The decorations are up and Christmas on the OiNK Blog has well and truly begun, and part of the season’s line up is no less than half a dozen Mighty Marvel UK Checklists, including one full of seasonal joy. First up though, fun stories and a… um, summer holiday.
In The Transformers and Action Force, Club Con begins. It’s another much-mocked storyline but again I found it fun and imaginative. The Decepticons have built a tropical island on top of their submerged base and they end up blasting into space with Buster Witwicky on board. This was the first time I’d seen the Seacons on this Bob Budiansky and Kevin Nowlan US cover and as a lover of everything aquatic I thought they were brilliant, even if the squid one did look daft in hindsight.
Anthony Williams and Dave Harwood provide the cover to The Real Ghostbusters and, talking of imaginative, the stories include Janine and Egon on a date and Janine’s pissed off voice shouting in frustration at a ghost actually busts it, and then we find out Slimer pretends to haunt somewhere for his friends when jobs and income are rare! What else did Marvel UK conjur up for us this week 37 years ago?
The Captain Britain trade paperback may have been on sale for a couple of weeks already but that didn’t stop it from taking the big spot. A bit of a blow to the new comics released this week? Not really, there was a promotional signing coming up at, you guessed it, Nostalgia & Comics. I’ll also assume the new Action Force Monthly would’ve been the one not to miss last week if we’d had a checklist, especially with that collection of talent producing it.
The new-look fortnightly Thundercats seems to have taken a leaf out of The Real Ghostbusters’ book if this issue’s contents is anything to go by. Speaking of comics aimed at slightly younger readers, I’ve commented before about the lack of strip information in the checklists for Flintstones and Friends and the annual’s advert seems to highlight that further. Less a comic book and more an activity book? Well, maybe it kept its readers in bed with their stockings a while longer.
I have to say the adverts for the Action Force annuals always made them look just as exciting as those in the Transformers’ series. Why I never asked for any of these books when I was enjoying the back up strip in Transformers is beyond me. Maybe it’s something I should look into for the blog in the future? I’m really loving the Skybound box set and I’ve wanted to see more of the UK content since reading the few issues of their weekly when they crossed over with the robots. Who knows. This advert definitely has me thinking about it.
We move into December itself next week and there’ll be details of some of Marvel UK’s monthly offerings for the festive season. They may not have had snow on their logos but that didn’t mean they weren’t just as special. See you then.
Around September time back in the 80s my local newsagent would bring out a huge table to began displaying that year’s annuals. I remember this being really exciting and I’d flick through the ones I’d already asked Santa for, impatiently waiting to get my hands on them on the morning of 25th December. For those three months I’d drool over that table (figuratively speaking only, don’t worry) and we couldn’t escape them at home either, with a plethora of adverts appearing in our comics. The Christmas hype had begun. With the Annuals section of the blog well under way now, I’ve decided to take a look at all of the adverts relating to them I could find in my collection.
1984
As a kid I only started buying comics toward the end of 1986, so any adverts before then are from my now complete Transformers Marvel UK collection and I’m surprised to see only one amongst the issues from 1984. The heading may be awkwardly placed but it’s a wide range from the publisher, including everything from Culture Club (“Karma, karma, karma, karma, Karma chameleon”) to The Fall Guy (“It’s only hay, A-hey-hey!”) via the BMX craze, the short-lived Manimal and, erm, the S.A.S.?
I do remember watching Fraggle Rock early Saturday mornings and my vocal impression of Roland Rat was always awful but that never stopped me from annoying people with it. For blog readers the obvious point of interest here is the Knight Rider Annual, the second in a series of five. It was reviewed a couple of years back and I’ve even interviewed its artist, David ‘V for Vendetta‘ Lloydon the blog too. In fact, the fourth edition will be here a fortnight from today, on Friday 19th December.
1985
Speaking of coming up on the blog this year, in 1985 the first Transformers Annual appeared in shops exactly one year after the debut of the comic. Strangely, this momentous occasion wasn’t marked by any adverts at all, just one brief mention in #37 on 23rd November. It doesn’t say much either, however it does mention the first story to feature the Insecticons, which would’ve been enough for young fans to get frothing at the mouth.
The Transformers at Christmas 40th anniversary posts return this year for their second outing and in fact that’s the very reason for the post you’re reading now. Marvel UK’s Transformers had seven annuals altogether and they’re very fondly remembered. They’ll be taking prime position on Christmas Day every year with a full review. This post marks the occasion of these books joining us, they feature predominantly and many of these ads have been taken from the pages of said comic.
1986
Moving on to 1986 and Marvel finally began to take the importance of advertising these books to their young readers seriously. With other successful comics to plunder for the Christmas market the Transformers weren’t alone anymore, joined as they were with legendary Marvel stalward Spider-Man, his co-stars the Zoids (Spider-Man and Zoids was the oddest combination comic yet somehow it worked) and newest hot toy and cartoon franchise, those Thundercats.
These ads were also broken up into half-pagers to be squeezed in wherever they could across the publisher’s range. It was a huge step up from previous years. Although, I must admit when I was reading Transformers for the blog’s real time Instagram read through and I came across this advert I did a bit of a double-take and had to check if this was the right image, it’s not that much different than the previous year’s Transformers Annual.
1987
All Transformers Annuals after that would have very different, stand out covers but surely no annual stood out as much during 1987’s final months as OiNK’sfirst book. I can remember the teases of that fantastic image all summer during 1987 and the final reveal was hilarious, never mind seeing it in its shiny glory in the shop for the first time. There’ll be a special post on Thursday 8th December featuring that cover, when I’ll be speaking with photographer Ian Tilton about the original back cover and what happened when he went to get the photos developed.
On the Fleetway Publications side there was nothing of comparison cover-wise, although the Big Comic Book’s shear size made up for that. More impressive were the covers for Marvel’s lot, with Action Force (G.I. Joe) joining Thundercats and their top-seller, Transformers. However, it’s only now I realise they were quite a bit more expensive (for the time) than the Fleetway books, despite having fewer pages (Fleetway’s had 112 pages, with 84 for OiNK and 256 for BCB, Marvel’s had 64). Well, they were licenced I suppose, and as kids we never felt short-changed with the amount of stuff crammed into them.
1988
This was the biggie. 1988 was a huge year for comics in the UK, even if a lot of the new titles released didn’t last that long. Nevertheless, it still meant a bumper crop of annuals were produced for that holiday season and the vast array of advertisements, particularly across Marvel UK’s range, reflected this. But we’ll begin with Fleetway again and the second (and sadly final) OiNK Book. A fantastic J.T. Dogg cover almost made up for the reduction in pages to 64, which was all the more disappointing when the comic had 48 pages in every monthly issue by that time.
Their group advertisement from the back page of the last OiNK is a rather different mix of books compared to the previous year’s. Buster is conspicuous by its absence and then there’s the addition of annuals you’d assume would’ve been more Marvel UK’s bag (such as SuperTed and Maple Town).
This was the year Marvel really went to town on their promotions. In 1988 group advertisements were accompanied with full-page promos for individual annuals and I’ll begin with the two that bring back the most memories for me, The Transformers and The Real Ghostbusters. Having only just started collecting the former with its Christmassy Winter Special in mid-November this was my very first Transformers Annual, and as for Dr. Venkmen etc. 1988 was the year they arrived in the UK and I had been swept up in it all.
I have so many fond memories of that Real Ghostbusters Annual. You ever own something that just takes you right back to your childhood when you see it in front of you? I was obsessed with the cartoon, comic and toys for a few years and I remember this book surprising me with just how fantastic it was. Would it live up to that now or is it best to reminisce? We’ll find out on Thursday 4th December when The Real Ghostbusters join us for an annual read through for four Christmases. I’ll admit I’m excited at the prospect of this one!
Another book that brings back plenty of childhood memories is the Visionaries Annual. The comic had already been cancelled by this stage so it didn’t get its own advert but it was a part of a group ad and a special page in The Transformers, featuring the annuals relating to it and the two comics that had merged into it at different points. The main strip in the Visionaries book may have been a reprint but as I hadn’t known there’d been a comic it was all new to me and a huge surprise to receive that Christmas (and the next, because my newsagent also sold it the following year and my parents bought me it again thinking it was a new book).
The Real Ghostbusters were grouped in with the lighter-hearted annuals such as Count Duckula. The Marvel Super Heroes didn’t have their own comic in the UK but there were always various Spider-Man and Hulk comics now and again. Finally, The Flintstones comic must’ve been more popular than I gave it credit for because its annual got its own promo too.
1989
In contrast, the following year Marvel only ran one advert for their entire range, which is a shame because that Transformers book was superb and there are some fantastic covers here that should’ve been shown much bigger (although the Indiana Jones cover seems to be phoning it in). I never knew there was a Dino-Riders annual! I only had one or two of the toys but I did see some episodes of the cartoon (I think one was packaged with a toy?) and enjoyed it. They joined a league of potential obsessions for me that never played out because they weren’t around for long.
1990
In 1990 a whopping 22 annuals graced the shelves from Marvel UK, featuring a mix of ongoing comics, cancelled titles, original nursery books, licences and a few characters who appeared in anthology comics given room to breathe in their own publications. It was also the first time G.I. Joe’s annual was given the proper international name after Hasbro’s relaunch of the brand, and a few years after their TV show was cancelled I was surprised to see Hannibal, Face, B.A. and Murdock make a reappearance.
Spider-Man fans were in for a treat too with his usual appearance in the Marvel Super Heroes Annual and his own book. Over the next year or two he’d also get his own UK comic again after a lengthy hiatus. Transformers and G.I. Joe also got their own joint ad which had a good idea behind it but not exactly the most exciting of executions. Oh well, at least they got something this year I suppose.
1991
We move into our final year. Not necessarily the last for annual adverts but it’s the last for those in my comics collection (after this year it’s all Dark Horse International comics on my shelves who didn’t publish annuals) and Marvel UK came up with an overall look for a handful of adverts of various sizes. With a few ads to fill they could’ve made each genre-specific but decided not to. The first one is fine and G.I.Joe got to enjoy some space with annuals its readers could also have been interested in. I can’t say the same for Transformers, The Real Ghostbusters and Thundercats though, who seem to have been given something of a raw deal.
Perhaps the person responsible for the adverts weren’t au fait with the titles they were being asked to market? These were the last annuals for some of these licences (definitely for those covered on the blog) so it’s a bit of an ignominious end for a few, but for those already reading the comics these ads were always going to be exciting; we easily ignored the books we weren’t interested in and concentrated on those Dinobots!
There we go, a trip down not one but eight Christmas memory lanes all in one post. I’m so glad I decided to do these yearly (re: slow) read throughs and these adverts have me hyped for the years to come. There’s more love for comics annuals/books on the blog this Christmas too, with no less than six up for review, including on Christmas Day and Boxing Day! Keep an eye on the Annuals menu, the Christmas 2025 introduction, or the blog’s socials for updates on when they’re published.
“We wish you the merriest, the merriest, The merriest, yes the merriest, We wish you the merriest, the merriest, The merriest yule cheer.”
So sang Frank Sinatra, Bing Crosby, Fred Waring and The Pennsylvanians in a song I discovered while Christmas shopping recently, added to my seasonal playlist and now can’t get out of my head. Another new addition for me this year is Smudge. Regular blog readers will know all about the little cat I’ve been cat sitting for years who’s now living with me. He’s made my home feel even warmer and cosier. Everything’s set for the best Christmas ever, including here on the OiNK Blog.
As each post is published it’s name will turn into a piggy pink link below
Including what you’re reading right now I’ve 26 posts in total planned over the holiday season, more than any previous year and it’s going to be a blast! If it wasn’t fun to write this site I wouldn’t do it, so when I’m putting so much into Christmas 2025 I hope you’ll enjoy it just as much as I am writing it. I obviously want to provide for my fellow OiNK pig pals in particular every year and this time is no exception.
OiNK’s resident photographer Ian Tilton took the pictures of that famous OiNK! Book cover, which had an original rear (pun so intended) that the publisher just couldn’t allow. That’ll be revealed alongside other rare photos and info from my chat with Ian in A Tail to Tell on Thursday 11th December 2025. The behind-the-scenes goodies continue in The OiNK Scrapbook, a collection of photos taken by members of the OiNK team which’ll be published on Sunday 28th December. This shares the void week between Christmas and New Year with the first of a new series looking back on the OiNK letters pages. This begins with a Grunts Celebrity Special (that’s what happens this time of year on TV after all) on Tuesday 30th December.
Annuals are just as much a part of the blog over Christmas as they were to us as kids. Usually our first post-introduction post is the Big Comic Book but this year I’ve a special treat before that. On Tuesday 25th November you can peruse all the classic adverts for all of our annuals from Marvel, Grandreams and Fleetway in Yuletide Yearnings. Then Fleetway’s Big Comic Book 1990 will make its grand entrance on Saturday 29th November with even more classic comics than before. One of those classics was Buster, and continuing our OiNK love-in we follow Pete Throb and Tom Thug into the pages of the 1991 Buster Book on Monday 8th December.
We’ll take our fourth shadowy flight into the dangerous world of a man who does not exist (and his talking car K.I.T.T., of course) in the Knight Rider Annual from 1986 on Thursday 18th December. This year also sees the start of a new yearly real time read through as we take our first Christmas trip to a firehouse in New York with The Real Ghostbusters Annual from 1988 on Thursday 4th December. If the inclusion of these books tickles you, you’ll definitely not want to miss the Big Christmas Competition on Monday 1st December, trust me!
Another annual series also includes an annual for the first time this year. Confused? Last year I began reviewing the Christmas issues of Marvel UK’s original Transformers comic. You’ll see a preview of this year’s offerings in Coming Up, a post covering 1985’s promotional material on Sunday 14th December. This year’s edition of the weekly is properly festive (Optimus Prime dressed as Santa? Check!) and the comic’s first hardback annual promises to be a feast to rival your turkey dinner. You can compare for yourself, as Transformers #41 will be on the blog on Sunday 21st December (nice of the Cybertronians to celebrate my birthday) and the Transformers Annual will be up on Christmas Day.
Another comic series with a triple helping of goodies this holiday season is Beano. Beano #272 from 1945 was the first million-selling issue and is up for review as part of the 80th Anniversary Box Set read through on Thursday 27th November, the issue’s actual 80th birthday! We come right up to the present day with the Beano Christmas Special 2025 and if last year’s was anything to go by it should be another laugh-a-minute experience with plenty of highlights to choose from. That’s on Saturday 6th December. Then it’s back to the 80s on Boxing Day to take the first look in decades at a childhood favourite book, The Dandy and The Beano Fifty Golden Years.
Rounding things off are the latest entries in two ongoing series. Aliens #19 brings the frosty chills on Tuesday 23rd December, and check out Aliens #18 which is already up on the blog with its seasonal cover. There’ll also be no less than six Mighty Marvel UK Comic Checklists, published every Wednesday with details of special issues on Christmas Eve and New Year’s Eve. These will share the Eves with my usual personal Christmas Message and New Year’s Message too, wrapping everything up in a big bow.
I’m really looking forward to this Christmas in my personal life and I wanted to go all out to have the blog match that level of anticipation. I think I’ve done it because I can’t wait to share all of this year’s treats. You can follow along here using a WordPress account or by subscribing via email (see links to the right on desktops or below the post on mobiles), or via socials on the blog’s Instagram and Facebook feeds and my own personal Bluesky so you don’t miss a thing across the holiday season. Christmas 2025 starts now! (Oh, and if you’re wondering if a certain OiNK Blog tradition continues this year, the tree is below.)
All that remains is for me to wish you all A Very Merry Christmas and Very Happy Holidays!
Ah, Saturday 19th November 1988. My parents and I were about to travel by bus somewhere and I asked if I could get the latest issue of The Transformers after my mum had bought me the recent Christmassy Winter Special while I was off sick from school. Luckily, my newsagent hadn’t sent back the unsold copies of the previous week’s yet so on this date 37 years ago I very happily read both of my first weekly issues.
Andrew Wildman’s cover was so exciting to me after reading the issue leading into it and it revealed my friend’s mammoth Scorponok toy as the villain behind the scheme. That was so much fun. Even though it’s a small scale story compared to others I’d end up reading, it felt so much more grown up than the cartoon with its gritty human characters and what felt like a real threat to the Autobots. Ca$h and Car-nage! remains a favourite to this day.
Brian Williamson’s cover to The Real Ghostbusters introduced us to an issue that contained haunted tongues but no checklist. Yup, unfortunately both our comics were just too packed to make room for our weekly shopping list, even though it was listed on the contents page of Ghostbusters. Instead, the Dragon’s Claws strip advert was in its place and in the pages of my second Transformers I was introduced to someone else via a similar page.
Written by Simon Furman as always, with art by Death’s Head regular strip artist Bryan Hitch and coloured by Steve White, every Marvel UK fan remembers this particular advert. It perfectly sums up the monthly comic. Action, adventure and a mean looking protagonist, all undermined by a ridiculous scenario and a hilarious sense of humour. If you haven’t seen this before I hope it makes up for the lack of a checklist this week. I’m sure it does.
It wasn’t the only one-page strip advert the Freelance Peacekeeping Agent received and you can check out the other one at the link below. The checklist returns next week when there’ll be snow on the blog’s logo because we’ll be in full Christmas swing, so appropriately enough there’ll be a couple of annuals adverts too. See you then.
What’s this? A ChristmasChris HallsAliens cover? Am I late in covering the blog’s logo with snow? Nope, that’ll happen on 24th November (six days from the day of writing) as per usual, in this case Dark Horse International editor Cefn Ridout must’ve mistimed the chilly seasonal cover somewhat. Yes, it’s the December issue but last year Chris’ superb art and pun-filled headline were part of the January issue released on 24th December. This year there’s another issue after this one just before Christmas Day.
Despite this, Cefn still takes the opportunity to wish us all a Merry Christmas and since mine starts as soon as the Christmas tree goes up in a few days I’ll take it! Anyway, there’s your obligatory editorial page with the full credits for this month’s issue.
Contrary to the blurb on the cover, the latest chapter to Michael Cook’sCrusade isn’t seasonal. The alien Queen trapped in a cathedral tower gave Chris a reason for the frosty cover and its church iconography, but in these eight pages we don’t see any aliens. From the ‘previously’ page we learn Channon is the leader of the Minecorp marines and Foston is the male company man, not that the strip itself has ever made these clear. The last survivor of the crashed survey team is Foston’s wife, hence why he’s risking it all even though he’s out of his depth.
Channon has been captured by a tribe who have constructed a whole village out of old vehicles because they don’t know what they are. Sounds interesting but unfortunately it’s just a mess on the page. The ‘jail’ is a camper van with a padlock and inside she finds Foston’s wife. They hot-wire the van and make their escape back to the survey ship where they stock up on heavy weaponry and take off down the egg-infested Thames in what is definitely too small a boat. It just feels right to have two kick-ass women in an Alien story, doesn’t it?
I certainly didn’t expect to get a huge laugh from the Motion Tracker news section! There’s a competition for a box set of VHS videos and it would’ve been right up my street. It’s a shame we don’t get a decent photograph of it, I’d really liked to have seen it closed with the face hugger wrapped around it. The comic also corrects (without mentioning it’s a correction) its previous error of stating Aliens wasn’t filmed in widescreen and I really laughed out loud when I got to the end. I hadn’t paid attention to the photo so hadn’t realised who it is until I read the question!
The 8-page first part of Renegade is written by Chris Claremont (Batman Black and White, Gen13, Wolverine), drawn by Vince Giarrano (Haywire, Terminator: Enemy Within, Manhunter), lettered by Tom Orzechowski (Thor, Ghost in the Shell, Spawn) and coloured by Greg Wright (Deathlok, Ghost Rider, The Punisher) and is taken from the American Dark Horse Comics anthology. It’s a prequel to Deadliest of the Species, a new Aliens/Predator crossover story. This is actually a little bit of Aliens history right here. Because it doesn’t feature any aliens, characters or names from the films this has remained the property of the writer and artist so it’s never been reprinted or collected since.
On a planet rich in resources lives Caleb Deschanel and his daughter, and along with Ash Parnall they’ve built a community at one with nature and it’s making a profit. In lands Commander Javier Milan and EO Moira Delgado of the Descartes Indigenous Self-Defence Forces, protectors of the natural resources, according to them. Their motto is “Unexploited resources are wasted resources”, so defending the planet means exploiting it. The broad smiles and flirting is accompanied with straight-to-the-point statements; they must stand aside or face elimination. The fact the force’s spaceship is called Ransome is a bit on-the-nose.
Caleb is ill and frail and asks Ash to deal with this given her history, whatever that is. In fact, during a conversation Javier asks her how she knows so much about military weaponry and tactics and her response is just as mysterious as this strip; she had a misspent youth and they’ve a well-stocked library. This is the second strip of the issue and the second one with no aliens. A bold move or a poor decision? Truth be told, they’ve both been interesting to read so I’ve no complaints in taking a breather for more character moments.
In the concluding half of Cargo, writer Dan Jolley and artist John Nadeau continue to play to their strengths with a superb atmosphere, even if there’s a key part of the plot that doesn’t make sense. Surely even a criminal such as Vasco wouldn’t endanger the entire planet by importing an unsecured alien just for a bit of revenge? The fact it all happens on an abandoned cargo ship far out at sea doesn’t excuse things, it would eventually run aground or be found. But that atmosphere is palpable, so let’s just go with it.
Having Gerald as the lone human on a huge vessel with one alien has the makings of a truly terrifying tale, so it’s a shame this is a short 16-page strip in total with no time to build suspense. But that’s not where this falls foul, it’s in its overly simplistic ending which amounts to tricking the alien into the mag tube, filling it with water and then electrifying it. Now, that might not sound simplistic, but the fact it all happens in less than two pages makes Gerald’s escape seem very easy. A shame, as the tension in the build up was great.
Extra Terrestrial is a four-page feature written by Terry Jones detailing the cut scenes from Ridley Scott’s original Alien movie. Ridley has never released a director’s cut, he was very happy with the finished film, although he’s released an alternate cut with some scenes and moments replaced by others. The only scenes in this feature that really would’ve added anything new to the film are those above, which for obvious reasons (after the release of Aliens) can never be put back into the film. Ridley has said he never would because James Cameron did such an amazing job with the sequel’s explanation of the eggs.
Colonial Marines is our final strip for the month, coming in at a meatier 11 pages. On Bracken’s World the kelp beds are mysteriously disappearing across the planet and we see this lovely detailed opening of a colony hub on the agricultural world by Tony Akins, Paul Guinan and Matt Hollingsworth. Lt. Henry has explained the situation to the council but they’re angry with his team for upsetting their order, only half-believing him about the aliens.
Still, they demand he help but he can’t without orders, or at least that’s what he says. He’s playing something very close to his chest since the firefight last issue but even his sergeant can’t get it out of him. He won’t tell the council he can’t establish comms with HQ, and just tells his sergeant neither the council nor she need all the facts. This is out of character for him. All we know is that he saw “something” during the fight.
We get more questions than answers when he confronts Alphatech’s supposed “glorified accountant” Beliveau about the bug men having Alphatech weaponry. Aha! He’s convinced Beliveau is a bigger player than he’s been letting on, however Beliveau counters by asking why a new multi-million dollar synth prototype has been assigned to Henry’s babysitting team. Henry has no answers. Conspiracies abound. Intriguing.
Henry buys black market remote bombs and when asked by a different council member to help even though they can’t afford it (the capitalist future of the Alien universe in full effect), Henry says that they’re there until morning, they’ll help until then. This is an interesting, suspenseful and now a mysterious story with great characters and it’s back to full strength after getting lost in a sea of too many characters at once and overblown fight scenes.
There are some moments that hint at aliens attacking ships but otherwise this is again alien-free, concentrating solely on the humans involved in fighting them. So that means three of the four strips have no visible aliens in them whatsoever. In an Aliens comic. You know what? I didn’t even notice until I went back over the issue to make notes for this review. The Alien universe has always been about more than just the xenomorphs, as the brilliant Alien Earth has been expertly proving.
On the letter’s page there’s a brief mention of a new RoboCop comic in the new year, beginning with an adaptation of the upcoming third movie. It would never appear, what with DHI going out of business a few short months later. Marvel UK had also announced a RoboCop fortnightly in the pages of Transformers back in 1990 but that never happened either. He’d eventually pop up on these shores in the pages of Havoc. However, definitely coming next month is a cover drawn by and a strip written by the legendary comics star (and one-time OiNK contributor) Dave Gibbons.
It may have been released a month too early for the Christmas-inspired cover but #18 of Aliens has been a delightful surprise. The fact the stories didn’t need much in the way of alien action for the issue to be compulsive reading (their presence always felt) has ironically made it a highlight of the run so far. I’m intrigued to see what we have in store when the first post-holidays issue hits the blog before the Big Day on Tuesday 23rd December 2025.
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