Tag Archives: Lee Brimmicombe-Wood

ALiENS #8: ADiÓS, MUCHACHOS

Any Aliens fan will recognise this scene depicted by superb Irish artist Kilian Plunkett (The Unknown Soldier, The Mask, Star Wars – The Clone Wars TV series) so we know the final part to the movie adaptation is inside #8 of Dark Horse International‘s monthly from 1993. Two of the strips come to an end this issue, while Hive will conclude next month so it’s all change for the first time since it began, as the editorial explains. The most exciting news is that one of next month’s new strips will be an exclusive created for the UK comic.

Given this news and the change in lineup the comic appears to be in rude health! As it was. It was a success for the publisher (as was Jurassic Park) but unfortunately the UK arm of Dark Horse wouldn’t survive for more than another year or so and their collapse would take these superb titles with them. But 1993 was quite the year for DHI and the same is true of the blog.

The conclusion to Newt’s Tale is the shortest strip this month, coming in at seven pages. I know it’s not officially an adaptation of the film but it’s long given up retelling the story from Newt’s point of view, which still disappoints me. It had done so, and brilliantly, in those first few chapters. But I can’t quibble about the art by Jim Somerville, Brian Garvey and Gregory Wright (full credits for all strips on the page above).

The alien Queen in particular is brilliantly portrayed and, while the human characters don’t look like their actor counterparts, they’re at least distinct enough from each other this month to follow along. Then again, there are only three left, including Bishop the synthetic. A rare piece of swearing makes it into the comic but it’s not like they could leave that line out! There was a great opportunity to see the terrifying chase between the alien and Newt from her perspective; her crawling under the floor panels, the alien ripping them off and just missing her each time. Instead, it takes up a mere three panels before concentrating on the climactic battle with Ripley.

Ironically, it’s in the final moment of this scene that they decide to show us something from Newt’s point-of-view. I know people will have seen the film before reading this, but when the past several months have been a beat-for-beat adaptation, to suddenly eschew that feels like a rushed cop out. If the whole strip had done this then these final moments would’ve fitted in fine, but those early compelling chapters and these final two pages aren’t enough to make this any different than any other movie adaptation. It’s a shame, but thankfully the art has sustained it for the most part and there’s that added surprise at the end to fit in with the newly released Alien³.

I didn’t rent Alien³ from a local video store at home originally, instead it was a year later while holidaying in the highlands of Scotland when I did so for the first time, from a mobile van library! Anyway, I never got to see the special extra video. Looking back now after watching the third film’s Special Edition it’s frustrating how director David Fincher’s vision was originally cut down so much. Oh, and it appears I was by no means alone with my thoughts about the comic’s review of the Aliens Special Edition.

In the middle of the comic the back up Predator: Cold War strip takes up ten pages for a brilliant ending to what has been the stand out strip so far. The solution to last month’s cliffhanger sees Lt. Ligachev rescue Detective Schaefer by gunning down the Predators and blasting out the wall behind him to loosen the wire traps. Then a very interest dynamic plays out.

As another Predator drops in, General Philips and his men arrive, firing off a warning shot for both the alien and the humans! The Americans want to get their man out of there so as not to interfere, instead letting the Predators leave before the Russians arrive and claim any weaponry. One of Philips’ men even threatens Schaefer and the whole situation is surprisingly tense for a comic.

The fact the alien is right there, observing, trying to work out what’s going on is a suspenseful moment. When Schaefer throws an explosive towards the ship an American soldiers opens fire and takes him down! I was genuinely shocked by this. Schaefer lies at the feet of the Predator, who replicates a human laugh and runs back inside, seemingly having worked out what’s going on. The soldier who shot Schaefer takes aim again and we see the targeting reticle dead centre on his head! General Philips, the character Dutch (Arnold Schwarzenegger) was last seen with in the film just stands by and watches.

Rasche may not have appeared much previously but he made a big impact, and that’s coming from someone who never read the previous story he and Schaefer starred in. It’s left to Lt. Ligachev to bring the story to a suitably explosive end. She knows neither the Americans nor the Russians can win. Seeing Schaefer helped to his feet by Rasche, by a friend, she realises he’s found peace at last so she has to find her’s. He watches her set the timer on the explosive and grins. Despite being on opposite sides of the Cold War, they are simpatico.

“As the American says, screw it!”, Ligachev screams as she kicks the charge into the escaping ship, recalling her football skills from an earlier issue. The ship explodes above their heads and Arnie-replacement Schaefer just has to get in the final punchline and shouts, “Yeah! That’s what you get for driving an import!” Hey, it’s based on an 80s action flick, what did you expect? Then on the final page Ligachev turns the tables on her superiors with one simple question.

After reading this strip for over half a year I’m really going to miss these characters and I think a story set in New York with these three would be a great read. It doesn’t even have to involve extraterrestrials! For now though, the Predator back up strip leaves Aliens on a high. As you’ll see below it won’t be here next month, although from checklists and adverts in Jurassic Park I know the series pops up elsewhere. The legacy of Predator: Cold War for me though? It got me watching the films for the first time!

Tucked away in the middle of the comic is Aliens: A Dire Tribe by Dave Hughes, a quick one-page feature about writer-director Clive Barker’s (Hellraiser, Nightbreed, Books of Blood) views on the Alien franchise after being approached to write Alien³. I was excited to read this but came away with a negative impression, not of the comic or of the article, but of Barker himself.

Such a famous and talented writer couldn’t find anything interesting about the aliens? The many various sequels since suggest that he just couldn’t personally come up with anything interesting. That’s fine, but instead of admitting this he blamed the franchise and the alien creations themselves, as if they were beneath him. Of course I can only give my own impression, my own takeaway, but that’s my conclusion from reading this, which is a shame.

Now we move on to the penultimate chapter of Aliens: Hive and unfortunately it’s the longest strip this time around. After barely making a whisper last month it takes up a whopping 18 pages here, more than the other two combined! I don’t want to sound like a stuck record as far as Hive is concerned, but the only reason I’m so disappointed with these last few months of the strip is because the first few chapters were so good and had so much potential.

Instead, that potential was swapped out for a run-of-the-mill thriller with unlikeable, stupid human characters who keep putting themselves into ludicrous situations. It’s like a bad teen horror, but with aliens. Captions are really needed here too because there’s a lot of very confusing art. I have no idea what’s going on in any of these panels.

We also get a sudden sub-plot involving synthetic Gill crushing on Julian Lish and it’s the creepiest thing I’ve yet seen. As well as poking her in the face and grinning maniacally while she’s unconscious, later he starts examining her hair and then kisses her, again while she’s unconscious and unable to consent. There’s no meaning to this in the plot from what I can tell, apart from giving the android some kind of thrill!

Hive is also frustrating because in scenes involving the aliens it’s clear artist Kelley Jones could produce some excellent Aliens comics if given a decent script. I pray he’s given something better at a later point in the run because as these two separate pages below show, the potential is there. Story-wise though, by this point I’m rooting for the aliens, which I shouldn’t be doing.

On to the Technical Readout and I have to hand it to Lee Brimmicombe-Wood, he has an incredible ability to take models from the movie that were created simply to look cool and fit in with an aesthetic and make it seem like every nut and bolt was very purposely created for a specific real-world reason. The ‘Jordan Tractor’ can be seen at the beginning of Aliens when Newt’s prospector parents drive out to investigate the crashed spacecraft from the first film.

I can understand having all of the Colonial Marines’ weaponry and vehicles broken down into very intricate details, but to do so with something like this is testament to Lee’s dedication to a movie he’s clearly a huge fan of. There’s simply no way someone could produce these to this quality if they were just a writer assigned a job. Plus, I want to see those races played out in a future film or TV series!

Not much happens in the latest two-page chapter of Aliens Vs Predator and on the letters page Terry Jones (not him) has a thing or two to say about “fans” who demand things of their franchises and attack those who think differently or who don’t create the exact sequel they wanted. Sounds familiar, doesn’t it? No one tell Terry it’d only get worse with the advent of social media. Then there’s a special full-page Next Issue promo on the back cover.

This was also on the back page of Dracula #1 (even though it was released two days before this issue of Aliens) and I am super hyped for the next issue. There may be no Predator strip but the two new Aliens stories (and finally being able to say goodbye to Hive) will more than suffice, I’m sure. Plus, I’ve just checked and the free mini-comic is in my copy! You can check out Aliens #9 in its real time review on Tuesday 18th February 2025.

iSSUE SEVEN < > iSSUE NiNE

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ALiEN³ MOViE SPECiAL #2: THE BiTCH iS BACK

I know I write a comics blog but I’ve been looking forward more to the written features in this second issue of Dark Horse International’s three-issue Alien³ mini-series, way more than the comic strip. This is not only because the previous edition’s features were so good, it’s also because there’s a big, meaty interview with none other than Ellen Ripley herself, Sigourney Weaver!

Dave Hughes’ piece is definitely the highlight of the issue, although other pages do come a close second. If DHI had instead released a one-off special magazine with all of these articles and left the strip out it would’ve been the most amazing tie-in for this movie. But at £1.50 per issue it’s not like this was overly expensive anyway, even back in 1992. So let’s see what our star has to say about the film, her career and even her family over the opening five pages.

My first encounter with Sigourney on film was the original Ghostbusters but to me the first three (we’ll forget about the fourth) Alien films are what I know her for best (although her cameo during the end credits of Ghostbusters: Answer the Call is hilarious). After the article in Aliens #2 which negatively reviewed the Aliens Special Edition it’s nice to read Sigourney’s viewpoint. It really did reinstate Ripley’s “raison d’être” as she says, something that had angered her when it was cut because she’d been playing the character a certain way, only to have the whole reason for her performance edited out.

I also totally agree with her description of Ghostbusters II; despite loving it as a kid my adult eyes see it for what it was now. The original idea for back-to-back third and fourth Alien films sounds interesting and I adore her initial reaction to meeting director David Fincher. I’m not at all surprised at the pathetic criticisms over the cast being bald (I mean, you’d expect stuff like that on certain social media sites these days) and while reading this I was actually saddened they brought her back for Alien: Resurrection.

“I came to realise that the only way she [Ripley] could finally get any peace was if I, the actor, was willing to go deep into the material and allow her a release.”

Sigourney Weaver

Sigourney was adamant at this stage that Alien³ was her final film in the series but that they should definitely continue without her. What she says about giving the character this interesting situation, this amount of courage, and how she saw her as a friend and going deep into the material to give the character a release feels so genuine. I remember the first time I heard the recording from the end of Alien played out at the end of Alien³ and it was so poignant. She also doesn’t spoil the ending!

It’s touching to read how filming Aliens with Carrie Henn resulted in Sigourney wanting to start her own family and how this led to the autopsy scene in Alien³ being so excruciating for her to film (although she says it should be an excruciating watch), and I wonder if her wish to make a film about obsession led to Copycat, the fantastic 1995 thriller. It’s a fascinating read so please do take your time to enjoy it all.

After this great start I turned the page and realised I was about to endure 24 pages of the comic strip adaptation again. Maybe that’s unfair, perhaps it would see an improvement over last issue’s chapter. There are definitely some nicely realised scenes with the alien here, Christopher Taylor (pencils) and Rick Magyar (inks) seem to revel in bringing this very different version of the xenomorph to the page, but they still manage to make all of the human characters look identical.

While the film has a muted palette, just like the film the moments of horror bring an outburst of colour from Matt Webb that make these really stand out but the script by Steve Grant (written up by Clem Robins on letters) still reads like a copy-and-paste job from the film script. Overall, it feels like one of those rushed “Previously On…” bits you’d get at the start of a TV show which rushes through things as quickly as possible before getting to the main event. It’s just that this is actually the main event.

It does contain one of the main missing plots of the original theatrical release when they capture the alien only for Golic to become obsessed with seeing it released. This whole character arc for Paul McGann was excised, despite him being credited as the second lead actor, but any excitement felt at its reinstatement in comic form is soon dispersed because it’s all done within a few pages and really adds nothing to this version of the story, unlike the Special Edition of the movie. Such a shame.

Some of the funny moments are also conspicuous by their absence since they rely on swearing which the comic has to limit. It also really makes you appreciate the performances (both powerful and subtle) of all of the fantastic cast assembled for Alien³ and makes me want to watch it again to see how this story was meant to be experienced. In that regard I guess it does the job for a comic adaptation, promoting a film which was in the cinema at the time.

After I praised editor Dick Hansom for keeping the poster separate from the pages of the comic last month, he’s now unfortunately gone and done that pet peeve of mine and called it a “free” poster on the cover while printing it on the middle pages, with the comic strip on its rear. At least it’s still printed on lovely high-quality gloss paper so it really pops next to the matt paper stock. Those pages of the strip also look better now too, so it’s a shame they’d have to be removed to use the poster.

Alien³ Bug Hunting takes a look at some of the merchandise available for the movie, confusingly listed with letters instead of numbers, momentarily making me turn the page to look for the remaining 19 lettered entries. It’s a shame the soundtrack isn’t available on Apple Music because Elliot Goldenthal’s music really was incredible, and I like the funny comment here about what wasn’t included. Fans of the film will know exactly what this is in reference to.

Next to that entry is news of the UK’s version of the VHS pack containing Alien and the Special Edition of Aliens, both in widescreen which was a big deal at the time when we all had 4:3 TVs and were so used to only seeing half the picture of our films. With postcards of original art by Simon Bisley also included this would’ve been on the top of my wish list at the time… if I’d known about it.

After another two pages of that Aliens Vs Predator II strip (I showed you a chapter of it in the review for Aliens #3) You’ve Been Bugged contains no less than 16 quotes from various people involved with Alien³ (and one reviewer) and it’s a quick grab bag of opinions about the film, a smorgasbord of information for fans to lap up. Actor Brian Glover, who played prison warden Harold Andrews, is spot on and perfectly sums up what made the first three movies stand out so much to me (and to my mum when she and I both watch Aliens for the first time together, something she really enjoyed because of what Glover says here ).

By contrast the xenomorph’s original designer, H.R. Giger doesn’t seem to understand this very salient point, which seems somewhat short-sighted when you read the next quote from Tom Woodruff Jnr, who explains just how much Giger’s work inspired not only the alien but the design of the third film. There’s more contradiction between writer William Gibson and writer/producer David Giler in the next two quotes too.

Unfortunately the superb Michael Biehn’s (Hicks in Aliens) quote makes him come across as rather bitter that he’s not in Alien³ but of course we’ve only got this very small quote to go on, without the larger context of the conversation he had with whoever was interviewing him, so we’ll not dwell. David Giler returns with the final quote to ruin the ending again (even before the strip got to the end) and Screen International film reviewer Patricia Dobson seems to have wanted no more than a rehash of the second film instead of something original, which ironically I bet reviewers would’ve heavily criticised.

This bodes very well indeed not only for the next issue of this comic but also for the remaining 19 of Aliens itself

The issue rounds off its nicely varied features with a two-page Technical Readout which is always a great read in the regular monthly title. You may take a glimpse at this double-page spread and think, “Really, Phil? You expect us to read an article about an escape pod? About what is basically a space lifeboat?” Well yes, I do. When I saw this I immediately assumed I wouldn’t be including it here, because how interesting could it be? When I started reading I realised my assumption had been wrong and Lee Brimmicombe-Wood completely surprised me.

Yep, it’s actually an interesting read, isn’t it? That’s testament not only to the detail to be found within every aspect of the Alien universe but also to Lee’s writing, that he can create two pages about a space lifeboat and make it really interesting. This bodes very well indeed not only for the next issue of this comic but also for the remaining 19 of Aliens itself.

So there we go, great features and a strip with some decent alien artwork that has me wishing Christopher and Rick had created a cover or an original poster of their version of the xenomorph. These make up for the disappointing adaptation itself by some margin, and I’m looking forward to the third and final issue in just three weeks. Watch out for the review on the OiNK Blog on Monday 16th September 2024.

ALiENS iSSUE 3 < > ALiEN³ iSSUE 3

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