The first post-holidays issue of The Real Ghostbusters (with cover by Brian Williamson and Dave Harwood) and the first post-200th Transformers and Action Force (with its cover by Dougie Braithwaite and Dave again) were ready to welcome me to Saturday after the first full week of the new school term back in 1989.
The Real Ghostbusters image looks more like a new range of Action Force figures rather than our New York firehouse residents, and for once it refers to a strip inside rather than the prose story. Also inside, Ozbusters isn’t a tale set Down Under, it’s about Egon’s haunted dream in which he’s the tin man, Winston’s the scarecrow and Ray’s the cowardly lion. Can’t fault the imagination in that comic.
Part Three of Transformers’ epic Time Wars may have some printing errors across its pages resulting in some strange colours but that doesn’t blunt its impact one iota, although it’s almost upstaged by Larry Hama’s incredible Hush Job strip in the back up spot, which may have no dialogue but has plenty of drama! Both of my comics were absolute winners this week but what else did Marvel UK have to offer us? Let’s check the checklist.
Thundercats sounds like a regular issue, the likes of which fans enjoyed for most of its run, until that “games and fun” bit at least. The comic’s relaunch for a younger audience was probably inspired by the success of The Real Ghostbusters, even if Marvel’s top-seller didn’t have to rely on such gimmicks. Some of the best issues of Death’s Head and Dragon’s Claws were covered last week, leaving only our ‘Don’t Miss’ comic.
Action Force Monthly lasted 16 issues, so technically longer than the weekly time-wise, and it and its weekly always sounded great. Especially now that I’m reading the G.I. Joe originals I must make it my mission to get caught up with all of the UK stories too. Finally, our only new comic advertisement this week can’t make its mind up whether it even is a comic!
I was never a fan of the Betty Boop cartoons growing up, but many were and I remember she was always on the telly, her merchandise seemed popular and of course she popped up in Who Framed Roger Rabbit?. It’s strange to find out there were only two new cartoon specials in the 80s and the rest were reruns. She’s even had a Broadway musical which only closed in 2025!
I don’t remember this comic/card combo at all, I didn’t even recall the adverts when reading these comics again all these years later. Do you remember Betty’s Valentine special? Did you perhaps receive it from a secret admirer? Or send it to one? As usual, I’d love to hear from you in the comments or on socials, the links to which are just below.
It didn’t really matter what was on the cover of The Real Ghostbusters this week, did it? Your attentions were always going to be drawn to Transformers, which has lost the “The” permanently and Action Force temporarily for the week to make way for the celebrations.
Lee Sullivan’s gorgeous wraparound cover poster deserves a photo all of its own and you can check it out at the link at the bottom of this post as per usual. This was my first milestone issue as a kid and boy did it make an impact! Time Wars really picked up the pace and looked incredible thanks to Robin Smith’s art, the extras were great fun and the highlight in that free booklet surprisingly wasn’t the info on the Transformers for new readers, it was the self portraits of the comic’s artists. Definitely check them out below too!
What a way to start 1989, eh? Not that the Ghostbusters team were resting on their laurels. Phil Elliott and none other than Cam Smith provided the cover of another all matte paper finish for a lovely weighty feel in the hands, Spengler’s Spirit Guide to monsters included The Big Gurgler, The Wigglesbro’ Wyrm and The Not-really-quite-nasty-enough-monster of Chatham, and in a story set on Wall Street the team met a ghost who was the embodiment of greed. The prose story was a Winston’s Diary entry, not ‘Jaws of the Beast‘ (below) which was the name of Nick Abadzis’ story in the recent annual.
Of course Transformers was always going to be the must-buy comic of the week and it more than deserved the accolade. Captain Britain was hanging on in there too and I’ve had so many people sing its praises to me on socials these past few months I might track a copy down someday. Almost as exciting as the 200th edition of one of their comics, the first week of the month (and of the year) brought brand new issues of two certain Marvel UK monthlies too.
The dystopian nature of the shared Death’s Head/Dragon’s Claws future came to the fore in our Freelance Peacekeeping Agent’s third issue with some great depictions of the Los Angeles of the year 8162. This was also one of the funniest issues in his whole run and in Dragon’s Claws little did we know we were two months from the end. The scope of the story was so big, the pace so frantic and the shocks so… shocking, that with hindsight it’s obvious, but at the time readers must’ve been left breathless.
Just the one advert and it’s for another change to Thundercats, albeit a bit late. First the comic was fortnightly, then weekly for the majority of its run, then Galaxy Rangerstemporarily merged into it. Upon their departure the comic became fortnightly again with #84 on Saturday 15th October 1988, and that week’s checklist told us the comic was now full of games, puzzles and posters. Sounds like a comic refocusing to aim for a younger audience, doesn’t it? Yet this is the first advert I’ve seen for it in either of these comics.
Well folks, that’s us one checklist into 1989 and you can expect another checklist post every single Wednesday all the way through to Christmas 2026! In fact, the festive checklist of ’89 would end up being the last of the series. Before that we’ve a full year of reminiscing and of feeling old to look forward to. We’re off to a flying start, but what other memorable moments will there be? Let’s find out together. See you in seven.
I’m reticent to go into details of my plans for 2026 as I look back on my previous two New Year’s Eve messages. I’ll happily not mention 2024 again, and 2025 saw things get off to a great start before I fell ill for a while, just as I was beginning work on something. That, plus other not-so-great events in my personal life and then finally the brilliant addition to my home of Smudge the cat meant I was lucky to get the blog’s posts completed by the end of the year!
Regular readers (of which there are 70% more of you over last year!) will remember me announcing that something this year and calling it ‘Comics 80:99’ (and a “project” the year before, which was the same thing). While news about it has been non-existent because of the above reasons, I can assure you work did commence. Now, I’m all geared up for 2026. Starting in January I’ll be posting regular updates on the blog, which will be additional motivation to get as much done as possible so I can report back to you all.
The OiNK Blog itself will be focussing on extra content next year too, the Aliens real time read through being the only one planned for 2026 save for the usual Christmas feast of annuals. However, don’t be expecting less posts, no, no! While cutting back on the read throughs for one year will help me focus on Comics 80:99, the amount of extra content for your favourite comics sections of the blog will more than make up for that.
So, 2026… A lot of content I’ve been eager to share with you for a long time. Comics 80:99 is going to be my first physical publication (aiming for early 2027). Personally, my closest friends have become my family this year and I can’t wait to see them much more. Smudge and I are also about to spend our first full year together, of course. I feel like I’m about to embark on a life-affirming year in many ways, so I’ll make a toast to 2026 and to all of you dear OiNK Blog readers.
Happy New Year everyone! I wish you all happiness, fun, kindness and togetherness. May your 2026 be everything you hope for.
Now, I’m off to see what Jools Holland has in store to kick it off with.
It feels fitting that this is our last comics post of the year. I’ll have a New Year’s message later with news of the blog and more in 2026, but as for comics the final issues of The Real Ghostbusters and The Transformers and Action Force are it, their official release date being this day way back in 1988.
Brian Williamson and Dave Harwood’sSlimer fronted a celebratory issue, New Years being something none of my other non-humour comics celebrated. But the Ghostbusters were based in New York where the ball drops, they couldn’t miss out on this. Best of all though, the results of a readers’ poll was presented in strip form with the team attending a dinner alongside the Marvel UK writers and artists in attendance. It’s genius stuff!
But it’s Art Wetherell and Dave’s Galvatron cover that’ll have fans reminiscing the most. The Time Wars had begun! This was my first big epic as a kid and it enthralled me for weeks; no one was safe from being killed off, and I do mean anyone. This would also be the last time we’d see that logo before the big change in seven days. More on that below, but first up what else did Marvel UK wrap up the year with?
Action Force Monthly #8 and Death’s Head #2 continued to entertain through the school holidays. What, you mean you only read your comics once and not multiple times between issues? I’m surprised The Real Ghostbusters isn’t the ‘Don’t Miss’ title, what with it being the only one celebrating what day it was, but instead Thundercats #90 takes that honour in what seems a rather random choice.
This week’s advert is actually the Next Issue promo from the back inside cover of Transformers, but one glance and you’ll understand why I just had to include it. I always loved it when my comics got a new look and this was a big one. I was still a newbie to the world of Transformers comics and looking at that new logo, coupled with that image and all of the contents to come the following week, I remember this page being a real thrill. I’d jumped on at just the right time!
I would eventually stay with the comic all the way to its conclusion with #332 so this logo became the de facto one for me and the issue was an incredible way to start the new year. Was it “The Ultimate Comic”? Pretty much. Even Lew Stringer’s strips were getting a crossover and hyped on the page.
With that, both 1988 and 2025 come to a close. As I said I’ll be back later on today to sign off for the year properly, then the blog’s first post for 2026 will be the next checklist. There’ll be new issues of the monthlies to find out about and no guesses for which comic would be the hot one to see in 1989.
In 2026 I’ll be starting a new regular series for OiNK’s pig pals, specifically those pig pals who wrote in to Uncle Pigg and had the thrill of seeing their name in the comic. Grunts was the letters page which had everything except letters on it! Drawings, celebrity spoofs, newspaper clippings (about OiNK or anything pig-related really), jokes for Nasty Laffs & Specs… you name it and the young readers had thought about it and sent it in.
To kick things off, here’s something special for the holidays: The Grunts Celebrity Special! Whether it was a reader spotting one of their favourite 80s celebs name-checking their favourite comic, a bonafide celeb pig pal themselves getting in touch, celebs partaking in an OiNK photo shoot voted for by readers or a politician meeting one of the editors. These appearances kind of went over my head as a kid, however as an adult it’s fun to see the waves this very different comic was making in the world of 80s entertainment.
As I sit here enjoying my glass of Red, Red Schloer we begin with #10’s Grunts, back when readers were lining up to send their problems in to be laughed at by their porcine pal, and the first celebrity appearance is UB40 frontman Ali Campbell! It’s a quote from another magazine spotted by Rupert French from Congleton in Cheshire and Uncle Pigg uses it to request readers let him know of any stars who Can’t Help Falling In Love With OiNK.
The next big musical name to grace the pages was Ian Astbury of The Cult who really was a true fan of the comic. Ian even bought OiNK mugs and t-shirts before he was interviewed by co-editor Tony Husband in the guise of Janet Street Porker, OiNK’s resident entertainment reporter. A quick preview of this appeared on the Grunts page of #15, below.
As I noted in the review for #16 this was quite the scoop for a children’s comic and a very surreal moment for Tony, seeing as how he was a fan of The Cult too. The MADchester music and cultural scene in 80s Manchester is well documented and has been the subject of many a documentary. It was a centre of talent, innovation and creativity, and OiNK was right there at the centre of it. Not only physically (given the office’s proximity to those in the scene) but also in its popularity with bands, singers, writers and more. You can read a little bit more about this in the issue’s review and in the post about my phone chats with Tony.
Below The Cult interview you can see the newsagent reservation coupon and a band called The 3 Johns, who I’d never heard of before this. This was actually another band of Jon Langford’s. Jon’s art can be seen in a few issues of OiNK after he was brought on by Tony and he and his band The Mekons starred in a couple of photo stories too! Also in #16 was a rather original competition, in which one lucky (depending on your point of view) reader could win a pop concert in their home. Le Lu Lus (or ‘Lelu Lu’s’) contacted OiNK as fans themselves and became the prize.
It’s time to Say Hello… to the next celebrity guest on the Grunts page of #22. Where this photo came from is anyone’s guess. Was it in a magazine like above? Is the excellently-name Ferny Bubble of Wandsworth, Southwest London a friend of Marc Almond’s? Or just a very keen pig pal? Marc of course was best known for being one half of Soft Cell, whose Tainted Love is still a floor filler (at least in my living room) to this day.
Not even celebrities were immune from Uncle Pigg’s jibes! As we …Wave Goodbye to Marc check out that Read All About It box next to him. This was the first time a press clipping about OiNK appeared in the comic as the wider printed media started to sit up and take notice. You can read all of the many clippings the editors loved showing off in their own blog post.
Half a year after their pop music special the OiNK team put together another musically-themed issue with #29 and it contained a few links back to the previous one, the biggest one being a full-page strip to announce the winner of the concert-in-your-home competition. Martin Benster was lucky he lived in Prestwich. Prestwich is a part of Greater Manchester and the OiNK guys couldn’t afford to send the band further afield so they were always going to choose someone local!
If you head off to #29’s review (don’t forget to come back) you’ll also see one of those great Mekons photo stories.
Two weeks later came the results of the OiNK Awards, in which readers had been given the chance to vote for their favourite (and least favourite) celebrities in a variety of daft categories. Biggest Wally, Worst Pop Song and Unfunniest Comedian were just some of the awards the kids had their say in choosing. While most of the winners were represented as Spitting Image Workshop puppets, BBC Radio DJ Steve Wright was game for a laugh and appeared in person to be presented with his Most Irritating DJ award by fellow DJ John Peel.
There’s one more special appearance in OiNK by a well-known public figure and it’s back to the Grunts page itself. Unlike most other comics OiNK included reader contributions in its specials and annuals, and in the pages of the second OiNK Holiday Special up popped the then-Health Minister Edwina Currie alongside Frank Sidebottom and co-editor Patrick Gallagher… not that Uncle Pigg appreciated this description!
This was part of the big anti-smoking push that OiNK was also a part of with its free Smokebuster Special given away to schools in the north of England. At a special event involving a bunch of lucky pig pals the press were in attendance including the South Manchester Reporter, which appears to have been Patrick’s old stomping ground.
There’s a rather funny story (infamous in the history of OiNK) related to just after this photograph was taken. The three editors (Patrick, Mark Rodgers and Tony) and Frank (Chris Sievey) saw all of the children back to the railway station and got them onto their respective trains home. Then all four of them lit up! The thing is, the press hadn’t left yet. But hey, this was all about stopping the kids from starting and they were out of sight, so you can’t fault the team’s ultimate goal. You can read highlights from the special Smokebuster edition of OiNK and its clear message in its own full review.
That’s our quick tour through the celebrity cameos from OiNK’s run. If you remember having something printed in the pages of the world’s funniest comic please get in touch via the contact form on the blog, or through social media (links in the main menu) or email at OiNK.Blog@iCloud.com. The new Grunts series is due to begin next September and will be updated quarterly with all of the reader submissions from the issues released over that time, and it’d be great to speak to some of those featured. Have you still got your Piggy Pink Prize?
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