Category Archives: Thomas the Tank Engine & Friends

YOUNG ME iN STUFF!

It was 10th December 1988 and my mum, dad and I had just returned from a local Christmas jumble sale and I’d sat down on the sofa to read the comics we’d picked up from the newsagent on the way home, beginning with Marvel UK’s Thomas the Tank Engine & Friends. I may technically have been a few years older than the target audience even at that young age but I still loved the show and my Hornby train sets, so I was still collecting the comic too.

It was only the second Christmas edition (of a comic that still continues to this day) and I remember my parents were in the kitchen unpacking whatever we’d bought at the community centre and making cups of tea. I’d only been reading comics for a couple of years but I’d already fallen in love with the issues published this time of year. Tim Marwood’s cover may have been missing snow on the logo but I don’t think we can accuse him of holding back on the Christmassy feel.

Inside, the editorial made mention of a page of drawings sent in by readers a few months previous and I’d completely forgotten I’d sent one off. So, I sat there and continued to flick through the issue to see what was ahead of me, as I would do with all the comics I got that day before deciding which one to read first. A few seconds later my parents had the fright of their lives when I screamed at the top of my voice and came running towards them!

I can clearly remember my mum’s panic dissipating into laughter and a huge smile as I showed off the Thomas comic in my hand where my drawing had been chosen to be printed! I’m not sure why I’d never sent anything to OiNK over the previous two years (it had been cancelled two months before this), given the excitement I felt that day knowing thousands upon thousands of kids would see my Gordon, Thomas and Percy (the three Hornby engines I owned) in their Santa hats.

On the 36th anniversary (blimey!) of that moment I thought I’d share the few occasions as a child that I saw my name in print in some of my favourite publications of the time. I began writing in to many comics with letters or drawings but I wasn’t successful until four years later. By that time I was in high school and in the middle of a different big craze amongst my friends, the Teenage Mutant HERO Turtles.

Any international readers might be a bit confused by the title there. Our turtles were called “heroes” rather than “ninjas” in the cartoon, its song and any merchandise, all because stuffy Brits thought “ninja” was too strong a word. Even all of Michelangelo’s nunchakus moments were edited out of the cartoon and the movie was sliced apart upon release. All this even though the comic and toys would show those weapons. So strange to think back to those times!

Anyway, as I babysat my niece one night I drew a picture of said mutant turtle for no real reason. So chuffed was I with the end result that I added a quick background and sent it off to the comic, once again forgetting I had done so. The thing is, I cancelled my reservation for it not long after, some time before issue 50. Almost a year later, knowing we had some classes in school that our teachers wouldn’t be there for (I can’t remember why) I decided to buy a comic on the way and the best option on the shelves was #67 of Teenage Mutant Hero Turtles Adventures.

Talk about a lucky coincidence. I’d flicked through the comic on the bus but only during one of those classes did I sit down to read it properly and discovered I was in it! It had taken them long enough to print it and to this day I still find it quite unbelievable this was the only issue I ever bought after I’d stopped collecting it. It was the last drawing I sent to a comic but my letters continued, for example inside an issue of a new, futuristic magazine.

After seeing the new 3DO machines on an episode of Channel 4’s Equinox I was sold! It was to be the new standard for interactive entertainment much like radio or VHS and I wanted in on the ground floor. The story of the 3DO is for another time but I became an early subscriber to Future Publishing’s Edge and in the days before widespread internet in all our homes this was the only way to get my queries answered before I spent (my parents’) money on the system.

Why I thought Edge would know anything about Jaws I have no idea and I was heartbroken that Equinox had lied to us. As you can see I was by no means the only person hyped by 3DO and while I adored my Panasonic model, I still covet that Sanyo machine on the other page to this day. I also collected the bi-monthly 3DO Magazine around this time and got another set of queries answered in its final issue. Unfortunately, I never kept them and they go for silly money on eBay these days, but eventually I’ll track down what other not-as-important-as-I-thought-at-the-time questions I had and add that magazine to this post.

There was one publication I appeared in quite frequently and I’m currently tracking down all of its issues to complete my collection. It was a computing magazine that’s already featured on the blog for its coverage of the OiNK computer game and the fact it was the very first magazine I ever bought, beginning a few years before Edge. That superb magazine was Commodore Format, also from Future.

Yep, that’s me in my school uniform with my friend’s fluffy duck. (I know, you have questions.) We really thought that would make a good promotional photo. The story of Commodore Format and how formative it was for me and my friend Colin is worthy of a post all of its own, so that’ll be something I’ll dive deeper into in 2025 and I might even be able to get Colin involved. So if you want to find out what the hyper-intelligent duck forced us into then keep an eye on the blog over the next year sometime.

Did you ever see yourself in print as a kid? Friends of mine found their way into the pages of Transformers, 2000AD and even other issues of the Turtles. Maybe you were a lucky pig pal and impressed Uncle Pigg enough to get published in the blog’s namesake and received a piggy prize? If so, feel free to reach out to me on the blog’s socials (Instagram, Threads, Bluesky, Facebook), I’d love to hear your stories too.

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CHRiSTMAS 2024

THOMAS & FRiENDS: 800th iSSUE!!

Back in 1987 I was nine-years-old and already a bit above the target audience for Thomas the Tank Engine & Friends, but growing up in a town with actual steam trains (the headquarters of the Railway Preservation Society of Ireland were just around the corner from my house) a lot of the kids in my town loved the original Railway Series books by the Rev. W. Awdry and the subsequent TV series with those stunning model layouts. In October ’87 I found myself in the newsagent to pick up the latest issue of OiNK, the only comic I was collecting at the time and I spotted “A brand new comic” on the shelves.

This was my first ever Marvel comic, believe it or not. I even got my drawing printed in a Christmas issue!

I collected it for about two years before finally moving on but over the years I’ve seen younger family members and friends’ kids become fans just as I had been. Working in newsagents over the years I was aware the comic was still ongoing, surprisingly keeping the original numbering even though it had gone through a couple of different publishers. Then a few months ago while browsing the children’s comics for a friend’s wee boy I discovered Thomas & Friends (as it’s now called) was at #797!

So fast forward to the present and I’ve bought #800 for him and thought I’d open it up to see what’s inside and compare it to the original. But first let’s just dwell on that issue number for a second. The 800th issue! This makes it the longest-running UK licenced comic ever. It’s an amazing achievement and I doubt it’s going to come to an end any time soon, the TV series is as popular as ever.

Now, when I mention modern children’s comics there’ll inevitably be a chorus of middle-aged men complaining that they’re “nothing more than flimsy leaflets” with “cheap tacky toys” in plastic bags “pushing the price up”. Well let’s just put this to rest once and for all, shall we? While the comic magazine itself doesn’t mention it’s celebrating the milestone it’s still packaged as a ‘Special Edition’ and contains a die-cast metal Track Master Thomas which on its own sells for £4.99 in the shops. Not a bad start!

For just £1 more than the cost of the toy, for £5.99 (usually it costs £4.99) you also get a 36-page issue printed on really great quality matt paper with a gloss cover and it’s chock full of content for younger fans. There’s also a second, plastic toy set produced specifically for it, a large double-sided wall chart, a poster and loads of stickers which are used throughout the pages as you’ll see below. I’d say that’s a bargain.

Interiors of the first and latest issues show it’s very much the same beast at its heart

So how does it compare to the original comic I bought for 35p back in 1987? I’m not mentioning the cover price for comparison reasons, it was 34 years ago, of course it’s going to be a lot more expensive, just as 35p was a lot more expensive than comics from 34 years before that. But I thought it’d be interesting to see how things have evolved after 800 issues, so below are some of the interiors of the first and latest issues and as you’ll see, it’s very much the same beast at its heart.

The main element of the original comic was the picture panel stories, which for the first year were adaptations of the TV stories (which in turn were adaptations from the books) then after that were all original, written specifically for the comic, some being adapted back on to the TV. There was also a short prose story every fortnight which readers were encouraged to “read aloud”.

These formats remain although with so many years of the show to pull from now they all seem to be adaptations and use stills from the current CGI series rather than original illustrations. What’s neat is how those stickers I mentioned are used throughout to fill the gaps in stories, features, puzzles and more. For the young readers it’s like a really fun old-school Panini sticker album on top of everything else is contains.

Obviously back when I was nine my attention span didn’t last long enough for me to finish colouring this image of Thomas and it’s remained as such all this time. The activity can be found a few times in the current publication, on two dedicated pages and even the editorial credits page.

As a nine-year-old I was already too old for the comic if I’m completely honest, evidenced by the ABC collection and some very simplistic puzzles such as Henry the Green Engine highlighting other green things the younger readers were meant to identify. I just ignored these and kept to the stories, editorials and letters page, as well as the middle-page spread below. But for the target audience they brought a level of interactivity to the comic and this is something the modern version continues.

The middle pages of my #1 are missing so this is from the only other issue I kept (#31) which was the second Christmas issue and the one I had my drawing published in. The middle pages had very simplistic questions about what could be seen in the picture but the reason it’s missing from my first issue is because they could be cut out and hung on the wall, issue after issue creating one long drawing around the Island of Sodor, wrapping its way around our bedrooms.

I’m clearly not the target audience so the final word has to go to Ollie

There may not be murals but there are plenty of CGI shots from the show used for spot-the-difference pages, mazes, pin-ups, puzzles and so much more. Even the competition in #800 reminded me of the one we got in #1. Thomas & Friends may look very different from the Marvel comic on first glance but take a closer look and it’s a very natural progression. In fact, I’d go so far as to say I’m surprised just how much it’s kept to the original ideas.

But I am clearly not the target audience so the final word has to go to the little person I bought it for, my friend’s baby boy, Ollie. As you can see, he’s clearly very happy with the gifts that came with it. In fact, three months before his third birthday he saw them and came out with, “Thomas the train”, which he’s never said before! A very cute moment.

His mum Vicki had a look through the comic itself, at the wall chart, stickers and the contents as a whole and remarked at how much was in it. Not expecting it to be much more than an excuse to package the toys in with something, she was pleasantly surprised at the value.

So there you go, if you have a young child in your life who watches Thomas & Friends on TV this is a top comic magazine for them. Usually £4.99 every four weeks, #800 is £5.99 but then again you are getting a toy which is normally a fiver on its own (and by the looks of it #801 has one too). It’s available online but everywhere I looked was charging around £10.00 for it because of bulky postage, but you’ll find it in most newsagents and supermarkets easily enough.

To finish with, here’s a look at the original audience and the current one.

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