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CHRiSTMAS 2021

OiNK! #16: POP PiGGiES

29 November 2021 Phil Boyce Leave a comment

A superstar takes pride of place on the cover of the pop music special of OiNK… sitting alongside a hammed up J.T. Dogg parody of George Michael. That’s right, this issue pig pals got to meet Frank Sidebottom! We’ll get to the famous papier-mâché headed contributor later on but first up we’ve got the second part of our giant calendar poster drawn by the incredibly talented and at the time very young Ian Jackson.

Burp and Horace (Ugly Face) Watkins make up this segment with more and more random people running across their faces. Where could they be going and why? We’ll find out next time. Quite suitably, since my decorations have gone up a little bit earlier this year, there’s Santa in the midst of the parodies of celebrities, aliens, monsters, religious leaders and basically anyone Ian could think of by the looks of it.

I can remember this issue of the comic itself being met with rather mixed feelings when I had my first quick glimpse through it as a kid. I wasn’t really into music at the time so the theme didn’t seem to appeal. I also didn’t initially like the fact there were quite a few text features spoofing teenage music magazines of the day. But I soon realised I shouldn’t have doubted the team.

As a kid I’d heard of John Peel through appearances on Top of the Pops which my older siblings watched every week, or through the radio when I heard it coming from their rooms. While I wasn’t a radio listener at that young age I still found his A Day in the Life of a DJ quite funny. I’m including it here because co-editor Patrick Gallagher was able to confirm it really was written by John.

One rather unique addition to the line up this time is a competition to “Win a pop concert in your own home“. No, this isn’t a spoof (or GBH threatening to come round if you don’t pay up) this is an honest-to-gosh competition with the prize being a pop group performing in your house. The band in question were Le Lu Lus (or ‘Lelu Lu’s’, their name seems to have several spellings) who were all about “robots, computers, dance and song” apparently.

You can check out one of their songs, ‘Africa’ on YouTube and they’re not half bad. Since growing up I’ve become somewhat obsessed with 80s music so this is right up my street. It would seem one lucky reader was in for a treat.

According to Tony Husband, “They contacted us as fans l think. We chose a home fairly convenient to us all l think, so we didn’t have to pay a lot for travel. Anyone from Aberdeen or Southampton never stood a chance. We chose a family from Prestwich.” So even if I had been enjoying their music at the time there wasn’t a hope in hell of me winning, what with that pesky Irish Sea between the OiNK offices and me.

“I love burp, he’s so smelly and disgusting and Mr Big Nose ’cause he’s so daft.”
Ian Astbury, The Cult

She Sells Sanctuary by The Cult is a song most of us will remember from the 80s and in a surprising turn of events lead vocalist Ian Astbury is interviewed in this issue of OiNK by piggy pop presenter Janice Pong (Tony again). It’s really quite the scoop for a kid’s comic and as it turns out Ian and his bandmates were fans. This wasn’t unusual in the Manchester (or MADchester) scene of the day, with numerous bands buying the comic on a regular basis. OiNK’s offices in the city were just upstairs from the office of the Happy Mondays‘ manager, Haçienda DJ Dave Haslam was next door and former The Fall band member Marc Riley was already working on the comic drawing Harry the Head and being Snatcher Sam.

The interview with Ian happened over the phone after Tony got in touch through his agent. For Tony it was quite the thrill, as he was a fan of the group and their lead singer was a fan of his work! Ian was game for a laugh in being interviewed by the fictional Janice (a spoof of radio DJ Janice Long) and Tony told me he has nothing but fond memories of the experience.

While he can’t quite remember how he found out Ian was a pig pal, Tony says he’ll never forget what happened after the interview was over. At the end of the call Ian, this huge rock star, told Tony he’d ordered two OiNK mugs and two t-shirts but had only received one of each and asked if he could look into it! It was a surreal moment for Tony and sure enough he got it sorted for him.

So let’s move away from the more magazine-style pages of this unique issue and have a look at some of the other highlights, such as an uncanny celebrity lookalike, a perfectly named talent agent and a quick homage to From Russia With Love. Then Lew Stringer brought us some cutout badges of 80s pop stars, the Huey Lewis and the News one being my fave, and then gave us a little history lesson into the origins of rock’n’roll (and check out the Phil Collins drawing underneath).

**Grunts** complied by *Patrick Gallagher*
**Burp** by *Jeremy* *Banx*
**Horace Watkins** by *Tony Husband*
**Pop Badges** concept by Mark Rodgers, drawn by *Lew Stringer*
**Janice Pong’s Almost Believable Facts** by *Lew Stringer*

Remember the cutout Road-Hogg from #11? It was meant to be impossible to actually build but pig pal Sue M. Hall did anyway and the end result was great. In this issue a rather more straightforward bit of DIY comes in the shape of cassette covers for readers’ music collections. In the 90s I was handed down a lot of my siblings’ music cassettes, so while my school friends were rocking out to the latest charts my ears were buried in the older Now That’s What I Call Music collections from the 80s. This could explain why I’m still obsessed with music from that decade today.

I remember making up my own compilations from the cassettes I owned, sometimes even making ‘soundtrack’ albums for my comics, filled with the songs I thought best suited certain storylines and I’d create my own covers for them. In this issue Uncle Pigg (and Ed McHenry) gave us some cutout covers, all suitably OiNK-ified of course. Fellow fan Steve Fitch (who kindly supplied photos of an OiNK promotional folder for a previous post) not only cut out the covers and placed them into cassette boxes, he went a step further and created little stickers for the tapes to match.

Now on to our main event. A musician, a stand up comedian, a TV personality, an all-round entertainer extraordinaire, Chris Sievey donned a papier-mâché head, put on a squeaky, nasally voice and truly became Frank Sidebottom. My parents weren’t fans I seem to recall, but I most certainly was, especially his appearances on Saturday morning show No.73. To have him popping up in OiNK was a wonderful surprise and he suited the music theme. The fact he wasn’t a one-off and would come back in the next issue (and the next, and the next etc.) was even better.

Back in 2021 the sad news broke of Chris’ passing and, upon finding out, all those lovely memories of his strips in OiNK came flooding back. I dug out the three editions I still owned and read them for the first time in decades. I bought a few more, discovered they were just as funny as they’d ever been and I set about collecting them. Chris had led me right back to OiNK, so it’s because of him that I’m even here talking about the comic at all.

Below are a couple of photos co-editor Patrick Gallagher kindly sent me. On the left is Frank’s Oh Blimey Big Band featuring Patrick in the stripped top on guitar and Mark Radcliffe on drums. On the right is Chris Sievey and the Freshies.

I asked Patrick about how Frank joining OiNK came about.

“I dragged Chris on board at OiNK, having been a fan of Frank and also of Chris Sievey and the Freshies – the Manchester pop band,” he says. “Frank fitted brilliantly into the comic and was a regular face in the OiNK office as well as in its pages. We gave Chris quite an open brief, which was pretty much determined by the themes of the issues. Shortly after joining OiNK, Chris invited me to play guitar in Frank’s Oh Blimey Big Band, alongside Mark Radcliffe on drums (pre-Marc and Lard days on BBC Radio One with fellow OiNK star Marc Riley).”

It’s great to see Frank on board at last, it’s like being reunited with an old friend

“Frank was a great ambassador for OiNK and promoted the comic at gigs etc.”, Patrick continues. “So we were more than happy to keep him with us as long as he was happy to continue working for us! I became great friends with Chris and when both our marriages ended 10 years later, Chris lived at my house for 6 months where we drowned our sorrows and lived the high-life in equal measure.”

So here we go, Frank’s very first OiNK page. I think as a kid I might have assumed one of the comic’s artists drew the pages for him, or at least had a hand in them. But as they progressed it was clear this was all his own work. Tony and Patrick have both told me in the past how long Chris would spend over his pages. Remember, he wasn’t a professional cartoonist, yet here he was creating colourful works of art and comic strips for every issue of a hit comic. Everything was coloured with felt tip pens and apparently he would anguish over the details. I’m sure you’ll agree the end results were, as Frank himself would say, fantastic.

Since Chris’ passing a statue of Frank has been erected in his home town of Timperley and we’ve had not one but two movies based around him. One is the feature-length documentary Being Frank and the other starred Michael Fassbender as a Frank-like celebrity forever encased in his own papier-mâché head. Both of these will be covered on the blog in the future. For now, it’s great to see Frank on board at last, it’s like being reunited with an old friend.

It’s time to wrap up this musical feast and who better to do so than Roger Rental, He’s Completely Mental. OiNK writer Graham Exton told me if the writing on one of Roger’s strips is uncredited then most likely it was co-editor Mark Rodgers who scripted it. He wrote so much of OiNK that apparently he’d often forget to credit himself! This particular instalment made me roar and it’s brought to life as ever by Ian Knox. Enjoy.

So that’s us. The fact that Roger’s is the only strip I’ve shown in full just shows how different this issue actually is. Don’t get me wrong, there are plenty of hilarious strips in here, I just wanted to show you the different kinds of content this issue had and how enjoyable it was as a result. With lots of new characters introduced last time and now with Frank in the fray at last I’m really pumped for the next issue, especially since it’s the first Christmas Special!

From the TV Times cover to the Christmas TV listings and a multi-page Uncle Pigg story, I have very fond memories of #17. So make sure you’re back here on Monday 13th December for the review!

iSSUE 15 < > iSSUE 17

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OiNK! #15: NEW PiGLETS

15 November 2021 Phil Boyce 1 Comment

It appears I jumped on to the OiNK train at the right moment back in 1986. Last time I shared the memories of my first issue and just one week later came a kind of soft relaunch as the theme. OiNK had established itself, publishers IPC Magazines were happy, the readers were happy and it was proving to be a success, so the team decided to celebrate by bringing in a whole bunch of brand new characters.

Let’s not forget the fantastic free gift, the first of three Ian Jackson posters which combined into one giant calendar for 1987 featuring The 8th Wonder of the World: Mount Rushboar. I can remember pouring over all the little details in the swarm of people running across Harry the Head and Burp the Smelly Alien carved into the rock face and even the little bits of rubbish left behind on this apparently reverential site. How typical of us humans and a funny swipe at British tourists in particular.

On page two we find out how this glossy comic could afford such extravagances, with staff reduced to working naked, cartoonists and accountants alike shivering in the cold as Uncle Pigg looks on, wearing his Hawaiian shirt to boot. Christmas was coming early for him with all the money OiNK was raking in, and it was coming early for us too because the calendar poster freebies would continue up to the first festive issue.

Mary Lighthouse (critic) is back with her strip on page three. Normally this would be a way of introducing the subject matter of the issue but here it’s quite clear it has a bigger job to do. It’s introducing new readers to the character and the overall irreverence of the comic. Thanks to writer Mark Rodgers and artist Ian Jackson it’s genuinely funny while also reinforcing the way the comic is reintroducing itself now that its readership is growing.

Coming on board just before this issue is probably the reason why I always assumed certain characters were in OiNK right from the beginning, when in reality this was their first appearance. Two such examples are Davy Francis‘ Greedy Gorb (He’d Eat Anything) and Jeremy Banx‘s wonderfully surreal and often very rude Hector Vector and his Talking T-shirt. The latter actually gets a proper origin story when a magical genie appears from Keith Disease‘s (I never remembered him having an actual name!) packet of crisps, but Keith is rude to him because his snack is gone. Poor Hector happens to be passing and Keith is forever confined to be a “tasteless print” on his t-shirt.

I remember his strip being one of my favourites so expect to see them at some point. The only reason I’m not including them here is because there’s just too much I could include that I had to leave some real classics out. But I was always going to show you the beginning of OiNK’s second spoof adventure story. Hot on the tails of The Street-Hogs comes Ham Dare: Pig of the Future, also stunningly illustrated by J.T. Dogg and this time the multi-part serial is written by Lew Stringer. IPC’s very own Eagle and 2000AD hero Dan Dare was the subject of OiNK’s style of parody, complete with sidekick Pigby and arch nemesis The Weakun‘!

This was my first exposure to J.T.’s artwork and it looked like nothing I’d ever seen before. Possibly because of this, as much as I love The Street-Hogs now, Ham Dare remains my favourite of all the OiNK serials. Lew’s script is fast-paced and packed full of gags, both for fans of the original space adventurer or those like me who weren’t that familiar. I especially love how Sir Hogbert has to show our heroes such a basic drawing to describe Earth being pulled out of orbit. Ham Dare may not be the sharpest pork scratching in the packet but he looked dashing as the hero and that’s what was important to him (and we loved him for it).

Elsewhere this issue Horace (Ugly Face) Watkins‘ own serial continues and a lot of the humour comes from the narrative by Tony Husband. Fan favourite Pete and his Pimple makes his debut after being the footer gag to a Tom Thug strip in #6. Hyperactive Harriet is the fastest girl in the world and a not-so-subtle take on The Beano‘s Billy Whizz. Then Billy Buzz gets the same ‘New Character’ treatment as the rest, but his saccharine personality annoys Uncle Pigg so much he swats him by the end of the strip and that’s the last we’d ever see of him!

**Horace Watkins** by *Tony Husband*
**Pete and his Pimple** by *Lew Stringer*
**Hyperactive Harriet** written by *Mark Rodgers*, drawn by *Lezz*
**Billy Buzz** by *Philip (not me)*

Billy might not have made the grade but the next new addition certainly did. She quickly became a childhood favourite, so much so that I was certain she appeared in almost every issue I had as a kid. But surprisingly Psycho Gran was only in 20 editions of OiNK altogether including specials and annuals. Despite this, she became a true OiNK legend.

Created by David Leach (Brain Damage, Toxic Crusaders, Spongebob Squarepants) she was originally submitted as a one-off strip, so when OiNK’s editors introduced her as a new regular character in this issue it was a bit of a surprise for David. This explains why she doesn’t reappear until #21 because he hadn’t made any more! David tells me the guys would send him a list of upcoming issue subjects and he’d submit Psycho Gran strips for whichever ones he had an idea for. He never had a Psycho strip turned down and as a fan I can see why.

This one might look familiar to anyone who has purchased the new comic series from David in recent years because he reproduced this as a full colour strip for the cover of the first issue. In fact, between contributions to Aces Weekly and Psycho’s own comics, David has now produced more work for the little old dear in the years since OiNK than during her time in her debut comic.

There are certain Psycho Gran strips, as well as individual jokes and images that stayed with me long after childhood was a distant memory. Whether she’s randomly throwing people into the ocean, making military preparations to pick her pension up at the Post Office or adorning a Wild West Wanted poster, she could terrify many in her little world but she was adored by pig pals.

“‘Sammy is getting old and worn out! I’ll have to replace him with a new engine,’ said the Controller.”
Sammy the Steam Engine

Two new characters are up on the next page together, namely Sally Scowl (Her Temper’s Foul!) and Fatty Farmer (He’s A Whole Lot Calmer). Their titles may have rhymed like so many traditional humour strips of the time but that’s where the similarities end. Both were written by Mark Rodgers (of course) and drawn by Dave Follows and Weedy Willy‘s Mike Green respectively.

Both are enjoyable, even if we do already have a bad tempered youth in the shape of Billy Bang. But unlike Billy, Sally’s temper builds until she uses it to her advantage at just the right moment. She’s a lovable character and after that hilarious first panel I can’t blame her for being in a bad mood all day! She was also that rare occurrence indeed, a black character in one of our childhood comics. So why does Sally disappear after #16, totalling only two appearances? So much for a new regular character! What a shame and a waste of a great idea.

The message was clear, don’t let the bullies get to you

Fatty Farmer was a larger than life country man who’d often come up against bullies and small-minded individuals making fun of his weight. However, he’d remain chilled out and deal with them calmly, often proudly using the very thing they were laughing at to get his own back or to ignore them. The message was clear, don’t let the bullies get to you. He’d go on to be a bit more successful than Sally with 11 strips in total, appearing in every issue for the first few months and then on and off during the rest of the fortnightlies.

Back in #3 artist Ralph Shepherd drew OiNK’s brilliant take on The Transformers. As I said at the time, the comic would often take the hand out of the things we readers loved and for me there was nothing I loved more than the subject of this next strip. It was so funny to see this as a kid. This was really the first many fans of the show would’ve seen a spoof of it (and it was even several months before the official comic finally launched). Over the course of the two weeks I had to wait for my next OiNK I reread this several times, laughing and loving the fact OiNK had its own version of Thomas the Tank Engine & Friends.

Looking at this issue as a whole I can see I was clearly spoiled as a kid with this as only the second comic I ever bought. Whether I realised that at the time is another matter. I got to experience the gorgeous work of J.T. Dogg for the first time, got to meet lots of new characters including many who would become lifelong favourites, the subject of my top book series and TV show was given that unique OiNK makeover and then on top of all that was one of only five Tom Paterson OiNK strips, Mister Cheese! It even came complete with his trademark smelly sock and funny descriptions of other characters that have no bearing on the story whatsoever.

What a lovely surprise it was to come across this page when reading the issue for this review. Written by Mark Rodgers it’s already a funny script, but when it’s in the hands of Tom you just know there are going to be many more laughs added before he’s done with it. This would unfortunately be Tom’s final full page story for OiNK. After this his work would only pop up once more in a tiny quarter-page strip in The OiNK Book 1988, which I won’t be reviewing for another 13 months! Just as well this is so jam-packed with Tom’s trademark sight gags to keep us going. Tom was just too busy to be a regular contributor and that’s such a shame because I believe he and OiNK were the perfect fit, perhaps more so than any other comic he contributed to.

Before we wrap up with the back page, here’s a little bit of news about the next issue. While this edition may have introduced a wealth of new characters, #16 brings with it a true superstar, a megastar, a “fantastic” new addition to OiNK who I remember waking up to every Saturday morning on No.73. His creator sadly died back in 2010 and it was the news of his passing that brought me back into the sty after decades away. Next issue sees the start of his contributions which really have to be seen to be believed.

I’m definitely looking forward to the next issue. For now, I’m going to finish off with this full colour back cover from Lew Stringer. We got a glimpse on the Grunts page (at the top of this review) of what it was like to work in the OiNK offices. Uncle Pigg may have had all the right words to say to the readers but the reality behind them was somewhat different. Here’s Lew’s inside scoop on the real behind-the-scenes of creating the funniest comic ever produced!

According to Lew, the writer and artist in panel two getting whipped by Uncle Pigg are based on Mark Rodgers and Lew himself!

For a much younger me these two issues were a strong start. How could it possibly get any better? Be here on Monday 29th November 2021 to find out.

iSSUE 14 < > iSSUE 16

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OiNK! #14: THE BEGiNNiNG

1 November 2021 Phil Boyce Leave a comment

So this is an exciting review for me. This was the first issue of OiNK I ever read back as a kid. Not only that, this was the first ever comic I could call my own. While my brother and sisters had been reading the likes of The Beano, Bunty and Look-In this was the first comic bought specifically for me, after I saw this funny Jeremy Banx cover in the newsagent. But it was a certain page inside which has made me recognise this as my first issue today and we’ll get to that below.

Once I knew this fact the memories came flooding back, like seeing the cover for the first time and being introduced to my first OiNK spoof, The Unprofessionals. Based on the iconic television show, my dad and brother used to watch it all the time so I was fully aware of it and thought this was such a funny take on it. I’m sure I must’ve showed it to them. Drawn by Ron Tiner (The Hotspur, Battle Action, Hellblazer) if there had been an official comic based on the show some of these caricatures wouldn’t have looked out of place.

It’s a lovingly crafted spoof and superbly highlights the over-the-top violence of the series but in a funny, kid friendly way. Ron would go on to contribute to 16 issues of OiNK including two further parody serials based on Sherlock Holmes and King Solomon. I didn’t know comics did this kind of thing. Of course, they didn’t really, OiNK was unique. Being a fan of Spitting Image at the time (my brother watched it and we shared a room, I didn’t really understand what was going on but I found it funny) this really appealed and was a big reason I wanted to read more OiNK.

Marc Riley’s appearances as Snatcher Sam were always highlights of the issues he appeared in

Crime might seem like a strange topic for a kids’ comic, but Mary Lighthouse (critic) and her real world counterpart had nothing to worry about, the message was very clear that crime doesn’t pay. Criminals and bullies met their comeuppance in highly imaginative ways throughout, and in one case a thief actually came good and became a private detective. That thief was of course Snatcher Sam, as portrayed by Marc Riley. This being my first encounter with him I was unaware of his dodgy past but that didn’t make this any less funny.

Marc’s appearances as Sam were always highlights of the issues he appeared in, though I was surprised to find out the character only appeared in nine of the editions I owned as a child (and only 16 altogether). I could’ve sworn he was in almost every single one, but perhaps I just reread them a lot! People sometimes doubt me when I say this comic still makes me laugh but if any proof was needed the second panel on the second page had me roaring.

A character who had been a regular in the early issues but whose appearances had reduced by this stage was Maggie Pie, Collector of Weird Things, a young girl with an obsession of finding new things to collect no matter how weird, random or disgusting. Always written by Tony Husband and drawn by Clive Collins (Punch, Reader’s Digest and Life Vice-President of The Cartoonists’ Club of Great Britain) her earlier strips have been a bit hit-and-miss with me personally but this one gave me a good old giggle.

Maggie appeared in just ten editions including the first annual and many remember her as a regular, maybe because it looked like she was going to be one at the very beginning when she appeared in nearly every issue. Clive would return a few more times, most memorably for some brilliant Walt Disney parodies and when it was announced he’d won an award for cartooning excellence.

This was the first appearance of Jimmy ‘The Cleaver’ Smith!

This issue also introduces another semi-regular character. After the skeleton staff accidentally let butchers into the pages of the comic while Uncle Pigg was on holiday in #8, Jeremy Banx began a series of Butcher Watch Updates with various exaggerated butcher caricatures, each more menacing than the last. While they all seemed to like their jobs a little too much, one stood out enough that he’d return now and again as the nemesis of anthropomorphic pigs everywhere. This was the first appearance of Jimmy ‘The Cleaver’ Smith. A small part of the issue this time around, he’d soon ascend to become a menace we’d all love to hate.

Other highlights also include Ian Knox‘s background animals in Roger Rental, He’s Completely Mental, Horace (Ugly Face) Watkins being set up for something and the hidden evidence is just ridiculous and in Tom Thug the bullying pillock faces his own nemesis, a victim’s big sister.

**Butcher Watch** by *Jeremy Banx*
**Roger Rental** drawn by *Ian Knox*
**Horace Watkins** by *Tony Husband*
**Tom Thug** by *Lew Stringer*

Regular blog readers will no doubt remember the insane amount of puns written by Graham Exton for Fish Theatre in #6 a few months back. Of course, depending on how well you received those puns you may have tried to blank it from your memory! I was a big fan though, in fact the more groans a pun can produce the better. Graham said he used up enough puns for several scripts on that one page, just giving himself more work in the long run. Well, it appears he hasn’t learned his lesson.

Graham has decided to revisit the idea with Agadoo (push a pineapple?) Christie’s Murder in the Orient Express Dining Car, a murder mystery where all the characters are vegetables, drawn by Ian Knox. It might not contain puns in every single panel this time around but that doesn’t mean the volume is any more bearable. Just to make sure you don’t miss a groan, each pun is even underlined.

If you can peel your eyes away from that overload of gags the next two highlights confirmed for me this was my first issue. I had the huge three-part poster calendar up on my walls as a kid. The first part was given away free with #15 so I knew I had to have started reading OiNK by that stage at least. Then this half-page promo for it rang a big bell in my head. I remember seeing this little corner of part one and being excited my second issue was going to have such an exciting gift.

I’ve been able to collect the whole calendar again and it now takes pride of place on the wall of my home office inside which I write this very blog. It’s right behind me as I type in fact, in the perfect position for FaceTime calls. With the next three issues I’ll show you the individual parts and then the complete calendar afterwards. Even after all these years it’s a sight to behold, thanks to Ian Jackson‘s brilliant take on Mount Rushmore, Mount Rushboar.

This next page was the conclusive proof this was my first issue. When I did my previous read through seven years ago this was the first page I recognised from any of the early issues. I did a little research to make sure it wasn’t reprinted later in the run and lo and behold it wasn’t, so here we are! You Are The Detective is a riff on the Cluedo board game, complete with suspects and a murder weapon. All the reader had to do was match the cause of death to the suspect. The only thing is, it looks like figuring out something as simple as the weapon isn’t as easy as it sounds.

Hilariously drawn by Mike Roberts (who as I explained in #10’s review was a big part of my teen years) it’s a brilliant piece with a great puzzle to work out. There is an answer there. You just won’t get it. As a kid I spent forever trying to figure this out, determined I wouldn’t look at the answer until I got it myself. I remember lying in bed with the lamp on, still awake late on a school night no less, eventually giving up and checking the answer later in the issue. Needless to say I laughed and then couldn’t believe I’d missed it!

Try to work it out for yourself. The answer is further down this review but the punchline will be so much funnier if you give it a go first. No peeking!

With this being my first issue it was also my first exposure to all of OiNK’s art styles. I’d always assumed most comics had similar styles. That was certainly the impression I got when I browsed through my brother’s Beano and Dandy annuals every Christmas. OiNK was an explosion of creativity and fun by comparison. Even when it came to its back cover it still had so much to give with the brilliant The Hold-Up written by Mark Rodgers and so expertly crafted by Ian Jackson.

“Some shops think OiNK is so clever that they won’t display it with the kids’ stuff!”
Uncle Pigg in reaction to W.H. Smith

The Hold-Up was the best possible sign off from the first time I had a comic all to myself. To be exposed to Ian’s style at such a young age was an incredible experience and I’m sure I’m not alone in thinking this. But to have this as my first issue and then his huge poster straight after, I know it’s a cliché to say it but it blew my little mind.

Before we go there’s the little matter of the solution to the puzzle, which was found under the newsagent reservation coupon which took a dig at W.H. Smith, who by this time had top-shelved OiNK after a couple of parents had complained about a strip. You can read all about this silliness in the review to #7.

Above this was the Next Issue promo and the main event was going to be a certain Ham Dare, Pig of the Future. I’ll show you that promo box before the next review as always but for now that’s it, my trip back to a very special moment in my life is complete. I’d buy the next issue and then place a regular order, staying with the comic all the way through to the final issue.

The next OiNK will be reviewed on Monday 15th November 2021, however next Monday the 8th there’ll be that special post to mark the actual anniversary of my reading this issue. I hope you’ll join me then to mark the occasion.

iSSUE 13 < > iSSUE 15

OiNK! #13: FRiGHTFULLY FUNNY

18 October 2021 Phil Boyce 2 Comments

A brilliant headline pun welcomes us to the Hallowe’en issue of OiNK and what a great piece of coincidental timing, having the thirteenth issue out for the spooky season. At a time when most other humour comics had a strip on the front OiNK’s bold, colourful covers really stood out and I think you’ll agree that’s certainly the case here with Ben Turner‘s one and only contribution to the comic and co-editor Patrick Gallagher‘s shivering version of his classic logo.

Ben is a seriously talented artist who at the time worked for Cosgrove Hall Productions (Danger Mouse, Count Duckula) alongside other OiNK artists Andy Roper and John Geering. He was also involved in producing and directing and from 1997 to 2006 was Creative Director at Cosgrove Hall Films where one of his projects was The BFG. Now working independently as a freelance director and designer in animation he was Art Director on CBBC’s Chuggington, a show which Patrick actually wrote some episodes for.

What do you think happens when Roger Rental meets the Slithering Horror?

In addition to all the themed laughs inside there are two event strips, both of which involve Lew Stringer. The first is a character crossover between Lew’s Tom Thug and Mike Green‘s Weedy Willy, who was created by Graham Exton and written either by him or co-editor Mark Rodgers. It kicks off with their individual strips. Tom was drawn by a 27-and-three-quarters-years-old Lew (according to his signature) and also includes future star Pete and his Pimple‘s sister Zeta.

Embarrassed in front of a girl by his own ineptness he’s jokingly compared to Willy and, Tom being the dim-witted bully he is, naturally decides to go and beat up Willy as revenge for this slight. At the same time Willy is yet again falling foul of his own attempts to woo Dishy Mandy who compares his intelligence to Tom’s. Everything is now set for a Clash of the Titans! We even get to see Tom angrily cutting across a field to get to his nemesis in Davy Francis‘ Cowpat County.

The idea for the strip was suggested by Graham as a battle “between the two cowards, Tom and Willy.” Mark then scripted and in the days before the internet the artwork was shared via post. Lew pencilled and inked his bits first, loosely indicating in pencil where Weedy Willy should be. According to Lew, Mike was free to change these of course and it was all achieved quite easily in the end, as he doesn’t recall any back and forth being necessary.

I love how in the end these two complete opposites are more alike than they’ll ever realise. Everything they say out loud is said by the other at exactly the same time. Lew’s and Mike’s different styles come together flawlessly so it’s unfortunate it’d be the only time something like this would be created for the comic. There would be crossovers between Lew’s characters and different artists would draw one another’s for guest appearances, but this is a truly unique strip and one of the classics of the whole run.

Moving on to the Hallowe’en hilarity and one of our favourite characters finds himself up against an unspeakable terror. So what do you think happens when Ian Knox‘s Roger Rental Meets the Slithering Horror?

Of course.

The next two strips are perfect examples of the little one-offs which made up so much of our fortnightly dose of OiNK, the first of which is also the debut of Davey Jones to its pages (and his first published comics work). Davey is best known for his work on Viz, which he would freelancing for before joining their staff in 1990. Some of his most famous creations are The Real Ale Twats, Gilbert Ratchet and Major Misunderstanding.

Here he puts a new spin on an old dog trick in Henry the Wonder Dog. Davey would contribute to 17 issues of OiNK altogether but as for Henry he’d only reappear once in #29. Strangely, so would the joke in a different strip later in the run.

The second mini-strip here is another by Lew Stringer. Doctor Jeckyll’s Experiment could’ve been told over half as many panels, but with the extra space here Lew’s expert comedic timing really pays off with some hilarious facial expressions, especially from the newly furry Jeckyll.

Do you remember the Care Bears, the saccharin Sunday morning cartoon with garishly coloured teddy bears? Based on the toys of the same name they were everywhere in the 1980s and even had their own comic from Marvel UK. But this is OiNK, so take that name and think of an appropriately ghoulish (and piggy) take on sweet and cuddly soft toys and what do you come up with? The Scare Boars of course. I noticed there’s a little copyright line from IPC Magazines below this Madvertisement, so jokingly thought the publisher had considered they’d make for good merchandise.

As it turns out this wasn’t so far-fetched after all. Patrick tells me, “I think IPC recognised that the characters (mocked up to a finished standard) could be highly marketable and might draw the attention of potential investors, and therefore deemed it necessary to state ownership (which, incidentally, they’d already stated in the full imprint earlier on). Though, whether they own as much as they claim is another matter!” (The ‘imprint’ is the copyright notice printed in each issue.)

Who wouldn’t have wanted to own one of these? Which one would you have picked? For me it would have been Hampire Boar but it appears he and Skele Boar could be out there terrorising unsuspecting kids if a video posted by Patrick on the his YouTube channel is anything to go by. Check this out.

I know from social media that this particular Madvertisement is a favourite among many, so to see one of its creators with Hunchback Boar like this is brilliant! So funny. If you’re not already a member of the OiNK Facebook group you should really join because it’s a great place for pig pals to chat and OiNK’s contributors (in particular Patrick) are always sharing bits and pieces about the creation of our favourite comic. Unmissable.

At this point I’d normally select a few memorable panels from various strips to give you an inkling of the rest of the issue’s contents. Instead, this time I wanted to show off two little panels from the Golden Trough Awards which were now being drawn by co-editor Tony Husband. A Hallowe’en special wouldn’t be complete without a Dracula story and here the terrified villagers have hatched a plan to rid themselves of the Count once and for all, and it involves headphones.

This wouldn’t be the last time Steve Wright would be the butt of a joke in OiNK. In fact, just to show how he could laugh at himself and take it all in good jest he would appear in a later issue and collect an award for Worst DJ as voted for by the readers!

“It all started six months later back in London when the mummy tried to sell them double-glazing every night for a month…”
The Curse of the Mummy (Jeremy Banx)

Over the past few issues Jeremy Banx contributed some genuinely laugh-out-loud moments with some very surreal one-off strips, the kind he does so well. If you’ve missed Mrs. Warsaw-Pact or Ian Nasalcavity Visits his Grandparents you can check them out in the reviews for #10 and #11 respectively before we move on to the last of this little series of random extra strips.

In The Curse of the Mummy we’re introduced to more impossibly-named individuals, Barty Pimple-Squeak and Mervin Vermin-St. John-Platt who are searching the tomb of an Ancient Egyptian Pharaoh. Not to be outdone, the former ruler is none other that King Sir Alf Rameses III and all of that is just in the opening caption! Just remember this is a Banx strip, so clearly whatever curse is unleashed upon the archaeologists is like nothing you could predict.

Being fascinated with Ancient Egypt myself this was a very welcome surprise. In fact, maybe due to my interest in the subject matter and how this perfectly spoofs it (or maybe just because Jeremy is a genius) this had me laughing even more than the previous two I mentioned above. Every single panel has a brilliant gag so good any one of them could be used as a punchline to end lesser strips! This is right up there with Jaws ’86 for me.

“Through the interaction of vile jellies and mushy peas, the dumped dinners came to life!”
Lew Stringer (Monster Mash)

The final highlight is the other event strip and it’s the introduction to a much-loved character who may only appear in a handful of editions, but who left a big impression. A very BIG impression. This was the issue before I originally started buying OiNK as a kid and it’s such a shame because as a child I loved watching those old rubber-suited Godzilla monster movies late at night on Channel Four, so this would’ve been right up my alley. It’s time to welcome Pigswilla.

Co-editor Mark Rodgers had the idea for a strip where a massive collection of discarded school dinners came to life. He wrote the first script and then handed it off to Lew Stringer to develop further before drawing it. Originally called “The School Dinner Monster” Lew changed this to Monster Mash and created ‘Pigzilla’ to combat the sludge. In their collaborative effort Mark changed this to ‘Pigswilla’ which is of course brilliant. Only appearing in seven editions of the comic (including two of the annuals) made every one of his stories an extra special treat.

Lew wrote about the creation of Pigswilla and this particular strip on his Lew Stringer Comics blog back in 2016 to mark its 30th anniversary, where he mentions working with Mark and how the paper used to print OiNK made for some lovely artistic choices.

Lew writes: “As OiNK was printed on quality paper (as opposed to the newsprint of its companion comics Buster, Whizzer and Chips etc.) I knew we could be a bit more adventurous with the rendering of the artwork so I thought a grey wash would give it more depth. I was really pleased with how the strip turned out and it remains one of my favourite pieces 30 years later.” Head on over to Lew’s blog for more.

I hope you all have a horrific Hallowe’en in the best possible way. What a great way to mark the season this issue has been. No wonder it’s Lew’s favourite issue from the first calendar year of OiNK and one of Patrick’s favourites from the whole run.

At the time of writing this post it’s a busy time on the blog with more real time read throughs beginning and bringing the current running total to six at once! The review of the first issue of the latest series will actually be up on 31st October, Hallowe’en itself, which is just perfect for that comic as you’ll see. Then just one day later the 14th issue of OiNK, the first I ever owned(!) will be reviewed on Monday 1st November 2021 or as I like to call it, the beginning of Christmas Eve Month.

iSSUE 12 < > iSSUE 14