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CLASSiC GUMS: BiTiNG COMEDY

In 1975 the greatest movie ever created was released across the world, becoming the first blockbuster and entering the public consciousness, making it ripe for official sequels and the obligatory spoofs. Out of the latter, the best by far was a UK comic strip which first appeared in Monster Fun in 1976, making the transition to Buster the year after and remaining there until 1984. It’s been an absolute joy to get reacquainted with Gums.

When he appeared on the cover of Monster Fun #35 he was an instant hit. In fact, I was surprised to find out he didn’t last even longer in Buster. I discovered him in the Big Comic Book series (and its fortnightly comic) in the late 80s and even though I hadn’t seen Jaws by that stage I was aware of it, and got the joke of a great white shark with dentures straight away, including the tagline ‘A Shark Worse Than Its Bite’ and the comic’s version of the famous Jaws theatrical poster.

I was thrilled to receive this first collection of Gums strips last Christmas. Released by Rebellion, within its 132 pages is the character’s entire run from Monster Fun, made up of 39 strips from the regular issues and a further 12 from the annuals which continued through to 1985. It’s such a shame OiNK’s annuals didn’t continue after the comic was cancelled.

There are actually a few links with our piggy publication here. One of OiNK’s original writers, Graham Exton has written the introduction to the book, the character was co-created by IPC Magazine’s Bob Paynter who championed the idea of OiNK from the off, of course there are a few strips by John Geering who contributed some fantastic pages for Uncle Pigg and there’s even one strip drawn by Roger Rental’s very own Ian Knox, and another by The Slug’s Lezz!

He wouldn’t exactly be a threat to Richard Dreyfus, would he?

While I’ve fond memories of Gums from Big Comic, I don’t recall many strips featuring Bluey, the Australian surfer who ends up in a back and forth with Gums over the false teeth. Often, whoever wins at the end of one week’s strip would still be in possession of the dentures the next, these small story arcs of a sort adding to the addictive nature of the book.

All of the strips here are written by Roy Davis (Faceache, Joker, Vampire Brats) and while the strip might sound like it could be one-dimensional, the end result is anything but! Think of the best Looney Tunes cartoons, specifically Roadrunner and Wile E Coyote which never stopped being original and hilarious despite the simple premise, and you’ll get the drift. Yes, it’s that funny! Unlike those cartoons though, you never know who’s going to win from one strip to the next.

Because of the way I was introduced to the character through reprints of John Geering’s Buster strips, I was initially a bit disappointed he doesn’t feature much, but I very quickly grew to love original artist Robert Nixon’s (Rodger the Dodger, Korky the Cat, Frankie Stein) work. Alf Saporito (Gus Gorilla, Nosey, Master Spy) takes over after a fashion, ghosting Robert’s art somewhat but then developing a more detailed style, with Les Barton (The Slugs, I Spy, Knight School) drawing one when Alf must’ve been on a break, although it’s deliberately ghosted so you’d never recognise that it’s Lezz. 

Here’s one of John’s strips from the book for you to enjoy.

For being a shark, Gums is wonderfully expressive as you can see from the highlights I’ve chosen. Below, he gets so paranoid that any food is just bait thrown in by Bluey that he almost wastes away. Then there’s a scene that actually had me laughing out loud. During an on-the-water carnival full of people wearing large cartoon character heads, he steals a hat from a clown and puts it on his snout, then steals ketchup from a picnic on the beach and smears it over his mouth. Bobbing up and down alongside a boat, he tricks the police into thinking he’s a passenger in fancy dress!

It’s completely insane! It’s brilliant! He may think he’s the most terrifying creature in the ocean but he’s completely inept, yet he’s so inventive with his crazy schemes he ends up very loveable. He never actually catches any people or any of the sea creatures he chases, and he’s just as partial to a pork pie or a creamy dessert than he is to actual fish or people.

Later strips taken from the Monster Fun annuals point to how things had developed in the pages of Buster, with less Bluey and the introduction of Cap’n Mayhem and an ensemble cast of underwater characters (such as Olly the octopus), giving it an underwater sitcom kind of feel. These are more in line with that I remember enjoying as a kid but I’ve loved every single moment of discovering his earlier escapades. From foretelling Jaws’ many sequels by exclaiming “Revenge! Revenge!” in the early pages to becoming a bobbing clown, this is an unmissable collection of classic comedy that hasn’t lost any of its ability to make the reader laugh.

There’s a reason a Gums strip will always appear in each Big Comic Book review. Even out of so many pages he’s always the funniest. You can pick up his own excellent book at any good comics store or book shop, or you can order it directly from Rebellion’s online shop. To finish, since I’m covering this during the festive season (so you can throw unsubtle hints at your loved ones), here’s a rare moment of unity between the great white and the young surfer to mark the occasion.

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WHAT A MUG!: CREATiNG TOM THUG

It was 1984, two years before the launch of OiNK and Lew Stringer was asked by IPC Magazine‘s Group Editor of Humour Bob Paynter if he’d like to contribute to the new comic. At this point Bob hadn’t yet asked for it to be renamed from its original moniker of ‘Rrassp!’ (after seeing several pig related items in it), but the first draft of a dummy issue had been produced and it was slowly coming together.

Bob was looking for more cartoonists who could bring their own unique style of humour and art to the mix. OiNK was to be very different in every conceivable way to IPC’s other comics and they were putting a lot of money and resources behind its launch. As such, it was the perfect launching pad for those trying to break into the mainstream.


“Brand new characters often take a while to get right and Tom looked more like Frankenstein’s monster in this concept than a school bully!”

Lew Stringer

At this point in his career Lew had produced some strips for Marvel UK and in 1985 would begin contributing Robo-Capers for The Transformers. By the time OiNK launched he’d be a well known name to fans of those comics, but this wasn’t yet the case.

A “dim skinhead bully character” was suggested to Bob and according to Lew he suggested in return, “Perhaps his dad could be pushing him to be a bully to follow the family tradition, to inherit his boots”. This will sound familiar to anyone who has read the review of the preview issue.

Thus began Lew’s development of what would eventually become Tom Thug (What a Mug!) in OiNK. “I knew IPC liked puns on existing concepts and it sounded a bit like Tom Thumb,” he explains.

Previously on Lew’s personal comics blog he shared his very first rough sketches of Tom from 1984 and with his kind permission I’m able to share them with you here now on the OiNK Blog as we look forward to the review of #1.

You’ll see how the original idea was somewhat different to the character we all came to know and love in the regular comic. As Lew explains, “Brand new characters often take a while to get right and Tom looked more like Frankenstein’s monster in this concept than a school bully!

“Anyway, after a few more sketches, I eventually gave Tom a rounder look and something I felt comfortable submitting. Bob only wanted to see the strip in a pencil stage at this point, and here’s the actual artwork I sent him.”

This is the original rough page which showed Bob what Lew’s first story idea would be, setting the foundations for what would hopefully become a regular strip. Bob decided to rewrite the script a little, which Lew says tightened things up and created a better build-up to the punchline.

A lot of the content of this dummy comic made its way into the free preview issue. Remember as well, when Lew and Bob originally spoke an earlier version of the issue had already been created, so this gives an idea of just how long new comics could take to be developed, approved and finally given the green light for publication. Below is the completed Tom Thug strip as published in the preview.

Tom proved incredibly popular with OiNK readers (including this one) and regularly made it into reader’s lists of favourites. When the comic finished he was one of only three characters to make the transition to Buster alongside Lew’s Pete and his Pimple and Mark Rodger’s/Mike Green‘s Weedy Willy. Incidentally, Tom crossed over with both in the pages of OiNK, but he was the only one to last beyond six months in the merged comic. (You can see the crossover with Weedy Willy here and with Pete here.)

He quickly became one of Buster’s most popular characters too, something editor Allen Cummings acknowledged in a letter to Lew in 1990. The “Brats” mentioned here is a reference to The Vampire Brats, another Buster strip Lew was drawing, written by OiNK co-creator/co-editor Mark Rodgers and later Roy Davis.

In fact, across both comics Lew ended up creating an incredible 440 strips for the “dim skinhead bully character”.

At the time some parental groups felt OiNK’s contents were a bad influence on children and even these days I read the occasional comment online from someone who is confused at having a school bully as the main “hero” of a strip. But they’ve spectacularly missed the point. He was never the hero.

As Lew put it himself on his blog, “The intention of making him the villain of the story was to act as some contrast to all the goody-goody characters in IPC comics. The idea being that the reader would be laughing AT the character, rather than with him, and more importantly to act as some form of catharsis for readers who had been bullied in real life.”

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