Tag Archives: Daz

OiNK! #11: ON YER BiKE!

This issue of OiNK contains the conclusion to the first Street-Hogs story, the spoof adventure strip which began right back in #1 (and a prelude in the preview issue) and they’ve taken over. Not only is their strip three pages long inside but we also get this gorgeous wraparound cover poster by their incredible illustrator, J.T. Dogg and the general theme of the issue is biking. There’s even a free motorbike model. Sort of.

Things kick off brilliantly with a parody of a very famous children’s character in Nobby Gets a New Set of Wheels, credited to Ena Blighty, a riff on Enid Blyton who would continue to pop up in comedy takes of other books. Written and drawn by co-editor Patrick Gallagher it looks like a traditional children’s picture-panel comic story and his art style suits it perfectly. The real Noddy may be pushing on a bit now but I doubt he’s grown up quite like this version.

Motorbikes are all over the first few pages. Uncle Pigg runs over Mark Lighthouse who was out in the middle of the street with placards campaigning for road safetly, after which our esteemed editor reminds the viewers to never “stand in the middle of the road waving your arms about!”.  Zootown, the Golden Trough Awards, even the Plops and a new superhero Hedgehog Boy (his first and last appearance because hedgehogs, roads and motorbikes do not mix) all hit the mark with the theme and the funny bone.

One of the regulars getting in on the action is someone I haven’t introduced yet. Created by David Haldane he was a big hit with readers. In fact he was a big hit with everything, from skyscrapers to airships to whole armies. Basically, take the concept of Godzilla but change him into a friendly but ginormous hippopotamus and you have Hugo the Hungry Hippo.

No relation to the creatures in Milton Bradley/Hasbro’s tabletop game, Hugo was a complete pacifist and would only accidentally terrorise humans along the way. While the strip was basically the same set up every issue he was a fan favourite, going on to appear in 33 editions of OiNK altogether. It’s funny how our memories work sometimes, isn’t it? I was sure I remembered reading Hugo right to the end of the run but he actually disappeared not long into the comic’s second year, only reappearing randomly a few more times after that.

The main event is up next, the three-page finale to The Street-Hogs which takes over the middle of the comic. It might be initially disappointing to see this two-colour page below. It is beautifully grey-scaled though, something OiNK could do on its glossy paper that other IPC comics couldn’t on their newsprint. But anyway, this is only page one and the others are presented with the usual full-colour spread which brings the tale to a suitably crazy end.

This episode really does pack it all in. There’s even a cliffhanger for turning over the page. Between the over-the-top sound effects right out of the silly 60s Batman, to the clichéd evil lair being an underground apple sauce factory, to the final battle coming down to a faulty wig. There’s a piece of comedic genius in every panel thanks to the incredible writing talents of Mark Rodgers and the way J.T. Dogg brings it all to the page.

That next adventure alluded to in the final panel, Day of the Triffics isn’t coming as soon as readers may have hoped, we won’t see it until around this time next year. It’ll be worth the wait though and in the meantime from #15 there’ll be a brand new adventure from another much-loved porky personality, Ham Dare: Pig of the Future for all those Dogg fans!


Attach handlebar/light attachment (N) to discombobulator attachment (O) at attachment attachment point (M) attach the attachment with anything you like, as long as it doesn’t smell.

Uncle Pigg’s Road-Hogg!

From Dogg’s Hogs to the Road-Hogg, it can’t have escaped fans’ attentions that two of the superb bikes with all of their exaggerated abilities were destroyed in the strip above. Unceremoniously dragged off at the end, later in the issue came the chance for readers to build one of their own. Advertised on the cover as “a free cut-out motorbike”, in typical OiNK fashion even this had a punchline as you’ll see if you take a look at the page below. All you need to do is follow the instructions.

The person responsible for this fiendish extra was Daz, aka Dave Skillen who had already contributed some great spoof children’s stories in these early issues, such as The Wonderful Adventure of Billy Batt and his Magic Hat which I featured in #1‘s review. Brilliantly, just last year a pig pal (probably in the grip of lockdown craziness) decided to try and actually build it! Here’s what Sue M. Hall said about attempting this seemingly impossible task:

“I have spent recent weeks making the cardboard cut out motorbike, ‘Uncle Pigg’s Road Hogg’. Like Mount Everest, because it’s there. However, it was drawn with parts that did not actually fit together. You had to use your imagination, and make additional parts. I challenged myself to use as many of the parts in the drawing as I could. I also added a V- twin engine where the panels labelled Oink! were. I had to shrink the Oink lettering so as not to obscure the engine, or the pattern on the fuel tank.”

Sue shared this on the Oink! Comic Facebook group and has kindly given me permission to show it to you all here. I think you’ll agree this is a fantastic piece of model building, especially given the fact it was never actually meant to be built!

Also in this issue you’ll find Scruff of the Track which was drawn by the late Andy Roper. You can check it out in all its glory on the obituary post for Andy posted earlier this year. Both The Sekret Diary ov Hadrian Vile and Horace (Ugly Face) Watkins have strong anti-bullying messages delivered with plenty of laughs, Burp’s attempts to befriend us humans once again go awry after his window cleaning (via his gigantic tongue) doesn’t account for one small detail, then Billy’s Brain partakes in some Highland Games for gentle mocking.

None of these four highlights may involve the subject but it was never a hard and fast rule, more of a suggestion. I’m sure behind the scenes there would’ve been back and forth between the editors and the contributors to make sure enough of the contents matched the overall theme, but even this could vary from issue to issue so we never knew what to expect.

Two weeks ago we were treated to not only one of the best Mr. Big Nose instalments from Jeremy Banx, but also Mrs Warsaw-Pact who was sick and tired of her son making a fuss when it was time for school, so she had him put down and stuffed. Really. Well, I’m very happy to say another unique one-off can be found here, this time called Ian Nasalcavity (where does he get these names?) Visits his Grandparents. The title alone leads us to believe we’re in for another surreal treat and I was certainly not disappointed.

From stuffing a child so he’d behave in school to decapitating someone from tying a tie and leaving his body to wander aimlessly in the streets, I think it’s safe to say none of our other humour comics were producing anything remotely similar to these. What I love the most is his family’s complete lack of worry at what they’ve done; they just either stick his head back on or push him out the door, shirking all responsibility, forever leaving poor Ian to live his life without a head rather than own up.

The Hallowe’en issue of OiNK (which will be reviewed in four weeks from the time of writing) will contain more of these Banx gems so watch our for them. While I can only show a few selected highlights I think it’s a safe bet at least one of them will be included.

I often wondered what on Earth passersby would’ve thought if they saw the OiNK guys out taking photos

We’ve made our way to the end of another issue and on page 31 is the first full-page GBH Catalogue to feature in the comic. The dodgy mail order company had a hand in every pie and future issues would see them promote everything from book clubs to holidays. All contained products which were atrociously poor quality and sold for vastly over inflated prices. This BMX catalogue is certainly no exception.

I often wondered what on earth passersby would’ve thought if they saw the OiNK guys out taking the pictures for their photo stories, but what about this one? The poor fella on the bike is Patrick’s younger brother, Mike Gallagher. Patrick kindly sent me another photo of Mike to try to make up for the one above. He said it was of him at home, but actually Mike is on stage in a production of The Playboy of the Western World at The Wilmslow Green Room in Cheshire. I wonder if the GBH Catalogue is on his resume?

So that’s us, another issue of OiNK comes to a close and gets placed back onto the shelf. The next issue is the Movies Special and you’ll find the review right here on OiNK Blog on Monday 4th October 2021. But to finish off here’s one final little strip from this issue with a name that’s a play on words on my favourite novel of all time and some of my own very favourite movies and television shows. Until next time, enjoy Ian Jackson‘s War of the Worms.

OiNK! #1: 35 YEARS LATER!

Off we go! Happy 35th anniversary to my very favourite comic of all time and what I truly believe is still the funniest to ever grace shop shelves. The preview issue released the week before had prepared some for what was to follow, but the actual premiere issue made quite the impact all by itself with a free record on the cover and a matching cover image to promote it. This could not have failed to catch the eye.

We’ll take a closer look at the free gift in a bit but first let’s start with editor Uncle Pigg taking no nonsense from critic Mary Lighthouse on page two. Written by Mark Rodgers and drawn by Ian Jackson, these strips were a regular fixture for many of the early issues and starting in #3 would introduce the fortnightly subject of each issue. These would include your traditional Christmas and Hallowe’en editions, but could also be anything from music, computer games or pets, to space, health or war.

There’s no subject this time obviously but there is certainly an edge to the first few pages. Our editor introduces strips such as Ed Banger, the boy with the invincible headbutt and Mike and Spike, the naughty boy with a mohican and his equally naughty pet hedgehog. Both were drawn by Patrick Gallagher, who also put the cover together. Very modern, very 80s characters, both feel like they were intended to be regular fixtures, but Ed would only return once and after appearing in the preview issue this was Mike and Spike’s last.

But that was one of the things we loved about OiNK, the forever changing line up of regular, occasional and one-off characters kept things fresh and exciting rather than formulaic and predictable. In fact, it’s only upon looking back on the series I realise some of my favourite regular characters weren’t regular at all. But one thing we could always count on were spoof advertisements.

The half-page Uncle Pigg’s For Sale Column mimicked the kind of thing we’d see in local newspapers, except here they’re all being sold by one person, or rather pig. A precursor to the infamous GBH catalogue company in later issues, here everything is poor quality for extortionate prices. I particularly like the couple of running jokes, the ‘Barrel of Monkeys’ and ‘Live Shark’ gags rolling over into each subsequent, even funnier advert.

It might seem strange to have the above as one of our first highlights of the premiere issue rather than a strip, but these were ubiquitous with OiNK. However, only a few page turns later would be a strip set to astound the eyes of the young readers used to black and white or one-colour pages in their comics. The Street-Hogs were all set to make their grand entrance.

Written by one of the comic’s three creator-editors Mark Rodgers, who wrote so much of OiNK, it’s a spoof of classic Saturday morning television serials and their constant, increasingly ridiculous cliffhangers and even more ludicrous heroic escapes. However, inspiration could be traced back to everything from the 60s Batman to Starsky & Hutch.

It was all brought to life by the incredible talent of illustrator J.T. Dogg who, while comic artists usually draw their pages at a larger scale which is then shrunk down during publication, drew his pages at the same size as the finished product. Knowing this fact makes his beautiful colour work even more incredible in my eyes.

Is it any wonder they [The Street-Hogs] are so fondly remembered to this day by so many pig pals.

Dirty Harry, Emma Pig, Hi-Fat and their informant Hoggy Bear would fight against the butcher mafioso and find themselves in one escape-proof scenario after another for the first 11 issues, returning later for further serials. As well as being hilarious, Mark’s scripts also brought a real adventure vibe to things, albeit in suitable OiNK fashion. Is it any wonder they’re so fondly remembered to this day by so many pig pals.

The premiere issue saw some returning characters from the preview such as Burp, Weedy Willy and chat show host Terry Wogham, as well as the second OiNK Superstar Poster. This time it was Bacon Stevens (I’m sure Shaky would’ve approved) and friend of the comic BBC Radio DJ John Peel also got the OiNK treatment. New addition Hadrian Vile would prove to be an instant hit and appear in almost every issue too.

One thing I particularly loved were the takes on children’s story pages. We’d also get lots of cheeky digs at specific cartoons and toys but when OiNK took classic children’s book staples and created their own original tales they were simply magical, and no pun is intended here.

Daz‘s The Wonderful Adventure of Billy Batt and his Magic Hat takes the idea of rhyming children’s stories, told in picture panels and captions and illustrates it in what could be mistaken as a somewhat traditional fashion. That is, until you actually read it.

Daz would contribute quite a few of these to the early issues of OiNK, each one starting off innocently enough, building anticipation in the reader. As I read them, I’m just waiting for that moment in each story when it starts to take a turn for the surreal, the comedic or the horrific. Then of course, they’re all capped off with a killer last line.

So, it’s time we talked about that free gift.


“Poo-poo, tinkle-tinkle, parp-parp, OiNK!”

Actual lyrics to The OiNK Song

Over a year later the team would bring us a record called The OiNK 45 which readers could buy through mail order. This is what I did back in 1987. It contained three songs, two of which had originally been on this special floppy flexidisc. Specially tuned to be enjoyed by young ears but excruciating for adults ones, The Oink Song and The Oink Rap were irritatingly catchy and I loved annoying my family with them at a volume they simply shouldn’t have been played at.

Along with silly dance moves (and alternative uses for the disc for those without record players) on a special double page spread were the lyrics. Whenever OiNK is brought up on some random social media chat it’s never too long before someone quotes the chorus of the song on the right!

Both were recorded by former member of The Fall, creator of Harry the Head and BBC Radio 6 Music DJ Marc Riley, The Oink Song’s effect of multiple squeaky pigs being achieved by overdubs. Creator-editor Tony Husband produced some of the electric percussion for the rap song and, according to Tony recently, “that influenced Public Enemy and Run DMC and all those people Dr. Dre talks about as a major influence.”

To hear some of The Oink Rap just check out the OiNK Blog YouTube Channel where it’s used for the opening and ending of each episode. Just remember, I did warn you in advance.

I’m very happy to see Tom Paterson return for this premiere issue after his Revenge Squad in the preview. Drawing another Pigg Tale written by Mark Rodgers, this strip makes the previous one look like a warm up. This is Tom without any of the constraints he had to work under elsewhere. It epitomises silliness and is chock full of his trademark sight gags and background jokes. Take your time in reading this one.

I love all of the little incidental details such as the explanation of where Jonesy’s underwear came from, the sound effects and descriptive words used throughout, even the obligatory bangers and mash. I even like his depiction of Uncle Pigg, even though by this time it was agreed he wouldn’t be a typical smelly pig. If Tom had been able to become a regular contributor his collection of strips by the end would’ve been second-to-none, but at least we can enjoy such brilliance as Testing Time.

One more highlight for this issue and it’s a rare colour outing for OiNK’s very own superhero.

David Haldane contributed quite a few strips to the comic, including Hugo the Hungry Hippo and the dark humour of the Torture Twins. Rubbish Man was his main character, where young hot dog salesman Jimmy Bung would save the world against a crazy array of villains by leaping into the nearest dustbin and becoming the smelly superhero, with everything from cold custard to mouldy mashed potato at his fingertips. Quite literally.

Haldane’s style has changed somewhat from the preview; his outlines are chunkier, the panels are fuller and overall it’s a much bolder look. It’s all very random, like organised chaos, which suits the overall comic perfectly. I love it. From the gorgeous colour work to the handily bleeped out curse words, it’s the final strip of the comic and the perfect way to end things for now.

As first impressions go this has been a great success and a joy to read from beginning to end. The sheer variety in the art styles alone was enough to make it stand out, but put those styles into genuinely hilarious strips, make them all different lengths, squeezing in as much as you possibly can to make use of every available space and print it all on extra large, glossy paper and what do you have? A comic like nothing else on the market. In other words, you have OiNK!

Issue two’s review will be here in a fortnight on Monday 17th May and you can check out its promo too.