As more and more houses on our streets put their decorations up and the ice over the railway bridge made walking to school an adventure, Marvel UK kept my friends and I warm with the latest issues of The Real Ghostbusters and The Transformers and Action Force, with covers drawn by Dougie Braithwaite with Dave Hine, and Stephen Baskerville respectively.
In #195 of Transformers it comes to light that centuries ago two Autobot cassettes (how 80s) crash landed on Earth with important data about an incoming threat. They were found by a pirate ship’s crew which later sank and that’s why the Decepticons have now built their tropical island (their disguised space craft) in this area as they hunt for the cassettes. This feels like a live-action movie plot, flashing back in time to add a previously unknown plot line. It’s great fun!
A reader also asks is he’s too old to read Transformers, Action Force, Death’s Head and Dragon’s Claws. Little could that 18-year-old have known how these comics would remain treasured for decades. The Real Ghostbusters’ readers are asked to help them save the world with a toy product recall (too much lead in a Ghost Pen Light) and Spengler’s Spirit Guide details lesser known vampires such as Dracula’s gullible brother who was killed with Perrier. How could Marvel top that? Let’s check the checklist.
Dragon’s Claws #7 is probably my favourite issue. It definitely highlights my favourite character. Mercy had the most interesting background of all the Claws with a determination to end corruption and bring down those who think they’re above the law (very ‘Knight Rider‘). Having a copycat on the loose is a great way of getting to know Mercy’s character, and this issue more than any makes me mourn the premature cancellation of the comic; there’s so much potential in Mercy and this only scratches the surface.
Action Force Monthly #7 is the same issue as last week and the Claws needn’t have felt too put out not being the ‘Don’t Miss’ comic, they’re the stars of that one too! After a certain mechanoid guest starred in Dragon’s Claws two months previous it was time for them to return the favour (and hopefully bring across more readers) for Death’s Head’s sophomore release. It’s a brilliant issue and reads like a funny buddy cop movie from the 80s. So yes, it deserved its position on the checklist.
The only new comics advert this week is rather basic but the cover to the latest fortnightly Marvel Bumper Comic was enough to whet the appetite. Did these movies have strips inside or written articles? Maybe we’ll find out at a later stage on the blog? Hopefully, because I’d love to collect this series eventually. I do remember owning a Bros. special from Marvel UK (for some reason) and it contained comic strips. Bad comic strips, mind you.
Did you collect The Marvel Bumper Comic? I think I only ever had the Holiday Special which started it all off. Do you think it’s worth collecting? For now though, it is but a pipe dream. However, we’re now well and truly into this year’s seasonal posts on the blog so there’s plenty to keep me busy and my wandering hands away from overpriced eBay auctions. More checklist fun next week including an advert for a movie adaptation to one of the above. More in seven days as per usual.
If last month’s competition is anything to go by then this Christmas compo should be really rather popular. First though, the lucky winner of six random issues of Marvel UK’s hilarious The Real Ghostbusters was Steve Wareing of Preston. I’m sure you’ll enjoy them Steve, it was one of my very favourite comics and it holds up extremely well today. Those Spengler’s Spirit Guides alone will be worth your entry!
For the festive season I took a look at the doubles I’ve acquired and realised the prize really couldn’t be anything other than annuals, could it? With one double for the Ghostbusters and no less than three for The Greatest TV Show Ever, are you ready for the ultimate trip back to the 80s?
The Real Ghostbusters Annual is the third in its series and contains the usual mixture of funny strips and hilarious text stories and even a ‘Phantomime’ for the season. The Knight Rider Annuals are the first three yearly treats for Michael and K.I.T.T. fans and include strips and art by none other than David Lloyd (yes, that David Lloyd), background information on F.L.A.G., interviews with cast and crew, special behind the scenes features about the show, its stunts and its stars of both the human and the automotive variety. The prose stories in particular are truly excellent and a real highlight of each volume. They could easily have been adapted into episodes.
The winner will receive their annuals gift wrapped and in time for placing them under their tree in time for The Big Day. All you have to do is answer this very simple question:
Q – Alongside the two above, which other two 80s TV shows have had annuals reviewed on the blog to date?
When (you think) you’ve got the answer you can either email it to me at oink.blog@icloud.com(all emails will be deleted after the winner has been selected, I’m not fancy enough to have a newsletter or stuff like that), or use the contact form you can find on the right-hand side of your desktop screen or under this post on mobile. Your entry must be with me by midnight on Sunday 14th December 2025.
UPDATE: Congratulations to long-time blog reader Dan Whitehead of Cheshire who correctly identified Airwolf and No.73 as the other two annuals. Hope you enjoy the books Dan and they take you back to Christmases in the 80s!
After this date I’ll contact the lucky winner to ask for their address. Unfortunately, due to rising postage costs the competition is only open to UK and Ireland readers.
Apart from a name written on the inside of the Ghostbusters book and some light wear to the inside back cover of the third Knight Rider annual these are in excellent condition. If you’re planning on giving these as a gift for more than one person just let me know and I can gift wrap them separately or grouped as you wish. Good luck everyone, I hope these will make for a great Christmas present for someone out there!
How can I be four books deep into this read through already? That’s over 1,000 pages and half of my collection. Fleetway’s Big Comic Book 1990 strode into a new decade by visiting the past once more with 256 pages of classic strips from the pages of classic IPC comics. The cover no longer carries the logos of Buster, Whizzer and Chips and Whoopee because just like its fortnightly counterpart the books now also contained reprints from Cor!!, Cheeky, Wow!, Jackpot, Monster Fun and Krazy.
Of course, these comics all merged into one another and eventually into Buster at some stage, so don’t be expecting a completely new cast. But still, there was a wider selection of strips to pull from. The book as a whole is probably the most enjoyable one yet, but I wonder if that’s more to do with how much I’m enjoying coming back to favourite characters year-on-year, so each one feels better than the last. The cover is the one that usually comes to mind when recollecting the series, that Frankie Stein panel in the middle standing out from the crowd.
Regular readers won’t be surprised to see the star of our first highlight. Again taking the Gums strips from his later John Geering era, I have to say I did let out a laugh when I saw the penultimate panel. There’s something very ‘Wile E Coyote‘ about the sheepish great white in that one. It perfectly sums up the character and why I love him so much and as such it’s the perfect introductory strip for new readers.
With John behind the pen I thought this would’ve been written by OiNK’sGraham Exton again but he’s confirmed it wasn’t. The real culprit is most likely Gums’ original writer Roy Davis who, after pulling back on Bluey and the other humans, introduced the more soap opera-like elements of the undersea cast I’m much more familiar with. We’ll have to assume it was Roy though because we can’t confirm.
While gambling isn’t exactly something you’d expect to see in a children’s comic, Jack Pott’s compulsion to bet on anything and everything became so ludicrous, and the winner’s rewards so child-friendly, he might just be the only one to get away with it. Drawn by Jim Crocker, Jack originated in Cor!! before (fittingly) moving to Jackpot and then survived the inevitable merge into Buster where he stayed until 1988.
While this example doesn’t include any of his trademark gambling, I’ve chosen this particular strip because it reminds me of my dad. I don’t mean his father, I’m referring to Jack himself. I remember as a young boy my dad showing me how to do the household chores badly so as not to be asked to do them again! A perfect example of his sense of humour and reading this page made me chortle as I remembered times like that, so it’s a very personal choice.
Creepy Comix was surprisingly not a stablemate of Gums from Monster Fun but rather a later addition to the IPC lot in the short-lived Wow! which launched in 1982 and lasted just one year. Davey Doom owns all the editions of his favourite Creepy Comix, the large variety of characters in which can come to life to help their friend before disappearing back into their pages once more. Horror comics have frequently been frowned upon by the usual anti-comics brigade so it’s nice to see one of them get its own back in a way.
Drawn by Reg Partlett, the strip made the migration to Whoopee, then to Whizzer and Chips, then it joined the fun in (you guessed it) Buster, only succumbing in 1997 when Buster itself went all reprint material. Easily the most popular of all of Wow!’s strips, the page I’ve photographed for you spoke to many of the young readers I’m sure. It certainly would’ve raised a smile with me after years of horrible school uniform shopping.
The Winners is one of those strip series that’s stayed in the deep recesses of my ever decreasing memory all these years. The second I saw the faces of the characters in the title banner I could remember enjoying them in the pages of either these books or the fortnightly comic, so they must’ve been a highlight for me back then. Judging by this example I can see why. Of course, Mike Lacey’s always-funny collection of facial expressions could be a key reason.
This lucky family won every competition they ever entered. You’d think that’d make us dislike them if they got everything handed to them on a platter, right? Nope, not at all. For example, there could be a ton of fun to be had watching them practicing something they weren’t good at for their next competition. However, the best stories were always the ones when, despite all their preparations, they’d win only via some accident or mistake, such as here. Continuing with new strips all the way to the mid-90s in Buster, The Winners was by far the longest-running Jackpot strip of all.
Big Comic never had much in the way of small, quick gags. Unlike the variety in OiNK, the comics these books pulled from were all pretty stringent in their strip sizes. So when a page of Silent Funnies popped up it drew the attention when initially flicking through the book. Drawn by Jim Crocker I’ve no idea which comic it was pulled from although my sources (that’s Lew Stringer to you and me) suggested it could’ve been a good fit for Krazy.
As a kid I loved to draw. I drew all the time and on any thing. I was always bought drawing pads and yet the school books that had to be returned at the end of the year would still end up covered in tiny diagrams of things I loved from cartoons, comics and movies. I saw it as a service. I was cheering up the next poor soul who had to wade their way through them. Naturally then, Chalky always spoke to me when I collected Big Comic Fortnightly, even if the idea of using huge chalks already felt outdated to me. Although what else could he have used here?
Chalky first appeared three years before I was even born (and at my age I take that as a small win) in the pages of Cor!! in 1971 before transferring to Buster three years later. Some erroneous information online has Terry Bave credited as creating Chalky although “more regularly drawn by Dick Millington or Gordon Hill“. He was actually first drawn by Arthur Martin and, while we can’t be completely certain about this particular page, it was most likely drawn by Gordon.
The S.O.S Squad were a four man elite anti-terrorist task force originally comprised of Captain John West (don’t laugh), Sgt Thomas Mackenzie, Corporal Danny Lloyd and Henry ‘Fingers’ Malone, and later by the icy lady officer Captain J. W. Ironstead… oh hang on, wait. No, that’d be the Eagle strip of the same name from the second volume of that legendary comic. Instead, our S.O.S Squad is led by a kid in a box called Zed and stars others with such names as Skypole, Baby Boffin and the delightfully named Effel.
Drawn by Jimmy Hensen this spread is a perfect example of the high octane chaos that runs through all of their strips. So I was surprised to find out they didn’t last very long in the pages of Buster, just over a year as a matter of fact right at the beginning of the 1980s. There’s no accounting for taste, I guess. It’s a shame though, as their entries in this book are among the best this volume contains.
When I was young I was always encouraged to read. This began by collecting The Railway Series which my favourite early childhood TV show was based on. Then my parents bought me the Story Teller magazine and cassette partwork for two years. Soon, I discovered comics via OiNK and in later life my mum admitted she liked the fact I always asked for comics instead of sweets in the shop because they encouraged me to read more and improved my school work as a result. In contrast, our next character’s parents constantly wanted him to ditch the books in favour of what they saw as more “boyish” hobbies, which never made sense to me.
It wasn’t just me. All of my friends loved to read. So yes, it was always confusing why Bookworm was mocked by some of his peers for reading. Anyway, this particular favourite first appeared in Whoopee in 1978 and made the move to Whizzer and Chips in 1986. A bibliophile, Book Worm always has a book under his arm, normally one which just so happens to give him the right knowledge for whatever situation he finds himself in.
Here though, in this story drawn by Sid Burgon his peers appreciate his obsession and it’s also an example of how some strips could be edited for Big Comic’s audience. The year of the annuals has been changed, you can see a title has been erased from the one he’s holding in the shop and ‘Cor!!’ has been unceremoniously scribbled out in the last panel. I don’t think this was necessary, we all knew these were reprints, but I can understand why they did it.
What can I say? I couldn’t decide between two of John Geering’sGums strips so I went with them both. There are more but this one stood out. Now we know where Bruce in Jaws learned his trick that took Brody and Quint by surprise! With our shark friend high and dry it’s time to close over another massive tome in the Big Comic Book series for another whole year. Next Christmas you can expect double the amount of classic humour strips.
That’s because in 2026 alongside The Big Comic Book 1991 we’ll also have our first annual for its companion title, Funny Fortnightly. Does that mean even more Gums? We’ll find out in a year. In the meantime, there are plenty more annuals to enjoy this season and of particular interest to fans of these characters and creative teams will be the Buster Book 1991. You can read all about it from Monday 8th December 2025. It’s certainly a Big Christmas this year!
Welcome back to our irregular real time read through of the eight celebratory editions of Beano from DC Thomson’s 80th anniversary box set. Next up is the first issue to have sold one million copies! That’s an incredible achievement on its own, never mind the fact it was back in 1945, not long after World War II and at a time when paper shortages were still in effect. As such, Reg Carter’sBig Eggo fronted a comic of only 12 pages, the smallest it would ever be.
The Beano was also fortnightly at the time, released on alternative weeks to The Dandy so kids still had the opportunity to read some desperately needed funnies every week. I’ve always found this period in the comic’s history fascinating ever since I found out about it in the 50th anniversary Dandy/Beano Fifty Golden Years book I received for Christmas1987, which you’ll see an overview of this year on Boxing Day on the blog. For now though, let’s open up #272 of The Beano, which celebrates its own 80th anniversary today.
What a selection of names and taglines! Talk about being “of their time”. Researching Cocky Dick meant very careful internet searches but I did eventually find out it was originally drawn by Allan Morley and ran in the comic from 1939 to 1947. There’s an air of Dennis about the strip thanks to the cheeky nature of the main character and the colour scheme of his feathers. Nice of the local council to label their water wells too, otherwise how’d we know what it was.
After an absence of three years Good King Coke (surely a 90s movie drug lord name) had returned for another year-long run, drawn by Eric Roberts, and The Magic Lollipops (“Suck ‘em and see”?!) was also drawn by Allen and ran for ten years between 1941 and 1951, with a one year gap in the middle. I don’t think any other page in either #1 or this edition has been such a clear window into a completely different time.
A Christmas strip! Perfect. With The Beano being fortnightly we were only one issue away from the big festive celebrations and Lord Snooty was getting in on the action already. As the season has already kicked off on the OiNK Blog this year I couldn’t have been happier when I saw this, drawn by Dudley D. Watkins. Snooty’s strip ran from 1938 all the way through to 1991, with a few breaks in the middle.
Upon his return after his first break a lot of his original friends above would be replaced with characters from other, discontinued Beano strips and over the course of his lengthy run he was drawn by a handful of other artists, most notably Leo Baxendale and Robert Nixon. Lord Snooty was the only character from #1 I knew as a child in the 80s (through sneaking a peek at my friends’ issues), by that time he was the last surviving character of that first issue.
Along the top of a Jimmy and his Magic Patch story readers are told to turn to a certain page to find out all the details of the special Christmas issue, but it turns out it’s only this small promo in the middle of a Tick Tock Timothy prose story. The main selling point of the festive issue would be a game called ‘Jinko’, a basic dice board game printed on the back cover. Over the page from this promo we find Tom Thumb is still in the comic, albeit as a picture-panel story instead of the prose of #1.
Another character who was still here but whose format hadn’t changed is one of my favourites from the premiere issue, Charles Gordon’sGranny Green. This was actually a reprint from the original run in the first year-and-a-bit of the comic but obviously I’ve never read it. Again, I really enjoyed it. It includes a quick recap of the premise for any new readers and I originally thought Jimmy’s plan in this particular story sounded awfully cruel… until we find out the water is only a couple of feet deep. Hilariously, the names of the friends mentioned still sound like the kind of creations Bob Mortimer comes up with on Would I Lie To You!
On to the back page and two well known names, beginning with Tin-Can Tommy, the clockwork ‘son’ of Professor Lee and Mrs Lee. He first appeared on the back page of the first issue when he was created after the death of their son because they were struggling with the loss. Originally drawn by the Italian Dinellibrothers who disappeared in France during the war, he was subsequently drawn by Sam Fair, Charles Gordon and George Drysdale but my usual expert resources aren’t aware of who drew this episode.
Tommy would reappear in #3185 in 2003 for the comic’s 60th anniversary. Another character who may also be known by later readers of Beano is Pansy Potter. Pansy was a Beano star between 1938 and 1958 (with breaks), then she moved to Sparky in the 60s and 70s before returning to her original home between 1989 and 1993. That’s the time period in which I remember her from, which she followed up with small runs now-and-again (her last appearance was in #3954) and a couple of annual cameos in 2012 and 2018.
Created by Hugh McNeill and drawn by this stage by Tommy’s Sam, Pansy was the character chosen to be the first strip printed in full colour on the back page a few years later. This strip above reminds me of skating at a temporary rink at Belfast City Hall this time of year many moons ago and the amount of people tripping over chunks of broken ice and toppling into each other. The council not wishing to splash out on a Zamboni never stopped us going back though.
Next time, we’ll jump from 1945 to 1951. Our third issue saw the introduction of a certain boy with a black and red jumper so its inclusion in the box set is no surprise. When this series returns, join me as we travel in time again to the year of The King and I, the Stone of Scone returning to Scotland all on its own, a blue sun, the world’s first nuclear power plant and, in keeping with the theme of Dennis the Menace, the year when a young sailor was fined for the menacing behaviour of kissing his girlfriend in public in Sweden. The Beano #452 will be right here on the OiNK Blog on Saturday 14th March 2026.
The decorations are up and Christmas on the OiNK Blog has well and truly begun, and part of the season’s line up is no less than half a dozen Mighty Marvel UK Checklists, including one full of seasonal joy. First up though, fun stories and a… um, summer holiday.
In The Transformers and Action Force, Club Con begins. It’s another much-mocked storyline but again I found it fun and imaginative. The Decepticons have built a tropical island on top of their submerged base and they end up blasting into space with Buster Witwicky on board. This was the first time I’d seen the Seacons on this Bob Budiansky and Kevin Nowlan US cover and as a lover of everything aquatic I thought they were brilliant, even if the squid one did look daft in hindsight.
Anthony Williams and Dave Harwood provide the cover to The Real Ghostbusters and, talking of imaginative, the stories include Janine and Egon on a date and Janine’s pissed off voice shouting in frustration at a ghost actually busts it, and then we find out Slimer pretends to haunt somewhere for his friends when jobs and income are rare! What else did Marvel UK conjur up for us this week 37 years ago?
The Captain Britain trade paperback may have been on sale for a couple of weeks already but that didn’t stop it from taking the big spot. A bit of a blow to the new comics released this week? Not really, there was a promotional signing coming up at, you guessed it, Nostalgia & Comics. I’ll also assume the new Action Force Monthly would’ve been the one not to miss last week if we’d had a checklist, especially with that collection of talent producing it.
The new-look fortnightly Thundercats seems to have taken a leaf out of The Real Ghostbusters’ book if this issue’s contents is anything to go by. Speaking of comics aimed at slightly younger readers, I’ve commented before about the lack of strip information in the checklists for Flintstones and Friends and the annual’s advert seems to highlight that further. Less a comic book and more an activity book? Well, maybe it kept its readers in bed with their stockings a while longer.
I have to say the adverts for the Action Force annuals always made them look just as exciting as those in the Transformers’ series. Why I never asked for any of these books when I was enjoying the back up strip in Transformers is beyond me. Maybe it’s something I should look into for the blog in the future? I’m really loving the Skybound box set and I’ve wanted to see more of the UK content since reading the few issues of their weekly when they crossed over with the robots. Who knows. This advert definitely has me thinking about it.
We move into December itself next week and there’ll be details of some of Marvel UK’s monthly offerings for the festive season. They may not have had snow on their logos but that didn’t mean they weren’t just as special. See you then.