While many comics of the 80s such as The Transformers and our very own OiNK would have to wait until their second year for their first annual, with The Real Ghostbusters Marvel UK went all-in and produced a book for its very first Christmas season, meaning work had to have started on it before the comic itself was even released. For me, holding this cover by Anthony Williams (Transformers, PJ Maybe, Fate) and John Burns (Judge Dredd, Look-in, Eagle) in my hands again brings back so many fond festive memories.
Sticking with the usual 64-page hardback format of Marvel’s yearly offerings and edited by Richard Starkings (Death’s Head, The Sleeze Brothers, Dragon’s Claws), inside is chock full of content making for a meaty, very funny read for the younger readers, and one that holds up well today. This has been great fun to relive. I’ve had a ball! Things kick off with an HQ page very much like the weekly’s and you can see the amount of stories and features they’ve crammed in here.
Then there’s Marvel UK’s one-page strip advert introducing Peter Venkman, Winston Zeddmore, Egon Spengler and Ray Stanz that had been running in other comics that year and which took its wording directly from the movie. This was written by Richard (under a pseudonym), drawn by Brian Williamson (Hook Jaw, Doctor Who, Warhammer) and Tim Perkins (Transformers, Chopper, Thor Losers), lettered by Richard and coloured by Chris Matthews (Thundercats, Action Force, Mugshots).
Ian Rimmer’s (editor on Scream, Doctor Who Magazine and Transformers) Sarah Sangster’s Spectre is the perfect scene setter for the book. An attractive young woman has called the team to catch the ghost of a little old lady haunting the halls of her home and straight away Peter is smitten. In the end, she’s the spook who has tried to trick the guys into killing the wee pensioner! Dark? Not at all, it’s all played for laughs and the plot is exposed by Peter’s selfie.
The artists here are regular Ghostbusters contributors Andy Lanning (The Punisher: Year One, Judge Anderson, co-creator of The Sleeze Brothers) and Dave Harwood (Action Force, Swift Sure, 2000AD) with colours by Helen Stone (Knights of Pendragon, Dark Angel, Sleeze Brothers). Probably more than anything else in here, this strip takes me right back to reading (and rereading) this book over the holidays in 1988, wrapped up in bed late at night during that enjoyable Void Week between Christmas and New Year.
The comic never did multi-issue stories from the UK team. Later, lengthy imported strips would get serialised but the closest our homegrown stories got would be those split in two across one issue. This happens here with The Spook from Outer Space, again written by Ian, with art by Phil Gascoine (Battle Action, Commando, Knight Rider in Look-in) and Dave Hine (Death’s Head, Azrael, Dark Angel), with colours by Stuart Place (Captain Britain, Transformers, Action Force).
The Ghostbusters are watching a UFO being excavated from disused land in New York on telly when suddenly the excavation equipment starts floating in mid-air. They deduce the alien must’ve died upon crashing and has been haunting the UFO ever since. So off they go to bust it but as normal the case is not all it seems. The alien is hugely powerful, feeding off their proton packs instead of being contained by them, and of course the military are on hand to fire more weapons at it while ignoring the warnings.
In the end we find out the alien has been psychically moving all of the heavy machinery in order to spell out a message on the ground that it just wants to be sent home, so the Ghostbusters commandeer one of the army’s rockets, trap the alien (with their permission) and fire it off into space. It’s a fun tale that includes a good bit of witty banter between the four men and would end up being one of a few strips from this annual we’d “get another chance to read” in the weekly a couple of years later.
Moving on to our prose stories and Jaws of the Beast is written by artist Nick Abadzis (Death’s Head, Vector 13, The Big Book of Death) and colourist/editor Steve White (Xenozoic Tales in the UK’s Jurassic Park, The Sleeze Brothers, Dragon’s Claws).It’s a tale about a small winged beast who invades a boy’s wishes. This particular boy wished he could see a real Tyrannosaurus rex, so obviously this leads to the team eventually being chased by said dinosaur through the streets of New York.
“It’s a loony lady who says her nephew has raised a dinosaur from the dead. You wanna speak to her?”
Janine Melnitz
What’s great about the story is the dynamic of the team. The prose stories allow the writers to explore the characters that little bit more and in particular we’re treated to some hilarious scenes between Peter and Egon in the firehouse, and later when Peter is used as bait for the beast. At this juncture Peter’s inner thoughts are punctuated by radio communications from Egon, making for great dialogue and genuinely laugh out loud moments.
The best story of the whole book is written by friend of the blog John Freeman (editor of Doctor Who Magazine, Babylon 5 Magazine, Star Trek Magazine), who brings back the iconic Stay Puft Marshmallow Man for a story set in London. The art is pencilled by Mike Collins (Transformers, Doctor Who, Tharg’s Future Shocks) and inked by OiNK’s very own Lew Stringer (Tom Thug, Combat Colin, Sonic the Comic). Lew and Mike are good friends and started in the business around the same time but this remains the only time they’ve ever worked together on the same story.
A mist has descended over London and it’s feeding on the fears of the citizens, sending everyone running for their lives and leaving the city with no one for the mist to scare. Growing weaker, the Ghostbusters start to look for the source in order to eliminate it, but all it takes is for Egon to explain that in order to keep the mist at bay they have to think of nice things. Cue Ray! If you’ve seen the original movie you’ll know what this is in reference to and it makes for some great back and forth between the four.
There’s one more text story called Ghostbusters Busted! about a so-called rival team and towards the end of the annual the uncredited Who, What, When & Why? which acts like a catch-up for new readers. It explains how the Ghostbusters were formed, why they’ve got a pet ghost and takes a closer look at their HQ and all those gadgets they use in their day-to-day job. Also included are reprints of the fact-files from the weekly for Peter, Egon, Winston, Ray and Janine Melnitz. Oh, and Slimer of course!
In case you’re wondering how that whole “Ghostbusters body” thing worked out, Peter would be the mouth, Egon the brains, Ray the hands, Winston the heart, Janine the central nervous system and Slimer would naturally be the stomach. As I’ve mentioned before in the retrospective for #1 of the comic, I remember drawing this Frankenstein-esque combination of all the characters with the intention of sending it in but never did.
Not all of the main characters feature in every story in the comic and the same applies here. Given their short length the writers would often concentrate on pairing up different characters with each other for interesting dynamics. For example, three of the guys starred in our first strip, then the missing ‘buster, Egon appeared with Janine in another. The final strip of the annual brings everyone together though, including Miss Melnitz and the green one.
Written by John Freeman, drawn by Anthony Williams and Dave Harwood and coloured by Helen Stone, Spooked Out! sees the team battling against a gaggle of ghouls and try as they might they can’t help but get more and more overwhelmed by them. It seems this could be the first failed job but when Peter chases after Slimer to bust him you know something’s up.
Sure enough, it’s just a training exercise. Needing to keep themselves in fine form Slimer has recruited a bunch of his good ghost pals, with payment being everything they can eat at a local diner if they win. Given how they’re all good friends with Slimer (and we know what his appetite is like) this is a particularly funny ending to not only this short strip but the book as a whole.
I found Ghostbusters Answer the Call’s sense of humour reminded me a lot of both The Real Ghostbusters cartoon and the UK comic, so if you’re a fan of that movie like I am you’ll want to snap up some issues and this first annual is the perfect jumping on point. Our annuals were always that little bit more special than the regular comic and upon finishing this it really did feel like all the stops were pulled out to produce a fantastic debut book that’s genuinely very funny.
Andy Lanning’s, Dave Harwood’s and John Burns’ inner cover spread rounds off what has been a great slice of Marvel UK history from a comic that set itself apart from the rest of their titles from the get-go. Sometimes certain things from our childhood hold a special place in our hearts that we’ve completely forgotten about until we experience them again. In that regard, the 1988 annual for The Real Ghostbusters has felt like a very personal trip down memory lane and I can’t wait to see if subsequent volumes have the same effect. Roll on Christmas 2026!
THE REAL GHOSTBUSTERS RETROSPECTiVE
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