iT’S CHRiSTMAS 2024 TiME!

As I sit in my living room, buoyed by my tree lights twinkling, my electronic fire-effect fireplace animating and my Apple HomePod providing the sound effects, and warmed by a combination of my gas heating finally being on all day and a Starbucks Eggnog Latte in my belly, I welcome you all to Christmas 2024 on the OiNK Blog. What a feast I’ve got in store this year.

I really try to better each year’s festive season and if I do say so myself I think I’ll achieve it with what’s coming your way. There may be no more OiNK Books to cover but that doesn’t mean Uncle Pigg’s comic won’t be the star. Kicking off on Saturday 30th November 2024 is the first of a four-part weekly series called The OiNK Interview Series, starring no less than 11 of the comic’s top contributors!

Every Saturday during the build up to Christmas Day they’ll provide answers to one specific OiNK-related question, the same question to everyone. It’ll be a fascinating look behind-the-scenes of OiNK and its creative team. This is one series of posts I’m particularly looking forward to, but that’s not all for the pig pals among you.

In fact, pig pals themselves are the stars of this year’s Christmas Day post. Ever wish you’d purchased some of that groovy OiNK merchandise? Some pig pals still have their Prime Porky Products all these decades later and are more than willing to make the rest of us jealous by showing them off. So that’s exactly what a handful of fans will be doing on The Big Day.

Also this Christmas season is the third part in our occasional series of lovely retro adverts from the pages of OiNK, suitably enough all of the Toys and Games that had us drooling. You can check them out on Friday 27th December. Also, watch out for an interview with OiNK co-editor Mark Rodgers in the pages of a Christmassy Speakeasy from 1987, in which he discusses OiNK’s creation, controversies and their plans for the weekly. That’ll be here on Thursday 12th December.

I’ve already featured both of OiNK’s annuals but our coverage of its characters in seasonal books doesn’t stop there. The first Buster Book to feature Tom Thug (as well as Pete and his Pimple and Weedy Willy) gets the full OiNK Blog treatment on Thursday 19th December. Before that, the 1989 volume of its sister title, Big Comic Book starts off our Christmas celebrations on Wednesday 27th November in the third year of its blog read through.

My very favourite star of Big Comic (he’s a highlight of every review in that series), Gums has his own book out, Classic Gums. I received it last Christmas and it’d make for the perfect hint to throw to your loved ones! You’ll be able to check out highlights from the toothless wonder in his own review on Wednesday 4th December. We’re not done with the annuals though.

Michael and K.I.T.T. have been yearly stars of the blog and 2024 is no exception. My favourite TV series of my childhood… actually, of my life… may have lasted for four years but it had five annuals altogether. The middle book in the Knight Rider Annual series has more strips, prose stories, interviews and those oh-so-80s pin ups for you to check out on Tuesday 17th December.

The Transformers made their debut on the blog this year with the Generation 2 real time read through and full access to the epic seven-year-plus Instagram read through of the original UK comic. Beginning on Sunday 15th December is the first of a new yearly series of in-depth reviews of the Transformers Christmas issues from that original run. You’ll also see the previous issue’s Next Issue promo on Sunday 1st December. The first year of that comic was very different to what you remember, believe me! So make sure you check that out.

The Christmas issue of Transformers contains reader drawings as part of the festivities, and in a special post this Christmas I’ll be showing the earliest examples of Young Me In Stuff, namely some of my childhood comics and magazines. The first time it happened was met with much exhilaration at the surprise of it all, so the post will go up on the anniversary of my drawing seeing print, on Tuesday 10th December.

Let’s also not forget our three current real time read throughs! This Christmas you can expect the special, final issue of the simply hilarious The Sleeze Brothers (#6) on Monday 23rd December, a festive Christmassy cover adorns the Aliens comic of all things (#7) on Christmas Eve (the perfect day for a little horror story or three) and the Dinobots are the cover stars of Transformers Generation 2 #4 on Sunday 29th December.

Phew! Throw in two personal posts on Christmas Eve and New Year’s Eve on the blog (links below), and a review of this year’s Christmas Beano on John Freeman‘s Down the Tubes website, and I hope you can appreciate why I’m feeling exhausted just telling you about everything that’s to come! I love writing this site and I particularly adore doing so when it comes to all the Christmas content. It’s going to be the best yet, so Merry Christmas everyone! Now, let’s have some fun!

(If you’d like your own Tom Thug Christmas angel for your tree, you can print out the page from OiNK in this post.)

CHRiSTMAS MESSAGE

NEW YEAR MESSAGE

2023 < > 2025

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TRANSFORMERS GENERATiON 2 #3: OLD SCHOOL NEW

I was very happy to find the main strip in this third issue of Marvel US’s Transformers Generation 2 ended after only 16 pages. Not because I was glad that particular story was over or anything, rather because it meant there was another back up strip to enjoy. After hoping we’d see the same format as last time return, the issue is off to a great start for this fan of Marvel UK’s winning formula, which the US comic is now embracing.

The main story, as ever written by Simon Furman, is called Primal Fear and I needn’t have worried about its title being similar to ones from the previous generation. Although the ‘ancient evil’ storyline is still to be built upon, for now this involves a sector of the galaxy that preys on hidden fears and aggression buried deep within the subconscious of any visitors.

It kicks off with this first page that’s notable for its heavy use of wiring and hoses within the framework of the robots. It reminds me of the live-action Transformers and something certain dark corners of the internet complained were unnecessary and ugly, proving some fans really don’t know their history (much like story elements of the films they complained about which were actually inspired by the original comics or cartoon).

Manny Galan (Sonic the Hedgehog, The New Warriors, Street Sharks) has taken over as penciller on the main story with inks by Jim Amash (Archie & Friends, Deadpool, Night Thrasher) and Marie Severin (Kull the Conqueror, The Haunt of Fear, Alf). I’m not sure how I feel about it if I’m honest. At times it feels like some of the earlier UK art and I’m all for that, it has a real classic vibe to it. However, at other times it comes across like they’re struggling with how the Transformers move; they can come across stilted, as if drawn from how the action figures moved.

Hound in particular looks like he could decapitate himself with a good sneeze

But it’s those necks full of robotics that I can’t help but notice. I may have been a big fan of the realism brought to giant alien robots in the live-action films, but here the necks in particular can look ridiculously elongated. Below are two such examples. This doesn’t happen on every page, but when it does it’s like the artist is trying too hard. Upon occasion it’s just too extreme for me. Thank goodness for Richard Starkings’ and John Gaushell’s letters and Sarra Mossoff’s colours returning.

Hound in particular looks like he could decapitate himself with a good sneeze, or perhaps he’s starring in an 80s futuristic movie with a person dressed up in a robot suit, the excess of wires hiding the shape of the actor’s neck. I do, however, like the reflection of Jhiaxus on Prime’s mouth guard. So, what’s this about an ancient evil feeding off others’ primal instincts?

The Transformers were created by Primus to fight and destroy Unicron, which they successfully did in the final year of the original comic. But that in-built aggression is a natural element of their being and something Jhiaxus argues is their true nature, believing Prime and the Autobots’ wish for peace is sacrilegious and ultimately doomed to failure. It’s these deeply buried instincts that Prime has been more willing than normal to embrace over these first few issues.

Indeed, Prime goes very dark in some parts of this early fight and initially I didn’t like these scenes at all. I thought they were just following on from the previous issues and were another example of how his character was more hard-edged. A lot of this is very out of character indeed, but once Simon gets the chance to explain all about this sector of the galaxy (and what’s really happening to Prime) I breathed a sigh of relief, and it’s a great little story.

Optimus eventually gets through to Jhiaxus as only he can, by talking him down and trying to make him see reason. Every ounce of Prime wants to fight back as Jhiaxus continues trying to violently finish things. But we soon realise Jhiaxus is fighting back so desperately because in the heat of battle he gets an element of peace from his own devastating past. He doesn’t want to remember who he was… but he does, below.

Confusingly, the page above is read in columns, although by looking closely you can see the first panel crumbling away into the image of the screaming Decepticon leader. He was a sadistic killer, murdering for the sport, and his greatest fear is that his so-called ‘higher calling’ of galactic conquest in the name of his race is nothing more than his past self dressed up in a more respectable cloak.

As Prime states, they were all created to fight and kill. It’s a heavy moment that hadn’t really occurred to me until now. No wonder Prime’s been struggling to hold back those darker feelings, when the events of the previous two issues seemed to outdo everything they’d achieved over millions of years. Something is forcing them to regress into what they were eons ago; earlier selves they’d overcome to become something greater, even if they’re on opposing sides of the conflict. This is the Prime I remember!

Much like a twisted version of Peter Pan’s shadow, the creatures have attached themselves, but they weaken as the Transformers walk away. And walk away they must. They can’t fight these things, or each other. To do so would release more rage and simply bait these creatures further. It takes a much stronger character to walk away from a battle and the two leaders order their warriors to back away and leave, agreeing to a temporary truce until they next meet.

However, on the last page of the story Jhiaxus can’t help himself and decides to wipe out all life on the planet to prepare it for colonisation. If this will come back to bite him in the time we have with this comic I don’t know, we’ll have to wait and see. Jhiaxus’ anger at letting the Autobots live grows as he gives his orders. Is this anger being fed by the aliens? He’s made for an excellent baddie so far and we’ve only scraped the surface of his character. A truly excellent creation of Simon’s.

Old Evils is the back up strip and, speaking of great baddies, one of my absolute favourites is back. Firstly though, it carries on from the main strip as Jhiaxus returns to his ship, thankful there’s no sign of any Decepticons from the millennia-old war still alive to tarnish what he’s trying to do in the Decepticon name. Then, elsewhere in the galaxy we see an alien vessel attacked by a much larger ship commanded by none other than Bludgeon!

I’m sure this small strip is very much a prelude of what’s to come, much like the best black and white stories in the original UK comic’s later life; stories which added more depth and foreboding to the US strips, when we’d see elements of storylines long before American readers. The main point here is to bring Bludgeon and the Decepticons we all know so well back into the picture and send them off to our home planet!

I was wondering if Earth was going to get a look in since all of the stories so far have been set in deep space and it’s only a 12-issue run. Not that it was meant to be a 12-issue run of course… or was it? The first Transmissions page contains a surprise in the very first letter, in which reader Benson G. Yes says he’s aware of the current storyline ending with #12! Of course, he could just mean this particular story involving Jhiaxus rather than the comic itself, but it was still a surprise to read this as I’d assumed something had already slipped out that the comic was scheduled to end.

I was thrilled to read the confirmation that the two-strip format is going to remain, and even more thrilled that the stunning art of Derek Yaniger will continue to thrill me, even if it is only within the back ups. After this, the Marvel Bullpen Bulletin makes a brief mention of long-time Transformers writer Bob Budiansky who had moved over to run the company’s trading cards division, and that’s it for another issue.

I’m glad the main strip was more self-contained than the previous two. While it continued the overall story (particularly for Optimus Prime’s and Jhiaxus’ character arcs), the fact it also had a proper beginning, middle and end was like proper old-school Transformers. Three issues in and it feels like it’s just the beginning of true greatness. Transformers Generation 2 continues with #4 during the what-day-of-the-week-is-it-anyway period of the festive season, on Sunday 29th December 2024. Catch you then.

iSSUE TWO < > iSSUE FOUR

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