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OiNK! #59: PASSiON, PENS & POSTERiORS

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This issue of OiNK attempts to mark a celebratory milestone too early, while marking a sad one that we weren’t aware of at the time. For the former Uncle Pigg tells us OiNK is two-years-old this week. However, not only is there nothing else in the issue to celebrate this but he’s also got his dates wrong. The first birthday issue (#26) marked the end of the first year after the release of the preview issue, rather than the beginning of the second year and the anniversary of #1 as traditionally celebrated in other comics.

This issue we’re now reading went on sale today 35 years ago, 14th April 1988. #1 wasn’t on sale until 3rd May. Even the preview issue wasn’t bundled inside other IPC Magazines comics until 26th April. #60 will be on sale five days before even that anniversary. I’ve no idea why this happened. Anyway, as I said it also marks a sad milestone, namely the last ten regular issues. Of course because it goes monthly those final ten will stretch all the way to October but still, it’s sad to know we’re inching closer to the end. Better show some comedy to lighten things up then, hadn’t I?

Ed McHenry’s mini-strips hit the giggle factor every time, which makes it all the more surprising that it’s taken so long to give him the chance to have regular characters, although his semi-regular puzzles were always fantastic. For example, check out the double-page spread in the recently released (in respect to this issue and the real time read through) second Holiday Special. Saying all this, Igor and the Doctor only appeared in eight issues (and just the one monthly after this) so here’s a look at what they had to offer.

On the next page is the penultimate chapter to Hieronymous Van Hellsong’s prequel tale in which he finds himself in the pits of hell looking for the lost soul of pop singer Raoul McCurtney, who is putting on a concert for the demons. Given this outlandish set up I loved how the solution to getting inside is something so clichéd and simple.  But it’s when they make their escape in the final panels that I can distinctly remember reading this as a child. I’m not going to say a word about it yet, you have to read it for yourselves.

Well now, there we go. After this many issues of OiNK it’s become something of another cliché to say here’s something else you wouldn’t have seen in other humour comics (but I think it just had to be said again). Jeremy Banx in particular liked to push his strips beyond what we’d expect, even for OiNK. They were never unsuitable for children but their humour always felt more grown up when I was a kid. In reality, looking back now it was just that his sense of humour really spoke to the new generation of more savvy, cheeky children of the 1980s.

I can’t remember how this story ends and if it were anyone else I’d struggle to believe they could top this final cliffhanger, but Van Hellsong is in great hands and I for one can’t wait to see the final showdown. At the top of the review I looked forward and mentioned we’re now within the final ten regular editions of the comic, but what’s even worse than that is we’ve only three more with Jeremy in them! We’ll come back to that but for now let’s keep things cheerful with a quick glance at other highlights of the issue.

“Sorry about the nose drips, but the artist has a cold!”

Lew Stringer (Tom Thug)

The aforementioned message from Uncle Pigg is actually drawn by a reader, the one and only time this happened, so kudos to Craig Els of Liverpool. Nigel and Skrat the Two-Headed Rat makes a sudden reappearance, keeping to their regular schedule of popping up every dozen issues or so(!), the age of competition winners was definitely on the increase when you compare who met Frank Sidebottom in this issue to #26 and Horace (Ugly Face) Watkins’ spoof football drama continues with its ridiculously far-fetched kidnapping plot.

Grunts compiled by Patrick Gallagher
Nigel and Skrat by Noel Ford
Frank Sidebottom by Chris Sievey
Horace Watkins by Tony Husband
Tom Thug by Lew Stringer

The life of a freelance cartoonist isn’t as glamorous as some may think, especially when it comes to sick leave, or rather the lack of it. So let’s spare a thought for one of OiNK’s own this week. At the beginning of Tom Thug’s strip there appears to be a green blob randomly drawn on the page with a teaser of “What’s this? Find out later” alongside it. As his page comes to an end it’s revealed his cartoonist, Lew Stringer, was feeling rather poorly at the time, something he slips into the credit at the end of his Pete and his Pimple strip too in an equally funny manner, having a little laugh at his own expense.

Isn’t that just the happiest little shit you ever did see?

Last week Pete met Spotless Suzie, who was the target of a misogynistic idiot harassing her into giving him a snog. Through a series of events this idiot ended up the worse for wear thanks to Pete’s pimple and when Suzie thanked Pete by giving him a kiss his zit burst all over her. But there’s a twist. Suzie is on a Y.T.S. course (do your 80s research, kids) about ‘compost analysis’ so pimple pus was a doddle to handle. Thus, Pete now has his first girlfriend, aww.

However, in previous issues Lovely Lucy was the object of Pete’s unrequited affection. Even though she made it abundantly clear she had no interest in our unlikely hero, ridiculing him in front of people, it becomes clear she’s not the type to take being passed over for anyone else either. Add in Suzie’s own nemesis Harrison (the one mentioned above) and you’ve got the makings of a pair of comic villains.

Isn’t that just the happiest little shit you ever did see in the fifth panel? Another of the plops takes on a starring role in a future Pete and his Pimple strip and from memory it’s because of a somewhat icky pimple solution sent in by a reader! I’m sure you can draw your own ghastly conclusions as to what that may be. It’s one of my faves though, so there’s a good chance you’ll see it in a future review.

Jeremy Banx and Lew have both been rather prolific with the OiNK covers during the weekly stage of the comic, with this issue’s from Jeremy even featuring a cameo from one of Lew’s characters. Better than that, it reunited readers with some of Burp’s internal organ characters we’ve come to know and love, even Kid Kidney. This issue’s Burp strip features some of that glorious wonders-of-the-universe storytelling Jeremy likes to include, beginning with some well-meaning educational moments from the smelly one before it all descends into utter chaos as per usual.

We even get another cameo in the final panel! If you’re not a regular blog reader (why not?) you should scoot off and read #32’s review, followed by #46 and you might understand why that teddy bear popping up makes my day every time. As mentioned above we’re approaching the end of Jeremy Banx’s time with OiNK and that’s just heartbreaking. I don’t think I realised he wasn’t part of the make up of the monthlies, he or Ian Jackson!

This isn’t a slight against either of them; I was very young and being bombarded with so much from others in each bumper monthly, and Burp did come back for an epic story in the second annual later in the year, one which I have very personal, very formative memories of. That’s all I’m saying about that one for now though. Just wait and see.

We’re racing towards the back of this edition of OiNK and a lot of the mini-strips converge on the final few pages including Ed McHenry’s always lovable, always funny Wally of the West. 

Even when OiNK’s strips aren’t being rude or surreal or satirical, even when they could be deemed more ‘traditional’ they hit the funny bone more than any other comic’s strips did for me. Wally’s are the perfect example of this.

We arrive at the end of another issue, the apparent second birthday one at that, although arguably that could be either of the next two, but still we’ve covered two years of the world’s funniest comic on the blog. OiNK has come a long way in this time (as has the blog), it’s constantly evolved and grown, gone from strength-to-strength and yet it feels like no time at all since this all began. We may be only a handful of issues from the end but they are packed with content. It’s going to be a great summer and autumn, believe me.

So with your coupon filled out and handed in you’ll not miss out on any of the fun over the coming months. Just a few weeklies to go. Ultimately the changes to come would lead to the end of an era, but I really enjoyed them as a kid. Will I enjoy them as much now as an adult?

The next issue’s review will be here from Friday 21st April 2023, see you then.

iSSUE 58 < > iSSUE 60

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OiNK! #58: JUDGED TO BE FUNNY

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I have distinct memories of showing this issue of OiNK to some friends of mine a few years after its publication when I’d moved on to grammar school and met some huge 2000AD fans. Their reaction to the cover and the strip inside was one of laughter, naturally. One of them had also collected OiNK, for the others it was something new and they were gutted not only at the fact Judge Pigg wasn’t a regular strip, but also that the comic itself was no longer being produced.

The lack of colour on the cover is a bit of a disappointment. The strip suits being in black and white as it’s a spoof of the earlier days of Judge Dredd when the majority of 2000AD also lacked colour, but I can’t help wonder how much better the cover could’ve looked. Interesting to note the comic is committing to ‘satire’ now too, after writer Graham Exton previously went to lengths to explain OiNK focussed on parody instead of satire and the difference between them . Perhaps this was another sign of the changing age of the audience mentioned in #51.

Steve Gibson is the perfect artist to parody the hard-edged style of classic Judge Dredd, making the joke of the whole thing even more reminiscent of what inspired it. In fact, I’d go so far as to say there’s something quite Brian Bolland about it, like Steve was spoofing that particular Dredd artist. It’s written by Mark Rodgers (of course it would be), someone who had worked for IPC Magazine’s humour comics for many years and who would’ve been very familiar with their stablemate sci-fi comic.

Also, as a regular cat sitter myself and someone who can’t walk past a kitty without trying to befriend them I just love that ending. This is one OiNK strip that’s even more enjoyable to me nowadays than it was when I was a mere ten-years-old. Not just because of the cat though. I think I appreciate the work Steve has put into the style of the strip overall because I’ve read a good bit of Dredd in the intervening years, whereas originally I don’t think I even knew the character.

Frank makes tabloid headlines the butt of his jokes with the actual story being very different to the assumption the headline produces

Since going weekly co-editor Tony Husband has contributed a hybrid full-page/mini-strip to each issue. Containing only two or three panels each but taking up a full page, there’s a chance those unfamiliar with OiNK and the freestyle drawings of Tony might initially think these pages are light on content, maybe even rushed as one friend put it at the time. Not true of course and when each and every one of them produces a good laugh who cares anyway?

Those of us used to two years of Tony’s award-winning style and his Horace (Ugly Face) Watkins strips enjoyed these bold full-page gags every week and they were a defining part of OiNK’s short but memorable 18-issue stint as a weekly comic. Tony also created one of my favourite non-regular characters, the multi-named Wonder Pig who this issue goes by the name Lazzie. They were getting a four-issue run (quickly followed up by one more in the first monthly) and the repetition of the predicament that would befall his owner continued to raise giggles.

Other highlights of #58 include Frank Sidebottom’s Little Bit of Show-biz (sic) Gossip at the bottom of his page. As per usual Frank makes tabloid headlines the butt of his jokes with the actual story being very different to the assumption the headline produces. Also, Hieronymous Van Hellsong is in the pits of hell looking for the soul of singer Raoul McCurtney and it appears even in that dark place there’s always that one person.

Lazzie written by Tony Husband, drawn by Chas Sinclair
Hieronymous Van Hellsong by Jeremy Banx
Frank Sidebottom by Chris Sievey

I’ve mentioned before I’ve been surprised at how infrequently certain characters actually appeared in OiNK, simply because they’d formed such a strong part of my memories of the comic from childhood. Perhaps the very fact some of my favourites weren’t in every issue helped make their appearances all that more memorable and I think this applies to the following series as well, which I’m very surprised to discover had only six episodes.

Charlie Brooker’s The Swinelight Zone popped up in #44 as a one-off strip and then reappeared three weeks ago in #55. It’s been in each issue since as well as the recent Holiday Special but it disappears after this, never to return. I’d thought it was a regular fixture all the way through to the last issue. What a shame, but at least they go out on a high. Quite literally in this case.

One strip which would remain with us until the very end was Kev F Sutherland’s Meanwhile… series. Each had a completely different scenario with nothing to link them other than the title and the cartoonist’s unique sense of humour. Kev would take a seemingly trivial locale or event and create a guaranteed laugh from it in his own unique way, such as ‘Meanwhile at the Fun Fair…’ back in #49. That was a properly funny mini-strip and I’m very happy to see the return of the series for the first time since gets a full page.

There’d be at least one in each of the monthlies and they really were a constant defining highlight of those later issues. The Meanwhile… in this issue is the perfect example of what we could expect so much of. It takes a simple idea, a simple joke that could’ve worked in a smaller capacity and takes it to another level, making it as crazy and as funny as possible before the pay off. So, after Kev’s pun-packed March of the Killer Breakfasts last week comes something completely diffferent.

That was the beauty of the Meanwhile… series; on the surface they were more like a series of one-offs by the same talented cartoonist, every single one felt completely different, yet that idea of taking a joke and getting as much value out of it as possible was key. The example above still pops into my head today whenever I hear someone utter those words, and I have a little chuckle to myself every time.

From strips I thought were regulars but weren’t, to one I thought was a tiny little one-off when it appeared in the previous Christmas issue but then was delighted to see return just a few weeks ago. It’s The Kingdom of Trump. This is another last appearance unfortunately, but then again I didn’t expect more than one in the first place so I’m just happy to see it. This is also the most memorable of the trilogy.

I’d loved to have seen what else Davey could’ve come up with

Davey Jones’ King isn’t the main character in this one but the silliness of his kingdom and all those who dwell within is very much front and centre. Davey’s sense of humour is completely insane; go and have a look at #20’s war spoof Bridge Over the River Septic if you need any more proof of that! He’d later become a hit in the pages of Viz and you can clearly see why in his OiNK work.

From the wooden stick masquerading as a horse to the dragon living in a cave right next to the throne with a polite little doorbell, there’s so much that made me laugh on this half-page. Funniest of all is that silent penultimate panel with that facial expression! The Kingdom of Trump really should’ve been a regular, the three examples we got were so funny, each one better than what came before. I’d loved to have seen what else Davey could’ve come up with.

On that note we come to the end of another review. We of course finish with co-editor Patrick Gallagher’s newsagent reservation coupon as per usual, moving from the already random Great Moments in History to the completely daft Great Moments in the Height of Good Manners (number 76 no less). April is the last month full of weekly issues so make sure to come back next Friday 14th April 2023 for #59 as we inch closer to the next big evolution in the life of OiNK.

iSSUE 57 < > iSSUE 59

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OiNK! #57: ROLL ON EASTER

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This issue’s cover is one of my favourites from all of OiNK’s issues for two reasons. It’s a Jeremy Banx cover featuring Jimmy ’The Cleaver’ Smith, the comic’s villainous butcher baddie in a pool of glistening blood on a splattered background. You wouldn’t have got this in other humour comics, that’s for sure. The second reason is the audacity that the issue’s cover, its selling point on the shelves, states clearly it has absolutely nothing to do with the contents inside. 

This is actually a bit of a sticking point with me as far as some modern American comics go. They can have lovely elaborate covers, yes, but they don’t always relate to the story inside. If this issue of OiNK was released today I’d swear they were taking a shot at those. Inside, it’s also the Easter issue, with Uncle Pigg chowing down on a mountain of chocolate eggs while he cracks (sorry) puns, but apart from Lew Stringer’s two strips no others shell out (sorry again) on eggy scripts. Tom Thug’s title panel also seems to follow the theme from the cover.

The fact the egg (or rather Tom) appears to be asking for “Ralph” or “Hughie” is a great gag; we know exactly what’s happening to the dim-witted one inside and the panel showing us the results is convincingly disgusting! Having once stupidly gone on an amusement ride after eating ice cream and the result of that I almost feel sorry for the dolt. Almost. The limited colours given to the page really help highlight the main plot device (the egg) and the one splash of green makes for a funny moment in itself.

Did you also spot the ‘School Rules’ on the wall? At the time of the comic’s release I could definitely empathise with the kids at Tom’s school with that, finding it very funny in the process. This and Pete’s strip (a highlight is further below) being Easter themed makes the whole issue feel extra special in 2023 too, what with the Easter holidays happening almost at the same time as in 1988. With this quality no wonder Tom carried on for so many years in Buster comic.

This particular issue contains something of Kev F Sutherland’s that I’ve been looking forward to for a long time

Kev F Sutherland first contributed to an issue of OiNK in #38. Having proven himself with that mini-strip his work has finally become a regular fixture and this particular issue contains something of his that I’ve been looking forward to for a long time in this read through, March of the Killer Breakfasts! As a kid I loved my various cereals and their advertisements on TV promising toys and surprises. I can understand why things have changed (for the better) today, but this next strip takes me back to that time and laughing at all of the references to those adverts, never mind the onslaught of over-the-top puns.

There’s something quite genius right there on page one, when Kev perfectly lays down two future jokes when he names his protagonist. To the reader it’s initially just a funny name tied in with the cereal theme, but later two perfectly timed puns in the same caption tell us why ‘Dr Brek Sugar’ was really given that name. This is one of Kev’s best and one of the funniest strips in OiNK. Out of all of his contributions I think it’s tied for first place with his time travelling professors we’ll meet in a monthly later in the year. It’s comedic genius and it’s inside a children’s comic.

Right from the start OiNK wanted to give a chance to young, new talent in the world of children’s comics and hired accordingly. This commitment rubbed some long-time professionals up the wrong way but the comic stuck to its guns. Now, with Kev centre stage in each issue and the likes of young Charlie Brooker producing so much material, OiNK had evolved a lot since its early days and it makes me wonder what other new talent it could’ve discovered if it had continued for longer than the two-and-a-half years it ran for.

Pete and his Pimple by Lew Stringer
Laffie written by Tony Husband, drawn by Chas Sinclair
Burp by Jeremy Banx

There’s the Pete and his Pimple strip I mentioned earlier, when Pete eats too many Easter Eggs and discovers his pimple’s pus takes like delicious milk chocolate. Of course it runs out just as he tries to impress Lovely Lucy. The Wonder Pig (this time called Laffie) is back in the first of a series of weekly adventures with the usual predicament, and then on Mercury a rather familiar looking royal family have summoned Burp to help with the sweltering heat on the first planet next to the sun. This leads nicely on to one of two GBH Madvertisements in this issue.

Are you sick and tired of your job? Don’t you just wish you had the ability to leave it, perhaps by winning the lottery and not needing the money anymore? Well GBH has just the thing for you. Their special offer of two free (not free) books will teach you everything you need to know to do just that. In fact, all you need is a lot of privilege and being born into the right family. Surely this isn’t something you can teach, right? Well that kind of detail never stopped these gangsters from trying to hock their latest scam.

While OiNK’s humour for the most part has not aged, when it spoofs celebrities of the 80s it’s inevitable that kids reading it today (as some blog readers have told me their own kids do) may not appreciate those particular strips as much as us who grew up with them. This particular Madvertisement has aged but for a whole other reason, however let’s not shut down the whole country again and just move on, shall we? I do like Steve Gibson’s very Spitting Image-esque drawings too.

A couple of mini-strips before we round off this week’s review and Ed McHenry’s Wally of the West continues to entertain. This week it’s not Wally himself that’s acting on the silly side, he’s actually the innocent victim of someone else’s ridiculousness. Then Marc Riley’s Doctor Mooney He’s Completely Looney has two scriptwriters this week, Marc himself and Michael Peek. It’s silly, gross-out humour and one which made me chuckle because I’m still a big child.

That’s us at the rear end of another issue. Just time to ensure the young readers reserved their copies at their local newsagent’s with co-editor Patrick Gallagher’s usual weekly nonsense in the Great Moments in History coupon. To paraphrase it, I’m hoping the blog is still to all of your tastes and in case you missed it (somehow) make sure you check out the extra review we had this past week for the OiNK! Holiday Special #2! When you’re all caught up make sure you’re back here next week on Friday 7th April 2023 for #58 and have a Happy Easter (even though the next issue will be out by then).

HOLiDAY SPECiAL 2 < > iSSUE 58

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OiNK! HOLiDAY SPECiAL #2: BEACH READY

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This gorgeous cover by renowned illustrator Paul Sample is sadly his only contribution to OiNK but what a contribution it is. There are a lot of intricate details my young eyes loved pouring over when this came with me on an Easter family trip to the Scottish highlands in 1988, whiling away the long train journey from the Stranraer ferry. Among the sea and adoring OiNK fans look harder and there’s a ‘Porkman’ instead of a Walkman, Crackling Oil and a rather dark strip on the OiNK Uncle Pigg is reading. It looks extra gorgeous on the large, glossy paper after the comic moved to matt with #36 last autumn and then to thinner matt with #45.

This is also a wraparound cover poster and I’ll show you rest of it, complete with another comical shark, Icarus and even the sun itself getting in on the OiNK sensation at the end of the review. The way the crowds are swarming the comic’s logo adds to the feeling of a Holiday Special crammed full to bursting. Inside, the first half in particular is stuffed full of reading material, really giving us superb value for money for a measly 70p. This would actually be the last special of any type with no reprints, so let’s enjoy it.

We get introduced to the comic with a big Uncle Pigg panel written by co-editor Mark Rodgers and drawn as ever by Ian Jackson. While it’s nice to see such an introduction again I can’t help but be disappointed that there’s no strip featuring him and Mary Lighthouse (critic) like we had last year, but then again they stopped a while back in the regular comic. Beneath this is a funny little one-off strip written by Howard Osborn and drawn by Mike Green and thus the tone is set for the special.

I was very happy to see Hadrian Vile’s Hollydaye Albumm here

I’m going to dedicate a full post to one of the main highlights of this issue later in the year. There are lots of little artists’ profiles, each taking up a quarter of a page. They’re created by each individual cartoonist and the information in them isn’t exactly reliable, let’s just put it that way and it’s so much fun to see how they draw themselves. There are ten altogether and I simply couldn’t have choosen which ones to leave out if I was going to select some for this review. So I think that could make for a nice additional post later in the summer.

In the previous OiNK review (#56) I lamented the fact Hadrian Vile’s diary had more or less come to an end by this point in the comic’s lifetime so I was very happy to see his Hollydaye Albumm here. It’s not a full diary, however it’s a special version for the holiday issue and a fun read. His long suffering dad is front and centre and again is Hadrian’s unintended victim over and over as they set off on their trip to France. A trip we end up seeing nothing of in the end. As always he’s written by Mark Rodgers and drawn by Ian Jackson.

The best thing about this is there’ll be aspects of it I’m sure will feel familiar to most readers, even if it’s exaggerated somewhat. Although I’m not sure how many families would’ve taken photos of these incidents back in the 1980s. Not when we had a limited number of photographs we could take on our cameras, paying to get them developed. Today it’d be much more likely, with the photos likely ending up on social media. Maybe Hadrian was just a trailblazer.

Weedy Willy began life in OiNK as a regular character in the earliest issues, however after several months he would only pop up every few issues or so and even then as mini-strips most of the time. You wouldn’t know he’d been reduced to semi-regular status here though with two strips only a few pages apart. The first is a full page while the second, funnier one is this half-page, the winning joke coming from a cowpat!

Written by Keith Forrest and drawn by the master of the thin ink nib Mike Green, this issue really brings Willy back to his former glory. In the first strip (written by Vaughan Brunt) we even find out Mandy and Willy are now a couple! In that first story he gets the upper hand thanks to his weediness while above the joke is on him but just in a silly way, not a cruel way. That cowpat being so particularly chuffed in the third panel genuinely made me laugh out loud too. 

The biggest highlight of this issue has to be Frank Sidebottom’s board game, Frank’s Timperley Bike Racing Game. The board takes up the centre pages but several pages earlier up pops two pages rammed with rules, player pieces and cut out cards. As always Chris Sievey has clearly put a lot of thought and work into his latest creation. The game is well thought out, unlike a lot of games in comics which usually feel like filler. This one is suitably special.

I actually like the sound of the game, with the players speeding back and forth across the board trying to hit a specific selection of squares given to them by the random shuffling of the shopping list cards. There’s a good bit of strategy to go along with the luck of the dice rolls, players choosing the order in which they’ll attend to their list and the routes they’ll take. Chris’ attention to detail even stretches to telling the kids plain card backs should be used to ensure there can be no cheating.

I do have one complaint though. Surely buying a copy of that week’s OiNK should’ve been on every list? Oh well, you can always make more or make that part of the rules yourselves. It might just be me, but some of these (rather random) shopping list items bring back some happy childhood memories. No, I never had to phone Paul McCartney but bike clips, puncture kits and returning videos? Yes. Just remember to rewind those tapes first. The board itself has had just as much attention paid to it.

From the train to the sunbather on the barge, from people hanging their washing up to the roads having drains, Chris has clearly poured over every inch of these pages as he usually does, adding in as many tiny little details to capture the imaginations of the young readers as possible. Also, you just know that lots of things on this board will have been based on actual buildings Chris knew from his real life. You can see why I think this is the “fantastic” headline feature of this OiNK.

Let’s take a quick snack break, shall we? The snacks this next Madvert is aiming its sights at were a childhood favourite, but it’s been proven that our tastebuds change over time and mine appear to have turned against these little pillows of… well, I’ll let this describe them to you.

Honestly, I don’t know what I ever saw in them! (Nothing apparently, according to Kev F Sutherland.)

Jimmy Flynn (the boy who “Jumps Out of his Skin”) had a mini-series at one point in the comic and gets an origin story here over a few pages here, yet main character Horace (Ugly Face) Watkins only gets one page and it’s a simple three-panel gag strip rather than what we’re used to. Other highlights (below) are better, such as Moth Person in Hijack at 2000 Feet, 13 1/2 Inches taking pot shots at people I’m sure a lot of us really can’t stand on public transport, followed by Tom Thug living up to the clichéd English holiday maker I’m sure we also all can’t stand.

Charlie Brooker brings us the multi-part Sam Mackay Private Eye, the first part of which is full of visual gags based on typical private eye story wordplay. Billy Bang gets his one and only full-page strip and his one and only in full colour. Finally, David Haldane’s regular look at the strange world we live in takes on Strange Bizarre Folks Customs of our Funny Old World and it’s some of his funniest yet.

Tom Thug by Lew Stringer
Moth Person by Davey Jones
Sam Mackay by Charlie Brooker
Billy Bang by Wilkie
Funny Old World by David Haldane

When we went on long family trips there were always puzzle magazines brought along to kill time on various planes, trains and automobiles. At such a young age very few of them kept my attention for long, unlike OiNK. Luckily OiNK had its own puzzle master in the form of Ed McHenry, who’d contributed many a puzzle to the regular comic by this stage. Here we get a larger than normal selection, a full double-page spread of impossible conundrums. 

As ever, everything looks incredibly easy on the surface. The reality of course is that the actual answers are not what you’d expect. The fun with these became trying to work out what the completely ridiculous correct solution actually was. I don’t think I ever got one of them right. This particular spread starts off strong with The Sea Wall conundrum, while my favourite is number seven because given time you might just be able to work it out, depending on how loony you are I guess.

There have been a few occasions over the past year when Jeremy Banx has taken the random and often surreal nature of his Burp strips and given us more wordy, narrated instalments. These heightened the alienness of his existence and the unpredictability of his pages, adding in the vast unknowable universe and the apparently untamed imagination of the OiNK cartoonist. Told solely through elaborate narrative captions rather than speech bubbles and slapstick (along with unique visuals), check out Burp’s vacation planet from #41 as the perfect example. 

The strip in this edition gives us the best of both worlds, the first page playing out like a typical Burp strip for the most part. Not that there’s anything like a ‘typical Burp strip’ but you know what I mean. Then from the final panel on that page we see it change into something else entirely, somewhat like the creatures at the heart of the tale. Just like the example I gave above the wonders of the universe are laid out and then suddenly juxtaposed against the silly alien we’ve come to know and love.

While this issue isn’t quite as full of classic strips as the first Holiday Special it’s a very worthy follow-up and I can remember being very entertained by it on that family trip all those years ago. It feels extra special now we’re used to reading the 24-page weeklies. Although, in a couple of months the regular comic basically becomes a monthly Holiday Special so I wonder if these extra editions would’ve become bigger too if the comic had continued. As it stands, the two Holiday Specials so far are among the best examples of OiNK the comic had to offer.

To round off I just have to show you that wonderful wraparound cover poster by Paul Sample. My copy has curled a little at the spine over the years since it was first printed but you can still get a sense of the lovely image as it continues over the staples and on to the back page, where you can see those extra details I mentioned at the top.

That blurb on the rear perfectly sums things up.

iSSUE 56 < > iSSUE 57

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COMiNG UP: OiNK! HOLiDAY SPECiAL #2

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Since the last OiNK Holiday Special a few other special editions of our favourite comic have been released, namely the OiNK Crash Edition, The OiNK! Book 1988 and the OiNK Smokebuster Special and now it’s time for the latest. The second big, thick Holiday Special really stands out on its glossy paper after the paper stock changed for the regular comic in the past six months. This edition has 48 pages stuffed with prime pork and was released this week 35 years ago, announced on Patrick Gallagher‘s Grunts page in #56 by the sizzling bacon that was our editor, Uncle Pigg.

That same issue contained this promo drawn by Eric ‘Wilkie’ Wilkinson full to the brim with terrible puns and a fishy take on Cliff Richard‘s summertime hit which was already 25 years old by this point, although it was still just as popular on radio station playlists this time of year. Watch out for a special bonus from Hadrian Vile after we’d just come to terms with his diary basically ending in the weekly, Weedy Willy getting some unexpected athletic workouts in and there’s another one of those classic wordy Burp strips taking in the wonders of the universe in his inimitable style.

Also, for those long trips with the family there’s a superb board game by Frank Sidebottom, or if you prefer some quiet time you can try your hand at some OiNK puzzles to keep you (pork) scratching your head while taking a break from your loved ones on a lengthy trip to the loo. The full review will be here in just two days, on Wednesday 29th March 2023. Get the sun tan lotion ready, it’s going to be a scorcher.

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OiNK! #56: TRiP OF A LiFETiME

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Lew Stringer brings us what would ultimately be his final OiNK cover, not that anyone knew this at the time of course. Tom Thug’s threat has the shine wiped off by a good dog, which could take our attention away from the fact the comic had gone back up to its pre-weekly (and pre-page reduction) price of 35p. This made OiNK 7p more expensive than its Fleetway Publication peers, who also had 8 more pages. Today, I know this all sounds like it shouldn’t matter but back when most of us received 50p-£1 pocket money a week this could make all the difference.

But inside OiNK had plenty of content and to me it still truly felt like better value for money. There’s a wealth of reading material in this issue, including the conclusion to Tom’s Crude Crew story which began in Whizzer and Chips and carried on into the two previous issues of OiNK, a superb middle page spread for Dibney World by Simon Thorp, a gorgeous Dead Fred strip (no really) and the return of a favourite character, albeit not in the form I was expecting. First up though, Hieronymous Van Hellsong’s prequel by Jeremy Banx steps up a gear.

As always with this character it’s deliciously dark humour at it finest. Beginning with the nameless executive to whom death is just a hurdle to overcome, and then to see Van Hellsong kill himself in order to go to hell to chase down his contract is a bit of a shock. A silly shock. However, all of this dark, twisted humour is perfectly offset by that last panel and his funny realisation, taking us from the dark to the daft in an instant. It’s classic Banx.

“Dibney characters act out historical highlights of US history [such as] The Slave Trade, The Bay of Pigs Crisis [and] Watergate!”

Ron Dibney World, Simon Thorp

Dark humour was something we weren’t normally exposed to as kids and OiNK revelled in it. Jeremy Banx in particular, with some hilarious moments in his Burp strips that involved over-the-top gore that was just so ridiculous we never saw it as gore in the first place. His first Van Hellsong mini-series finished with our hero being killed by a notorious butcher villain and turned into a string of linked sausages and used to swing away from the authorities. These were the perfect introduction to black humour for me and many pig pals.

Back in #53 future Viz editor Simon Thorp wrote and drew Outlet-by-the-Sea, a Madvertisement of a shockingly poor holiday destination that poked fun at English seaside resorts. Now he’s back for another, this time a collaboration between GBH and Thomas Crook and it’s bigger and better. Not only is it a double-page spread in the middle of the issue, Simon also takes aim at the biggest and grandest of holiday resorts, Walt Disney World.

The rickety British Rail train is back from Outlet-by-the-Sea too. It must’ve been a favourite of Simon’s. I love the way the ‘Animation Complex’ is the smallest, least impressive building in the whole park which is a dig at Disney World’s priorities. Then we have the large golf ball-like Epcot spoof called ‘Mom’s Apple Pie World’ apparently made in Taiwan, which could either be a silly joke or could very well be making a statement for the older readers, take your pick.

It’s what’s inside this building that I find the funniest and most cutting. We live in the modern world of 2023 where American politicians of a certain type are trying to whitewash (literally) the teaching of American history, so to have something with such a wholesome name as ‘Mom’s Apple Pie World Heritage Trail’ have that list of attractions feels like a particularly contemporary joke. You can clearly see Simon’s later Viz work in its early stages here. I just love this.

Now it’s time to conclude one of our mini-series.

Of course Tom’s scheme had to backfire in spectacular fashion, he’s a bully and bullies always lose after all. So we begin this final episode of Tom Thug and his Crude Crew with the gang all assembled and ready for bovver for the first time, but by the end of the page it’s already fallen apart and Tom ends up in a very familiar state. The key joke here, played out more than once, is how bullies are all essentially cowards and will always ensure they’re only picking on those they believe are less capable of fighting back.

This backfires throughout and each time shows us why everyone loved Tom’s strip, especially when you’re a kid and may have had to deal with bullies yourself. From Braddock trying to steal some grub while Tom and Daisy panic because he hasn’t picked a “wimp” (guest starring Mauler Morrison from #54), to the crew deciding an infant school is the perfect target, the message is clear. Finally, it’s probably a coincidence but that verbal noise “OWK!” Tom makes when he’s trampled on caught my eye because I see it alternatively as ‘OWK!’ and ‘OINK’!

Whatever name Charlie Brooker gave his chain-smoking victim of The Swinelight Zone has been changed to a more familiar one

This has been a simply brilliant series and I’m sad it’s over but there are plenty of laughs to come from Tom in future issues, particularly in the monthlies if memory serves. Sticking with this issue for now, in The Life and Times of Harry the Head (his first full-page since the weeklies began) we get a little behind-the-scenes look at the making of The OiNK! 45 record and whatever name Charlie Brooker gave his chain-smoking victim of The Swinelight Zone has been changed to a more familiar one.

Harry the Head by Marc Riley
The Swinelight Zone by Charlie Brooker

You can see here that Steve Gibson’s name has been pasted in after the strip was completed. I asked Steve about this and he tells me he used to smoke at the time and fellow cartoonist Marc Riley (Harry the Head‘s creator and star of Snatcher Sam) hated that, so while he was doing some pasting work with the editors he changed this character’s name as a joke. Last week we learned how the OiNK editors played a little joke on Lew too. I love little in-jokes like these. It all adds to the OiNK anarchy.

A humour strip about a zombie and his undead friends isn’t something you’d imagine having gorgeous artwork but Eric ‘Wilkie’ Wilkinson really delivers this week with his latest Dead Fred. Written by Kev F Sutherland, like Harry above it’s not often we’d see Fred get so much space. This page shows he really was capable of carrying the larger format. Unfortunately though, instead of more full-page strips for the character this would actually be his penultimate story! One more in the second monthly issue to come and then he’d finally rest in peace.

Certainly the last thing I expected from a Dead Fred strip was what on the surface looks like a moving war story regarding the Battle of the Somme.

Of course we know all of this wartime storytelling, complete with art that in some panels wouldn’t look out of place in Commando, must be leading to a joke and we’re not let down. In fact, I think the serious nature of the majority of the strip makes the opening and closing panels all the more silly by comparison and, I’ll say it again, I think it’s gorgeous. Just a few pages later we reach the back cover and some more unique art that you would only have seen in OiNK, with the return (at last) of Hadrian Vile.

We’ve had some special pages from the character elsewhere, such as guides to everything from orchestras to babies, holiday photo albums, school magazines, letters to Santa and even a map of Scotland. But for almost all of the first 50 issues we enjoyed his Sekret Diary entries and this was what he was known for. Now, after a five issue hiatus he’s back with Mark Rodgers writing and Ian Jackson drawing but the diary has been dropped in favour of a new series, Vidiots – or Hadrian Vile’s Interleckshual guide to Tellyvision (a one-off of which had appeared in #23).

Love those little caricatures of Mark and Ian! It’s great to see Ian back after he also seemed to take a break lately (apart from a couple of mini-strips). But knowing what’s to come it’s sad to know that apart from one monthly entry and another in the second OiNK Book, the diary series was for all intents and purposes finished. If OiNK had remained weekly and survived perhaps we’d have seen it return as co-editor Patrick Gallagher explained to us when other characters had left us.

Unfortunately, Ian seems to have begun moving on too because his artwork doesn’t feature as prolifically after this series, so let’s enjoy it while we can. The TV guide would remain on the back page for six issues altogether, finishing in #61. I did miss the insights into his family life and these were a much quicker read than a full strip, but at the time I figured it was just a temporary series and the diary would return straight after. So I really enjoyed having something different from one of my very favourite comics characters ever to finish off each issue with. I intend to enjoy them all over again and this first one is a very promising start.

Another daft newsagent reservation coupon by Patrick rounds off our review and looking at the most recent weekly OiNKs you can see, even with eight pages less, how much more rammed with content they were compared to others, and just how varied that content could be from page to page, issue to issue. A recipe for success if ever there was one, surely. I’m really enjoying my weekly trip down memory lane.

But we’ve more to come before #57! Regular readers will remember we used to have ‘Coming Up’ posts before each issue back when OiNK had actual Next Issue promos. Since turning weekly these were dropped (the comic didn’t have themes to promote after all) but in three days on Monday 27th March 2023 you’ll see their return. Well, for one edition anyway, the second OiNK Holiday Special. Its review will then be up on Wednesday 29th March. After that, #57 will be here on Friday 31st. A busy week ahead. Great, isn’t it?

iSSUE 55 < > HOLiDAY SPECiAL 2

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Death's Head

HASHTAG (ANTi-)HEROES: DRAW DEATH’S HEAD DAY

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Yesterday was Simon Furman’s birthday. Anyone who has been following the blog’s Instagram feed for the last six years will be very familiar with that name as Simon wrote all but the first of the UK Transformers stories. My read through is still ongoing at the time of writing as I make my way through the final year of that superb, epic comic in real time. Regular visitors to the blog itself will also have read a couple of posts recently about a character he co-created for that 80s/90s comic with artist Geoff Senior, yes?

Yes indeed. Death’s Head has joined the ranks of the real time read throughs on the OiNK Blog, with a special introductory post and a review of the first non-Transformers strip he appeared in, namely Crossroads in Time from Doctor Who Magazine. While we wait for his next appearance I thought I’d share something a little special with you all. To mark Simon’s big day fans of the Freelance Peace-Keeping Agent have taken to social media for the ninth year in a row to mark the occasion.

Under the hashtag #DrawDeathsHeadDay across various social media sites and apps fans of this unique character put pen to paper, fingers to touch pads and digital pencils to iPad screens to create a vast array of fan art to celebrate Simon’s birthday and their love for the character. I thought I’d show you some of my favourites, along with links to each talented individual’s account if you wish to follow them. This is the first time I’ve been aware of #DrawDeathsHeadDay and I was mightily impressed with what I found!

Above is probably my favourite piece of all the ones under the hashtag. It’s by David Cousens (@davidcousens) whose work you really should check out, especially his Transformers art. I think this really encapsulates the look and feel of classic Death’s Head art. Below, OiNK Blog follower, and thus pig pal, Simon Williams (@simonwilliams.comicartist) used a MacFarlane-inspired Grey Hulk in his image.

Above, Ben‘s (@blacksquareart) caption was simply “It’s the boy! 💀” and his scratchy pencil shading brings a moodiness to the character, then below Sami Sadek (@skullgrin140) took inspiration from Death’s Head’s earliest appearances and the comic he was created for in the first place.

Above, artist Nomi Rana (@nomiranaart) looks like they’ve lent that helping hand Death’s Head was asking for above, and below was the first image I came across when searching the hashtag, a gloriously coloured piece of art by librarian Jacob Turner (@jacobturnerart) who completed it in only one hour! (He says he had to rush it because he was also fighting a book ban that day. Good on you, Jacob!) Then, below Jacob’s detailed art is the exact opposite from Phil Smith (@ununseptimus) and I have to say I genuinely laughed when I saw it. A great way to round things off.

I’ll definitely be looking forward to this day every year from now on. Speaking of things to look forward to (tenuous, I know) the Dragon’s Claws real time read through will be starting in May right here on the OiNK Blog, during which Death’s Head will be a major guest star just in time to promote the premiere issue of his own comic, so watch out for that later in the year. Don’t forget you can catch up on the Death’s Head: In Real Time, Yes? and Readying Death’s Head posts which detail the character’s exploits in Transformers and Doctor Who respectively. This is one read through I’m particularly excited about!

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CONFABULATiON: DAVE GiBBONS AUTOBiOGRAPHY

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Many people will know the name Dave Gibbons from his seminal artwork on Watchmen or for co-creating Rogue Trooper, a staple 2000AD character, or for his work on everything from Batman and Aliens to Doctor Who and Dan Dare. His legacy of work is vast, far too much for any one blog post to even hope to cover a fraction of. He even collaborated on the classic videogame Beneath a Steel Sky (and its Apple Arcade remake) and worked on Kingsman: The Secret Service which led to the successful movie series.

He may have been appointed Comics Laureate nine years ago but for pig pals he’ll forever be associated with one page of our piggy publication. In #49 Lew Stringer’s script for The Superhero’s Day Off was brought to stunning (and incredibly funny) life by one of the greatest superhero comics artists of all time. Lew and Dave had been friends for a long time by this stage and Dave’s son was a pig pal, so he was on board to work for Uncle Pigg for a special one-off collaboration.

Back in the review for this issue Lew told me how Dave added in little extra gags where he could, such as the kid reading an issue, the newspaper headline and the dog’s face turning blue from lack of air in the depths of space, our superhero blissfully unaware. I explained that while at the time I didn’t have a clue why this strip’s artist was being hyped on the cover, “as a child I loved this page and having been a fan of Christopher Reeve’s Superman films I got all the little jokes (my personal favourite being him signalling the bus) even if I didn’t appreciate the significance of its inclusion in the first place.”

I also asked co-editor Patrick Gallagher what it was like to have Dave working on their comic. “Yes, when Mark (Rodgers) told Tony (Husband) and me Lew’s idea to collaborate on a page with his friend Dave Gibbons,” he said, “we were thrilled and all gave it the big OiNK thumbs up with our trotters! And all credit to Lew’s brilliant writing talent for providing Dave with a killer script that matched the super-heroic credibility of his drawing talent.”

Now Dave has decided to write a memoir of his comics work over the years and OiNK has been included.

Confabulation: An Anecdotal Autobiography is being billed as “a comprehensive, in-depth and personal journey through the eyes of one of the world’s most famous comics creators”. Inside its gorgeous hardback cover you’ll find a series of alphabetically chaptered stories, each described as an “extensive anecdote”. It also contains a staggering 300+ pieces of art and photographs in its 256 pages, many of which have never been published before. Dave also discusses (for the first time) the reasons why Watchmen co-creator Alan Moore and he no longer speak.

Lew Stringer has already got his hands on a copy and says it’s a great book, hugely entertaining and extremely informative. According to Lew, “[Dave] talks about his earliest days on D.C. Thomson comics, through to the Watchmen era, The Originals, and beyond. This really is one of the best autobiographies by a comics creator that you’re likely to see. Dave’s had (and is still having) a significant career in the business and his affable personality comes across well in his illuminating writing style.”

As for that word, what does ‘confabulation’ actually mean? According to the Bing dictionary it means, “to fabricate imaginary experiences as compensation for loss of memory”. I think this book could be a fun read!

Written by Dave with Tim Pilcher, Confabulation: An Anecdotal Autobiography is published by Dark Horse and is on sale now at all good book and comic shops. If you live in Northern Ireland may I recommend Coffee & Heroes in Belfast, a simply superb shop that would be more than happy to order it for you. You can also read Lew’s post about the book and see his own photographs in his Lew Stringer Comics blog post.

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BUSTER-iNG PETE’S PiMPLE

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No, the OiNK real time read through hasn’t merged into Buster already. On this day back in 1988 another of OiNK’s sister publications (with its Tom Paterson cover) ran a special promotional crossover strip featuring one of our favourite characters. Two weeks previous Tom Thug appeared in Whizzer and Chips trying to force himself into the gangs of either Sid or Shiner to no success. The story continued into OiNK itself and now, while that was still ongoing, another of Lew Stringer’s creations was meeting Buster.

Pete Throb of Pete and his Pimple fame ‘popped’ in to help push OiNK to younger readers. Again, I never knew about this strip at the time. In fact, the first Buster I ever read was the issue when OiNK merged into it, taking Pete, Tom and Weedy Willy with it. That was also the last one I read until all these years later when writing the blog, so this is rather exciting because for me it’s my first brand new Pete strip after 35 years!

On his own blog Lew seems surprised he was asked to contribute. “Not only did they let a then-relative-newcomer like me loose in the pages of this fine, well-established comic,” he says. “But I even got to co-star Buster himself in the story – although as you can see, I didn’t show him a lot of respect!” Of course by this stage our piggy publication was no longer called ‘OiNK Weekly’, having fully settled into its new frequency. Also, I think Pete saying he partakes in lots of pimply pranks sounds like he enjoys having the huge zit to cause chaos with, which as we know isn’t the case. But it’s a fun little strip nevertheless.

Fleetway knew OiNK was already performing better than the others and had real potential

I’ve had it confirmed by OiNK co-editor Patrick Gallagher that the comic was by no means failing at this stage. Yes, sales had declined since it went weekly but sales were down across the industry. These crossover strips were a well-intentioned promotion by Fleetway Publications who could easily have cancelled OiNK before now but decided to keep it running.

As I’ve explained before, when Fleetway bought IPC Magazines’ comics they organised them into different sales groups, for example Buster and Whizzer and Chips were in one, OiNK was in another alongside Nipper and others. If the combined sales of a group didn’t perform as well as Fleetway wanted then all of the comics in that group would be canned. All of OiNK’s group were cancelled by now except OiNK itself, showing they knew it was already performing better than the others and had real potential. So instead they turned it weekly to try to increase sales. Perhaps if it had remained in its fortnightly guise with more pages, its themes and all of its characters present (all things that really set it apart) perhaps sales wouldn’t have fallen as much and these promotions could’ve helped more. We’ll never know.

This isn’t the first time Buster has featured on the blog. While the edition which contained the free preview issue of our own comic didn’t exactly promote OiNK within its pages (unlike Whizzer and Chips), the week before it did contain this advert for the craziness to come and a little promo for it on the cover.

Interestingly, that Ricky Rainbow character above is from Nipper comic, one of OiNK’s group mates who had already merged into Buster. Apparently Ricky, drawn by James Hansen, could change colour at will as well as being prone to changing colour based on his mood. I’d like to see more of his strips as I like the idea but inside this issue he doesn’t do any of those things, so yes, I’d like to see more. On the back page of this particular issue is an advert I remember very well, seeing as how completely obsessed I was with this particular franchise and those toys.

I’d just like to say a huge thank you to fellow pig pal Stephen Hyde for sending me the issues used in these two crossover posts. Previously I’d been using Lew’s images with his kind permission, and when Stephen read my posts he got in touch because he just happened to have spare copies of both! So now the two posts are made up of photos and scans of my own issues, so thanks again Stephen.

You can read more about this Pete and his Pimple promotion on the Lew Stringer Comics blog.

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OiNK! #55: A PiGGiN’ GREAT EFFiGY

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With the latest issue of OiNK comes the return of Hieronymous Van Hellsong in a prequel mini-series by Jeremy Banx. We’d been introduced to the character in the first half dozen weeklies as he tracked down his ultimate target, Jimmy ‘The Cleaver’ Smith. It all ended in tragedy as our hero was made into sausage links and used by the butcher to escape the pig police. (Jeremy is nothing if not original.) This prequel tale is the last story for Hellsong, introduced by a sobbing Uncle Pigg on the Grunts page.

I remember part of this story revolving around him being in the nude but it doesn’t happen this week so the cover is rather confusing. But nevertheless it’s good to have him back. The same can also be said of The Kingdom of Trump, a name which conjures somewhat different images today. At the time it referred to a family with a name that meant nothing more than flatulence. Hmm, maybe some things haven’t changed.

As good as this is, the characters only appeared three times in OiNK, back here for the first time since #43 and as a full-colour page instead of a mini strip. As ever with his pages Davey Jones gives himself a silly name in the credits and fills the strip with lots of funny little details, like the doctor’s tools hidden behind his desk and what looks like a cameo by Smiffy of Bash Street Kids at the public flogging. It wouldn’t be a Davey strip without some awful puns too and this has one of his best in that final panel.

Beginning in Whizzer and Chips of all places and then continuing into last week’s OiNK, Lew Stringer’s Tom Thug and his Crude Crew is at its midway point, starting with Tom and a baby and finishing with the complete gang. Surely everyone in OiNKtown will now be quaking in their shoes? Well, not quite. From Tom’s misogyny backfiring (as it should) and the cliché of needing a punk compared to what he ends up with, to a mention of one of my favourite TV shows at the time (I can remember laughing at that bit in particular), this one had it all.

I always like it when a character acknowledges they’re living in the pages of a comic, so ending with Tom not only looking directly at us but also acknowledging that his pathetic little gang won’t be able to cause bovver for a whole week I find particularly funny. That juxtaposition between the panel of the completed gang which catches your eye as soon as you turn the page and the penultimate one where they all have their excuses is brilliant. It emphasises the difference between how bullies present themselves and how they really are. Classic stuff.

Last week saw a rare thing occur in the history of OiNK when a whole issue went by without a trip to David Haldane’s Zootown. A staple from the very beginning, skipping only occasional issues, I’m very glad to see the loveable human-esque animals back with another quick gag in a mini-strip. There’s just the one panel this week actually, but that’s all David needed to deliver a good laugh.

Such a shame their continued inclusion can’t be said of some of David’s other creations. In #52 we were told Rubbish Man would be back in a mini series soon (which ends up contained in one of the bigger monthlies) but sadly Hugo the Hungry Hippo seems to have had his fill of chowing down on cities around the world, Godzilla-style. Last seen in The OiNK! Book 1988, his last appearance in the regular comic was way back in #35! We’ll eventually get one more laugh from his insatiable appetite in the third Holiday Special next year but for now it would seem he’s taking a much earned rest between meals.

Keith Forrest and Mike Green have brought Weedy Willy back to full strength again

Back to the issue at trotter and Hieronymous Van Hellsong’s prequel begins with a few Beatles gags during the assassination that starts his adventure, and then Burp’s strip has surely one of the best names created for a comic. Lew decided to end his Pete and his Pimple strip with a random little image that, as you can see, had nothing at all to do with the page. However, according to Lew OiNK’s editors decided to have a little joke themselves and added that cheeky little arrow to it before publication!

The final panel below is from the end of the Billy the Pig serial which comes to a conclusion this week. I haven’t included much of it before now because sadly I just didn’t like it, which is a shock when I think of all those hilarious Laffie the Wonder Pig strips Tony and Chas brought us. But unfortunately Billy reads like any other children’s western adventure story but with pigs in the lead roles, only the occasional joke added in, rather than being a humour strip.

Hieronymous Van Hellsong and Burp by Jeremy Banx
Pete and his Pimple by Lew Stringer
Billy the Pig written by Tony Husband, drawn by Chas Sinclair

Thankfully a handful of Laffie (or whatever they’ll be called) strips coming up on a weekly basis very soon gave us more to look forward to from this wonderful pairing of writer and artist.

For a strip that would be one of only three to survive beyond the final issue (becoming part of the merge with Buster) recently Weedy Willy has only been popping up occasionally and even then as a mini-strip. Back at the beginning he was mainly seen in full pages and, because of his move into Buster, my memory thought this was how it always was. Written by a variety of talent over the past couple of years, new writer Keith Forrest and regular Willy artist Mike Green have brought him back to full strength again. Well, as much as the character could be.

Only appearing in roughy half of the issues in total, Weedy Willy wouldn’t even be part of the final one before the merge, strangely enough. But when he did pop up he was always a highlight. Yes, he could be the butt of the jokes but it was never in a cruel way, it was just exaggerated silliness. Willy had accepted his lack of any form of strength and the things he’d do to compensate (such as above) were always very funny. Sometimes he’d even get the upper hand over bullies thanks to not being able to do certain things and having to think his way out of situations. He was simply a brilliant character.

In the middle pages is the first poster we’ve seen in quite a while (Simon Thorp’s spoof movie posters were only ever a page in size, meant to be read rather than put on our walls). This is Dave Huxley’s third and final contribution to OiNK, the first being a poster of the Mona Li-sow and then he returned with The Hamformers in the previous Christmas issue. His final piece takes an icon of liberty, of the end of slavery and of welcoming immigrants… and turns her into a cheeky-faced butcher-cooking colossus.

I always felt the name ‘The Statue of Piggery’ didn’t read quite right. While that is an actual word meaning either “a farm where pigs are bred or kept” or “behaviour seen as characteristic of pigs in greed or unpleasantness” so it might make sense, this is OiNK and its piggy puns don’t have to make sense. So I always thought ‘Piggerty’ was right there and would’ve sounded better, but oh well. Given the look on her face I’m not about to argue the point.

Such a shame Dave wouldn’t contribute to any of the remaining issues. In a later article in Crikey! magazine he says he thinks he was hoping to make a career out of historical pig parodies but attributes his lack of further posters or Madvertisements to the comic being cancelled. We’re still a long way off from that so I don’t know why this was it for his time with Uncle Pigg. It’s been a blast anyway.

This has to be one of my favourites just because of how stupid it is!

Elsewhere in this issue is a cut-out mask of our aforementioned esteemed editor, Uncle Pigg. This was actually the last in a series which began on the back pages after the weekly calendar had been completed between #45 and #50. Why have I not shown any of them? I thought I’d wait and show you them all in a post of their own, so watch out for that later at some future date on the blog.

This has to be one of my favourites of co-editor Patrick Gallagher’s coupons, just because of how stupid it is! There’s lot of extra OiNK to enjoy over the next week or so. Three times as much actually. Pete and his Pimple will ‘pop’ up in Buster comic and then alongside the regular 24 pages of #56 of the weekly comic is the second 48-page Holiday Special too. So watch out for the full reviews of all of these over the next week and a bit.

iSSUE 54 < > iSSUE 56

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