BUSTER BOOK 1991: PiGGiNG OUT?

Buster is back on the OiNK Blog. It makes a change seeing this comic’s characters guest star in something OiNK-related rather than the other way around. Just like last year this is another hardback volume of 112 pages, made up of a mix between regular matte and higher quality stock, this time alternating between the two. It means we’ve a bit more colour but only a bit, a lot of these pages are still black and white or two-tone and there’s no change to the length of the strips.

It still feels like several issues bound together but at least more of them have been printed on better paper. Our first OiNK star (of which we’re now down to two) is Lew Stringer’s Pete Throb in the shorter-titled Pete’s Pimple. Pete had already said goodbye to regular Buster readers by the time this annual was released so it’s strange to see it’s more of an introductory strip than anything. In fact some elements are very similar to his first Buster strip.

These annuals could be brought by Santa for kids who weren’t regular readers so it wasn’t unusual for some strips to read this way. There’s a nice little cameo from Tom too but I can’t help feel a little underwhelmed by him in the last panel. I’m so used to these characters in OiNK, Tom should be covered in pus and discombobulated on the floor, not mildly upset in the corner of the panel. Regular blog readers will be familiar with the reasons behind this though when I covered the initial merge. Lew also informs me the colouring job was done in-house by someone at Fleetway, hence the somewhat subdued colours in comparison to his previous OiNK work.

Weedy Willy is no longer with us. He just didn’t click with the readers of Buster and so Mark Rodgers’ and Mike Green’s strip didn’t last long. However, the stand out star was back. A huge hit with Buster fans, Lew’s Tom Thug would sometimes even get a colour page in the weekly, which was at a premium in Buster as opposed to OiNK. However, while his Skooldayz strip may be on one of the higher quality pages like Pete’s, he remains in black and white here.

Did you ever play conkers as a child? I could never get on with it. For someone who loves their videogames today I must’ve had rubbish hand-eye coordination back then and I could never hit anything… apart from the occasional friend’s hand. Kids in comics always seemed crazy for them and those in Tom’s class were no exception. Maybe if this had been an OiNK strip we’d have seen Tom inflict the cricket ball on himself after trying to harm someone else, but the strip still raises a smile.

These aren’t all from Lew in this annual. In fact, OiNK’s co-editor Mark Rodgers created and initially wrote the following characters. Unfortunately, by this stage his illness precluded him from doing so anymore. Lew then took over sole responsibility for The Vampire Brats. First appearing in June 1989 they enjoyed nearly two-and-a-half years in Buster and from comments on social media and Lew’s blog they’re very fondly remembered. I’ve read the occasional strip on Lew’s blog before now but this is the first time I’ve owned anything with them in it.

They were Vampires of the same age as the readers, so despite being undead they still had to learn. In their own unique way, of course. While they may not have a strip in the annual, they do get pride of place with their version of a school’s ‘ABC’ wall chart as the double-page spread that rounds off the entire book. It’s a fun and imaginative entry and in particular I laughed at U, V and W and really any that follow on from the previous letter. With this little sampling I do hope I can get to read some of their actual strips next year.

Next up is another character who (much like Gums) continued on in the pages of the Buster Books long after they’d disappeared from the weekly. Despite winning a Cartoonist Club of Great Britain award, Wonder Wellies only lasted two years in the long-running comic, ending in 1985. According to Lew and John Freeman, these Fleetway annuals could sometimes use reprints to fill out their pages so there’s always the possibility that’s the case here but I can’t confirm. Written by Roy Davis this stood out to me because it was drawn by OiNK cartoonist Dave Follows.

Accidentally created by Professor Krankpot, the wellies belong to Willie (of course) and they’ve called themselves Lefty and Righty, names which could probably mean something rather different today. They were stubborn and had the power to walk by themselves, morph and fly, sometimes taking Willie along with them without his say-so, with enough autonomy that they’d not always do as he wanted or come to his rescue.

Young Arfur is back and seeing as he’s drawn by fellow OiNK cartoonist Pete Dredge I had to include him again. UPDATE: Not only that but OiNK co-editor Patrick Gallagher helpfully left a comment (below) on this post to let us know he wrote it! It was a hard choice between his strips but this one just pips the others with its neat twist on the usual formula; instead of talking his way out of something he gets his teacher to do it for him. Arfur disappeared from the pages of Buster in 1987 so either he continued with new yearly strips for fans or this could be another reprint. My money is on the former because he has pride of place on the higher quality pages in the book.

He’s a lovable rogue, a phrase which could be used to describe certain brothers in a BBC sitcom that starred David Jason and Nicholas Lyndhurst, characters that were definitely not inspiration for the next strip. Nope, not at all. Actually, I think the word “inspiration” is being rather kind and that’s why it stood out. A Buster original drawn by Gordon Hill, Rodney and Dez lasted only one year in the comic around the time of this annual’s release.

Perhaps it was too on-the-nose even for the young ‘uns!

They bring this year’s look at the Buster Book 1991 to a close. Chances are there’ll be no Pete and his Pimple… sorry, Pete’s Pimple next year so fingers crossed Tom Thug’s superstardom has kicked in with the readers and he’s afforded more space next time. Until then, this annual can sit proudly on my shelf with last year’s while I await the Buster Book 1992 and continue to stretch out the OiNK love just that little bit more.

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BEANO CHRiSTMAS SPECiAL 2025: TiME FOR FUN

Dare I say it but could this year’s Beano Christmas Special actually top last year’s? One glance at the supposed author name along the bottom of the cover almost had me convinced before I even opened it! Inside, the lack of more funny gift tags is disappointing but that’s really the only negative I have in all honesty.

Dennis is lumbered with reading a bedtime story to his little sister, Bea as Christmas Eve draws to a close and his mum hands him A Christmas Carol. But of course Dennis is never going to have the attention span to read a whole book so he leaves bits out, retells existing bits and adds completely new parts to liven it all up.

Just like last year, the special is one long story told over various strips starring a collection of the comic’s fan favourites. Dennis, for example, is not only Dennis Scratchit in his retelling but also the first of the ghosts. He’s the narrator and in charge, and it’s Dennis, so of course he’d do this and it’s hilariously brushed aside in the story. Although for me the real star of the piece isn’t Dennis or even Mayor Brown as Scrooge, it has to be Rubi.

Rubi’s Screwtop Science pops up several times across the issue thanks to her dad’s time machine invention. Oh, and her dad is H.G. Wells so you can guess what the machine looks like (and it comes complete with a certain Doctor Who sound effect). You see, the ghosts are all a bit useless and need Rubi’s help in order to carry out their plan to make Scrooge learn the error of his ways and the true meaning of Christmas. But this is the modern day Beano and it all goes completely nuts and utterly chaotic very quickly!

If you thought last year’s tale didn’t let up you haven’t seen anything yet. The team have really outdone themselves. What a team, too! The complete list of writers and artists for this special reads like this: Danny Pearson (who featured in a previous festive OiNK post), Andy Fanton, Nigel Auchterlounie, Laura Howell, Emily McGorman-Bruce, Nigel Parkinson, Barrie Appleby, Steve Beckett, Shannon Gallant, George Cant, Ned Hartley, Mel Prats, Hugh Raine, Alan Ryan, Leslie Stannage, The Sharp Bros. and Wayne Thompson. Phew! Talk about a who’s who of comics talent.

Don’t be expecting this to follow the classic tale that closely. There are moments when it pays its respects but then you’ll turn the page and find the Ghost of Christmas Present has brought Scrooge to the present day of the reader instead of Scrooge’s own timeline, or another has taken him to witness the Bash Street school of the far sci-fi future for no apparent reason, or Bananaman trying to infiltrate a prison before it’s built! Why? That would ruin the surprise. 

Every instance of time jumping sees us back in Rubi’s lab and every time this happens she gets more and more frustrated at the ineptitude of the ghosts. Her thunder is almost stolen by the wonderful Dangerous Dan strip and its completely random ending, there are also some lovely nods back to classic Beano years for the older readers, and a delightfully timey-wimey head-spinning Angel Face Investigates. But Rubi easily manages to hold the crown as her pages made me roar every time she appeared.

It should be clear how much I’ve enjoyed this and I’m not even the target audience. Alongside the whopping 48 pages given over to the story there are also a multitude of quality puzzles, games and activities for the kids, all festively wrapped up in a 76-page special (even bigger than last year’s) printed on exceedingly good quality paper with a card cover. There’s no need to balk at the £7.99 price tag either, by the time you’ve absorbed the amount of gags in here and your kids have laughed and drawn and pranked their way through it all you’ll see it for the bargain it is.

It should be readily available in your local shops and supermarkets. I ordered mine from DC Thomson directly through the Beano’s website shop. It’s available there as a single issue or as part of various bundles with the Beano Annual, Dandy Annual and the traditional special Dandy/Beano book. Also, if your child would like to join the Beano fan club they’ll receive this, the summer special and the annual as part of the club! I’ll say it again: bargain.

Grab a couple of slices of boozy fruit cake and a big glass of your favourite festive tipple but be ready to spurt them out several times while you read this. In other words, you should buy it. The only way it could be improved upon is if they’d included more of those tags! Yes, I’ll die on this hill. Hey Beano, maybe next year? Or put them up on your shop. I wouldn’t be alone in buying them, I’m sure. In the meantime folks, grab yourself a copy of the Beano Christmas Special 2025 and you’ll feel like a big kid even more than usual this holiday season. Guaranteed.

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BEANO CHRiSTMAS SPECiAL 2024: A DASHiNG GOOD READ

This review was originally written for and published on Down the Tubes. As I’m now going to cover these yearly specials on the OiNK Blog I decided to copy this post over too.

As I write this the Christmas issue of Beano (No.4266) is out, however every year publisher DC Thomson also releases a separate festive special in advance of the season. Printed on high quality paper and coming in at an impressive 68 pages, it’s almost like another Beano Annual. No one can accuse the team of not going large for the holidays!

All the usual characters are in place from a plethora of top talent, my personal favourites being Andy Fanton, Nigel Parkinson, Nigel Auchterlounie, Laura Howell and friend of the OiNK Blog, Danny Pearson. Initially looking like a bigger regular issue, as you read you soon realise all the strips are part of one story from different perspectives, without ever sacrificing the quality of the individual strips.

Upon opening you’re met with a page of gift labels. Aimed at kids rather than the present-buyers, that doesn’t mean older readers can’t enjoy them, as you can tell from my photos. The one featuring Harsha from Bash Street Kids was particularly well suited to that gift!

So, Santa has been kidnapped and for once the Beanotown kids aren’t to blame. (This is the first Christmas Special I’ve read but it’s clear there’s a history here). When Mrs. Claus asks why he still delivers there when they kidnap him every year, Santa explains, “It’s only most years, and twice it was more of a misunderstanding.”

However, the kids are blamed throughout in some very funny moments, including by Santa’s reindeer, who immediately pin it on Minnie! I just have to mention Dasher at this point. The personality given to him is just perfect for his name and I laughed aloud when I read this scene in the stables. It’s such an obvious gag now that I’m surprised I haven’t read something similar before.

The big bad behind it all is revealed early on as Mayor Brown, who bears a striking resemblance to Richard Osman and whose voice I read his lines in for the rest of the comic. This is a world away from the Beano I read as a kid and that’s a good thing; it has to move on and evolve for today’s kids after all. As a result, the humour moves at a much faster pace, with more quips and banter between characters and some enjoyable breaking of the fourth wall. It’s a lot more chaotic and anarchic. As an OiNK fan, I love it!

I don’t want to ruin what happens because the joy is in not knowing what’s next; something this definitely isn’t is predictable! Bond villain Brown takes Bash Street school as his lair with his robotic snowmen to ruin Christmas, a scenario perfectly set up by spy strip, Dangerous Dan. From here, everyone gets a crack at teaming up with other characters from different creators and it’s fun to see the various artists’ takes on each other’s creations.

I may have had several laugh-out-loud moments but I’m not the target audience, despite how young I felt reading this. However, my friend’s son is. Father and son subscribe to Beano and read it together, and they’ve a set of criteria upon which they judge each and every issue. I know you’re thinking this’ll be a list of favourite characters but it’s a bit more… comprehensive than that. Kids can have very particular tastes.

They want lots of Angel Face and Minnie the Minx for a start. They weren’t disappointed here, especially with the amount of Minnie content. (On a side note, as a fan of Andy Fanton’s work it’s great to see his Minnie is so treasured.) Next, Yeti and Cousin Agnes should feature beyond their own strip and for a special Christmas treat it’s actually Minnie they mingle with here. Dennis also breaks the fourth wall as wanted and, while Rubi’s latest invention isn’t as ‘Heath Robinson’ as they’d like (no, really) it plays a pivotal role and her mistakes bring plenty of smiles.

Always important to get the target audience’s view, right?

There are also several activity pages such as mazes, board games, pranks etc. They may sound clichéd but each is finished to such a high quality you could never call them fillers. I focussed solely on the comic strip (and the free stickers) but there’s plenty for younger readers to do to get more value out of your money.

Whether you’ve kids of your own or just want to read a new funny comic this holiday season, the Beano Christmas Special 2024 is exactly what you need. It even has snow on the logo, so you know it must be good.

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THE REAL GHOSTBUSTERS ANNUAL #1: PHUNNY PHANTOMS

While many comics of the 80s such as The Transformers and our very own OiNK would have to wait until their second year for their first annual, with The Real Ghostbusters Marvel UK went all-in and produced a book for its very first Christmas season, meaning work had to have started on it before the comic itself was even released. For me, holding this cover by Anthony Williams (Transformers, PJ Maybe, Fate) and John Burns (Judge Dredd, Look-in, Eagle) in my hands again brings back so many fond festive memories.

Sticking with the usual 64-page hardback format of Marvel’s yearly offerings and edited by Richard Starkings (Death’s Head, The Sleeze Brothers, Dragon’s Claws), inside is chock full of content making for a meaty, very funny read for the younger readers, and one that holds up well today. This has been great fun to relive. I’ve had a ball! Things kick off with an HQ page very much like the weekly’s and you can see the amount of stories and features they’ve crammed in here.

Then there’s Marvel UK’s one-page strip advert introducing Peter Venkman, Winston Zeddmore, Egon Spengler and Ray Stanz that had been running in other comics that year and which took its wording directly from the movie. This was written by Richard (under a pseudonym), drawn by Brian Williamson (Hook Jaw, Doctor Who, Warhammer) and Tim Perkins (Transformers, Chopper, Thor Losers), lettered by Richard and coloured by Chris Matthews (Thundercats, Action Force, Mugshots).

Ian Rimmer’s (editor on Scream, Doctor Who Magazine and Transformers) Sarah Sangster’s Spectre is the perfect scene setter for the book. An attractive young woman has called the team to catch the ghost of a little old lady haunting the halls of her home and straight away Peter is smitten. In the end, she’s the spook who has tried to trick the guys into killing the wee pensioner! Dark? Not at all, it’s all played for laughs and the plot is exposed by Peter’s selfie. 

The artists here are regular Ghostbusters contributors Andy Lanning (The Punisher: Year One, Judge Anderson, co-creator of The Sleeze Brothers) and Dave Harwood (Action Force, Swift Sure, 2000AD) with colours by Helen Stone (Knights of Pendragon, Dark Angel, Sleeze Brothers). Probably more than anything else in here, this strip takes me right back to reading (and rereading) this book over the holidays in 1988, wrapped up in bed late at night during that enjoyable Void Week between Christmas and New Year.

The comic never did multi-issue stories from the UK team. Later, lengthy imported strips would get serialised but the closest our homegrown stories got would be those split in two across one issue. This happens here with The Spook from Outer Space, again written by Ian, with art by Phil Gascoine (Battle Action, Commando, Knight Rider in Look-in) and Dave Hine (Death’s Head, Azrael, Dark Angel), with colours by Stuart Place (Captain Britain, Transformers, Action Force).

The Ghostbusters are watching a UFO being excavated from disused land in New York on telly when suddenly the excavation equipment starts floating in mid-air. They deduce the alien must’ve died upon crashing and has been haunting the UFO ever since. So off they go to bust it but as normal the case is not all it seems. The alien is hugely powerful, feeding off their proton packs instead of being contained by them, and of course the military are on hand to fire more weapons at it while ignoring the warnings.

In the end we find out the alien has been psychically moving all of the heavy machinery in order to spell out a message on the ground that it just wants to be sent home, so the Ghostbusters commandeer one of the army’s rockets, trap the alien (with their permission) and fire it off into space. It’s a fun tale that includes a good bit of witty banter between the four men and would end up being one of a few strips from this annual we’d “get another chance to read” in the weekly a couple of years later.

Moving on to our prose stories and Jaws of the Beast is written by artist Nick Abadzis (Death’s Head, Vector 13, The Big Book of Death) and colourist/editor Steve White (Xenozoic Tales in the UK’s Jurassic Park, The Sleeze Brothers, Dragon’s Claws).It’s a tale about a small winged beast who invades a boy’s wishes. This particular boy wished he could see a real Tyrannosaurus rex, so obviously this leads to the team eventually being chased by said dinosaur through the streets of New York.

“It’s a loony lady who says her nephew has raised a dinosaur from the dead. You wanna speak to her?”

Janine Melnitz

What’s great about the story is the dynamic of the team. The prose stories allow the writers to explore the characters that little bit more and in particular we’re treated to some hilarious scenes between Peter and Egon in the firehouse, and later when Peter is used as bait for the beast. At this juncture Peter’s inner thoughts are punctuated by radio communications from Egon, making for great dialogue and genuinely laugh out loud moments.

The best story of the whole book is written by friend of the blog John Freeman (editor of Doctor Who Magazine, Babylon 5 Magazine, Star Trek Magazine), who brings back the iconic Stay Puft Marshmallow Man for a story set in London. The art is pencilled by Mike Collins (Transformers, Doctor Who, Tharg’s Future Shocks) and inked by OiNK’s very own Lew Stringer (Tom Thug, Combat Colin, Sonic the Comic). Lew and Mike are good friends and started in the business around the same time but this remains the only time they’ve ever worked together on the same story.

A mist has descended over London and it’s feeding on the fears of the citizens, sending everyone running for their lives and leaving the city with no one for the mist to scare. Growing weaker, the Ghostbusters start to look for the source in order to eliminate it, but all it takes is for Egon to explain that in order to keep the mist at bay they have to think of nice things. Cue Ray! If you’ve seen the original movie you’ll know what this is in reference to and it makes for some great back and forth between the four.

There’s one more text story called Ghostbusters Busted! about a so-called rival team and towards the end of the annual the uncredited Who, What, When & Why? which acts like a catch-up for new readers. It explains how the Ghostbusters were formed, why they’ve got a pet ghost and takes a closer look at their HQ and all those gadgets they use in their day-to-day job. Also included are reprints of the fact-files from the weekly for Peter, Egon, Winston, Ray and Janine Melnitz. Oh, and Slimer of course!

In case you’re wondering how that whole “Ghostbusters body” thing worked out, Peter would be the mouth, Egon the brains, Ray the hands, Winston the heart, Janine the central nervous system and Slimer would naturally be the stomach. As I’ve mentioned before in the retrospective for #1 of the comic, I remember drawing this Frankenstein-esque combination of all the characters with the intention of sending it in but never did.

Not all of the main characters feature in every story in the comic and the same applies here. Given their short length the writers would often concentrate on pairing up different characters with each other for interesting dynamics. For example, three of the guys starred in our first strip, then the missing ‘buster, Egon appeared with Janine in another. The final strip of the annual brings everyone together though, including Miss Melnitz and the green one.

Written by John Freeman, drawn by Anthony Williams and Dave Harwood and coloured by Helen Stone, Spooked Out! sees the team battling against a gaggle of ghouls and try as they might they can’t help but get more and more overwhelmed by them. It seems this could be the first failed job but when Peter chases after Slimer to bust him you know something’s up.

Sure enough, it’s just a training exercise. Needing to keep themselves in fine form Slimer has recruited a bunch of his good ghost pals, with payment being everything they can eat at a local diner if they win. Given how they’re all good friends with Slimer (and we know what his appetite is like) this is a particularly funny ending to not only this short strip but the book as a whole.

I found Ghostbusters Answer the Call’s sense of humour reminded me a lot of both The Real Ghostbusters cartoon and the UK comic, so if you’re a fan of that movie like I am you’ll want to snap up some issues and this first annual is the perfect jumping on point. Our annuals were always that little bit more special than the regular comic and upon finishing this it really did feel like all the stops were pulled out to produce a fantastic debut book that’s genuinely very funny.

Andy Lanning’s, Dave Harwood’s and John Burns’ inner cover spread rounds off what has been a great slice of Marvel UK history from a comic that set itself apart from the rest of their titles from the get-go. Sometimes certain things from our childhood hold a special place in our hearts that we’ve completely forgotten about until we experience them again. In that regard, the 1988 annual for The Real Ghostbusters has felt like a very personal trip down memory lane and I can’t wait to see if subsequent volumes have the same effect. Roll on Christmas 2026!

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THE MiGHTY MARVEL CHECKLiST: WEEK 19

SATURDAY 3rd DECEMBER 1988

As more and more houses on our streets put their decorations up and the ice over the railway bridge made walking to school an adventure, Marvel UK kept my friends and I warm with the latest issues of The Real Ghostbusters and The Transformers and Action Force, with covers drawn by Dougie Braithwaite with Dave Hine, and Stephen Baskerville respectively.

In #195 of Transformers it comes to light that centuries ago two Autobot cassettes (how 80s) crash landed on Earth with important data about an incoming threat. They were found by a pirate ship’s crew which later sank and that’s why the Decepticons have now built their tropical island (their disguised space craft) in this area as they hunt for the cassettes. This feels like a live-action movie plot, flashing back in time to add a previously unknown plot line. It’s great fun!

A reader also asks is he’s too old to read Transformers, Action Force, Death’s Head and Dragon’s Claws. Little could that 18-year-old have known how these comics would remain treasured for decades. The Real Ghostbusters’ readers are asked to help them save the world with a toy product recall (too much lead in a Ghost Pen Light) and Spengler’s Spirit Guide details lesser known vampires such as Dracula’s gullible brother who was killed with Perrier. How could Marvel top that? Let’s check the checklist.

Dragon’s Claws #7 is probably my favourite issue. It definitely highlights my favourite character. Mercy had the most interesting background of all the Claws with a determination to end corruption and bring down those who think they’re above the law (very ‘Knight Rider‘). Having a copycat on the loose is a great way of getting to know Mercy’s character, and this issue more than any makes me mourn the premature cancellation of the comic; there’s so much potential in Mercy and this only scratches the surface.

Action Force Monthly #7 is the same issue as last week and the Claws needn’t have felt too put out not being the ‘Don’t Miss’ comic, they’re the stars of that one too! After a certain mechanoid guest starred in Dragon’s Claws two months previous it was time for them to return the favour (and hopefully bring across more readers) for Death’s Head’s sophomore release. It’s a brilliant issue and reads like a funny buddy cop movie from the 80s. So yes, it deserved its position on the checklist.

The only new comics advert this week is rather basic but the cover to the latest fortnightly Marvel Bumper Comic was enough to whet the appetite. Did these movies have strips inside or written articles? Maybe we’ll find out at a later stage on the blog? Hopefully, because I’d love to collect this series eventually. I do remember owning a Bros. special from Marvel UK (for some reason) and it contained comic strips. Bad comic strips, mind you.

Did you collect The Marvel Bumper Comic? I think I only ever had the Holiday Special which started it all off. Do you think it’s worth collecting? For now though, it is but a pipe dream. However, we’re now well and truly into this year’s seasonal posts on the blog so there’s plenty to keep me busy and my wandering hands away from overpriced eBay auctions. More checklist fun next week including an advert for a movie adaptation to one of the above. More in seven days as per usual.

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