Category Archives: More OiNK

PiTCHiNG TO PiGLETS PART SiX: THE REST

I began this series two years ago, believe it or not. It doesn’t feel like it, yet it’s almost to the day, on 23rd February 2024 I posted the movie advertisements from throughout OiNK’s run and I’ve really enjoyed writing each entry since (for food and drink, toys and games, comics and books, and 80s electronics). I’m always surprised how much the adverts in all the comics covered on this blog take me right back, sometimes more so than the comics themselves.

But now it’s time to wrap it all up and we’ll do so with a little random selection of the miscellaneous adverts that didn’t fit into the previous five categories. There are some here everyone who ever picked up any IPC or Fleetway comic in the 80s will instantly recognise, especially these first two mini adverts. These seemed to be squeezed into every letters pages or any tight space that needed filled up.

The practical jokes one even popped up in the Classifieds ads that Marvel UK ran for a while. They were so ubiquitous in the pages of our comics that I quickly began to ignore them, thinking “oh, those things again” and not paying them any heed. Did anyone actually send off for a catalogue of practical jokes? Personally, any gag gifts from joke shops were always a huge letdown and never worked properly. But they must’ve sold enough because they were always there on the high streets and in our comics!

In #9 of OiNK we received a little folded leaflet that tried its very best to hype up stamp collecting. For any younger readers of the blog this was a hobby that even I was confused with as a child. I was watching new and exciting types of high-tech TV shows like Knight Rider and Airwolf, home computing and computer games were exploding in popularity, and I was also reading a truly anarchic comic. Stamp collecting felt like something from the past even then.

That little girl is really trying to sell it though, I’ll give her that! I had one or two friends who shared a stamp collecting hobby with their dads and none of them had half the excitement for it as this girl has clearly been told to have. I did reply to an advert on the back of one of my mum’s magazines that offered a giant starter kit with a load of stamps and things to do, much like the one in this next advert from #50.

I can remember when it arrived my dad and I sat down to see if it was something we’d like to do together. I think it took us less than half an hour to lose interest. Instead, I went back to collecting Panini stickers for my Real Ghostbusters album. Another advertising leaflet came just three issues after the stamps one, in #12, although it’s an even worse fit for the piggy pink publication.

Don’t get me wrong, the Humpty Dumpty Club was well regarded at the time and a quick read of this leaflet shows why. It looks like it would’ve been great for the pre-schoolers it was aimed at, although that’s why it’s a strange fit. It’s not like pre-schoolers were reading OiNK. Of course, there’s every chance it was found inside all of IPC Magazine’s comics and the readers could easily have had younger brothers or sisters. I have to say though, some of those kids in the photos are definitely not pre-schoolers!

Betting isn’t something you’d expect to see advertised in a children’s comic and it’d certainly be outlawed today, and rightly so. Same with those competition telephone lines in the pages of Jurassic Park that could easily have led to extortionate phone bills. It’s unbelievable such things were ever allowed in comics, but back in the 80s both of OiNK’s first two Holiday Specials had tiny little adverts like this below, right next to those practical jokes and stamps.

If memory serves me right my dad would play the football pools every week and I think I used to play the spot-the-ball competition on the piece of paper he filled out. He’d fill out the form and take it down to the local sweet shop where he could place his bets. It really was a different time, wasn’t it? These adverts were easily ignored by us kids of course but it’s still insane to think they were included in the first place.

Do you remember joining a bank when you were young? Where I lived we had one bank in the town, and mum and dad thought it was important that I had an account early in life. Not that I ever used it, I spent my pocket money far too easily and that attitude carried over into my teens and any money earned from part-time jobs, unfortunately. I did get a large blue plastic elephant however, to keep all of my parents’ 1p and 2p coins in. (When using their coins I seemed to be able to save up, no bother. Funny that.)

This Supersavers Club advert from #13 may sound familiar if you’ve seen any ad breaks on TV the past few years, but this particular club was formed long before money saving websites existed and you wouldn’t have been getting a visit from Dame Judi Dench. This was a basic incentive the likes of which many banks used in order to get kids through the doors. Although, living in Northern Ireland I doubt the in-person activities would’ve included us. Back then we were used to being reduced to small print at the bottom of adverts as an exception to any special offers.

Well, that’s yer lot, pig pals. I’ve really enjoyed putting together this series. It’s been an unexpected window back to the 80s and the world in which some of us lived throughout our formative years. For some of us it’s been a trip down memory lane and for others I’m sure it’s been a look into a strange past. It’s really hit home to me just how much the world has changed and just how long ago OiNK actually was!

So yes, it’s been fun but now I have to go and lie down.

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PiTCHiNG TO PiGLETS PART FiVE: ELECTRONiCS

I really do enjoy this series, a lot of the advertisements featured so far have taken me right back to my youth (which was a long, long time ago now), but I’ll admit the promotional pages contained in this fifth part didn’t result in any purchases or gifts for me in the 80s. That’s not to say they don’t bring back certain memories, though.

In the 80s there was one teeny, tiny little thing that made a huge impact on our daily lives, despite the fact we rarely saw it. From toys to VCRs, from washing machines to the explosion of home computers that entered our homes. It could even be found resting on our wrists. That little, unassuming thing that hid inside more and more of the devices we used was, of course, the microchip.

It’s something that links all of our adverts, too. Beginning with Casio’s watches containing those elaborate stopwatches! Don’t laugh, I remember being very jealous of a friend who had a digital watch that recorded lap times, even though I’d no need for such a feature. Remembering my own basic watches of the time and seeing Michael Knight talk to K.I.T.T. through his, every time I use my smart watch today I feel like I’m living in some sci-fi future.

It’s not only the passage of time and the leaps in technology compared to the 80s that’s making me feel old. I think the fact the next item sounds so absolutely horrific is because I’m now a boring old fart. As a kid I may have gotten about ten minutes of fun out of a keyboard that used sampled sound effects from around the house to produce “music”, but as an adult I can think of nothing worse than this thing.

As it’s nearly Christmas, I’m reminded of a scene in my favourite Christmas movie, Fred Claus. At one point Santa’s brother, who is desperately trying to avoid anything to do with the season, is subjected to a taxi ride with a radio station playing nothing but Jingle Bells with the notes replaced by cat meows and dog barks. It’s horrific! That’s essentially what this keyboard is.

Much better for the kids would’ve been a real keyboard on which they could learn to play actual music and up stepped Yamaha who ran these next two ads over a handful of OiNKs. The Starmakers would’ve appealed because the reason behind it is right there in the name; let’s buy our child this so they can learn to play proper music, become famous and support us later in life. Well, maybe not. But you get my point. I do like the ads though, especially the guitar-shaped one, it’s so very 80s.

I remember a friend of mine in high school was incredibly talented musically. He could literally listen to a tune once or twice and play it back on a piano. He also had two huge Yamaha keyboards in his bedroom and I sat in awe one day as he spent no more then three hours one Saturday afternoon turning the Airwolf theme tune (which wasn’t sampled, he played it from scratch) into a dance track. He should’ve released it!

In the later weekly editions of OiNK an advert appeared for a new computer game and its release confused me at the time. I was aware of The Three Stooges and I think we all saw the odd live-action or animated clip growing up, but I always felt their humour was too old-fashioned for me. So I didn’t understand why they were suddenly appearing in a computer game for us young ‘uns.

I must’ve been an outlier though because apparently the game was very popular, doing well enough to be adapted to consoles such as the GameBoy Advance in the next decade. Throughout the 80s VHS collections of their TV shows were also released and an arcade game was revealed in 1984, followed up with this for home computers. In the game the Stooges had to partake in odd jobs to raise money to save their local orphanage.

Given how outdated I personally felt their humour to be as a young boy I was even more surprised to see some gloriously illustrated strips appear in two issues of OiNK. Co-editor Patrick Gallagher has confirmed these were exclusive to OiNK and were made to tie in with the release of the game. It’s not the comic’s fault I never got on with the Stooges’ humour, a lot of people loved them and I’m sure many enjoyed the strips so I’m glad these little oddities exist, especially as they give us a reason to enjoy some more art from the incredible Malcolm Douglas (aka J.T. Dogg).

The final advert for an electronic piece of entertainment wasn’t an advert in the traditional sense but rather a promo OiNK pieced together to tell us about the free comic sitting inside the pages of Crash magazine on our newsagents’ shelves, as well as the comic’s own computer game of course. You can check out the free comic, the special feature inside that issue of Crash and the game itself in a special section of the blog devoted to the game.

The rise of the microchip and computerised technology in the 80s was a wonder to be a part of, especially at such a young and impressionable age. I’ve stared in wonder at my friend’s very young kids and how quickly they’ve grasped iPads and iPhones and I think I now know how my own parents felt four decades ago!

Right, so we’ve only one more part of this series to go, in which I’ll be rounding up the leftover miscellaneous ads from the pages of OiNK. Look out for that in 2026.

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PiTCHiNG TO PiGLETS PART FOUR: COMiCS & BOOKS

Welcome to part four of our look back at the real advertisements in OiNK (rather than the spoof Madvertisements), a series of posts taking us all back to life in the 1980s. After reminiscing about the toys we received for Christmas it’s now time to check out some new reading material, namely the other comics and books we’d while away the days with between issues.

Disney was a target for OiNK’s writers and cartoonists on several occasions, but right back near the beginning (#9) while the comic was still in the capable publishing hands of IPC Magazines, a division of its future publisher Fleetway advertised a set of Disney books to apparently help beat the boredom of school holidays! Did the person who came up with that tagline even remember their own childhood summers?

Around that time I wasn’t a huge fan of Disney. I much preferred Warner Bros cartoons and my shelves were filled with Railway Series/Thomas the Tank Engine & Friends books, so this advert wouldn’t have had any impact on me. It’s just as well they advertised this early though, once OiNK began its ‘Ron Dibney’ madverts and strips we may have been looking for the gag here.

In only my third issue of OiNK in December 1986 (the third comic I’d ever bought myself) another of IPC’s titles was celebrating a mammoth 500 issues! True be told I’d never even heard of it at this stage of my life but I’d become acquainted with it a few years later in high school when I’d meet friends who were obsessed. 2000AD’s fictional editor Tharg the Mighty is apparently surrounded (or rather, superimposed into) a group of beautiful 1960s or 70s women in a funny advert that poked fun at celebrity culture.

Is it any wonder I was so confused as a kid when OiNK ended after only 68 issues? Of course, little did we know celebrating 500 issues would end up feeling somewhat quaint, what with 2000AD still being published on a weekly basis all these years later and clocking up 2,427 regular issues at the time of writing! Much later in OiNK’s run 2000AD’s newsagent reservation coupon would replace OiNK’s own in the penultimate issue, a change we didn’t think anything of until a month later.

Two comics of friend-of-the-blog Barrie Tomlinson’s (Ring Raiders, Wildcat, Super Naturals) were also advertised at various points in OiNK’s lifetime, namely Battle and Eagle. After losing the Action Force licence to Marvel UK, Barrie created Storm Force, which was basically a toy line strip without the toy line. He’d later speak about it in depth in his Comic Book Hero book, a review of which you can also read on the blog.

Coincidentally enough, Battle’s announcement of the new Storm Force was advertised in OiNK’s war-themed issue (#20) and during the following year both it and Eagle were advertised together when they gave away a pair of those flimsy green and red 3D glasses. This was part of a promotion for the short-lived toy line and cartoon series StarCom about astronauts battling alien invasions. Just a few short months later, Battle would actually merge into Eagle.

Towards the end of OiNK’s time a new comic from Fleetway Publications hit shelves and I think I picked up an issue or two, although I can’t be completely sure. I have vague memories of a fortnightly comic full of detailed artwork and the occasional swear word, the latter of which was of great fascination to find in a comic for my friends and I at our tender young age. The character in the full-page advert below also feels familiar but I can’t tell if that’s because I read about her at the time or if I’m just recalling these adverts.

Overtly political (one issue was also produced in partnership with Amnesty International) and adult in tone, Crisis was initially fortnightly and later monthly, which will sound familiar to readers of this blog, I’m sure. In fact, Crisis almost lasted as many issues as OiNK, eventually being cancelled at #63 in 1991. It eschewed traditions in the UK comics industry such as free gifts and annuals, which is about as tenuous a link to our next adverts as I can muster.

Below are promos for Fleetway’s annuals in 1987 (for the 1988 volumes) and 1988 (for the 1989 volumes) and you can’t deny OiNK’s really stand out! Especially that first annual, The OiNK! Book 1988. The advert understates it somewhat by simply saying, “There’s never been an annual like it”. The cover image compared to the other more traditional titles already got that across the second readers glanced at this page.

The next year’s advert, pulled from the final regular issue of OiNK, used the original colours for the OiNK logo before the yellow and pink were reversed to stand out more on the shelves before publication of The OiNK! Book 1989. There’s quite the variety here, with everything from action and sport to comedy and nursery comics. We even see the return of Mickey Mouse from our first advert, who was still a sprightly 60-years-old that year.

I was surprised at how few comics adverts there were in total over OiNK’s run, especially when you compare them to Marvel UK which had promos for their other comics as a regular staple, alongside their fondly remembered checklists. In fact, the final such advert seems to have been literally squeezed into the OiNK Holiday Special ’89; a favourite childhood comic of mine is seemingly used to fill a gap on a page of both real and spoof ads.

We may not have seen much in the way of other comics inside the pages of OiNK, but over the course of its lifetime it was the subject of a blockbuster pull-out ad, crossover strips, free editions in comics and magazines, on top of regular adverts. Maybe Uncle Pigg just didn’t want to share the limelight.

We’ve still got two parts of this series to come that should jolt the old grey cells of original readers and the curiosity of you younger ones out there. Next up are the hip and chunky electronics of the 80s. It was a decade of technological revolution as the microchip introduced itself to every aspect of our lives. Watch out for those samples of another time when this occasional series returns this winter.

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PiTCHiNG TO PiGLETS PART THREE: TOYS & GAMES

So did you remember to buy enough batteries before Christmas Day for your children’s toys? Did you remember to charge the others? Is your house now a cacophony of tiny electric motors, repetitive music and flashing lights? Of course, it all depends on the age of your kids, but that’s what Christmas was like for us back in OiNK’s days. What were we playing with back then? What did Santa bring us?

For the third part of this series the topic is toys and games, and the pages from OiNK we’d shove in front of our parents’ faces before writing the details on a piece of paper and firing it up the chimney. We kick things off in the very first edition, the OiNK Preview Issue and it’s promoting a smörgåsbord of delights that could have been part of our previous selection of food and drink adverts.

Forget the bags, hats and pens, I can remember my first BMX bike and portable TV, both of which I very gratefully received from Santa Claus. Although I’m sure any younger readers will probably be wondering what’s so “portable” about a very heavy CRT television with a 12” screen. Well, it was so portable we could move it all the way from one corner of the bedroom to the other any time we wanted!

This is of course a competition set by Barratt of Sherbert Dip fame but it showcases some of the hottest tickets in town as far as those chimney lists were concerned. I’m not so sure the next range from Britains would’ve had me as excitedly entering their competition though. Don’t get me wrong, I’m sure there was a market for them but these adverts make toy cars and trucks seem rather old fashioned even by 1986 standards.

They weren’t the only company that would try to tailor their adverts to the comics medium by introducing panels, captions and speech balloons to make them feel less out of place. Perhaps it was an attempt to get us kids reading their adverts before realising they were ads, or perhaps it was just for a bit of fun. I like to think it was the latter. However, finishing your comic strip would be nice.

I’m not sure whether to laugh at the idea behind this advert or laugh at the audacity! I get the idea obviously; we’re meant to go and buy the toys and finish the story for ourselves and it does get that point across in an original way. Still, you’ve got to hand it to them, it’s a rather cheeky way to cut back on the effort (and cost) to produce it.

In the early issues a series of adverts appeared that actually told a story in three parts. They were for TSR’s Dungeons & Dragons role-playing game, something a handful of my friends at school were into. I never understood the appeal at the time of playing a game completely in their imaginations, nor did I have the patience to learn. In later years I’ve met friends in my adult life who have D&D nights and the way they’ve explained it does make it sound like fun.

I think as a kid I was used to games that had pieces and a board and rules etc. I couldn’t wrap my head around how D&D worked and always figured it would be too easy to cheat and just make stuff up as you went along. I know better nowadays, of course. I worked beside a guy in an office for over a year who was the Dungeon Master of his group of friends and I’m now very aware of how much preparation goes into a good session.

In 1986 Hasbro’s Transformers toys showed no signs of slowing down but that didn’t stop them from wanting to replace the original line up with a fresh batch of Autobots and Decepticons. What better way could there be of getting that point across than replacing the iconic Optimus Prime and Megatron with new leaders? And what better way to introduce them to the world than through a movie at the cinema?

While Ultra Magnus was leader was five minutes, Galvatron would be rather more successful. My old school friend Roger (who I know reads the blog, so hi Roger) had both of these toys and as a young child they felt massive my tiny hands. They really were incredible, and just in case Magnus turned out to be a naff leader he had a hidden Optimus Prime inside. That’s right, isn’t it? Of course. It certainly wasn’t a way to cut costs and recycle part of a previous toy, no.

There are moments in your life when you realise you’re a lot older than you care to admit. I remember playing with water pistols and threatening to soak the adults around us, never fully understanding why they didn’t want to play such games in the middle of winter. As my best friend Vicki now has two kids of her own and her eldest, Ollie, is approaching six-years-of-age I’ve been on the receiving end of many such “threats”… and of many Nerf bullets! Yep, I’ve become one of those adults.

Given the fact this advert is 38-years-old that’s a pretty damned good water pistol/cannon that fires over 30 feet. Saying that, I’ve no idea how far today’s top-of-the-line toys squirt water and I’m hoping I won’t find out any time soon. At least not until the summer please, Ollie!

That’s us at the end of our Christmas look back at the toys and games advertised within the pages of OiNK between 1986 and 1988. We’re halfway through this occasional series now and I’ve lined up the next two instalments for next year, beginning with one close to all our hearts: comics and books. Watch out for that during 2025, which is on the cusp of greeting us as I type.

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CHRiSTMAS 2024

OiNK CHARACTER MASKS: HOGGiNG HALLOWE’EN

Back during OiNK’s weekly issues young readers were treated to five cut-out play masks. They were the typical fare we’d see in comics of the day. Super Naturals gave such masks away with their first two issues, albeit printed on glossy cardboard. OiNK’s may have been printed on regular paper and required gluing them to the customary empty cereal box to make them wearable, but these character faces were so much more entertaining.

Obviously a Dead Fred mask is the most suitable this time of year and in the above selection it’s the only one drawn by the character’s original artist, Eric ‘Wilkie’ Wilkinson, the rest were drawn by Mike Peek. Thanks to co-editor Patrick Gallagher for confirming this after Mike mentioned drawing the Tom Thug one on the OiNK Facebook group. Tom’s face may have incorrect proportions (it isn’t as squished as it should be) but then again it had to fit our faces and none of us had a noggin like Tom’s!

They weren’t originally printed as part of any Hallowe’en celebrations. In fact, they were inside #51 to #55 during February and March 1988 but I thought they’d make for a fun extra post at this time of the year. If you do decide to print them out (and if you do I expect photos to the blog’s socials!) please note that to make sure they’re of a good enough quality when printed they are very big files. The pages were scanned in to measure 22cm across and 30cm top-to-bottom so they’re quite heavy on the memory front (between 15MB and 20MB each).

Also, don’t forget to follow Uncle Pigg’s instructions very carefully, folks. Especially step 3.

I didn’t include these in the reviews at the time because I wanted to keep them for a Hallowe’en after the regular issues had stopped. However, they were part of some of the very best weekly OiNKs and you can click on their covers above to go straight to them. #51 includes Pete and his Pimple and their trouser-press, in #52 Frank Sidebottom had an exclusive scoop about a top BBC radio DJ, #53 saw the debut of Wally of the West, the comic gave a clear (and rhyming) message to bigots in #54 and Tom Thug finally assembled his gang in #55.

Happy spooky season pig pals, and of course let’s not forget the true message of Hallowe’en: Christmas is coming!

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