strip. As the months rolled on Tom’s popularity soared in Buster while Willy was quickly dropped and poor Pete went the same way a few months later. In the years that followed Tom became one of the comic’s standout stars, getting full colour pages to himself and he even appeared on the cover. But for now, a single black and white page must suffice.

Pete, on the other hand, is in glorious full colour (coloured by John Michael Burns – thanks to Lew for the info). Alas, this doesn’t mean readers could be made even more squeamish with some technicolour pimple bursting. As I’ve mentioned before when the comics merged, given the younger audience it was decided the pus had to remain put. But that doesn’t mean the fun is kept bottled up. Here, that old OiNK classic of dressing up the pimple is taken to a hilariously Christmassy conclusion.

Unlike a lot of the Buster regulars, these three only get one strip each this time around and I did hunt down their pages within the book first for obvious reasons. It’s going to be an agonising wait for next Christmas before I can read any more from them (most likely just Tom), so I made the most of my purchase on eBay and read through the rest of the book for more highlights to show you.

The first comes courtesy of Ricky Rainbow and he’s on the final two pages of the book. When Pete crossed over into an issue of Buster to promote the then-weekly OiNK back in March 1988, it hadn’t been too long since Nipper comic had merged into it, bringing Ricky along. I’d particularly liked that strip, even though he only turned see-through in it. Usually he could change colour on a whim or based on his mood and I said at the time I’d like to see more of him. It had the potential to be really funny.

Drawn by James Hansen, here we see him unwittingly change colour because of his temperature for the most part, and it’s really enjoyable. It’s also made something of a theme out of very funny letterbox moments this Christmas on the blog. (See Kids’ Court in the Big Comic Book 1989 review.) It’s madcap fun, bouncing between different predicaments for Ricky with Bruiser always on his tail. I know Nipper was a comic aimed at a younger audience than Buster but Ricky Rainbow fits in perfectly here. He’s one of the best parts in this whole book.

OiNK boasted of Pete Dredge winning the Provincial Cartoonist of the Year award from the Cartoonists’ Club of Great Britain

Finally, another OiNK artist pops up with his Young Arfur strip, namely Pete Dredge. Pete contributed to a handful of OiNKs randomly throughout its run including strips like spoof movie anthology The Golden Trough Awards, Master T and Dimbo, his take on Sly Stallone’s 80s action hero. OiNK also boasted of Pete winning the Provincial Cartoonist of the Year award from the Cartoonists’ Club of Great Britain in #49.

Young Arfur started out in School Fun comic before making the transition to Buster in 1984. (School Fun was actually conceived by OiNK writer Graham Exton.) Arfur is basically a young version of Arthur Daley from the hit TV show Minder, a minor con man who used the gift of the gab to earn money through various dodgy schemes. Young Arfur has that same gift but instead uses it to get him and his pals out of doing anything they don’t want to do.

As you can see his reputation precedes him. Not that this knowledge helped the teacher any. You could see him as a more charming (albeit that’s part of the con) and chatty, streetwise version of the Roger the Dodger strips in Beano at the time. He’s a fun character and must’ve been enjoyed by Buster readers as he was part of the comic until 1987, five times longer than School Fun’s whole run.

With that, we round off our look at the first Buster Book to co-star some of our old OiNK pals. I don’t need any will power to not look at the next volume because I haven’t bought it yet, but if you have these yourself (or can remember them) don’t tell me what’s to come, I look forward to finding out for myself each Christmas. One final surprise is on the back cover. Instead of a repeat of the front cover image by Tom Paterson, or a funny reverse cover like OiNK’s books, it’s an advert. But it’s one I’m sure anyone around my age will remember (fondly or otherwise) from a lot of our comics back then.

It’s strange to see an advert in an annual but the Big Comic Book also had it this year, as did the OiNK Winter Special released in November 1989. Anyway, that’s enough waffle from me. Pete may have been given top billing out of our three pig pals here, but it’s Tom Thug who has a few more Christmassy mishaps to come, so I look forward to our next festive feast of new OiNK-type material in twelve months!

GO TO 1991 BOOK

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CHRiSTMAS 2024

OiNK iNTERViEW SERiES: PART THREE

I hope you’ve all been enjoying this fascinating look into the creation of OiNK from some of its incredible creative team. In case you’re stumbling upon this series for the first time, I sent four questions to some of OiNK’s greatest talent and every Saturday during the build up to Christmas I’m publishing all of their responses, one set at a time.

The third question is the most personal. Working on a funny comic isn’t easy. We were laughing with the turn of every page but it must’ve been exhausting to come up with all of that comedy gold week after week. We’ve established they all loved their time on OiNK and each other’s work, but is there anything of their own that they’re particularly proud of?

QUESTION THREE

What’s your personal favourite piece
you contributed to OiNK?


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“I suppose it’d be a half page strip called Henry the Wonder Dog, because that was the first one I’d got accepted, and my first bit of paid cartooning work. When I finished my A-Levels in the summer of 1986 I started bombarding OiNK with ideas, and at the beginning of August got a note from Mark saying “Success at last, can you draw this one up and send it to Patrick.” I was chuffed to bits, and remember that evening going down The Barrels (still my favourite pub in Hereford) to show off.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“Personal fave: Judge Pigg. I wanted to do more 2000AD parodies (Strontium Pigg, Rogue Porker, ABC Piglets) but alas we were too busy and the guys at 2000AD don’t like us mere cartoonists taking the pee-eye-double-ess out of their serious characters.”


IAN JACKSON
artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

“Various covers plus a black and white two-page school story.”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

“Chaotic issue eight cover with the skeleton staff member.”


DAVID LEACH
Psycho Gran, Dudley DJ

“It’s either my fully painted poster of Psycho Gran in the annual, The Good, The Bad and The Very Old. Or it’s the one pager where PG is waiting for a bus.”


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“My favourite piece of work is the Cowpat County page with Cyril the Sheep. A lot of my workmates at the time were put into the strip (including Cyril). We had a real laugh when it was printed. It was one of those strips that nearly writes and draws itself.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

The All- Vegetable Theatre Company, which became Tatertown on Facebook. Herbert Bowes is a close second.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“I was very pleased with the two double-page spreads I did, one for the 50th birthday party and the other for the anniversary portrait, both these featured all of OiNK’s regular cast of characters.”


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“Another question that’s hard to answer but I was very pleased with the Pete and His Pimple pull-out comic I put together. It was nice to do a longer story. Another favourite was the one-off half pager Thick As Thieves about the bungling crooks. I was inspired by the old time British comedy movies for that one.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“That might be the Burp one when he had to fight for those round squishy ball things;  thus ensuring his puberty and subsequent transition to manhood. I think it was in a special?  A reader messaged me a few years back to tell me it had helped get him through the whole painful process when he was a boy. The mind boggles.”

Ahem… I then admitted to Jeremy that reader had been me! To which he replied, “Oh excellent. I seem to remember you saying it had some sort of beneficial effect. I hope you weren’t just being polite.” Not at all , Jeremy! To any of you out there who may be a bit confused by this, check out the review for The OiNK Book 1989!


KEV F SUTHERLAND
Meanwhile…, The Three Scientists,
March of the Killer Breakfasts

“I did a couple of short stories I was really proud of. That one with the Three Scientists who travel back in time, then compare watches, but because they’ve all travelled the same amount their watches don’t show any difference. I still don’t think I’ve seen that gag being done (cue a dozen people telling me they’ve seen it in everything from Futurama to Rick & Morty. Well I haven’t seen it, and dammit I did it first!) I was also proud to have coined the phrase, “Would you Adam and believe it?” in one of my strips, which went on to be used a lot by Marc and Lard.”


The pages mentioned here really are the crème de la crème of what OiNK had to offer, and where possible I’ve included links to those specific issues so you can relive some personal giggles this Christmas. Just one more question to go, so don’t miss out on the answer to this on Saturday, 21st December 2024:

Finally, if pig pals could take one thing away
from your work on OiNK, what would that be?

QUESTiON TWO < > QUESTiON FOUR

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CHRiSTMAS 2024

SPEAKEASY #81: A CHAT WiTH MARK RODGERS

Just five short months after the previous issue of Speakeasy that featured on the blog came their Christmas issue, complete with snow and holly on the title (as it should be) and our piggy publication got a headline mention too. That’s because inside there was a massive double-page spread all about our favourite comic.

OiNK featured in the earlier issue in a much smaller way. Here, an unknown writer (no credit is given so it could be anyone out of Cefn Ridout, Dick Hansom, Bambos Georgiou and Nigel Curson) chats to OiNK co-creator/co-editor Mark Rodgers and the big news was that OiNK was finally going weekly with #45!

I remember the first time this was announced in the comic and I was absolutely thrilled. The loss of some key characters to a semi-regular basis and a reduction in pages was a bit of a shock though. If I’d been reading Speakeasy I’d have had a heads up and Mark’s explanation about some characters being on a regular rotation makes perfect sense. If only the comic itself had told us this at the time, maybe more readers would’ve stayed around.

There are a handful of previews for the new weekly strips here, showcasing Lew Stringer’s main characters who would now always have full pages to themselves. David Haldane’s are shown in their entirety and Billy Brown’s Black Hole was a one-off but even on such a smaller scale Simon Thorp’s detailed artwork still looks the part. Two-thirds of it are shown here even though we wouldn’t see it in OiNK until #68, the final issue!

“The pigs started taking over. We eventually decided to call it OiNK.”

Mark Rodgers

The piece begins with the well-known tale of how OiNK’s three creators (Mark, Tony Husband and Patrick Gallagher) met and, once we get to the point in the story where OiNK received its name, the writer takes every opportunity to insert a surprisingly well-crafted pig pun. The article focusses on OiNK’s independence and what set it apart from its contemporaries. Most interestingly, Mark likens OiNK to its stablemates when they were younger comics, when they pushed the envelope with their own rebellious senses of humour.

But by the 80s what was once rebellious had become stagnant. OiNK was their attempt at rekindling that same feeling for the modern audience. I’ve no doubt those that complained about OiNK failed to see the similarity to the comics from their own youth. Other interesting tidbits here include Mark admitting the humour was going to be gently changed to appeal to the middle-ground of their readers’ ages, Burp is misspelled throughout for some reason, and the DallasEnders photo strip mentioned wouldn’t actually see the light of day until #63, the first monthly.

“It’s going back to the basics of children’s humour comics really.”

Mark Rodgers

Lew Stringer also pops up towards the end when he’s asked about his involvement with the weekly relaunch. To help with the quicker turnover of issues Lew was asked to design half a dozen of the covers, three of which he would draw himself and the rest would be handed over to others. Lew discusses the idea behind them and it’s interesting that he came up with a theme for them in response to the fact the issues themselves would no longer be themed. Clever.

There’s one point here that’s particularly relevant. Mark talks about some of the more popular characters and how readers could identify with them. They were highly exaggerated versions of us and our likes, dislikes and behaviours of course, but it meant we could laugh at ourselves alongside the celebrity spoofs and random characters inside the comic. In a world where certain corners of the internet bemoan comics (and other mediums) wanting to create identifiable characters for modern audiences, it’s clear they don’t know their own comics history. It’s always been a thing, whether in superhero comics or silly ones about pigs and plops.

It’s time for a quick look at some other little bits that caught my eye as I read this edition of Speakeasy. Some things never change, as some got into a tizzy over new Bible-based comics. They were reported on as “obscene” and “degrading”, created by “perverts who should be prosecuted”. Reported as such in a tabloid that had topless women every day and another that constantly runs bikini photographs of celebrities the second they are of legal age.

A paragraph about the atrocious ratings of a Marvel TV series ends with the first news of one of my favourite shows of all time, the 80’s War of the Worlds. Well, the first season was ace and ahead of its time, a superb sequel to the 1953 movie and which had a clear multi-year arc long before Babylon 5. But then the studio began interfering. When they didn’t get their way they fired show runner Greg Strangis, relaunching it with a completely different season two which was lame, contradicted everything that had come before and killed off any non-white characters (but I’m sure that was just a coincidence, right?). Am I still bitter all these years later? You betcha.

Marvel UK’s licenced comics get an update (the update for Fleetway would have you believe they only published 2000AD), however there’s no word on those Action Force issues being the last. Then there’s a rather familiar name associated with an anti-smoking campaign and I for one would be happy to be incorrectly identified as that person. Finally, Pat Mills and Hunt Emerson brought us a role-playing game book that just might have a point behind it. It’s subtle.

That brings us to the end of another look at Speakeasy, a time capsule for the comics scene of the 80s. I know it was publisher Fleetway’s idea to turn OiNK into a weekly but Mark seems genuinely enthusiastic for its potential. It’s always enjoyable to read about his love of the comic, it’s so infectious. Christmas 1987 was such an exciting time for pig pals, with the very best issues of OiNK the team produced, the first OiNK Book and news of the weeklies to come.

Very happy memories indeed and you can relive them (or discover them for the first time) in the OiNK Real-Time Read Through. Enjoy!

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CHRiSTMAS 2024

OiNK iNTERViEW SERiES: PART TWO

Welcome to the second of four parts to this OiNK Interview Series, in which I sent the same four questions to some of OiNK’s greatest talent and I’m publishing their answers all together, one question at a time. The response to last week’s post has been phenomenal and the blog’s stats have been skyrocketing. Every time this happens it’s always great to know I’m not alone in keeping this wonderful comic close to my heart all these years later.

Last week I asked the team what their fondest memory of their time on OiNK was and many of them mentioned working as part of this particular team. Suitably then (even though I sent all of the questions at once) this second question digs down into those previous answers a little. It seems those creating OiNK enjoyed reading it just as much as we did!

QUESTION TWO

Whose work did you admire the most in OiNK?


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“Difficult question because with so many different styles everyone brought something fresh and exciting to the comic. Jeremy Banx was always one to watch because he pushed the envelope with what he could get away with. J.T. Dogg did spectacular work of course and I was pleased with our collaboration on Ham Dare, Pig of the Future. It was also good to see David Leach’s style develop. Psycho Gran is such a great character and I’m pleased he still creates new stories for her today.”


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“There were so many artists I admired on OiNK but my absolute favourite is Ed McHenry. He introduced me to dip nibs and they were a real game changer in how my style looked. I’m very lucky I met Ed, he is a true gentleman who loves his work. Fun fact: He was a drummer for Roy Orbison in the sixties. Fun fact 2: I hitched a lift in Roy Orbison’s white Rolls Royce.”


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“There were loads of really good artists working on OiNK, Lew Stringer and Ian Jackson spring to mind. I think it was Jeremy Banx’s stuff that struck me the most. It was very funny, and unlike anything I’d seen in British kids’ comics before. There was one Burp strip about him going on holiday to a secluded planet, and he’s inadvertently brought along a wasp in his spaceship which escapes onto the planet, and he knows then that he can never return – the presence of the wasp has ruined his paradise. I don’t know why that has stuck in my head all these years.”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

Ian Jackson’s.”


KEV F SUTHERLAND
Meanwhile…, The Three Scientists,
March of the Killer Breakfasts

“I loved Frank Sidebottom‘s stuff, and was also a fan of his music, so being in the same comic as him was a thrill. I thought Jeremy Banx and Lew Stringer‘s stuff were the funniest. Lew is the deserved star of the comic and it’s no surprise that his was the work that carried on into Buster.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

“This is tough, as there were so many great writers and artists. I was very partial to Ian Jackson‘s covers and Hadrian Vile strip, and I always found Jeremy‘s nose-related strips hilarious.”


IAN JACKSON
artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

Jeremy Bank‘s Burp.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“Awkward question. Let me explain. When each new copy of OiNK appeared, I would clip out my stuff, this was then placed in my safe deposit box at my bank, the rest of the issue was then used to line the bottom of our budgerigar’s cage. So tell me, did I miss anything good?”


DAVID LEACH
Psycho Gran, Dudley DJ

“I admired them all. I felt humble to be in the same comic, it was a comic that made me laugh. I loved the different styles, I genuinely don’t think I had a favourite, although the three artists I felt symbolised OiNK were Husband, Stringer and Banx.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“Favourite OiNK artist? Banx. No question. Funny, witty and a great writer/cartoonist. I loved getting to see his original art. Only met him once in London for about 4 seconds as I had to dash back for a train.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“So much good stuff to choose from. So many talented artists and writers. Mark Riley‘s Harry the Head always sticks in my mind. Loved the simplicity of his drawings and his daft ideas.”


Can I just say I agree with every single answer here? I’d have been useless if someone asked me this question. My answer would’ve been as long as this whole post. Our next question is one I’ve been particularly looking forward to. After reading about them admiring each other’s pages we ask about their own creations. It should be an interesting one (again). Come back next Saturday, 14th December 2024 for the responses to this:

What’s your personal favourite piece
you contributed to OiNK?

QUESTiON ONE < > QUESTiON THREE

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CHRiSTMAS 2024

OiNK iNTERViEW SERiES: PART ONE

Welcome to first post in what should be a fascinating four-part OiNK series this festive season. I came up with some general questions about our favourite comic and handed them over to no less than 11 of OiNK’s finest contributors. Every Saturday between now and Christmas Day I’ll publish all of the responses for each question in turn, so we can get an insight into what it was really like to be a part of the world’s greatest comic.

The OiNK team have always been so forthcoming with information ever since the blog began and their enthusiasm for the comic hasn’t diminished one iota in the decades since they first tickled our funny bones. It’s been a joy to put these posts together and reach out to some of my comics heroes. So what’s the first question?

QUESTION ONE

What’s the fondest memory that comes to mind
when you think back to OiNK?


DAVY FRANCIS
Cowpat County, Greedy Gorb,
Doctor Mad-Starkraving

“Fondest memory was meeting all the artists and writers at the OiNK launch party. It’s a bit of a lonely profession drawing cartoons and comics so it was great to meet up and yack about drawing and comics.”


DAVID LEACH
Psycho Gran, Dudley DJ

“That first UKCAC show in 1988, I think, when I got to meet other cartoonists for the first time. I met Davy Francis, Lew Stringer, Davey Jones, Ed McHenry and Banx. It was wonderful. I felt I’d found my people.”


DAVEY JONES
Henry the Wonder Dog, Pop-Up Toaster of Doom,
Kingdom of Trump

“Probably just that sense of open-mindedness you got from the editors. My main point of contact was Mark Rodgers and I’d send him script ideas which he’d either approve or turn down. But you always felt that he’d be open to any kind of silly ideas. I remember buying a volume of Spike Milligan’s Goon Show scripts from a jumble sale, and for a while after that the stuff I was submitting was a bit Goon-ish. So you felt you could sort of muck about and try out different things.”


STEVE GIBSON
artist Judge Pigg, countless GBH Madvertisements,
Ponsonby Claret

“Memory? I remember meeting Mark and Tony (Husband) and Pat (Gallagher) as they were cobbling the first few issues together. They were working from inside a cupboard in Manchester back then. It was hard to tell them apart because we all had hair then, including Pat. It felt like an exciting time to draw comics, and I could always meet a deadline because I learned to draw in my sleep thanks to Pat nagging me. Hey Pat! How are you?”


PATRICK GALLAGHER
co-creator and co-editor of the whole shebang,
designer of the OiNK logos

“Meeting up with Tony and Mark immediately after we received the news that OiNK had been formally commissioned.”


IAN JACKSON
artist Mary Lighthouse, Horace (Ugly Face) Watkins,
OiNK Book 1988 covers

“Photo story shoot with Mark Rodgers dressed as aliens, and his girlfriend Helen as someone we were trying to abduct from a local park.”


ED McHENRY
Wally of the West, umpteen OiNK puzzle pages,
Igor and the Doctor

“Printed on quality paper with excellent colour reproduction, everybody could sign their work or get a printer credit, well paid and all your artwork returned. What’s not to like as they say.”


GRAHAM EXTON
writer Fish Theatre, Herbert Bowes,
Murder in the Orient Express Dining Car

“Visiting Tony‘s house with Mark was brilliant because Tony was such a nice chap. I noticed his stack of Peter Hammill albums in a corner – we bonded over music. We also had a fun time discussing Uncle Pigg‘s helpers, the Plops.”


JEREMY BANX
Burp, Mr. Big Nose, Jimmy ‘The Cleaver’ Smith

“A lot of fond memories. Getting the ideas and drawing them up against the clock was hard work but fun. Meeting up with the other OiNKers at conventions and stuff was a highlight. I remember, with great fondness, the process of getting the idea that Burp‘s organs should be independent living beings with their own ecology. Also when I realised that his liver should be Dr Devious, the notorious super villain. The nice thing about that was it felt like the character was revealing himself and it almost wasn’t me doing the work at all.”


LEW STRINGER
Tom Thug, Pete and his Pimple, Pigswilla,
writer of Ham Dare

“There are lots of happy memories but I think just having regular work in an IPC comic for the first time felt like a major achievement, even though I’d been contributing to Marvel UK for a few years by then.”


KEV F SUTHERLAND
Meanwhile, The Three Scientists,
March of the Killer Breakfasts

“It was my big break, so the best thing was being a proper professional comics creator at last. I was holding down a day job and doing my OiNK work at night, and it had taken a whole year of sending something off every single week before I got in. I would send something to 2000AD who’d say ‘you’re too cartoony, you should send it to OiNK’, and to OiNK who’d say ‘you’re too action-y, you should send it to 2000AD’. OiNK broke first.”


And so it begins! Even though very few of the OiNK team ever worked from their Manchester offices, you’d never think it from these replies. They were clearly a fantastic team, whether they ever met each other or not, and admiring of everyone else’s creations. It pleases me no end that it seems OiNK was such a great comic to work on. Make sure you come back next week, Saturday 7th December 2024 for question two, which will be:

Whose work did you admire the most in OiNK?

See you then.

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