THE DANDY AND THE BEANO: 38 YEARS OF FiFTY GOLDEN YEARS

Back in 1987 two things happened in the build up to Christmas. Firstly, my older brother grew out of comics and his weekly Beano. However, The Dandy and The Beano Fifty Golden Years had already been obtained by Santa. As luck would have it, the second thing that happened was me discovering OiNK and immediately falling in love with comics. So this special book was redirected into my stocking in the very early hours of Christmas Day and still sits on my shelves decades later.

While my brother’s comic didn’t really appeal at the time, and the strips in here were even more old fashioned, I found the book’s story about the creation and evolution of the comics fascinating. As an adult I feel I’ve also developed a better appreciation for the classic strips inside. This is mainly thanks to reading a couple of the earliest editions inside the Beano’s 80th Anniversary Box Set and my yearly dips into the world of the Big Comic Books. So it felt like a good time for me to revisit this very special celebration for the first time in nearly forty years.

As seems the case with all comics celebrations the release dates mentioned throughout are actually the cover dates. The cover dates usually referred to the Saturday after publication, the comics released one working day before whatever day was mentioned on the cover. For example, #1 of The Dandy had a date of 4th December 1937, which was the Saturday of that week and it states “Every Friday” on the cover, so it would’ve been released on Thursday 2nd. It’s a small thing but it does annoy me when this constantly happens, especially in a book created by the publisher of said comics.

Things kick off with this bright recreation of the first ever Dandy comic, complete with the original version of Korky the Cat. It’s followed by #1 of The Beano and Big Eggo which launched in July of 1938. It then launches headlong into a large selection of examples of strips from the early days of both comics, from those familiar with 80s readers such as Lord Snooty to plenty I’d never heard of, with names like Freddy the Fearless Fly and Deep-Down Daddy Neptune.

It’s not long before the book is showing off its celebrity fans too, beginning with radio DJ Mike Read who guest-starred in an issue of The Beano alongside Dennis. Other notables include Cilla Black, Geoff Capes, The Krankies (suitably enough in the Dennis the Menace section), Ken Dodd, John Craven, Little and Large, Geoffrey Palmer and Joan Armatrading, among many more. It’s a who’s-who of British 80s celebs. Mark Hamill also pops up of course, and he’d pop up again in the bookazine that came with that Beano 80th set. Clearly, he never grew out of it.

Of course, there are also a few celebrities you wouldn’t want to see included today, but unfortunately we have to remember this is very much a product of its time. So if you can ignore a couple of certain children’s TV presenters and a certain politician you’ll find a lot to love here. As you can see Mike shares a spread with a new strip created for the book with Grandpa introducing Poison Ivy to the classic strips and then it’s on to the meat of the book

Desperate Dan makes up the first themed section, of which there are several for the more popular characters. His first appearance and some of his earlier misadventures are included, as well as one from 1983 to show how he’d evolved. This Welcome to Cactusville spread is great too, perfectly summing up the classic version of the character.

Others who get this treatment include Lord Snooty, Black Bob, Korky the Cat and Dennis the Menace among others. Sadly, none of the girl characters do. Instead, they’re all lumped together into a few pages called ‘Have a Giggle With the Girls’. Not even Minnie the Minx is well catered for! An indictment on the times, yes, and it also shows how far we’ve come. One glance at the review for this year’s Beano Christmas Special will prove how the comic has set this straight in the years since.

This was the part of the book that fascinated me the most as a child. I’d never considered anything other than both comics temporarily ceasing during wartime and paper shortages weren’t part of my reasoning! As it turns out, they didn’t. They kept calm and carried on, you might say. Both reduced their page counts and went fortnightly, alternating each week so kids still had the option of weekly laughs.

I remember as a child thinking this was incredible. In fact, I was only annoyed there wasn’t more information about how they were produced during this time, what’s mentioned here having whetted my appetite. (The aforementioned bookazine did a better job of this 30 years later.) We get some examples of the humour that helped the children through those tough years with the likes of Lord Snooty (again), Pansy Potter and these two surprise entries. Try to ignore the accents, they’re another sign of the times, written at a time of war and it was important to keep the children unafraid, and having a laugh at the enemy of the time surely helped.

Over the past few years I’ve really been enjoying writing the Annuals section of the blog. It may contain the slowest possible real time read throughs but every year the new inclusions are worth the wait. Even though they’ve always gone on sale months beforehand, they’ve always been a huge part of Christmas (that’s why that section gets updated during the festive season) and the writers of this book knew it too.

Wow! £100? Even in 1987 I remember thinking, “Is that all?” Oh, and in case you’re wondering (much like ten-year-old me did) what that ‘Magic-Beano’ title is all about, Magic was a short-lived comic that ceased during the wartime paper rationing and never returned, so it was merged into The Beano and the books bore its name for a few years. I like looking back on old covers like this, particularly annuals as they seem to encapsulate the time they were published and provide a year-by-year look at how a comic evolved. Also included are similar pages for the summer specials, those tiny Dandy and Beano Comics Library collections and the 1000th and 2000th editions of both comics.

Originally The Dandy and The Beano contained adventure stories and prose funnies and I’ve already shown some of these off on the blog. The thrills and spills of classic adventures take pride of place here too. While the book explains these were mainly before TV became mainstream and so could be printed with few illustrations, they’ve included this wonderful spread from a Dandy annual in the 1950s, newly colourised for the 80s.

I may have been growing up in a world of TV and computer games but I still recall delving deep into these particular pages of the book, probably because they were such an unexpected surprise. I also spent a long time with any part of the book that gave an insight into how it was made. Any disappointment I felt with the lack of such information in the World War II chapter was soon put to rest with a great four-page feature starring The Bash Street Kids.

Taking a strip from 1983 that had answered readers’ queries of how The Beano was produced, the double-page strip is split across four pages with a factual article of the process across the middle of each. I find these middle sections the most interesting now as an adult but for kids it was a brilliant idea to have the characters being taught the same things in a lighter, funnier way, with further details right there too if they wanted.

There’s just too much in this book to cover in one blog post. If there’s a character you can think of from The Dandy or The Beano’s first 50 years, they’ll be in here. If there’s a moment, a piece of merchandise, a memory you have… anything you can think of that might have been part of their first 50 years, it’ll be in here. What I’ve been able to squeeze into one blog post is just the tip of the iceberg.

Wrapped up in a gorgeous hardback you can see what’s beneath that dust cover at the very top of this post. It looks lovely on a shelf like that. Inside are 144 pages of high quality paper, all full-colour and there’s an absolute tonne to read! I can remember being engrossed by this for days throughout the holidays that year. I’ll wrap things up today with another celebrity cameo and a quick example of the variety of topics the book covers: fashion!

Great, now I’ve got Drop the Pilot stuck in my head! I must say I sympathise with Joan here, her quote rings an all-too-familiar bell. (You thought all these comics on the blog were my copies from childhood?) This fantastic book originally sold for £4.95, a princely sum for something sitting among the annuals that year, but you’ll get it for cheaper than that nowadays on eBay.

This has brought back a lot of happy memories of reading it the first time around. I feel like a kid at Christmas all over again. (Well, I still am!) For any fans that missed out on this at the time, or perhaps for younger blog readers that hadn’t started reading Beano (or been born) yet, this is a must purchase for a few quid. Also, for anyone interested in the history and evolution of comics this is still truly fascinating and has the cherry on top of including so many laughs along the way!

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TRANSFORMERS AT CHRiSTMAS: 1985 ANNUAL

This post is coming to you during the afternoon of Christmas Day 2025, so with all of the turkey, ham, roasties, stuffing, sprouts and chorizo, maple carrots, roasted parsnips, bacon wrapped cocktail sausages, mushy peas, apple sauce, cranberry sauce and gravy in your stomachs (just me?) you’re not going to be able to move for a while. That means it’s the perfect time to lie down with our latest Christmas annual and it’s the first in a new series. In 1985 there was something of a momentous book sliding down chimneys across the country with the rotund fella, all wrapped up in a simply gorgeous piece of John Higgins art.

Well, it would become momentous with the gift of hindsight at least. This is the first ever Transformers Annual from Marvel UK, co-produced by Grandreams. Basically, Marvel provided the editorial content while Grandreams handled the publishing side of things. Their offices were in the same building and after a few years Marvel would handle everything themselves. This first Transformers Annual was released in the autumn of 1985 for the Christmas market. Ian Rimmer had taken over as editor of the comic a few months before its release but this book had already been completed and edited by the comic’s launch editor, Sheila Cranna.

While it contains some silly fillers the likes of which we’ve seen in other licenced annuals it’s the stories that really stand out. They are superb! In fact, this series of annuals became known for having some of the best stories Marvel UK produced. The strips packed a lot into their smaller page counts and the prose stories were often the best parts of the books, even establishing key parts of Transformers lore. But let’s not get ahead of ourselves, does this first annual ease us into the greatness to come?

Nope, it goes full throttle right from the off with some lovely atmospheric scenes of the army meeting the Autobots for the first time, and even the appearance of Ronald Reagan doesn’t dampen proceedings. Plague of the Insecticons is written by Transformers mainstay Simon Furman (Death’s Head, Dragon’s Claws, To the Death) with art by Mike Collins (Doctor Who, Darkstars, American Gothic) and Jeff Anderson (Judge Dredd, Swiftsure, Zoids), and the gorgeous colours are by Gina Hart (Rogue Trooper, Rupert Bear, Doctor Who).

In much the same way as the live-action movies have integrated the governments of the world into the Transformers universe, here their involvement also makes sense. However, the Insecticons have infiltrated proceedings due to their diminutive size in insect form (prepare for ludicrous mass shifting into huge robot modes). Optimus Prime thinks back to how the secret could’ve gotten out and it boils down to human error, one unscrambled call while Soundwave was monitoring. As they emerge they scream that they’re Autobots and attack the troops, who then turn against Prime.

This was the debut of the Insecticons here in the UK before they appeared in the American comic. They make quite the impact, announcing how they’ll obey their great leader Optimus and destroy the neighbouring city! But as the otherr Autobots chase after them, Prime heads off in another direction. His gut tells him the Insecticons feel restrained (half destroying a city is restraint?), guessing that as new warriors they must be being controlled by a third-party until they master their abilities.

This doesn’t stop him from joining the fight. For the only time in the comic he sends Roller (the small vehicle that resided inside his trailer in the toy) to help out even if it means he has to split his concentration (here Roller is a remote device, not an autonomous vehicle). He finds Ravage with a remote device and ends up tricking one of the Insecticons, Bombshell into planting a cerebral shell on Ravage’s body. These devices made it possible for Bombshell to control the mind of whoever he wished, but here his own mind was being controlled by Ravage, and thus a vicious cycle plays out in the final pages. Wonderful stuff.

The second, shorter strip is And There Shall Come… a Leader! with writer and colourist remaining, joined by John Stokes (Fishboy, L.E.G.I.O.N., The Invisibles) on art and Richard Starkings (The Sleeze Brothers, The Real Ghostbusters, Transformers: Generation 2) lettering. This tale takes us back millions of years and across space to Cybertron and Prime’s first battle as Autobot Commander. Most of the story is taken up with him awaiting the nod from the grand council of Autobot elders, led by Emirate Xaaron (an original UK comic creation who would eventually become a toy), to okay a strike against Megatron.

Up until this point it would seem the Autobots had been holding a defending position, their dedication to peace forbidding them from leading an attack. They’ve engaged in battles but only in response to the Decepticons and under the auspices of the outdated, elderly council. I love how it all comes down to politics in a kid’s book. It’s initially strange to see the toys so accurately drawn instead of the modified comic/cartoon versions but in the end it makes it feel lovingly quaint. With lots of the readers no doubt receiving Transformers for Christmas in 1985 I’m sure it made them happy to see their toys in action this way.

As the Transformers annuals continued, the prose stories would soon become the stand outs, giving us more in-depth characterisations; taking their time to delve into each with their inner thoughts, more intricate or dare I say intimate/personal storylines and even important new pieces of Transformers character lore that would become canon throughout the various incarnations of the franchise for decades to come. This book’s stories may be smaller in scope but they’re no less fun and produce some great images in the mind as you read. Most likely written by Simon, the art is by John Ridgway and coloured by Gina, their illustrations used to highlight key moments. They’re gorgeous and add a great deal to each tale.

Missing in Action sees Tracks incapacitated and left for dead in his car mode, only to be stolen by two small-time bank robbers who see this abandoned Corvette Stingray as the perfect getaway car. The story culminates in a small alien robot-obsessed boy stumbling upon him and getting entangled in a bank robbery that goes horribly wrong, the building exploding in flames and partially collapsing. The rescue scene with Inferno (who looks even better when drawn toy-accurate like this), Grapple and Hoist is a thrill to read.

Hunted! starts off well with one of my favourite Deceptions, Ravage stalking a human expedition leader in the jungles of South America (gloriously illustrated by John, too) and there’s some nice chemistry between Prowl and Bumblebee, as well as some genuine comic timing in the narration. In the end though, it all comes to a sudden end with a resolution that’s far too easy, almost like the writer had suddenly realised they were running out of their word count. But it’s still fun.

There are some corners of the internet that take these tales of transforming sentient alien robots far too seriously, who complain about where the annual stories fit into the overall story arcs. Given how each comic tale could last a month or two in real life but in the fictional world take place over a couple of days, that leaves an awful lot of time in-between in which anything could happen with the characters before returning to the status quo for the next exciting instalment. So I say just go with the flow and you’ll really enjoy this book.

Stories aside, this first of seven annuals also includes the usual kind of filler material we’d find in most other Grandreams annual. There are basic profiles, mazes, word searches and the obligatory dice board game. Given the quality of the strips and prose these basic pages seem out of place. The stories have depth and didn’t talk down to the young readers, so don’t let the fillers put you off.

Then, just to add one more surprise to this children’s comic book, it has a downbeat ending. The Insecticons story has an Epilogue right at the back of the annual in which it’s clear Optimus Prime and the President are on the same side, but have misunderstood each other. The resulting endgame could have dire consequences. If anything, all those silly filler pages only make moments like this all the more powerful.

There’s something special about reading a comics annual at Christmas and I’m thrilled at the prospect of reliving these every December for the next six years. While the toy-like images and the puzzle pages do age it, it’s storytelling and gorgeous art belie the fact it was 40 visits from Santa ago that this slid down the chimney to eager children across the UK. It’s a superb start. It’s a cliché to say it, but there’s definitely more to this book than meets the eye.

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MERRY CHRiSTMAS 2025

Life has been a bit of a whirlwind these past few months for various reasons so I’m very happy Christmas Eve is finally here and I can just concentrate on relaxing… and eating my own weight in festive food, of course. All with my new furry housemate by my side for the first time who has already made this Christmas very special, and my closest friends who, alongside wee Smudge, have become family this year. ❤️

I’m also really enjoying what I’ve been publishing for all you lot out there this holiday season, and the next two days (and indeed next week) are no exception. Regular readers will know I take Christmas Day and Boxing Day off from social media every year, so I’m here not only to wish you A Very Merry Christmas but also to fill you in on the posts coming while I’m away.

Tomorrow the Transformers At Christmas 40th anniversary series hits a milestone with the very first Marvel UK annual; a series of books that contain some of the very best stories (and art) the comic produced. Then on Boxing Day there’ll be a special addition to the Beano 80th Anniversary section of the blog when I take a look at the brilliant Dandy/Beano Fifty Golden Years book from 1987. So, two great books to curl up with when you’re too full to move.

I hope you all have a fantastic couple of days full of whatever makes Christmas for you. Personally, I’ll be unwrapping accessories for my Switch 2, a new cat bed for Smudge and new toys I hope he and I will be having plenty of energetic fun with! Then, with both our bellies packed with delicious turkey and ham I’m sure he’ll be able to convince me of a cat nap or two.

Merry Christmas everyone!

CHRiSTMAS 2025

THE MiGHTY MARVEL CHECKLiST: WEEK 22

CHRiSTMAS EVE 1988

I know, these comics and thus this checklist would’ve been released a few days earlier due to Christmas publishing deadlines and shops actually giving staff time off back then. But we’ve no way of knowing the exact date The Real Ghostbusters and The Transformers and Action Force would’ve hit the shelves so I’m sticking with the official date. It’s Christmas Eve!

I always loved snow on the logo of my comics, didn’t you? This was my first Christmas issue of Transformers and as luck would have it the only one with a snowy logo. As an added bonus Slapdash is on Andrew Wildman’s cover; the blue and yellow F1 car was amongst my first Transformers toys that season. After discovering the comic for myself with the festive Winter Special, getting the classic Cold Comfort and Joy tale so soon into my collection was a thrill. As was the news of what was to begin next week! (You’ll find out soon.)

The Real Ghostbusters always went all-out for the season (they’d have a celebratory New Year’s issue every year too) and this was the first of four such years. Behind Martin Griffiths’ cover Peter goes all ‘Fred Claus’ after busting Santa, Spengler’s Spirit Guide is a transcribed dictaphone recording because Egon was too busy with festivities to write it, so it contains loads of funny interactions and things going on in the background the recording picked up, and Stay Puft finally got his own fact-file. Were there other comics worthy of gift wrapping?

Death’s Head 2 and Dragon’s Claws 7 had already been out a few weeks and weren’t themed but they’re two of the best issues of their respective runs, so still special. Action Force may also have been monthly by now but it did mark the occasion with its main story, the return of fan favourite features and, yes, snow on a chilly, blue-coloured logo. Can’t deny Marvel UK had quite the selection for the holidays. Any child would’ve been happy with all of these in their stocking.

There are no new comic adverts per se this week, but I do have something rather unique for you, even if it was technically very late to be running a Christmas competition (the prizes wouldn’t arrive until the new year and most of the readers who’d want Marvel UK annuals would most likely have asked Santa for them). But that didn’t stop Transformers from running a contest to win a set of the three books their readers would have coveted the most.

Both the Transformers and Visionaries annuals from 1988 were superb and I have no doubt in my mind the Action Force one would’ve followed suit, so as a prize I can’t fault this. It’s the question which I find simply hilarious, dressing up characters as Santa and asking readers to identify them. Very simple to regular readers and as a new reader at the time I appreciated the fact they used characters from The Transformers: The Movie, probably so as everyone could enter.

Christmas editions of our favourite comics always helped build the hype so I hope this little glimpse back has you equally excited for what may come for you tomorrow. The Mighty Marvel Checklist will return on New Year’s Day with the biggest news imaginable for one of our comics above.

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ALiENS #19: DiD iQs JUST DROP SHARPLY WHiLE i WAS AWAY?

It’s only a couple of days before Christmas Day, so where’s the special cover? Well, Aliens mightn’t have had the easiest of logos to cover in snow, but we did get a (somewhat) festive themed front page last month instead. In case you missed it, you can go and check out Chris Halls’ second yearly seasonal treat in #18’s review. For now, it’s back to the January edition.

Dave Gibbons (Watchmen, Ro-Busters, Doctor Who) joins the Aliens fold at Dark Horse International with the brilliant cover and as writer on a new strip inside. Of course, long-time blog readers will have seen Dave’s work before on the site in the read throughs for OiNK, Death’s Head and Dragon’s Claws, as well as a post about his autobiography Confabulation, so it’s great to see his work back on the site, especially in this comic. A comic which is very strip-heavy this month.

As you can see the Features side of the contents is rather bare looking and this is mentioned by editor Cefn Ridout. It certainly sounds like they’re going to make up for it next month though. Of course this issue has to kick off with Dave’s story as the headline event. Salvation was an American one-shot comic split over two issues this side of the Atlantic and the artist bringing Dave’s script to the page is just as exciting.

Mike Mignola, whose dramatic and original artwork I enjoyed so much in the comics adaptation of Bram Stoker’s Dracula recently on the blog (also see Hellboy, Rocket Racoon) makes his Aliens debut and these 15 pages are dripping in atmosphere, his art taking an already interesting story and making it absolutely compelling. And this is even before we’ve seen him really handle the aliens themselves. We only see part of one dead xenomorph here but that’s enough to have me anticipating the next chapter.

Matt Hollingsworth provides the suitably subdued colours and Clem Robins the lettering to Dave’s story of the survivors of the Nova Maru, a ship whose company trawled backwater planets looking for people desperate for no-questions-asked work to deliver a cargo to a deserted planet. I think we can all guess what the cargo is. Our main character is Selkirk, a religious cook who is mocked both for his religion and the fact he can’t actually cook.

When an alarm sounds we know exactly what’s happened, we’ve seen and read enough Aliens by now. The captain picks Selkirk at random to pilot an escape craft to get him off the ship, so horrified and scared is he by what he saw in the cargo hold he abandons his crew to die. After the crash the captain starts going insane, thinking the aliens are behind every tree, even suspecting Selkirk of being an alien trick. This leads to Selkirk killing him in self-defence in a particularly tense moment, made all the more so by the pitch black shadows of Mike’s art.

All through this Selkirk’s been praying (more Aliens+religion, there’s definitely been a theme recently) and every time a tiny bit of good luck comes his way he thinks it’s a sign and has occurred only because of his prayers. After discovering a half-submerged dead xenomorph and witnessing a bright light in the sky he deduces the Nova Maru has landed or crashed and will be stocked with provisions. Before heading off though, he’s hungry and needs energy for the journey. Looking at the captain’s body he believes god has provided for him again… and he cooks him.

By the end of this first chapter he’s completely relying on prayers and sees everything as intervention from his god, believing he’s being tested. All of the death, all of the people wiped out, and all because god wants to test him? It’s obviously hard to empathise with this lunatic. I’d be quite happy for him to be impregnated but we’ll see what happens next time in this short two-part tale.

In the Motion Tracker news pages Dave Hughes tries his very best to provide yet more hype for the interactive Alien War experience by reporting on its grand opening night. However, it still doesn’t come across great, does it? I had my doubts when it was previously announced it’d been cut down by half to squeeze more people in each day, and I think I was right. I also think he’s imagining things with the Dave movie poster.

Part 12 of Colonial Marines has a new creative force at the helm. Kelley Puckett (Batgirl, The Comet, Kinetic) takes over as writer and in comes Allen Nunis (Classic Star Wars, Images of Omaha, The Frankenstein Dracula War) on pencils and inker Paul Guinan is now joined by John Dell (Speed Racer, Lobo, Femforce). I do prefer this team for the aliens and layouts but the humans seem to have lost their defining characteristics.

Lt. Henry’s plan is to defend Bracken’s World’s central harbour with its tall concrete walls and one entry point, but this is Aliens and we know us humans are spectacularly bad at trying to outthink them. It’s also not much of a plan, simply sending some of the team out to lure the aliens back into a trap. It isn’t the most exciting of plots. Of course, the aliens are actually already at the harbour entrance, predictably lying in wait under the surface and quickly overpower the marines while the rest are out at sea.

Then the drop ship pilot disobeys orders to protect the harbour and instead, in an attempt to save her teammates, she destroys a huge alien Queen right next to the harbour wall, its acid blood producing multiple holes and weak points, eventually leading to its collapse and leaving the harbour exposed. This is the main bulk of the story and it’s just too predictable to be exciting. However, goings on elsewhere intrigue me.

Again the huge bulking android refuses to fight because of how much he cost to make, so are Beliveau’s comments last month ringing true yet for Henry? They seem to be, because amongst the chaos he orders his tech to hack into the android. That’s a big gamble when there’s a battle afoot but Henry must be thinking it might be worth the risk. I’ll look forward to afinding out more about that at least.

Moving on to the concluding part of Chris Claremont’s Renegade, this aliens-less prequel to the new Predator crossover would’ve been better in Total Carnage and the crossover in this comic, surely! But nope, that other comic would get the main event instead. So it turns out Ash’s big secret is that she’s really an android. To be fair, I should’ve clocked that the moment her name was given last issue. However, throughout the galaxy she’s known as Renegade and here she shows us why.

The Ransome ship’s security spot a small 12-year-old girl on a hill with binoculars watching them and immediately classify her as a threat, despite clearly identifying her as a child. When they take aim, meaning to kill her, Ash takes them all out. I’ll admit, it’s a thrilling read and in places Vince Giarrano’s art is powerful! But it’s all tempered by my original point, that it’s being used to promote Total Carnage to Aliens readers, while we miss out.

Crusade may have been the UK exclusive strip at the time but with everything else included this month it’s been reduced to a measly five pages and it suffers as a result. Foston and Rani try to explain to the Archbishop they need to evacuate the cathedral because the aliens are loose in the city. When he can’t convince them to put their faith in god he finally admits he’s been sheltering the aliens in the tower.

He moves to lead them out the door but the aliens from the sewers are there, waiting to get inside, which they can now do easily and immediately start killing his innocent followers. I’m not saying it’s impossible to tell a good story in five comic pages, but writer Michael Cook usually had more space to work with. The story had also started to become more interesting and involving in recent months, so this quick in-and-out is a bit of a let-down; it feels like it’s getting started when it just… stops.

After all the strip action we can take a breather with the letters page and someone asks if a competition can be run for readers to come up with story ideas that could be turned into strips. The answer is interesting, explaining many readers have already sent in unsolicited material, but everything published in the comic has to be “rigorously approved by 20th Century Fox so that new comic strips and illustrated stories featuring their characters do not contravene the nature of those characters and remain faithful to the Alien films.”

The problem is that sometimes the strips remain too faithful. Last month’s issue was great, this month the strips with fewer (or no) aliens that concentrated on the human element were the most interesting, while those filled with aliens basically retread familiar ground from the film series. There are only a few issues left so here’s hoping the new year brings a bit more balance before the comic is placed in its own chryo-chamber.

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